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Wednesday, January 3, 2018

Loco for 'Coco'

Coco
Directors: Lee Unkrich and Adrian Molina
Voice Talent: Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, Alanna Ubach, Jaime Camil, Edward James Olmos
Released: November 21, 2017
Viewed in theaters: December 27, 2017



Pixar has done it again! They've managed to a) make another great movie, and b) make me cry while watching it! The last Pixar movie that made me do that was Inside Out which was the last Pixar movie I saw in theaters (in 2015). I have seen Finding Dory on Netflix, but I missed out on The Good Dinosaur and whatever Car sequels came out between now and then. I saw a commerical for this movie where a reviewer said Coco was the best Pixar movie since Toy Story 3', and I'm thinking, Uh, did they not see Inside Out? I saw this with my mom and my five-year-old niece and my mom gave it high praise saying it's "the best movie she's seen all year".  That doesn't surprise me because she also took Gracie to see Boss Baby and The Emoji Movie and I've heard the latter is one of the worst movies of the year!

The movie starts with a prologue of a young Mexican boy, Miguel Rivera (voiced by Anthony Gonzalez), telling the audience about his family and he goes wayyy back to his great, great grandma and how his family became a bunch of shoemakers because of her.  We find out that Mama Imelda (the great, great grandmother) was married to a musician and they had a daughter (his great grandmother, Coco, whom the movie is named after), but her husband left her and Imelda had to raise her daughter by herself. She learned how to make shoes and taught her daughter who would go on to teach her children and so on. The Rivera family has a strict rule: absolutely no music. They don't want to listen to it, they don't want anybody to play it. I have to wonder: what if Imelda's husband had been a chef? Would they have a strict no food rule? I know you don't need music to survive, but that seems a little extreme to cut away something like music that's everywhere and hard to avoid unless you only go to places like the library. 

The Rivera family seem to know this and this is why they don't like Miguel going to the Plaza because they know there's always a lot of street musicians out there. The young boy (or, should I say, muchacho) has a passion and talent for music and plays his guitar in private. He has a secret shrine set up to his idol, Ernesto de la Cruz, who was a huge star in his native Mexico until he was killed when a large bell fell on him during one of his performances (and I admit: that made me LOL). 

It takes place during the Day of the Dead holiday where Mexicans honor and celebrate their deceased relatives. The Riveras have all the photos of their long-gone, but not forgotten relatives out and they go all the way from the most recently departed to a picture of Mama Imelda with Coco when she was a little girl and a man whose head has been cut out of the photo - obviously her husband (Mama Imelda was REALLY angry with him). Now maybe some of you can go as far back as Miguel can on your family tree, but me? Ehh... I know the names of my grandparents, but I could not tell you then names of my parents' grandparents, but I'm sure if I heard them mention the names, then I would find them familiar. I definitely do not know the names of my grandparents' grandparents! 

After doing some research, Miguel becomes convinced that de la Cruz is his great, great grandfather. And the clues do seem to point to that. He wants to perform at a music festival being held in the Plaza, but his grandmother finds out and smashes his guitar, which seems a bit extreme! He frantically runs around, asking people if he can borrow their instrument, but to no avail. He ends up stealing de la Cruz's guitar which is above his tomb in his mausoleum. Somehow, doing this makes him end up in the Land of the Dead. I've mentioned in my review of  The Black Cauldron how the Skeleton Army scared me - any age me! The skeletons in Coco are not like that at all (you don't want to be scaring your audience when they're probably primarily children!) and they're more "fun", which I believe is the word my mom used to describe them. A skeleton could seamlessly take apart their bones and put them back together again, like a puzzle. 

Miguel meets up with all his deceased relatives who are happy to see him, but he needs to be sent back to where he came from before sunrise or he will forever remain in the Land of the Dead (yikes!) He needs a family member's blessing in order to play music, but is not given it. He is returned to the Mausoleum, right before he stole the guitar, but ends up stealing it again and once again lands back in the Land of the Dead. Miguel runs away from his dead relatives, in hopes to find de la Cruz (voiced by Benjamin Bratt) because he knows he will get his blessing.

Meanwhile, we meet another character named Hector, a skeleton who is trying to cross a check point, but is not able to because his picture was not put up by his relatives. In this world, after you have died, if your family does put up a picture of you, you are not able to cross over to join the other members of your family because they have forgotten you so you are alone forever! It's so sad! I knew Hector was going to be an important part of the story because he's voiced by Gael Garcia Bernal and you don't use him for just a scene or two. Miguel overhears him telling someone that he know de la Cruz so he enlists Hector's help, who in turn, wants Miguel to put up his picture so he can see his family.

