Sunday, December 21, 2025

Light Fight

Deck the Halls
Director: John Whitesell
Cast: Matthew Broderick, Danny DeVito, Kristin Davis, Kristin Chenoweth, Alia Shawkat
Released: November 22, 2006


More like Dreck the Halls, am I right? 

I had never seen this movie until a few days ago and if you asked me to tell you the plot of this movie before I saw it, I would have told you it's about neighbors who are battling over who has the better Christmas light display. Well, I would have been wrong! Because that's not what the plot of the movie is! Even though it would have made more sense than the actual plot! 

Steve Finch (Matthew Broderick) lives in the idyllic town of Cloverdale, Massachusetts with his wife, Kelly (Kristin Davis), fifteen-year-old daughter,  Madison (Alia Shawkat ("Maebe" they'll give her something to do in this movie; no, no they will not)), and ten-year-old son, Carter. Steve is an optometrist and his office is located on Main Street. He loves Christmas and follows an advent calendar which helps them with their Christmas schedule. He has a set schedule for Christmas. For instance, on the third, when he opens the door of the advent calendar, there's a wreath so that's when they put up the wreath. They use this calendar every year so he already knows what's behind each number, but what if something is really late in the Christmas season? For instance, I think stockings were on the 24th, so does that mean they hang up their stockings on Christmas Eve? This is dumb, I'm sorry. 

His wife tells him they shouldn't have everything so rigidly scheduled when it comes to Christmas and to basically just go with the flow, but he tells her that when he was a kid and his dad was in the Air Force, they moved from one base to another and they never had a Christmas tree and "Christmas was not a priority" for his dad. He wants to make sure he has family traditions for his children around the holidays they can look forward to. He's worried about his kids because his daughter doesn't have many friends and their son acts like he's having a midlife crisis. I did laugh when he says, "Let's face it, our kids are a little weird." 

We are introduced to the new neighbors, who, for some reason, are moving in across the street in the late evening. Why are they moving in so late? There's really no reason for them to do that. They could move in the next day. Buddy Hall (Danny DeVito) and his wife,Tia (Kristin Chenoweth), come over to introduce themselves the next day. Tia invites Kelly and her kids to come over, which they do. They're still unpacking stuff at the house and Carter sees a provocative painting of Tia and is staring at it, his mouth agape. Tia tells them she used to do some modeling, "mostly for art classes at the community college" and that's where she met Buddy. Kelly asks if he's an artist and Tia replies, "They caught him peeking through the windows." While I did laugh at that, that is dark and messed up! 

We are introduced to the Hall's twin girls who are both blonde and super tall (which is probably part of the joke since their parents are short) and act really ditzy and boy-crazy. Like a dope, Carter is staring at them and basically drooling. I loved how his sister was just looking at him with disgust because he's being so obvious about it. I don't even remember theirs names or if we were ever told their names. 

There's a vase sitting on a stool in the middle of the room and when one of the twins walks by it to ask Madison a question, she almost knocks it off, but Kelly catches it. Tia thanks her and says it's been in her family for years and that "it's worth more than this entire house put together." If it means that much to her and it's that expensive, why would she have it out in the middle of the room on a stool where anyone could walk by and accidentally knock it over. Now this (spoiler alert!) will be Chekhov's vase so I get they need to set it up, but I'm sorry, it still made me mad that she would treat a valuable piece like that. 

Buddy has started a new job at a car dealership. On his first day, three other sales guys point out an older gentleman inspecting a car and tell Buddy he should try to sell him a car. One guys bets him $1,000 he won't be able to sell him the car and the other guys get in on it, so for $3,000 Buddy is eager to show them what he can do. He goes outside and the other guys start snickering because the joke is that the man outside owns the dealership. From their perspective, we see Buddy talking to him, but we don't hear anything. He comes in about ten seconds later and tells them to put the money on his desk by the end of the day, then the owner comes in and dumfoundedly says he can't believe he just bought one of his cars. I guess this scene is here to show us Buddy can sell anything (though we never see him trying to sell anything else), but obviously they (the writers) couldn't think of how he would be able to sell the owner of the car dealership a car (at sticker price!) so they copped out and didn't show us. 

Tia is thrilled when Buddy tells her he sold a car on his first day because they can now pay off their "monumental debt." Obviously, Buddy doesn't care about this because we'll soon see him spending a lot of money on frivolous stuff. 

His daughters show him a website called "My Earth" which is basically Google Earth, but they must not have had the rights to use its name. On it, "you can see every house in the country from space." Every house, that is, except for their house. For some stupid reason, Buddy is really upset about that and when he sees a Christmas light while he's taking out the trash, he gets the idea to put lights on his house to brighten it. 

The first glimpse of a rival between Steve and Buddy happens when Buddy is putting lights on at three in the morning (why?) and Steve comes over to confront him about it and tells him how bright his house is. He must be using some really bright bulbs because at this point, his house is just outlined in white lights. Steve is gonna wish that's where Buddy stopped because it's about to get worse. Buddy checks My Earth, but he still can't see his house. 

The next day he goes to a hardware store and throws all the lights in his cart until it's full with boxes of lights. He empties the shelf and asks an employee if he can order more lights for him. In the backroom, he sees a horse-drawn sleigh which he buys. Now you think his wife would be outraged that he bought such an expensive (and unnecessary, like what are they going to do with that thing?) purchase, but she loves it! (Maybe Buddy got a good deal on it.) 

Meanwhile, across the street, the Finches are getting ready to take their annual Christmas card photo where they all wear the same Christmas sweater and get their picture taken in front of the fireplace. Carter looks outside and exclaims, "The new neighbors have reindeer!" I thought we were gonna see reindeer, but they're just horses with fake antlers duct-taped to their heads. Is this kid a bit dumb? 

Steve tries to herd his family back to the house to take their photo, but Tia suggests they take it on the sleigh and Kelly loves the idea. I have to admit, I think it's a really good idea and would make for a really cool Christmas photo. Carter gets in the sleigh and Buddy tells them, "We should keep our voices down a little because I found these horses on the outskirts of town and they look a little skittish to me." I'm a little confused how he rounded up these horses. You would think he was borrowing them from a stable, but he makes it sound like they're random wild horses. How would you even be able to round up wild horses? This is so dumb. Steve is (rightly) freaked out by what Buddy just said and tells his son to get out. Somehow the kid gets off the sleigh, but Steve is now in it and the horses take off. The horses take Steve into the streets where the sleigh is crashing into parked cars and barely missing people on the sidewalks. The sleigh comes unattached from the horses and goes over a snowbank where it flies across a street and lands on a frozen lake after sliding and spinning around a few moments. When the sleigh was flying overhead, a kid in a car sees it and exclaims, "Santa! He's real! I knew it!" Oh, I should mention that Buddy had put a Santa coat and hat on Steve so he was wearing that. The ice breaks and he and the sleigh go underwater, but luckily his family and the Halls must have followed him there because the next scene has him in the back of a car. He's naked, in a sleeping bag, next to Buddy who tells him they're onto way to the hospital and they had to strip him so he wouldn't freeze. The camera pans out to reveal that Buddy is also naked in the sleeping bag. When Steve questions him about that, his reply is, "I had to get your body temperature up, so I stripped us both and down and zipped us into this sleeping bag." Hmmm, I don't think it works that way. The movie could have gone for many jokes, but instead Steve just starts screaming. Yes, whatever joke they would have come up with would have probably been really stupid, but it's better than just the punchline being a scream. 

When he's back home, he's complaining to his wife who says, "The doctor says he probably saved your life." Steve replies, "Which is only fair since he's the one that almost got me killed in the first place." I mean, he's not lying. Do you think Buddy got his money back for the sleigh? Did he get sleigh insurance? Why isn't his wife angry that he spent so much money on something that they don't have anymore? This movie is so stupid. 

We're now seeing more lights on the Hall home and people are driving by to look at it.

Much to Steve's chagrin, Kelly has invited the neighbors to join them to pick out a Christmas tree. We don't see it, but I'm assuming the advent calendar has a Christmas tree on this particular day. The Finch's have their own private Christmas tree lot with about five or six trees, each one taller than the next. Is this a thing? Do people grow their Christmas tree several years in advance? Steve tells the Halls he has the next five years of trees all lined up. He has brought an axe and promised his son he could chop down a tree. (I dunno, chopping down a tree does NOT look like fun to me! It looks like a lot of hard work!) 

Buddy has brought a chainsaw and before he and his family go out to find a tree, he says, "Last ones to the cars are losers." This stupid comment makes Steve become competitive and he wants to chop down the tree himself so they can get it faster. (Um, I've never used an axe or a chainsaw, but I'm betting the chainsaw gets the job done quicker!) 

We see Buddy turn around and knock over a can of gasoline with the tip of the chainsaw. I was confused why there was a random can of gasoline just sitting in the snow, but I guess you need gasoline for chainsaws...which I had no idea. The thing is, we never see him putting it in the chainsaw or mention it or anything. It's just sitting there. I don't think he knocked it over on purpose because the movie would definitely let us know by showing him being devious and really obvious about him wanting to sabotage Steve's Christmas tree lot. 