Before they begin their adventure, Hector paints Miguel's face and hands so he looks like a skeleton, otherwise he kinda stands out as being living in the Land of the Dead! They think the best way to get de la Cruz's attention is to win an American Idol-type talent show where there's a big showcase of skeletons playing different instruments and/or singing. Miguel does win, but he's quickly discovered by his deceased relatives and runs away again. His great, great grandmother does find him and warns him that it's too dangerous, but he ignores her and goes to find de la Cruz.

Now here is the time where I need to put up some big spoiler warnings. This movie is still relatively new and I know not everybody has seen it, so here is your chance to see it if you haven't yet. And I highly recommend it. It is definitely Pixar's best since Inside Out (or, Toy Story 3 if you didn't care for Inside Out like that reviewer apparently didn't!) So far I haven't really spoiled anything major, but I am about to so you have been warned!

But before we do that, can we talk about the Frozen short that was shown before the movie? Actually, I was very fortunate that they didn't even show it before our showing. I had completely forgotten about it and had just forgotten that a short animated film is usually shown before any Pixar or Disney movie. I remember seeing Tweets around the time Coco came out about how everyone hated the Frozen short (which features five songs, I think?), but I didn't think anything of it. However, after listening to podcast reviews of Coco where many of the reviewers did see the short (and everyone hated it), I found out it's 22 minutes long! Holy Guacamole! That is NOT a short! That is an episode of a sitcom! A short is suppose to be 3-4 minutes long. I found out that it was pulled on December 8 because everyone hated it! I am so thankful I didn't have to see it! And I'm going to say it: Coco is better than Frozen

SPOILERS NOW IN PROCESS! YOU HAVE BEEN WARNED! I AM SERIOUSLY ABOUT TO GIVE AWAY HUGE MAJOR PLOT POINTS TO 'COCO'! DON'T SAY I DIDN'T WARN YOU!!!!!



There are quite a few twists and turns this movie takes and I didn't see any of them coming! First of all, even before Miguel meets de la Cruz, he finds out that Hector knew him because they were partners: Hector wrote the music that de la Cruz sung. We all know that de la Cruz was killed by a fallen bell and throughout the movie, we just figured Hector died from food poisoning, but it turns out he was killed from actual poison put there in his food by de la Cruz himself! So not only is Miguel's great great grandfather a famous musician, but he's also a murderer!

But wait...there's more. Things take a serious turn when it is revealed that de la Cruz is NOT Miguel's great great grandfather, but rather it is Hector! For a minute, I seriously thought that Imelda WAS married to de la Cruz, but had an affair with Hector and Coco was a result of that, but no, I had to remind myself that a) this is a kids' film, and b) that would be way too convoluted. No, Hector was the headless man in that photo all along (and the reason he couldn't get past the checkpoint as his full picture was not put up). We find out that Hector had plans all along to return to his family, the same one he left in order to pursue his music career, but realized he made a mistake and wanted to return to them. De la Cruz found out about this and this is why he killed his friend/partner. He also took all the credit for all the songs Hector wrote.

Miguel and Hector are trapped in the pit de la Cruz threw them in (nice guy), but are rescued by Miguel's family. They make sure that EVERYONE in the Land of the Dead learns the truth about de la Cruz and he is once again killed by a bell (even though he was already dead in the first place, but it was a nice touch for a horrible character). During this whole time, de la Cruz was trying to get the photo Miguel had of Hector in order for him to spend eternity on one side. Unfortunately the photo was lost and Miguel did not have time to retrieve it because he had to be sent back before he wasn't able to return anymore. This time his great great grandmother gives her blessing and Hector wants him to make sure that Coco, his daughter, won't forget him.

This is about the time the tears are forming and from here on out, I'll be a big blubbering mess! Miguel runs to his great grandmother's room with his guitar. I for sure thought he was going to play and sing the song that her father wrote for her called "Remember Me" (which Hector played for Miguel in the Land of the Dead), but it takes awhile to get there. When he does start playing, this is when she gets life in her eye and starts to sing along, and oh Lord, I am crying! Mama Coco says "Papa" and has a picture of Hector tucked away so he is now able to be put up on the shrine.

The movie ends with Mama Coco passing away (pretty sure she was nearing 100, so not a huge shock) and showing the next Day of the Dead holiday where the Rivera family now has her portrait up and we see her reunited with her parents in the Land of the Dead. :::sniffle:::

Thursday, July 11, 2019

Monster Mash

Monsters, Inc.
Directors: Pete Docter, Lee Unrich, and David Silverman
Voice Talent: Billy Crystal, John Goodman, Steve Buscemi, James Coburn, Jennifer Tilly
Released: November 2, 2001
Viewed in theaters: November 3, 2001

Oscar nominations:

Best Animated Feature (lost to Shrek)
Best Original Song - "If I Didn't Have You" by Randy Newman (won)
Best Score - Randy Newman (lost to Howard Shore for The Lord of the Rings: The Fellowship of the Ring)
Best Sound Editing (lost to Pearl Harbor)



Monsters, Inc. is the reason I see all Pixar (or any other animated) movies at nine in the evening (or, at the very least on a weekday during the school year). Why, you ask? Well, because I did not have a good viewing experience seeing this and it has haunted me to this day that this was only the second time I've seen the movie. When this movie came out I was living in a small town that only had one theater (and not a very comfortable or big one at that). It was literally only one theater where only one movie played. (Some other films I saw at this theater include The Fellowship of the Ring (that was a big gamble for me as I knew it was a long-ass movie and I went in knowing nothing about Tolkien, so if I didn't like it, it was going to be a long and painful experience for me, but luckily I ended up really getting into the movie and was ready for the next installment when it ended!), A Beautiful Mind, I Am Sam, and Panic Room.

 So when this movie came out I saw it because, even though Pixar was quite young at this time (Monsters, Inc. is their fourth movie), I was a fan of the first two Toy Story movies. (I have never seen A Bug's Life). I honestly don't remember how crowded the theater was, but like I said, it was pretty small so even if the whole theater wasn't packed, that still makes a huge difference. I just remember there was some young kid (maybe two) who were talking/crying/ kicking my seat (they were seated behind me)/just basically annoying the sh*t out of me during the movie, hence making it hard to enjoy the movie so I've always associated this movie with negative thoughts and that's why I never revisited it until recently. I vowed to myself that I would never see another animated movie during the weekend or weekday when kids are out of school. Fast forward to two years later when I see Finding Nemo in a huge theater PACKED with screaming kids. Yeah, I'm an idiot who didn't follow my own advice. However, I saw Wall-E at nine in the evening; I saw Up at nine in the evening; I saw Toy Story 3 at nine in the evening; I saw How To Train Your Dragon and its sequel at nine in the evening; I saw Inside Out at nine in the evening; you get the picture.

Anyway, I'm glad I finally gave Monsters, Inc. a second chance because I really enjoyed it and it's a really cute movie. However, if you really stop to think about it, the basic premise is a little messed up. It's about a society of monsters who get their energy source from the screams of children, so every night they sneak into their rooms via their bedroom closet to scare the young children all over the world, then capture the screams of terrified children, bottling them up into a air-tight container (the screams, not the children!) Yeah, just a little messed up. However, this being a Pixar/Disney movie, it's a very cute and kid-friendly movie. Obviously.

The movie focuses on two monsters named Mike Wazowski (voiced by Billy Crystal) and James P. Sullivan, or, as his friends call him, Sully (voiced by John Goodman) who work at the energy-producing factory, Monsters, Inc. in the town of Monstropolis. The company's motto is "We Scare Because We Care." They work on the scare floor, a huge room that has access to every bedroom closet door of all the children in the world, so, as you can imagine, there are millions upon millions of doors. There is a chart to keep track of where and when they've been and every child has their own "monster" so they always get scared by the same monster because they (the monsters) knows what each child is afraid of. I'm not really sure how they keep track of all the doors and who's been scared, but somehow they manage to keep it all organized. I don't know which is more convoluted: the scare floor in Monsters, Inc. or Riley's head in Inside Out!

Their job is to obtain the screams of children so that Monstropolis is able to function and be the bright and vibrant city that it is. Sully, a large purple and blue fuzzy monster with horns and a long tail is a scarer which means he goes into the bedrooms to scare the children while Mike, his assistant (basically a large green talking eyeball with arms and legs), gives him the stats and numbers he needs. Each scarer has their own assistant and there is a bit of a rivalry between the two top scarers, Sully and a sleazy chameleon-like monster who can blend in with his surroundings, Randall (voiced by Steve Buscemi).

Even though the monsters who are scarers are big and imposing and have sharp teeth/claws/horns, the most amusing part of the movie is that children are considered toxic to the monster world so if something that belongs to them comes back to the monsters' world (or, God forbid, an actual living child being), they treat it as a risk and take it very seriously. When they enter a room, they will hop around, making sure not to touch or come into contact with any toys or clothes laying on the floor and they never physically touch the children, just scare them, capture the screams, and get out of there. We see what happens when one monster has a child's sock stuck to his back after coming back from a job and the CDA (Child Detection Agency) is called and they put everybody into lock down. The monsters who work for the CDA are all wearing haz-mat suits and helmets and carefully dispose of the sock (by blowing it up), then they shave the poor monster who accidentally brought back the sock and scrub him ten times over.  They went through all this trouble for a single sock, just imagine what would happen if an actual child made their way into Monstropolis!