The gas pours out in a puddle around the tree Steve has started chopping down. It's a good thing his son isn't chopping it down because a burst of flames goes up and swallows the tree in seconds. And if it isn't bad enough their tree for this year goes up in literal flames, so do all the other trees lined up behind it. Of course Steve is livid (yeah, I would be too, that's gotta be expensive having your own private Christmas tree lot) and why the hell would someone just leave an unopened can of gasoline around flammable trees? 

Even though Buddy offered to cut him down a tree, he refused because their family always gets a silver noble tree. The only one left was probably about three feet tall. It would be a great tree for an apartment or somewhere small, but looks pretty dinky in their living room. There were plenty of high quality trees at this lot, he couldn't just get another type of tree? They're all in the pine family. I'm surprised his kids aren't whining about it, but they probably know it's a loss cause since their dad is so set in his ways for Christmas. 

Buddy wants to work on a sequencer (I think that's the right word) so he can have the lights set to music. The next day, while he's at work, Steve sees Buddy buying more lights. (I would love to know how much all these lights are costing!) He goes over to talk to him and some guy stop them, asking what he thinks of the tree in the town center. Steve thinks he's talking to him and starts to speak, but the guy says he was talking to Buddy because "he is the expert." This doesn't make Steve happy. After Buddy is done talking and praising the tree (and basically offering obvious things about it such as the ornaments are nicely placed), Steve tells him he's the Christmas expert. Apparently this town also has a Fourth of July expert and another holiday with an expert that I can't remember. He tells Buddy he can have Halloween. I'm sorry, but this is the stupidest thing. Why is he an "expert" at Christmas? He just seems to be an expert at wanting to make sure his family Christmas is the same every year with their scheduled events. 

It's now December 15th and the advent calendar shows carolers so that must means it's time to go caroling! Some people have come over to the Finch's to go caroling with Steve, which is obviously a tradition they always do. This was a funny scene because while he's trying to harmonize with his carolers in his yard, across the street, Buddy's lights are on full force and a Christmas rap song starts blaring. Everyone in Steve's caroling group keeps looking behind them and it's clear they have no intention of caroling and want to go over and join the festivities going on at the Halls'. There's even a local news reporter from channel 8 to interview Buddy about the lights. He says he's gonna put out more lights (WHY??) and he's not gonna stop until he has "the biggest and brightest light display in the world" and adds that he wants his house to be "seen from outer space." What is with this weird obsession with wanting his house to be seen from space? Yes, it's been stated that he doesn't like being invisible, but I never get the sense that he's invisible...everyone in town seems to love him and his Christmas lights and his Christmas "expertise". It's just so stupid! Ha, I was listening to the podcast episode that How Did This Get Made? did about this movie and they were arguing (in a joking way) over who was the protagonist of this movie because both of them suck! 

Steve is trying to get out of his driveway, but a trailer and another large vehicle are parked in front of it with very little room for his car to get through. Some guy (who's been drinking) tells him he'll guide him out. Well, he gets distracted by the lights and Steve's car ends up getting scraped by a hook on the back of the trailer. (Even if the guy wasn't drunk and/or distracted, there's no way he would have successfully guided Steve's car between that small space!) The door on the other side gets caught up on something and the guy just tells Steve just to floor it and he does and when he gets out on the street, both front doors of his car are gone. I admit, I did laugh at that. 

Once everyone is gone, Tia tells her husband the thing we're all thinking: "It's the stupidest thing", referring to Buddy wanting their house to be seen from space. I honestly don't know why Tia hasn't set her foot down on all the money Buddy is spending on frivolous things. But she still doesn't say anything. There is now a "live manger scene" in their front yard complete with a cow, donkey, and camel. (And he'll hire actors when he's performing for the neighbors.) How much is all this costing? Do the animals stay there all the time or are they just there when he puts on a show? If they're there all the time, how is he affording to feed and take care of them? (We only see them when they're needed for the plot.) Also, something tells me a camel cannot survive in the Massachusetts winter! 

The camel makes its big appearance (camel cameo?) the night Steve decides he's going to dress all in black and sneak over to cut the power. He uses his son as a lookout. Before he gets to the fuse box, Buddy comes outside and looks around (I guess he heard a noise) and to hide himself, Steve dives into the penned-in area where the animals are being kept. This results in the camel spitting some bright atomic yellow stuff on him. 

He ends up stuffing a snowball in the fuse box and the light go out. This satisfies Steve greatly. Right away, I knew the lights were going to come back on shortly with the help of a generator. And I was right. Buddy knows it was Steve who sabotaged his lights and decides to get back at him.

At first, Steve thinks Buddy is offering an olive branch because he wakes up to find a new (and tall!) Christmas tree in his living room with an apology letter. Um, when did Buddy put that up? Did he comes over to their house in the middle of the night? This movie leaves so many unanswered questions. Not only is there a new tree, but also a new car in the driveway. When Buddy sees Steve and Kelly fawning over it,  he comes over to tell them the car is theirs for what he's put them through. 

The first sign that Buddy is up to no good is when Steve drives to work and sees someone has cut down the tree in the town center, leaving only the stump. Surely Steve, being Mr. Christmas and all, would recognize the ornaments on the tree. I think deep down he knows it's the same tree, but is telling himself it's not. The second sign that Buddy is up to no good is when Steve arrives at work and his assistant hands him some papers from the car dealership and says, "They say you have to pay for the car by lunchtime or you're going to be arrested." Guess he wasn't gifted a car after all! 

Meanwhile, at his job, Buddy is told that while he's a great car salesman, his numbers are down because he's never around (because he's buying all those stupid lights!). Buddy goes into some spiel about how the Christmas lights are more important than his job because he's always quitting things, but he needs "to finish this." (And apparently it won't be finished until aliens can see his house or something stupid like that!) He is told that he won't have a job to come back to when he's done with the lights. 

Steve shows up with the paperwork and confronts Buddy about it who tells him, "I'm guessing that's the bill to the new car you bought." He tells Steve the car is his (Steve's) because he signed a contact. This enrages Steve because of course never signed anything and Buddy admits he was the one who forged Steve's signature. Uh, that seems like a major felony! There's this whole stupid subplot where the chief of police wears women's underwear so this makes Steve wary of calling the police for help, so you know he's not getting the police involved in this. Instead, he tells Buddy he's going to call his attorney. At least that's something, but Buddy talks him out of it and brings up Winterfest and the speed skating race where they can compete against each other. Steve likes this idea and lays down the rules: "You win, I buy the car. I win you take down the lights." This seems a bit one-sided. One guy has to buy a very expensive SUV and the other guy just has to take down some lights? WTF is this? Why is Steve agreeing to this? And he was the one who made the rules! Dumb idiot! 

The Winterfest has arrived. It's Christmas carnival their town hosts every year that has "a show, games, ice sculptures, and [speed skating] races." 

The Christmas show includes a "sexy" one where three young girls in red fur-trimmed dresses and Santa hats are dancing to "Santa Baby". They pretty much ripped off that scene from Mean Girls. You can't see the faces of the girls because they start the dancing by facing away from the audience, but right away I knew it was Madison and the twins. We've seen them become friends throughout the movie. Buddy and Steve start acting gross and start hooting and hollering at the girls. Yes, maybe they don't realize those are their daughters (how would they not know that they're in a show at the Winterfest? Major pothole there), but they're still oogling very young girls with their wives somewhere nearby! Steve even yells out, "Who's your Daddy?" which is very uncharacteristic  for him. There is no way this rigid character who has a schedule for everything would ever yell that (especially in public!). Obviously, they do it for the stupid joke (because he is her daddy, har, har, movie), but it's so OOC for him. Like, maybe I could see Buddy doing that (after all he was a peeping Tom at his future wife's art class!), but not Steve. If I were Madison, I would never speak to my dad again for being a gross dirty old perverted man. 

Steve and Buddy are freaked out by what they've just done and we see them wiping their eyes out with holy water at a church. This church has a P.A. system which alerts them the speed skating race will be held in five minutes. There's really nothing to say about this race except that there's a lot of people falling and tripping and Buddy ends up winning which means Steve will have to pay up. So stupid of him to agree to have this race! Steve goes low by telling Buddy the last time he looked at the My Earth website, he couldn't see Buddy's house (Whoooooooooooo cares?) and asks him, "How's it feel to be invisible?" This hurt Buddy's feelings. So your house can't be seen from freakin' space! As my mom would say, Buck up! 

Buddy has gone completely off his rocker because in the next scene we see him at home talking on the phone, asking how much a bunch of LED lights he wants to order would cost with the shipping. We don't hear the price, but it's obvious exorbitant. I did laugh when he asks if that price is in yen. We see him looking at his wife's priceless vase and puts in the order.