And that is exactly what will happen. When Sully goes to deliver some important paperwork for Mike (he can't because he has a date with his girlfriend, Cecelia (Jennifer Tilly) a Medusa-inspired monster with snakes for her hair; I did love the scene where she tells Mike she's thinking of getting a haircut and all the snakes are very concerned about that), he sees a closet door is out and open. What he doesn't know is that Randall is the one who left the door activated because he is up to no good. He also leaves the door unattended so he doesn't know that Sully has gone through the door to check what's going on. This is where he meets "Boo" (because she likes yelling "Boo!"), a two-year-old child who takes a quick liking to Sully, calling him, "Kitty!"  (Though I don't think Sully looks like a cat...) When she grabs hold of Sully's tail, he quickly untangles herself from him and puts her back in her room and gets tangled in a bunch of her toys as he stumbles out of her room. He quickly disposes of all the objects (which includes a stuffed Nemo toy) by flushing them down a toilet. There is a great reveal when he turns away and the audience sees Boo is on his back.

Sully knows he has to send her back to her world, but Randall has already put away her door and I guess it would raise an alarm if Sully were to re-activate it because he doesn't want anyone (especially the CDA) to know that a toxic child is among them. He gets Mike involved and he starts freaking out and when Boo sneezes in his direction he sprays disinfect on his eye which turns it red and makes him dance around in agony. I admit, I laughed hard at that. It doesn't take long for Sully to realize that children (at least not this one) aren't toxic and they even realize that her laughter is quite strong and that all along they should have been capturing children's laughter instead of their screams.

Sully and Mike are determined to get Boo safely back to her home, which they do, but not without a few obstacles in their way. They have to go through this maze of thousands of doors which is a fun scene. It's very bittersweet when Sully finally has to say goodbye to Boo; they have to destroy her door once she's back in her house because she now knows about the Monster World and they can't have her making any contact with them. Even though we know Randall is the bad guy, there's also another twist of someone conspiring with him, but of course everything works out in the end and Sully even gets to visit Boo one last time after Mike fixed her door.

You think that would be the idea for the sequel; Sully visiting Boo every now and then and maybe getting into some shenanigans in the human world, but they went for a prequel for the second movie. I added Monsters' University to my Netflix queue after I saw the first movie and I think I enjoyed it more than I was expecting. Most people have this at the lower end of their Netflix rankings and while it wouldn't be near the top of mine, I thought it was quite delightful and I had fun watching it. Also,  my monster would be the dean of the university, Dean Hardscrabble who was voiced by Hellen Mirren. The design of that monster was nightmare fuel with her dragon wings and centipede legs...eesh!

Wednesday, July 1, 2015

What a Feeling

Inside Out
Directors: Pete Doctor and Ronald Del Carmen
Voice Talent: Amy Poehler, Mindy Kaling, Bill Hader, Phyllis Smith, Lewis Black, Richard Kind, Diane Lane, Kyle McLachlan, Kaitlyn Dias
Released: June 19, 2015
Viewed in theaters: June 22, 2015


Congratulations, Pixar, you've done it again! You've managed to make me cry like a baby while watching one of your films. This is the first Pixar movie I've seen in the theater since Toy Story 3 in 2010 and the first new Pixar movie I've watched since seeing Brave on DVD in early 2013, but the wait was worth it. I loved it. It's really hard for Pixar to do any wrong. And this one ranks on the higher end of their list. I made sure to attend the 9 pm show to make sure there weren't any kids around. I have had made the mistake of seeing Pixar movies in the middle of the afternoon with tons of screaming kids and no, I will not ever make that mistake again and I never did. Ironically, I saw Jurassic World at 9 pm and there were kids everywhere! Including a few younger than the age of five! WTF? The youngest people at my Inside Out viewing were teenagers. 

Spoilers ahoy! (See this movie!)

They take an interesting approach with this movie as the emotions in an eleven year old girl's heads are the characters and take the "controls" for whenever Riley (the young girl) is feeling a certain emotion. 

Anger, Disgust, Joy, Fear, and Sadness

The emotions are Joy (Amy Poehler), Sadness (Phyllis Smith), Anger (Lewis Black), Fear (Bill Hader), and Disgust (Mindy Kaling). There is a memory vault of the emotions that Riley acquires and each memory is represented by its emotion's corresponding color. Joy is represented by yellow and therefore most of Riley's emotions are yellow. (You can see in the above pictures the colored orbs behind the characters...those are the memories). Joy is very proud that the majority of Riley's memories have been happy and takes great pride in that. Riley loves her life in Minnesota. She has many friends, loves to play hockey, and joke around with her mom and dad (voiced by Diane Lane and Kyle McLachlan). Joy couldn't ask for anything better and thinks nothing will ever go wrong until the family moves to San Francisco causing all the emotions panic. 

Nothing goes right with the move. Riley doesn't like her new house and the moving van has gotten lost along the way. She has trouble making friends at her new school and misses Minnesota. (And I loved how it was always "Minnesota" - because nobody knows any cities in that state!) As Joy explains to us, part of Riley's mind is creating Personality Islands. These help define Riley and make her who she is. These include Friendship Island, Family Island, Hockey Island, etc. However, these start to crumble as Riley loses interest in hockey because it's not the same to her anymore or getting angry at her best friend back home.