In the next scene, Tia has discovered the stand holding her vase is empty and asks Buddy about it. (Is this the same day? How did he sell it so quickly?) When she asks him if he pawned her grandmother's vase, he asks her, "How am I supposed to afford a camel on a car salesman salary?" Why is this now about the camel? I thought he was buying lights with the money from his wife's vase. He adds he couldn't get a loan because he lost his job and that's how she finds out he doesn't have a job anymore. Those Christmas lights/Christmas display seem to be more important to him than his wife or kids of having a job. 

But Buddy doesn't seem to care about any of this and puts on a big show with his lights and music for a big crowd, including the local news. There are even images of himself on the roof. He must have filmed himself, then projected himself. I would love to know how long it took to coordinate all of this. It's actually pretty impressive what he did, surely there's a profession for him in Christmas light and music sequencing or whatever you would call it. While the show is going on, his wife and daughters get in the car and leave. He half-assedly yells after them not to leave, but what's more important is that after the show is over, he tells the audience, "The show is gonna be repeated every night, on a loop, until 4 a.m." I'm pretty sure this is called disturbing the peace and is illegal to be playing music that loud (because it is blaring). 

Steve has had enough and his solution is to buy some firecrackers. Now we had heard earlier there was a "Fourth of July guy" in this town and you would think that's the guy he buys it from, but it's never mentioned it's the same guy! He gets on his roof and shoots some fireworks off towards Buddy's house. He will later learn this was all for nothing because Buddy was at the motel his family was staying at, throwing pebbles at the window to get their attention. But even worse, a large firework ends up going down Steve's house's chimney and ricochets around his house before hitting the tree, setting it on fire. His wife is up at this point and sees the whole thing (and the firework nearly misses her). You would think she would grab the kids and leave, but no, this doesn't happen until the next morning. They go to stay with Tia and the twins. 

Steve is sad and Buddy is sad. Boo hoo hoo, maybe they shouldn't have acted like total idiots.

At that motel, Carter looks out the window and tells everyone else to come see something. It's a path lit with Christmas lights and lined with plastic candy canes, Santas, stars, snowmen, etc. They follow it to see where it leads and it's right back to the Halls' house. (I'm guessing the motel wasn't too far away from their house.) All the lights and Christmas decorations are Buddy's as we saw him taking all of it down because it wasn't worth having up anymore since it took away from his family. 


Buddy and Steve have a meal waiting for their families and you would think this would be the end of the movie: the wives and kids have forgiven their husband/dads, Buddy has gotten Tia's vase back (and telling her they won't be using their credit cards for a long time), but nooooo, it's not! 

Okay, I have to be honest with you: I had a few more paragraphs of this review which I had written, but for some reason, when I was putting in photos, I somehow erased the end of this review! Usually, I can get it back, but it won't let me get back and I'm so irritated right now! All that typing for nothing! I don't want to write all of it again! So I'll just write a very condensed version because who cares, right? F this movie!!! Ugh, I'm so mad! 

So basically Steve had called everyone in town to bring their own lights and help put lights on Buddy's house (like they don't have their own plans for Christmas because it's either Christmas Eve or Christmas Day). The lights so on for ten seconds before they go out again. Tia starts singing "O Holy Night" and everyone joins in. (Might as well make use of having Kristin Chenoweth in your cast.) In a very Christmas Vacation move, Carter sees the plug isn't all the way in and fixes it and the lights go on. And the most important part is that Buddy's house can be seen from space. I'm so glad we have our priorities straight!

Wednesday, December 17, 2025

Sibling Rivalry

Fred Claus
Director: David Dobkin
Cast: Vince Vaughn, Paul Giamatti, Kathy Bates, Miranda Richardson, Kevin Spacey, Rachel Weisz, Elizabeth Banks
Released: November 9, 2007


This is a weird movie that doesn't exactly work. The titular Fred Claus (played by Vince Vaughn) is the older brother of Santa Claus (played by Paul Giamatti). The movie begins in the Middle Ages (according to Wikipedia, but I'll rely on it since we aren't given a certain time period) where young Frederick's mother (played by Kathy Bates) gives birth to a very fat baby whose first words right out of the gate is, "Ho, ho, ho." He is named Nicholas Claus. At first, young Fred is enamored with his baby brother and promises to be the best big brother, but over time he becomes jealous of his perfect brother. Nicholas wants to give all his birthday presents to "the poor orphan down the road" and his mother calls him "my little Saint Nicholas." He likes to be "inventive" and slide down the chimney because "the door was locked" and made himself a red outfit.

The movie explains how it went from olden times to present day by telling us Nicholas fulfilled his mother's prophecy by becoming a saint: "It's a little known rule of saint hood, but when you become a saint, you freeze in time, eternally ageless. The rule apples to the family of the saint and spouses, as well." Oh, that seems convenient. So that means Fred has been around 35 for centuries and centuries. You would think he would have some jokes about all the historical events he's witnessed through all the centuries he's been around, but there are none. It's just a way to explain how Santa's been around all the time and how the movie is set in the present. 

Fred lives in Chicago and Vince Vaughn has a couple scenes with kids where he's doing his Vince Vaughn thing where he's just talking a mile a minute, obviously doing his improv thing. He gets into arguments with these kids about Santa. A little girl tells him Santa brought her a TV for Christmas and in return he tells her that Santa's not looking out for her and she should be outside "playing kick-the-can." A young boy called Slam (his real name is Sam) often drops by to visit him in his apartment. He tells Fred that he asked Santa for a puppy, but he doesn't know "how [Santa] will know where to bring [him] gifts this year, because [he doesn't] know where [he'll] be on Christmas morning." Fred asks him if he's ever really though about Santa Claus and tells him how Santa likes the spotlight and craves the attention and adds, "Don't be a cheerleader for Santa...don't drink the Kool-Aid, you're better than that." I did laugh when Slam replies, "I like Kool-Aid."

Apparently, Slam is living alone because his father died and CPS comes to collect him. I'm not sure if Fred knew about this (he did seem surprised when he hears this news). We will check in on Slam a bit later. 

Fred has been dating a beautiful British woman named Wanda (played by Rachel Weisz) for the past three years and he has forgotten that it's her birthday tomorrow. He tells her he didn't forget, that he has a special surprise planned for her. She's a little skeptical because the last time he told her he had a surprise for her, he told her to brush up on her French and she thought he was taking her to Paris, which she's always wanted to visit but instead he took her gambling on a riverboat in Indiana. They get coffee and she asks him to tell her what the surprise is and he says it won't be a surprise if he tells her. It's so obvious he forgot and doesn't have anything planned. Outside, he sees a sign behind her advertising for a new restaurant called Bonsai Palace and tells her he's taking her to this great new place and names the restaurant. It's funny when she says that sounds familiar (probably because she's seen the huge billboard for it!). I'm surprised we didn't see her seeing it when they left the coffee shop, but they cut from the scene while they're still there. She obviously had to see it when they eventually left!  

Fred is involved in some kind of project involving casinos and real estate. I'm not exactly sure what it was, but he needs $50,000 by the 22nd, which is about a month away. It's not really important what the project is (because, spoiler alert, it will never happen); the main takeaway is that he needs the money. He also needs an extra five grand for bail money because he's been arrested for impersonating a Salvation Army Santa and gets into a huge fight with all these Santas.

Fred calls Nick and at first, it seems like a courtesy call, then he tells his brother if he wanted to send him a gift, he could "send $5,000 to the police station on Michigan Avenue in my name." Nick's wife, Annette (played by Miranda Richardson), doesn't want him to do it, but he tells Fred he'll send it to him. Fred tells his brother he's going to give him a gift in return: "I'm gonna give you $10,000 for Christmas in cash." Of course this confuses Nick because how can Fred give him ten grand when he needs five grand? He points this out and Fred just starts babbling, then adds, "Go ahead and send me $50,000 on top of the five." What the hell? How did we go from five to fifty thousand? It sounds like Fred's done a few scams in his (very long!) lifetime! Nick is firm and tells his brother he'll pay the five thousand for his bail, but if he wants the rest of the money, "then you're just gonna have to come up here" where he can earn the money. Fred isn't so sure, but Nick reminds him he's never come to visit. Really? In ALLLLLLLLLLLL that time, in all those centuries, not once he's ever been curious to check out the North Pole and Santa's Village and see how it all works? 

Fred asks him what he would be doing and Nick replies, "Shave reindeer, sprinkle the doodads on the cookies, put the stars where the little guys can't reach." I'm sorry, but this sounds like stuff that won't make him fifty grand! Fred agrees, but tells him he needs to leave by the 22nd and Nick is fine with that. 

While he was in jail waiting for the bail money, Wanda was waiting for him at the restaurant and breaks up with him because he never showed. Or maybe she didn't break up with him, but just said she needed a break. I'm not really sure because (spoiler alert:) they will get back together. 

Santa's head elf, Willy, has come to pick up Fred in the "company car", which, of course, is the sleigh powered by eight reindeer. When
they land in Santa's Village, the Northern Lights are very prominent and there are many elves running around, wearing greed outfits with red and white striped stockings. Fred meets Charlene (played by Elizabeth Banks) who is also known as "Santa's little helper" and she's the one who keeps Santa on schedule. Her nickname is ironic because she's not an elf and a fully grown person. I would love to know her backstory. She's not an elf, so how did she end up there? Is this a Buddy the Elf situation?  There's a weird storyline where Willy has a crush on her, but she never remembers her name and Fred teaches him how to dance and he ends up wooing her and they're a couple by the end of the movie. It's a very unnecessary plot line and Charlene is really not needed in this movie. There's a million elves that live and work in the North Pole; one of them can't do her job? And at least the title "Santa's little helper" would make sense if it was attached to an actual elf! 

Fred is sharing a room with Willy, no, I take that back. He's sharing a bunk bed with Willy. He's on the top bunk and Willy asks him if he would be more comfortable on the bottom bunk, but Fed tells him it wouldn't make much difference. We see his legs hanging from the end of the bed. I can't imagine how uncomfortable that would be! 

The next morning, Willy gives Fred "a full orientation of the gift giving process" (which was ordered by Santa). They enter the work shop which is full of elves working on and making. toys. Willy explains that kids write to Santa to tell them what they want, then the letter are delivered to the North Pole Post Office, "The busiest in the whole world" (and kids can just write "Santa Claus, North Pole" and they're good to go!). The letters are sent to the toy factory where "each and every toy that a child asks for is handmade by the elves...once built, the toys make their way to packaging...the toys are stored until Christmas Eve when Santa delivers them." I loved Fred's dry reply: "Good to know, thank you, Willy."

Nick shows Fred the "Naughty / Nice Department" which "is the key to the whole process, the nerve center of the entire operation." There's a huge crystal snow globe where you can say the name of anybody in the world and their image will appear at that moment. 

There's a "Ten Most Naughty List" with the names of the kids and what they did. I paused to read some of the reasons for these kids being on the top of the Naughty List:

-bit his dentist and his father

-made her teacher cry every day

-gave mother a nervous breakdown

-got teacher arrested at trip to White House 

-toilet papered house of his vice principal

-stole piggy bank from his best friend

-wore same underwear for 17 days

-poisoned fourth grade class hamster 

-locked little brother in closet 

-changed report card grades

I feel like a couple of these should be higher than the kid who bit his father and dentist, who, at this moment, is the most naughty kid in the world. I don't know, maybe the boy who locked his brother in a closet or the girl who (intentionally?) poisoned her class hamster or the girl who got her teacher arrested? What the hell would she be doing to cause her teacher to get arrested? Biting your dentist seems par for the course for a little kid...a dentist sticks their fingers in your mouth, it seems something a little kid would do. 

Nick tells Fred that sometimes kids are both naughty and nice (duh, I feel like that's the majority of kids) and they do "an up-to-date determination." He demonstrate how the snow globe works by saying a name of a random kid and his location. We see a kid in his sister's room just smashing everything with a plastic bat. I think we all know what list he's currently on! 

Fred's job is to review files of kids and either stamp them as "naughty" or "nice." These files also include the letter they sent to Santa. An elf brings him a tall pile of files and he asks if that's it and the elf replies, "Yeah, right. That's just Bethesda, Maryland." As you can imagine, there will be piles upon piles of files all around the room. 

Nick and Annette (remember, that's Santa and Mrs. Claus) are visited by an "efficiency expert" named Clyde Northcutt (played by Kevin Spacey), who has a backstory of hating Christmas and is trying to ruin it for everyone else. He shows the Clauses (Claus's?) a graph of how "the average size of a child's wish list has grown substantially in the last 200 years." The x-axis shows years and the y-axis shows the number of gifts kids ask for. By "present day" 2007, it's up to 25 gifts! Clyde explains, "In the 1800s, children rarely asked for more than one item and usually these items were of an intangible nature - something like a family member's health or the end of war or famine....today, the average child asks for 15 gifts per letter." He tells Nick that his toy line operation is getting "further behind each year...it's simply not good enough." Nick reminds him he doesn't give every child every toy they want as "part of Christmas is being grateful for the things that we can have." Clyde threatens that he might have to shut him down and a new operation will be "based at the South Pole." He tells Santa that he has three strikes. If he can make it through Christmas without three strikes, he'll keep his job. If he gets three strikes, "the entire operation will shut down permanently."  Well, guess what Strike One is? Oh, wait, you wouldn't know because I haven't set the scene up yet.

So while the Clauses were visiting with Mr. Northcutt, Fred was getting tired of hearing "Here Comes Santa Claus" which is the only song they play while the elves are working. Even though they play different variations of it, I would also get tired of the same song being played over and over again. (And they can't play other Santa Claus themed songs like "Santa Claus is Coming to Town" or "Up on the Rooftop"?) Fred tells DJ Donny (yes, there is a DJ elf whose only job is to play the same song) that he needs to stop playing the same song because it "becomes like mental torture." Donny refuses to change the song, saying it's catchy. Fred puts him in "the naughty cabinet" and plays a different song. He plays "Rubberneckin'" by Elvis Presley, a song I wasn't familiar with, so I don't know if it's a deep cut in Elvis's discography. 

At first, the elves don't like the song and they're covering their ears, but then they soon find themselves getting into the groove and soon start dancing and cheering on Fred when he starts dancing, front and center. DJ Donny gets out of the cabinet looking mad, but even then he starts to get into the music. 

Clyde and the Clauses are on their way to the workshop as Santa is telling Northcutt the elves are hardworking and dedicated. Now do you see where this is going? When they enter the building, all the elves are cheering on a dancing Fred while all the toys and gifts are getting ruined because nobody is there to work on the assembly lines. It was pretty funny when Fred (a rather tall man) jumps into the sea of elves and crowd surfs. 

Clyde gives Santa his first mark and later we will see him shredding many of the files and letters to Santa the children wrote in a way to frame Fred and for this he gives Santa his second mark.

The next day, Fred tells his brother he didn't do anything with the files. Nick tells him how important they are because without them, they "have no idea what the children want, or whether they've been marked "naughty" or "nice" and how it was Fred's responsibility to keep track of them." 

When Clyde gives Santa his second strike, he feigns concern about Fred and asks Nick if he's "asked for large sums of money recently" or if he's "gotten into trouble with the law?" Nick confirms this and Clyde says Fred is crying out for help and that someone needs to step in and help him. This results in an intervention with the family. Even Wanda is there. At first I was wondering if she knew about Santa being Fred's brother, but my question was quickly answered when he tells her, "My brother is Santa Claus" and she replies, "Yeah, I can see that. The whole thing's been a little bit unusual." For someone who found out Santa Claus is real (and is the brother of her boyfriend) and had to travel to the North Pole (how did she even get there? Did an elf pick her up in the sleigh?), she seems pretty chill about the whole thing. The only slightly funny thing about this scene was Annette saying that her husband was "dangerously overweight" and Nick's mother saying there was nothing wrong with him. 

Fred reminds them that tomorrow is his last day on the job and then he'll go home and be out of their lives forever.

A new kid has taken over "the number one Most Naughty spot" and wouldn't you know it, it's Slam. Fred uses the snow globe to check in on him and we see him in the orphanage with other young boys. One kid asks another kid what he wants for Christmas and he replies, "A family" and the other kid says he's asking for one too. This makes Slam get up from his bed and tell them Santa's not brining them families and that "Santa Claus is a clown. He's a fame junkie." He's basically repeating everything that Fred told him earlier. He proceeds to get into a shoving match with the other boys. One of them tells him he's never getting adopted because he's mean. While not great behavior from Slam, does he really warrant the #1 spot for the Most Naughty Kid? I think Santa is a little incensed that this kid is telling other kids unflattering things about him and that's why he made the #1 spot. 

Fred looks at Slam's letter to Santa (luckily it wasn't one of the ones that got shredded, but really, how many files could get shredded out of the millions and millions of children who have files?) and it's a really cute one asking Santa for a puppy. Fred stamps his file as "nice", then starts stamping all the other letters as nice as well. 

Nick finds out about this and demands to know why Fred marked every nice child as "nice and says they cannot make enough presents for all the kids with three days left and deliver them. This results in him getting his third strike and Northcutt hands him a "notification of termination" card as he says, "You're fired." 

Apparently, Fred was paid fifty grand for stamping a bunch of papers (get me a job in the North Pole!) and he's back in Chicago. He finds a present from his brother and unwraps it to reveal a bird house like he used to make when he was a child. Nick apologizes for cutting down his tree where he hung the birdhouse, which smashed it. Of course, all of this happened centuries ago, but I guess it's the thought that counts.