Riley's mother tells her she knows that moving has been tough on her and that she wants her to stay strong and be her "happy girl" as Riley is known for being positive most of the time. Riley tries to do that for her parents, but it's gotten to be too much for her. This rings very true for me and I'm sure many others as sometimes you feel like you need to be happy/positive for the sake of others, but inside you are anything but.

Meanwhile, inside her head, Joy is trying to keep Riley happy while also making sure Sadness doesn't get anywhere near the controls or turn one of Riley's memories into a sad one. She draws a circle for Sadness to stand in and keep all the sadness in that small circle. Joy doesn't want Sadness to be an overwhelming emotion for Riley.

Somehow, Joy and Sadness get sucked out of "headquarters" and end up in Riley's subconscious where, in order to get back to the control room, they have to get through Long term Memory while hitching a ride on the Train of Thought and along the way they enter Imagination Land and Dream Productions. They even go through a section which was Abstract Thought. I'm pretty sure that one flew over all the kiddies' heads! 

Joy's and Sadness's trek to get back to Headquarters is a journey and meanwhile, Anger, Disgust, and Fear have become the main emotions for Riley which results in her back talking and yelling at her parents. There was one scene where we saw her parents' own emotions inside their heads and it made me cringe a little because it was very stereotypical: the wife's emotions are nagging at the husband because he isn't paying attention and doesn't notice that their daughter is unhappy and the husband's emotions aren't paying attention because they are thinking of the game and don't know why the wife is wanting his attention. It's the only part of the movie that's just really stupid and we've seen this joke a thousand times. 

Along the way, Joy and Sadness meet Bing Bong (Richard Kind), Riley's imaginary friend from her younger days who is part elephant, part cat, and part dolphin. He agrees to take the two of them back to HQ. I loved the scene where they see the  garbage-man type characters who are sucking up some of Riley's memories and protests this until one of them tells her that Riley doesn't need to know all the name of all the Pretty Princess Ponies (I forget exactly what it was...but it was something to that effect). I loved this because I actually do remember most of the names of my My Little Ponies. I actually have a lot of useless and stupid information stored in my brain! They also erase all her memories of the piano pieces she's learned except for "Heart and Soul" and "Chopsticks". But of course! 

All throughout the movie, Joy has been very dismissive of Sadness, not having any time for her depression. And I know this is going to sound weird, but Sadness made me laugh so much. Just her delivery and Debbie Downer-ness was great. "I'm too sad to walk." She was really kind of a pathetic little thing. But she has a very nice moment with Bing Bong when he cries about Riley forgetting about him and listens to him and lets him cry it out. When Joy and Sadness finally get back (and not without tears from me as their journey is not without trials and tribulations!), Joy pushes Sadness to the controls and Riley, who has decided to run away and has become emotion-less at this point (the other emotions have gotten the control boards jammed), just becomes overwhelmed with sadness and she returns homes to her parents who are relieved to see her and she is just crying and telling them all the feelings she's been holding in. Then her parents start crying, I start crying, I'm sure everyone else in my theater was crying! It was so sad!  All along you knew that Sadness was going to play a major role and she does. This movie points out that it's OKAY to be sad and it's a perfectly natural emotion. 

It's kind of hard to explain this movie, but once you see it, it makes a lot more sense. It's very clever filmmaking and the story is great and heartwarming. It made me laugh and cry so it definitely got all my emotions in overdrive!  Highly recommended.

I loved the end because they showed different minor characters and their emotions at work. We see Riley bump into a boy her age and all his emotions are freaking out and yelling, "GIRL, GIRL, GIRL!" We even see the emotions of a dog and a cat. The cat made me laugh so much because it's so true. Its emotions are just wandering around and not paying attention and doing whatever they want.

The emotions notice a new button has popped up among the controls and pronounce the word as "Pooo-bore-tee". Hehe. Is a sequel in the works?

Tuesday, April 1, 2025

Emotions

Inside Out 2
Director: Kelsey Mann
Voice Talent: Amy Poehler, Maya Hawke, Phyllis Smith, Lewis Black, Tony Hale, Liza Lapira, Diane Lane, Kyle MacLachlan
Released: June 14, 2024

Oscar nominations:
Best Animated Film (lost to Flow)


A few years ago I ranked the Pixar movies and Inside Out was my #2. (Toy Story 3 will always be #1 in my heart!) While there have been more Pixar movies added, none of them are pushing the top two out of the way. I remember seeing Inside Out (and crying my eyes out!) and thinking how clever it was with the emotions of an eleven-year-old girl named Riley being the main characters of the movie. Now Riley is thirteen and the original emotions are back, but we're about to meet some new ones! Of course the original emotions are Joy (Amy Poehler), Anger (Lewis Black), Fear (Tony Hale), Disgust (Liza Lapira), and my favorite (as a character, not an emotion!), Sadness (Phyllis Smith). 