Fred goes to a support group called Siblings Anonymous which felt like it could be a skit on SNL. In fact, this would make more sense to have it condensed to an eight minute skit rather than trying to make it into a two hour movie. It's basically a group of people (I think they were all men) who have a sibling (they all seemed to be brothers) who is very famous. There's Frank Stallone, Bill Clinton's brother, and one of the Baldwins...I think Stephen. I did laugh when Fred introduces himself: "I"m Fred Claus. I'm Santa Claus's brother" and everyone is just looking incredulously at him. This scene is here for Fred to realize he needs to get back to the North Pole and help his brother. He spends all his money he earned to get back. We see him take a plane, a boat breaking through the ice, being pulled on a sled by huskies, then he snow shoes the rest of the way. Was he not allowed to have Willy pick him up in the sleigh? Did he not tell anyone he was coming because he wanted it to be a surprise? It must have taken him a week just to get there that way when riding in Santa's sleigh probably only takes an hour, if that. (Just speculating.)  

Okay, I guess it didn't take him a week to get there because he returned to Chicago on the 22nd and he's back in the North Pole by the 24th. That's gotta give you some jet lag whiplash! He has all the elves gathered in the workshop and tells them they "gotta make as many presents as they can in ten hours." Ten hours? WTF? He asks what would be the easiest toys to make and they decide on baseball hats for boys and hula hoop for girls. Hmm...are baseball hats considered "a toy"? I would say no. Charlene tells him it's possible to do, but it's not what the kids asked for and he says what's most important is that all the kids get a toy and that someone is thinking about them. 

Nick is in bed because he's thrown his back out and can't drive the sleigh (great timing, Santa!). Fred tells Willy he can deliver the presents, but the elf says he can't because the rule is that "only a Claus can deliver the presents." I'll give you three guesses who delivers the presents.

Fred and Nick have a heart to heart where Fred tells his brothers there are no naughty kids, just that "some are scared and some of them don't feel listened to and some of them had some pretty rough breaks." He convinces his brother that every kid deserves a present on Christmas which is a nice sentiment. 

Northcutt sees the sleigh and tries to stop them from going, but they ignore his orders. Once they begin their descent, Willy tells Fred (wearing the Santa suit, of course) they only have ten hours to deliver and they need to be done "by 5.39 a.m. North Pole time", which is sunrise. That doesn't seen like enough time to me. 

Willy gives Fred Claus a few pointers and advice like it won't be pleasant going down the chimneys and to eat the cookies because "it hurts people's feelings if you don't eat the cookies." I can confirm this is true. I feel like there was one Christmas where the cookies were still on the plate when I woke up in the morning  and I'm pretty sure my feelings were hurt! Fred delivers all the presents in a Christmas montage sent to "Christmas Wrapping" (underrated Christmas song if you ask me). 

When they get to Chicago, he stops to chat with Slam. He's sitting so he's not facing Slam and the floppy part of his hat is covering his face so Slam can't see him. Although you would think Slam would be able to recognize Fred's voice. It's a nice moment when Slam says, "Santa, you found me" and "Santa" replies, "Yeah, I found you. I find all the good kids." He takes a puppy out of his bag (hmm, if I were one of the kids who got a baseball hat or hula hoop I'd be a little irritated that this kid gets a puppy!). "Santa" tells Slam he got some advice a little while ago and that he shouldn't heed it and gives him new advice: "The world is what you make it...I want you to believe in yourself, Slam, cause you got a lot to believe in."

Slam will have a happy ending and by the next Christmas he will be spending it with a family who adopted him. 

We also find out Clyde has a backstory where he made the Most Naught List in 1969 because he would get into fights with kids who called him "four eyed Clyde" (because he wears glasses, you see) and he was mad at Santa because he had asked for a Superman cape the year before that he never received. I feel like the whole Christmas-hating Clyde was unnecessary. Fine, he can still be the efficientcy expert and he can still threaten to shut down operations, but have Fred be the cause of Santa getting all three strikes (he already was the reason he got two strikes!) and then Fred makes it up by delivering the presents and saving Christmas. 

There's a very sentimental scene at the end where all the elves and Mr. and Mrs. Claus are watching the kids open their presents the next morning on the snow globe. It's set to a melancholy "Silent Night" sung by Sinead O'Connor. It's a sweet scene, but the tone doesn't seem to match the movie. Fred also joins to watch and Nick tells him, "You are the best big brother anybody could ever ask for." 

Fred surprises Wanda with the trip to Paris she's always wanted and they take Santa's sleigh around the Eiffel Tower. Everyone is happy. Whoopty doo.

The sad thing is, I gotta couple more Christmas movies to review and this might be the best one of the bunch which is saying a lot! 

Friday, December 5, 2025

Fun Christmas Movie This or That

I searched online and found some Christmas movies this or that questions that I thought would be fun to answer (in a festive red and green color scheme, no less!):

1. Love, Actually or The Holiday - I remember not being very fond of The Holiday and I really like Love, Actually, so this is an easy choice. (I don't think they're all going to be so cut and dry!)

2. How the Grinch Stole Christmas or Miracle on 34th Street - I'm not sure if this is the animated television special from the' 60s or the 2000 movie with Jim Carrey. Either way, I'm going with Miracle (whether it's the one from 1947 or 1994, it doesn't matter). I haven't seen the animated Grinch in years and the 2000 movie is not that good, so therefore either iteration of Miracle wins this for me. 

3. The Polar Express or The Christmas Chronicles - This might be a controversial pick, but I'm going with the latter. I love the illustrated Polar Express children's book and the movie is good for what it is, but The Christmas Chronicles has a certain charm and was a nice addition to the Christmas movie canon. 

4. Nativity! or The Muppet Christmas Carol - Even if I was familiar with Nativity! (which I'm not), I would still choose Muppet Christmas Carol.

5. Scrooge or It's a Wonderful Life - So I had to look up to see if Scrooge was a movie (it is; it came out in 1970) and not some typo where they forgot to add the d at the end and meant the Bill Murray movie from 1988. I have never seen Scrooge (which, according to Wikipedia is "a musical adaptation of Charles Dicken's A Christmas Carol") so therefore I'm going with It's a Wonderful Life which I haven't seen in years, and, if I'm being honest, I don't think I've actually seen the entirety of in one sitting. It wins more on a technicality. 

6. Bad Santa or Die Hard - I've never seen Bad Santa, but I still think I would go with Die Hard even if I had because it's such a classic Christmas action movie and who has never quoted Alan Rickman as Hans Gruber dryly saying, "Ho, ho, ho"?

7. National Lampoon's Christmas Vacation or A Bad Mom's Christmas - I'm starting to sound like a broken record! I've never seen A Bad Mom's Christmas and while I'm sure it's very funny, even if I was familiar with it, there's no way it can be better than Christmas Vacation because now only is that a classic Christmas comedy, but it's also the best (in my option and I think a lot of people's) movie with the Griswold family. 

8. Elf or A Christmas Story - I have to go with Elf and not because I love to quote it and I remind people every year how "the best way to spread Christmas cheer is singing loud for all to hear" and that the four food groups of elves are candy, candy canes, candy corn, and syrup, but I do prefer it to A Christmas StoryElf is in my top three for favorite Christmas movies while A Christmas Story isn't even making my top ten. 

9. The Santa Clause or Jingle All the Way - I'm going with The Santa Clause because while I don't love this movie, I remember Jingle All the Way being pretty dumb and The Santa Clause does have an interesting premise (though the sequels are awful).

10. Happiest Season or Last Christmas - I'm not familiar with nor have seen Happiest Season, but I remember liking Last Christmas and thought it was charming. 

11. Home Alone or Home Alone 2 - While I do like Home Alone 2, I have to go with the original. 

Christmas movie adjacent questions!

1. Cameron Diaz's mansion or Kate Winslet's cottage - This is referring to The Holiday and of course I'm taking Kate Winslet's cozy English cottage which Cameron Diaz stayed at when she swapped houses with a stranger for the holidays. 

2. Kurt Russell's Santa or Richard Attenborough's Kris Kringle - The Kurt Russell Santa from The Christmas Chronicles (and its sequel) is more of a cool Santa while the Richard Attenborough Santa from the remake of Miracle on 34th Street is more of a traditional Santa. I think the Russell Santa would be more fun to hang out with. Thought I do feel this is weird pitting these two against each other since we know Russell is definitely Santa in The Christmas Chronicles, but we're really never really sure about Santa in Miracle. This should have been Attenborough's Santa or Edmund Gwenn's Santa or Russell's Santa against Tim Allen's Santa since we know Santa Claus is a real person who exists in The Santa Clause movies. 

3. Michael Caine's Scrooge or Alastair Sim's Scrooge - I don't even know what A Christmas Carol version  Sim is from, but I'm choosing Michael Caine because he's Scrooge in A Muppet's Christmas Carol! 

4. Kevin McCallister (Home Alone) or Susan Walker (Miracle on 34th Street) - Kevin is more of an iconic Christmas character to me. I do like Mara Wilson's Susan more than Natalie Wood's as I felt Wood seemed more like a mini adult with a stick up her butt. At least Wilson's Susan felt more like a kid. But Kevin is the ultimate Christmas movie kid. 

5. Would you rather be Kevin from Home Alone or Kate from The Christmas Chronicles - Of course I'd rather be Kate from The Christmas Chronicles! She gets to meet Santa and ride in his sleigh and travel to the North Pole...twice! Santa's Village in the two Christmas Chronicles films looks awesome! If I were Kevin, I would be terrified if I was left home alone and there were two burglars trying to get into my house! I probably wouldn't be able to come up with all those DIY traps like he did; I'm just not very handy around the house, especially at the age of 8.

Wednesday, November 26, 2025

Travel Companions

Planes, Trains and Automobiles
Director: John Hughes
Cast: Steve Martin, John Candy, Laila Robbins, Dylan Baker, Michael McKean, Kevin Bacon
Released: November 25, 1987


This is a movie I've always wanted to review around Thanksgiving. It seems like there aren't that many Thanksgiving movies out there. I know there's Home for the Holidays with Jodie Foster and Claire Danes and I'm pretty sure I remember one that starred Patricia Clarkson and Katie Holmes. It's called Pieces of April. I had to look that up; I would have never remembered that. Oh, and I double checked Home for the Holidays and Holly Hunter starred in it; Jodie Foster directed it. Wikipedia has a whole list of Thanksgiving movies, but most of them are movies that contain a Thanksgiving scene. Like, I remember the Thanksgiving scene in Brokeback Mountain, but I certainly wouldn't call it a Thanksgiving movie. Now there is actually no Thanksgiving feast scene in Planes, Trains and Automobiles, but the plot revolves around Neal Page (Steve Martin) trying to get home in time for Thanksgiving, so I would say that this is a Thanksgiving movie. 

It's two days before Thanksgiving and Neal, who works in advertising, is in New York for a meeting. His client is very indecisive and can't decide which print ad he likes best for his cosmetic company and just keeps mulling over the ads. Neal keeps looking at his watch impatiently. He discreetly takes out a plane ticket and we see why he's so antsy. He's scheduled to take a six o'clock flight to Chicago. I swear the ticket says he's supposed to land at 6:45, but there's no way that can be right. It probably says 8:45 as he told his wife that he would be home by 9. (Though there's no way you would get home in fifteen minutes after landing!) Now they linger on the ticket for a good while so the viewer can read it, but yet they felt the need to highlight the part about what time the flight left. 

When he and his colleague finally get out of the meeting, his colleague tells him he's going to take the eight o'clock flight home because there's no way he'd make the six o'clock flight. Neal is going to look back at this moment and just wished he had taken this flight. All he has to do is call his wife and tell her he's going to be a little later than expected. Now that flight was probably cancelled because of the weather, but he wouldn't have been in the predicament he will soon find himself in! 

In the bustling streets of Manhattan, Neal is in a long line of people waiting for a cab, but he gets out of line and tries to find one on his own. We see a man on the opposite side of the street who is also trying to hail a taxi and they both spot one at the same time. It's a little down the street and they both start running, on opposite sides of the street. It looks like Neal is going to get there first, but just as he's about to reach it, he trips over this huge clunky trunk and the other man gets there first and salutes Neal as he gets in. The man is played by Kevin Bacon and I thought for sure he was going to appear again in some capacity, but he never does. I watched this on Paramount Plus and he's the third name listed. True, it's probably because after Steve Martin and John Candy, he's the next biggest name (with all due respect to Dylan Baker and Michael McKean), but it's just so weird to see him in this role without any lines. I wouldn't even call it a cameo. The only thing that would have made it work for me is if he was playing himself (because that would have been hilarious), but I didn't get that sense. 

Neal runs up to a businessman who's just hailed a cab and pleads if he could have it because he's "desperately" late for his flight and was "wondering if I could appeal to your good nature to ask you to let me have it." The man replies, "I don't have a good nature." Neal offers him ten dollars and even that made me scoff. Like, seriously? That seems low even for 1987. And we know he can afford more because he lives in a house that looks a lot like the Home Alone house (but with no circular driveway). They bargain and eventually the price is raised to $75 (due to the other guy conning him; Neal had settled on $50 and the guy told him anyone who would pay $50, would pay $75 which makes no sense to me except for the fact that he knew he could take advantage of a desperate man). While they're barraging, we see the same trunk Neal tripped over earlier being lifted up and put into the trunk of the cab with the help of the taxi driver. We don't see the person but we all know it's John Candy's character. (Who else would it be?) This is happening right next to Neal and I don't know how he doesn't notice this. Does he not see this in his peripheral vision? The taxi screeches off right after he has given the other man the money. He picks up his briefcase and luggage and starts running after the cab and I'm impressed he's actually able to catch up to it when it stops at a red light. He tells the passenger (who is indeed the character played by John Candy) that this is his cab and to get out. The passenger looks startled, but the light turns green and the taxi speeds off. 

Neal ends up taking the bus and at 5:58, he is rushing towards the gate. I know this was before 9/11, but even that is cutting it close! There's no way they would let a person on a plane with only two minutes! Right? Right?! Well, it turns out the flight is delayed so he's not getting on the six o'clock anyway. He looks really disappointed and I'm thinking, he should be glad because there's no way they would have let him on the original flight anyway! He calls his wife to tell her about the delay. He has three young kids; the middle one is played by a pre-Mrs. Doubtfire and Boy Meets World Matthew Lawrence. His oldest child (she's probably nine or ten) is super annoying. When Neal calls, she keeps demanding her mom to tell her who's on the phone and keeps repeating, "Who IS IT?" STFU, little girl. 

While waiting for the flight, Neal looks across and sees a guy reading a book called "The Canadian Mounted" and instantly recognizes him as the man who took his cab. He calls him out on it and the man apologizes and wants to make it up to him. He offers to get Neal a hot dog and beer, but Neal tells him no thanks. Then he start spouting a bunch of other food and drinks (mostly drinks as he mentions coffee, tea, milk, and a slurpee) he could offer, but Neal says no. 

When boarding the plane, Neal is told he will be seating in coach. He's pretty angry because he bought his first class ticket a month ago. The flight attendant is pretty short with him; she's not very professional at all which seems to be a running theme in this movie. I can't blame him; I'd be pretty ticked off too if I didn't get the seat I paid for. She does tell him he'll be refunded. I think he just needs to cut his losses and accept his fate. He'll get his money back and the flight will only be less two hours (well that's what the intended flight should be!). To make matters worse for Neal, he's sitting next to the man he just met. The man introduces himself as Del Griffith and tells him he sells shower curtain rings. That's an object you use, but something you never think about. Don't most shower rings come with the shower curtain? Unless he's selling them to shower curtain companies...I dunno, but it's just amusing that's what he sells. 

Instantly, you know that Del is one of those people who constantly runs his mouth. Neal tells him politely that he's not much of a conversationalist and would like to read his magazine. Del tells him he understand. But I don't think he does: "The last thing I want to be remembered as is an annoying blabbermouth....you know, nothing grinds my gear worse than some chowder-head who doesn't know when to keep his big trap shut...You catch me running off at the mouth, just give me a poke in the chops." Neal is clearly becoming annoyed. Del takes off his shoes and makes a big scene of how relieved he feels. Then, even worse, he takes off his socks and is making loud groaning sounds about how it feels good to let his feet breathe and he starts waving is socks around near Neal's face. Del is what you would call self-unaware. 

Because of the bad weather, they end up landing in Wichita, Kansas. He calls his wife to let her know. She is so dumb: "I don't understand what Wichita has to do with a snowstorm in Chicago." Duh, they had to be rerouted because they couldn't land. Neal has to explain this to his idiotic wife.

There's no flights out of Wichita and Neal tries to call hotels looking for a room, but nothing is available. When Del tells him he booked a rom at the Braidwood Inn and tells him he'll make sure Neal gets a room because he (Del) knows the manager if Neal will pick up the cab fare. Neal is hesitant at first, but then agrees when he sees a guy sleeping by a trash receptacle. 

The motel is clearly in a seedy part of town. During the time they're checking in, they both give the manager, Gus, their Diners Club cards. There's a mix up and somehow they end up with each other's cards which nobody notice because Del is chatting with Gus. There are no names on the cards (which is odd) which is why they don't realize they have the wrong cards. This will come back later.

They are told there is only one room left, which means they'll be sharing a room with one (small!) bed. It's a little awkward when they enter the small room and see the single bed, but they don't mention anything about it.

While Neal is in the bathroom taking a shower, Del starts taking stuff out of his trunk including a framed photo of a woman who is his wife which he places on the bedside table next to him. Carrying around framed photos is just odd to me...even in 1987. I know people didn't have smart phones with pictures back then, but they could put a small photo in their wallet. 