Now that Riley is thirteen, she is beginning to form a Sense of Self and her own beliefs. Every time she comes up with a new belief, it is taken to the Belief System. Many of Riley's beliefs include the same sentiment such as "I'm kind," "I'm a good friend," I'm a good person", "I'm strong and brave", "Mom and Dad are proud of me." As you can imagine, Joy is delighted that Riley has such a strong Sense of Self. 

Riley and her two best friend, Grace and Bree, who all play hockey together, have been invited to a three-day overnight hockey camp. Now three days seems really short, but I'm guessing they did it because they thought two weeks would be too long. They were invited by Coach Roberts, the coach of the high school team,  the Fire Hawks, and these three days could determine whether the girls make the team or not. 

The girls will be starting high school next year and it's only on the drive to the camp when Grace and Bree tell Riley that they will be attending a different high school from Riley. I'm so confused because they were invited by the coach of the Fire Hawks, so why would she invite two girls who will be going to a different high school? The whole point of this storyline is for Riley to have anxiety about her friends going to a different high school, so she tries to impress the older girls who are already on the Fire Hawks so she can be friends with them and thus won't be a friendless loser when she starts high school. 

Riley is starting to have doubts that she's any good at hockey because she recently got a penalty. There's a funny scene of Joy taking that memory and tossing it in the Back of the Mind with all the other negative memories so they won't weigh on her. Joy has catapulted many of these not-so-great memories to the Back of the Mind including one where Riley was waving at a guy who was actually waving at a girl behind her. Heh, poor Riley. I loved it when they were talking about that particular memory and Joy says, "Oh, yeah, that was awkward." 

While the Emotions are sleeping (they sleep when Riley sleeps), they are awakened by a loud beeping noise and wake up to see a big red button blinking. Now, if you remember at the end of the first movie when their control console is remodeled, they see this big red button that's labeled "puberty" or "poo bore tee" as one of them (I think it was Disgust) pronounces it. At that time they're not worried about it (and don't seem to even know what it means), but now the red light is getting brighter and the siren is getting louder. They're frantically trying to turn it off, but that's one switch you can't turn off! Joy manages to rip the button off and places it in the tube that will send it to the Back of the Mind but of course that's not going to work. Did these Emotions not get the handbook on puberty? 

A demolition team appears and has come to expand the place for "the others". Of course, this means the new Emotions that we are introduced to. These include Anxiety (Maya Hawke), Envy (Ayo Edebiri), Embarrassment, and Ennui. I would argue you can definitely have all these emotions before you turn thirteen, you may just not realize what you're feeling. Also, I understand from a movie perspective, they can't have all these emotions in the first movie. 

Anxiety is an emotion I know all too well because I'm pretty sure  anxiety controls me most of the time. I am someone who worries about everything all the time. While Sadness is the main Emotion in the first movie, Anxiety is in the driver's seat in this movie for the most part. Poor Riley. I love the designs and personalties for the new Emotions. Because yellow (Joy), blue (Sadness), red (Anger), green (Disgust), and purple (Fear) are already taken, we get new colors for the new Emotions. Well, sort of. Two colors are used again, just a different shade. I was a little surprised that Envy is more of a blue shade than green but after looking up some information about her on the Pixar Wiki fandom (now there's a site you could get lost in the wormholes!), I found out she was supposed to be emerald, but her color was changed to aquamarine so she wouldn't look too similar to Disgust. I think a dark green would have worked for her because Disgust is a shade of light green. Embarrassment is pink (of course) and the biggest Emotion in size and wears a hoodie that he hides his face in throughout 99% of the movie. He mostly just talks in squeaks and yelps and he doesn't utter a sentence until the end of the movie. Quick sidetone: I find it interesting that Riley's Emotions are both male and female while when we see other people's Emotions controlling them (like her parents or her friends), they're all the same gender of whoever the person they're controlling. Ennui is voiced by a French actress so I love the Emotion that's a French word has a French accent. We are told that Ennui emulates boredom, but I found her to have a "too cool for school" attitude, like she didn't give a flying you-know-what. I think being bored and trying too act like you don't care are two completely different things. Anxiety's design is my favorite. She is orange with hair that sticks up and reminds me of a Fraggle Rock. I was listening to the Filmspotting review of this movie and one of the hosts said the same thing, heh. She is also the definition of her name, always scurrying about and worrying about everything. 

The same day the new Emotions arrive is the same day that Riley arrives at the hockey camp with her friends. When she gets to the campus, she bumps into Valentina (Val) Ortiz who is the captain of the Fire Hawks. Anxiety takes over because she thinks if Riley becomes friends with Val, she'll be with the in crowd and have friends when she attends high school. This causes Anxiety and Joy to get into an argument about whether Riley should stick with her original friends or befriend the cool new girls. Anxiety says that while it's Fear's job to protect Riley from the scary stuff she can see, it's her job to protect her from the scary stuff she can't see. You know, I never really thought of it that way. 

In the locker room before the first practice, Val introduces Riley to the other Fire Hawks, a group of four or five girls. Again, I'm not really sure why they're at this skills camp if they're already on the team, but I guess extra practice is always good. Val invites her to sit with them, but Riley tells her she's saving seats for her friends (they're in the locker room getting ready to play hockey, it's not like they're going to be in there that long). Bree and Grace come in and the three friends are all excitedly taking selfies with Riley's phone, making faces and chatting animatedly. Coach Roberts enters and tells everyone to "settle in" and while all the other girls are giving her their full attention, the three friends are still gigging. When the coach gets stern with them and tells them they need their focus, they get quiet, but it's too late and the Coach starts passing around a box telling everyone they need to put their phones in it. This makes everyone pretty (and rightly) annoyed with Riley. Yeah, I'd be pretty irked if I had to surrender my phone because of someone's moronic actions. 

You would think after that, Riley would be on her best behavior, but she keeps talking with her friends and now the Coach has them skate lines. Anxiety does her work and pretty much has Riley groveling to Val so she can get on her good side and try to make a better impression. When Coach Roberts tells them to split into two teams, Anxiety wants her to join the team with Val, but Joy wants her to be on the team with Bree and Grace. Okay, I'm confused....why is Riley even getting the option to choose? Shouldn't the Coach have numbered them off or something or have two captains with a schoolyard pick? I get that it's for the purpose of the plot, but in no universe would this ever happen. Says the person who never participated in sports because no athletic bone exists in my body. 

Anxiety ends up getting her way after she tosses Riley's "Sense of Self" away (all the way to the Back of the Mind) and tells Joy that they'll build her a new one. The original Emotions are bottled up (literally - they're all stuffed into a bottle. As Fear puts it, "We are suppressed emotions!") and sent away to The Vault while the new Emotions take some new thoughts down to the Belief System: "If I'm a Fire Hawk, I won't be alone" and "If I'm good at hockey, then I'll have friends." (Aren't these pretty much the same exact thought?)

The Vault is a lair-like place that holds Riley's deep dark secrets, one being that she still likes Bloofy (I'm a guessing a portmanteau of Bluey and Goofy) an animated kids' show about a dog that has an educational element to it. I'm not sure why a thirteen-year-old would like a show that's geared towards three-year-olds. From what I gather, this show seems like it's very basic, teaching toddlers very simple things, but I guess that's why it's one of her deep darks secrets. 

Joy tells the others they need to go to the Back of the Mind to get Riley's Sense of Self back and all they have to do is follow the Stream of Conscience (reminds me of the Train of Thought from the first movie) that will take them there. Joy is already imagining how the scenario will go: "Riley will be Riley again" after they put back her Sense of Self and Joy adds, "And then I'll tell Anxiety, 'Hey don't worry so much anymore.'" Heh, that made me laugh. That's like telling Joy not to be so chipper all the time. 

Meanwhile, Anxiety has made Riley get up super early to get in some practice. (Probably not too hard for Riley because I know when I have anxiety I can't sleep!) Anxiety feels validation when Val comes in early as well and tells Riley, "You get what it takes to be the best" and invites her to come hang out with her and her friends later that evening. Both Anxiety and Envy are super excited about this. 

"Oh, Poooooouchyyyyy!"
The suppressed emotions are released with the help of Bloofy and his pal,     Pouchy. It was amusing because Bloofy and Pouchy are animated in that  crude, simplistic way of a children's daily animated half-hour TV show and it was funny seeing them juxtaposed against the gorgeous computer animation of a Pixar movie. Pouchy is a talking pouch (imagine that) with the zipper for his mouth. I think I now understand Riley's secret and shameful love for this show because Pouchy is hilarious and he's not even trying to be. Joy tells their new friends they need to get out of the Vault and Bloofy turns to the camera and asks the audience what they should use to escape and Pouchy takes out a few objects with only one being obvious to get then out (that would be the exploding dynamite!). 

Once they're released, they come to the Stream of Conscience which has whatever Riley is thinking about at the moment floating in it. What I want to know is what if she's thinking an abstract thought? They see a bunch of food including pizza, an apple, a burger, popcorn, chips, and milk (eww...pizza and milk...two foods that should never go together, but then again I think milk is only good paired with chocolate). Just moments before, after practice had ended, Riley had told Val how hungry she was and how she could go for a pizza so she had food on the mind. 

Joy wants them all to hop on a piece of pizza to use as a raft, but Sadness points out that they'll need somebody at the console at Headquarters to bring them back (this movie gets a bit convoluted with its geography of Riley's mind) in the tube so Joy says someone is going have to climb all the way back in the tube (and it's a loooong way) and Sadness is picked for the job. 