In the shower, the water shuts off while Neal is shampooing his his hair and he gets shampoo in his eyes. (As you can probably imagine, this is a crappy motel.) It does turn back on and when he's done with his shower, he opens the sliding door to see a huge mess. There are wet towels strewn across the floor (along with a wet newspaper) and the countertop has toiletries scattered about everywhere. There's only one single small washcloth on the rack that Neal uses to dry off with. This scene confused me so much because it couldn't have happened before Neal took a shower or otherwise he would have for sure said something. Did Del come in while Neal was in the shower? I don't think Neal would have liked that very much! But if Del came in, why didn't they show that? There's no way Neal wouldn't have heard him. But if he's using all the towels, that would have implied that he showered first and Neal should have seen this mess BEFORE he took a shower. I am so confused! I guess there was a deleted scene of Del messing up the bathroom while Neal was in the shower. Still doesn't make any sense to me. Anyway, I would have been livid if somebody just made a big mess like that and used ALL the towels. Not cool, dude.

As they're getting settled in (the very small!) bed, we find out the Neal's side of the bed is damp with beer because the cans had exploded when Del opened them because they had been sitting on the bed which had been vibrating. (What is the deal with vibrating beds anyway? I feel like they're alway in '80s movie, more specifially John Hughes movies because there was one in National Lampoon's Family Vacation.) 

As Neal tries to sleep, Del is doing his (what I assume) sleeping ritual. This includes cracking his knuckles, itching some part of his body (I can only imagine what), then most annoyingly, starts doing some weird snorting noises with his throat. Neal can't take it anymore and jumps out of bed in a heap of rage and Del explains to him that if he doesn't clear his sinuses, he'll snore all night. He couldn't do that in that bathroom? Neal just explodes and tells Del he's been "under [his] skin since New York, starting with ripping off [his]  cab." He goes on a tirade about how Del talks too much and has nothing interesting to stay. He goes a little beneath the belt, but I can understand why he's annoyed with him.

Then sad, inspirational music comes on as Del agrees that he talks too much, but says he's not changing because, as he says, "I like me. My wife likes me. My customers like me 'cause I'm the real article. What you see is what you get."

I think Neal should have focused more on Del's inconsiderate habits (like taking and using all the clean towels in a hotel room or smoking in the room) rather than make it super personal. Here he's just downright cruel to Del and the audience is meant to feel bad for him, but I would find him annoying as well. If somebody just left me with a washcloth to dry off with, that person is dead to me. Getting out of a shower and not having a towel to dry off would make me very cranky. 

Neal doesn't say anything, but he looks a little guilty. They both get in bed and during the night we see someone breaking in and stealing their money from their wallets. Apparently, there was a deleted scene where they order pizza and they gave the pizza guy a terrible tip and he broke in and robbed them. They need to keep this scene in because they will soon discover their money is gone.

In the morning, we see a bunch of crap on Del's side of the bed, including beer cans and an empty Cracker Jacks box. It looks like most of the caramel popcorn got on the bed and spread on his pillow and pajamas...gross! 

The camera pans to show that a sleeping Del is spooning against a sleeping Neal and kisses his ear as Neal smiles. Seriously, he can't tell that's not his wife? Something tells me Del's breath doesn't smell like his wife's breath! His arm is draped over Neal who is holding his hand. Neal wakes up, realizing what just happened and we get this hilarious exchange:

"Del, why did you kiss my ear?" 

"Why are you holding my hand?" 

"Where's your other hand?"

"Between two pillows." 

"Those aren't pillows!"

They both quickly jump out of bed and start talking about the Bears so they seem manly.

Neal goes into the bathroom only to see Dels dirty socks in the sinks. Even worse, he reaches for something to dry his face with after washing it, but we all know there are no towels left and he grabs Del's underwear. He doesn't realize until after he's used it what it is...ewww! I can only hope it was clean underwear, but who are we kidding. Blergh!    

They have breakfast at a diner where Neal tells Del he called the airport who said everything is booked solid, but he has "a good chance of getting on stand by." Del says there's no way either of them will be getting on a flight, but he has a friend who works for the railroad and suggests taking a train. They get the check which Neal says he'll pay for. He says he doesn't mind as long as Del can get him on that train. He opens his wallet to see his money is gone. He thinks Del took his money and when he glares at Del and Del says, "What?", I love how Neal replies, "You know goddamn well what." He had $700 cash in there! Who carries around that much cash? Del gives him his wallet and tells him the exact amount he has and to go ahead and count it, but when Neal opens it, it's also empty. 

Del looks at the positive side (he did have $200 that was stolen, but at least it wasn't $700!) and says since the thief didn't take their credit cards, they can just charge their way home. That honestly seemed like the no duh answer to me that I looked up to see what people used their credit cards for in the '80s and discovered that people really used them for big purchases or emergencies. I guess I would count this as an emergency! Neal asks what cards Del has and he has a Visa and a gasoline card. Del has a card for "Chalmer's Big and Tall Men's Shop" which is a chain in the Pacific Northwest. I love how he adds, "Unfortunately, it does us no good here." Like, even if that store was in the Midwest, it's not going to help with their travels!    

They are picked up by Gus's (the manger of the motel) son who has arrived in a huge pickup truck. Both Neal and Del are a little weary when they meet Owen (Dylan Baker) who keeps snorting and spitting. Right after introducing himself and before shaking Neal's hand, he spits in his mouth and Neal is just grimacing as he touches his hand. Ewwww. I think in this instance, you can refuse to shake a hand, right? The face Steve Martin makes everytime Owen snorts is so funny. 

Del and Neal grab Del's trunk, but Owen tells them his wife will get it and that she's stronger than she looks. She's sitting in the car with a toddler and a baby, but the two guys quickly say they'll get the trunk. They ride in the back with a dog. It's vey cold and the ride to the train station is "no more than forty-five miles". By the time they arrive, they are covered in frost. 

Their seat tickets for the train aren't together. Del is a little upset, but you can can tell Neal is trying to hide his glee that he won't have to sit next to his traveling mate and that he's finally gotten to get rid of him. He explains the train being full because of the holidays, which is true. Del asks if he wants to meet later and get a drink at the bar car, but Neal says he plans to sleep and tells him, "It's been interesting." As Neal walks away, Del calls after him saying he needs his address so he can send him money for the ticket, but Neal says it's a gift. I assume he's feeling quite generous since he will never have to see this man again (so he thinks!). 

Of course, we know it can't be that easy and the train breaks down somewhere near Jefferson City. Everyone is told if they walk a mile to the highway, the trucks will take them to the bus station. Neal sees Del struggling with his trunk and helps him carry it.

Now they (and everybody else) are on a bus traveling from Missouri's capital to St. Louis. This has to be their worst form of transportation. It's so terrible it's not even mentioned in the title! (Though I'm assuming a bus counts as an automobile.) The bus is full and cramped, there's a kid running up and down the aisle, a couple sitting across from them is getting hot and heavy, then they start smoking. I know it was used as a joke, but I would be LIVID if someone on a bus started smoking! This is something I noticed about this movie: that people are always smoking. Del, especially. We already saw him smoking in the motel room and in diners. 

At the bus stop in St. Louis, Del starts conning people by selling them shower rings and telling them they're earrings or rings (that's a big ass ring!) autographed by people like Diane Sawyer or Darryl Strawberry or Walter Cronkite. At one point he says the earring were "handcrafted by the grand wizard of China in the fourth century." He admits these aren't the originals, "but they are very good replicas." 

The two travel companions are eating at a diner when Neal starts to say, "You know, I've been thinking that when we put our heads together, you know, we really..." As he's saying this, Del starts to smile, thinking Neal is going to say how good they are together, but Neal finishes the sentence with, "we've really gotten nowhere and I think I'm holding you up." Del's smile falls but reluctantly agrees to part ways. 

Neal is dropped off by the bus in a parking lot of rental cars. He goes to the marked spot where his car is supposed to be but it is empty. Rightly, he is upset. He is very upset. He calls after the bus that dropped him off, but it's too far away and he's not going to make it. He has to make the long trek back to the building where the rental car agency is. This includes walking along a busy highway and across a busy airport and sliding down a steep embankment where he nearly gets hit by a bus. This probably has to be the worst thing that happens to him during the entire jaunt. 

When an irate Neal gets to the counter, the car rental agent (Edie McClurg) is talking on the phone, but it's obviously a personal call because she's talking about Thanksgiving plans with a family member. I feel like they have this in here for the audience to be annoyed at her so that maybe Neal's rant at her will be justified. I think it would have been just as effective if she was professional, but had the super chirpy annoying personlity which is part of the reason Neal lashes out at her. This woman has a LONG LINE of customers. Why is she taking a personal call?  

This is probably the most famous scene of the movie and the scene you remember the most if you've only seen it a couple times. When she asks Neal if she can help him, he tells her, "You can give me a f'ing automobile." After she tells him, "I really don't care for the way you're talking to me", he starts in on his tirade: "And I really don't care how your f'ing company left me in the middle of f'ing nowhere with f'ing keys to a f'ing car that isn't f'ing there. And I really didn't care to walk down a f'ing highway and across a f'ing runway to get back here to have you smile in my f'ing face. I want a f'ing car right f'ing now." All these f***s pay off because after the agent asks to see his rental agreement and he says he threw them away, she tells him, "You're f***ed." But seriously, I want to know what happened to his rental car. Why wasn't it there? 

He tries to get a taxi to take him all the way to Chicago (how much would THAT cost, I wonder?), but ends up meeting up with Del where he will share a ride with him. Del tells him, "You know, I had a feeling that when we parted ways, somehow, someday our paths would cross again." (Yeah, they would cross again literally the same day!)

When Neal takes his turn at the wheel, it's dark outside. Del is trying to get adjusted to his seat, but can't seem to get comfortable and keeps messing around with it. When they switch, there's a funny payoff when the passenger seat launches Neal forward so his nose is pressed up agains the windshield. While Neal is sleeping, Del is driving and lip syncing along to "Mess Around" by Ray Charles. He's mimicking all the instruments in the song like the piano and saxophone. At one point when he's playing the "piano", both his hands are off the steering wheel and he's closing his eyes to emulate Ray Charles. Probably not the best thing to do when you're driving! This causes the car to start to veer off the road a couple times. I don't know how this or the loud music doesn't wake up Neal, but he only stirs a couple of times. Once again Del is smoking in the car, which seems very inconsiderate, but I know they are only doing this for plot purposes because he throws the cigarette out the window, but it flies back into the back window and lands on the back seat. 

Del is wearing his heavy blue parka and decides to take it off. I understand it's late November, but he's also wearing a sweater under his coat, so I don't know how he wasn't roasting well before now! If I'm driving a long ways in cold weather, I always take my coat off. I just let my car's heater do its thing. I would rather be cold at first and eventually warm up rather than be uncomfortable and roasting in my winter coat. He starts to take off one sleeve of the coat, but it gets caught in the seatbelt mechanism so now his arm is caught in the sleeve. While he's trying to get free, the car starts careening all over the highway. He's lucky this isn't a busy highway. Somehow Neal doesn't wake during this...he must be a heavy sleeper. Del tries to take his coat off at the other arm but it also gets tangled in some other mechanism and now both his arms are caught up in his coat and he has no hands to drive with so he uses his knees. Guess what? Driving with your knees? Not very effective! At this point I'm wondering he's not waking up Neal to help him out. He's not even calling his name. It would be one thing if he shouted his name and Neal was so out of it he didn't hear him, but it's not like he's even trying to ask for help. 

He ends up driving across the road and onto the opposite one. The car spins around and this wakes up Neal who asks, "What's happening?" and Del tells him they almost hit a deer. 

Already, them driving in the car is the most memorable of the transportations they take and it's about to get even crazier. I mentioned earlier there are few cars on the road and this is probably a good thing as they are now going the wrong way. Neither of them seem to realize this, not even when a couple in a car going parallel with them across the median screams at them, "You're going the wrong way!" Del just honks back, thinking the guy wants to race, but he's making motions at Del to turn around. You would think Del or Neal would wonder why the car on the opposite side of the road was going in the same direction as them. When Neal tells Del the guy is telling them they're going the wrong way, Del asks, "How would he know where we're going?" He assumes the guy is drunk (which is probably what the guy is thinking about them!) and mimes drinking from a bottle. I just don't understand how neither of them could figure this out! The guy tries to clear is up by shouting, "You're going in the wrong direction!" Finally, Neal seems to figure it out, but now two semis have appeared, side by side. There's no time to do anything and they end up driving between the trucks with the outer parts of the car being scraped off. I'm sorry, but there's no way that a car could fit (even snugly) between two semi trucks. That car would have been totaled. 

After the trucks have passed by them, Del slams on the brake and their luggage goes flying over the car onto the street. The trunk had been propped open to fit Del's large piece of luggage which is how everything went flying out. I'm honestly surprised the trunk (Del's luggage, not the back of the car) didn't pop open when it was catupulted onto the asphalt. 

After turning the car around so they're facing the correct way, they both get out and Del inspects the damage and claims "it doesn't look too bad" which I agree with since in real life it would have been much, much worse. They get their luggage off the road and pull it to the side. They sit down on Del's trunk with the car behind them. It isn't long before the unmistakable sound of a fire starting is heard and they both look behind them to see the car is on fire and they just start laughing because that's all they can do. 

Remember the scene at the motel when their Diners Club cards were switched by accident? It turns out Del rented the car with Neal's card, but he put it back in Neal's wallet. There was a scene earlier where Neal had put his wallet in the pocket of the side door and asked Del to remind him not to forget about it. Right away I knew he was gong to forget it or something was going to happen. And it did: it caught on fire. 

They drive to a motel in the burned car. There's no way that thing would be cool enough to touch, let alone sit in even when all the flames have gone out! A joke will be made about the car being so hot to sit in that Del is sure there are grill marks on his behind. There's a funny moment when Neal is trying to get a room at the motel and gives the manager his credit cards which have all been burnt to a crisp. He ends up getting a room by giving the guy $17 in cash plus his watch. Del has nothing to offer but two dollars and a Cassio watch (it's funny when he tries to model it over his wrist) and ends up outside in the car bundled in his parka.  Neal feels bad when he sees him sitting in the cold so he invites him in. Luckily, this room has two separate beds. 

Oh, yeah, before Neal invites Del into his room, he tries to call his wife with the room's rotary phone, but the phone is locked so you can't dial the numbers all the way. WTF? Why would they have that locked? I guess it's to serve the tension of the movie for the wife to wonder why her husband has barely been able to keep in touch with her. 

Also, before Del is invited inside, he starts speaking aloud to his wife as he's sitting in his car: "Well, Marie, once again, my dear you were right as rain. I am, without a doubt, the biggest pain in the butt that ever came down the pike." Right away I knew his wife was dead. It also explained the framed photo of his wife being carried with him everywhere. That had a very posthumous feel. 

In the hotel room, Neal is laying in his bed and Del is sitting in a chair. Both are talking and joking and eating snacks with little bottles of liquor. Neal likes his combination of Doritos and tequila. Before he goes to bed, he tells Del, "as much trouble as I've had on this little journey, I'm sure one day I'm gonna look back and laugh." At least he's able to laugh about it now. 

Their car had been backed into a parking space in front of the room they were staying in. When they leave, Del accidentally reverses the car and it backs into the front of their room, just demolishing the wall. That was a laugh out loud moment for me. They hightail it out of there before anyone sees (more likely catches) them. I love that Del uses his arm when he's signaling.  

On their (nearly) last leg of the trip, they are stopped by a police officer (played by Michael McKean) for going too fast, but let's be honest, they'd be stopped just for driving that death trap. The officer asks Del if he knows how fast he was going and Del replies, "Our speedometer's melted, and as a result, it's very hard to say with any degree of accuracy exactly how fast we were going." The officer asks, "Do you feel this vehicle is safe for highway travel?" I love Del's genuine reply: "Yes, I do. Yes, I really do." 

The officer stars to tick off all the problems: No outside mirror, no functioning gauges (including the speedometer!), but Del informs him the radio still works, somehow. The officer tells them the vehicle is not safe to drive and it will be impounded. It's honestly a miracle it wasn't impounded earlier.

Del has found a semi truck driver to take them the rest of the way to Chicago (maybe not all the way home but at least to the L train station), however they need to sit in the trailer which is refrigerated since it's carrying boxes of cheese. They aren't allowed to sit in the cab with the driver because he doesn't like people sitting next to him. Del tells Neal he's going to be in Chicago "in less than three hours." 

Before they part at the train station, Neal tells Del he appreciates him helping him get home. They have a nice, sincere exchange and even hug before Neal gets on the train. He's now only a few miles away from his house and seeing his wife and kids and enjoying a Thanksgiving dinner with his family. He starts thinking about what's waiting for him at home until he starts thinking about all the crazy things that happened to him in the last forty-eight hours and starts smiling and shaking his head, as if he's thinking, What a crazy story I'll have to tell my children and my eventual grandchildren! You know he's pulling this story out at family gatherings for decades to come! 

Then the music starts to turn somber as he thinks about the times Del mentioned his wife and when he told Neal he hadn't been home in years and comes to the realization that maybe Del doesn't have anywhere or  anyone to go home to for Thanksgiving. He returns back the station where Del is sitting on a bench. He tells Neal he doesn't have a home and that Marie's "been dead for eight years." 

The next scene is of them walking up the street to Neal's house with each of them carrying a handle of Del's trunk while an instrumental version of Everytime You Go Away plays. Neal is reunited with his family and Del meets Neal's wife and kids and parents and parents-in-law and everyone is happy. 

I am a little confused as how they got to Neal's house from the train station because if they had taken a cab, it would have stopped right in front of the house and let them out, but we don't see that, plus they wouldn't have any money to take one. Did they walk from the train station to Neal's house in the suburbs? There's no way they would have walked all that way lugging that heavy trunk, plus Neal's own luggage. I feel like we missed an important part of the puzzle on the very last leg of the trip. 

The movie ends on a freeze frame of Del's face looking happy and thankful to be celebrating Thanksgiving with a family who has invited him in. Makes you wonder how long Neal let him stay at his house.