So right now, we have three different storylines going on. We have the one with Joy, Anger, Fear, and Disgust continuing their quest to restore Riley's Sense of Self, we have the one led by Anxiety with Envy right beside her both wanting to make sure Riley is set up well for her future in high school, and we have the one with Riley herself at hockey camp. 

Anxiety and Envy are now worried when the girls from the Fire Hawks and Riley are looking through the window of Coach Brown's office door and see a red notebook on her desk. The girls tell Riley that their coach keeps all the notes about all the players in there. The emotions (especially Anxiety) are worried that something bad may be written about Riley in there. Now, Val and the other girls (sorry, I don't remember their names; I don't know if they were even given names) are not portrayed as mean girls, but this was kind of a dick move for the girls to tell Riley about it. Now the poor girl is going to be worrying over it. Maybe it wasn't the older girls' intention (and, again, I know it's for the purpose of the plot), but I didn't love this. 

Later that evening Riley is hanging out with Val and the other girls in a lounge area when she's asked who her favorite band is. She replies, "Get Up and Glow! They're so awesome!" My first thought was it would have been a clever crossover if she had named the band the girls see in Turning Red, 4*Town, but then I remembered that movie takes place in 2002 or 2003 so it wouldn't have been in the right time frame. I assume its supposed to be 2017 in this movie since it takes place two years after the first movie. Anyway, Get Up and Glow gives me Panic! At the Disco vibes. (Do you think it's Get Up and Glow or Get Up and Glow! or perhaps even Get Up and GLOW! Punctuation is everything, you know.) She immediately becomes embarrassed when Val says she was "all over them in middle school", indicating only immature middle schoolers like them. Oof. Anxiety and Envy are both freaking out and Envy says they need to think of a band the other girls think is cool, not one that Riley likes. They recall everything Riley knows about music and this causes all those musical memories to push Sadness back to Headquarters (undetected because she's buried under all those memories). Just imagine recalling every single artist, band, and song you can think of. Yeah, that would open a FLOODGATE of recollections. 

Ennui decides to take over so Riley sarcastically tells the other girls how much she loves Get Up and Glow and passes off her original answer as a joke. We now jump back to Joy and the others who have been floating down the Stream of Consciousness but have to abandon ship when a huge chasm appears. They are told by a demolition worker that it's "a sar-chasm." Heh, I can only imagine how proud whoever came up with that in the writers' room was. You know the writers for this movie (and the first one) had a lot of fun with the word play (Train of Thought, Stream of Conscience, and later we'll get a Brain Storm). What I loved about the sar-chasm is that whatever Joy and the others yelled across the chasm to a couple of demolition workers, they heard it as sarcasm. When Joy calls over to them in a very sincere way, "We're lucky to run into you guys, we really need your help", they heard it in a very sarcastic tone and of course aren't happy about it and don't help them. 

Back in reality, Riley finds out they're having a scrimmage tomorrow and the girls tell her it could decide her fate of being on the team. The more I think of it, the less I like these girls. They sure do love to taunt Riley for no reason. 

While Anxiety and Envy are ensuring that Riley makes the team and maintains her friendships with the hockey girls, Embarrassment finds Sadness and she indicates for him to be quiet. (Lucky for her, he hardly talks.) She is looking at files and he helps her by finding the ones she needs. 

Now Joy and the others have entered Imagination Land (I believe that was also in the first movie...isn't that where Riley's dreams were produced?) only to find that Anxiety and Envy are using Rileys imagination against her. They have several workers there (I'm not sure what they were called) drawing different scenes of all the scenarios Anxiety has Riley thinking of that could happen during the scrimmage. These include things like what if she hits the puck in her own net or what if she misses a pass or what if the other team wins. Joy and the others quickly come up with more positive scenarios such as Riley wins and everyone hugs her. Okay, I'm going to let you in a little secret why I think it's better (and maybe that's not the right word) to be a pessimist than an optimist. When you think of all the worse scenarios and it happens, then at least you're prepared for it. However, when you're hoping for the best outcome or a good one, and it doesn't happen, it's even worse! But if you're expecting something bad to happen, but something good happen, it's the best scenario! In this case, if I were in Riley's shoes, I would totally be thinking of all the horrible things that could happen during a hockey scrimmage...the last thing I would be thinking is that I would win and everyone would hug me. But like I said earlier, I'm pretty much controlled by anxiety! 

Anxiety is being projected on a large screen and she and Joy have a back and forth:

Anxiety: "What if Riley is better than Val and then Val hates her?"
Joy: "What if Riley is better than Val and then Val respects her?"
Anxiety: "What if Riley is so bad she has to give up hockey forever?" 
Joy: "What if Riley does so well that the coach cries and the Olympics call and she rallies a weary nation to victory?"

Heh, even Disgust has to remind Joy that "reality is also a thing." 

So there's a very niche reference to a famous Apple commercial from 1984 that was only aired once. I only know about it because I learned about it in an economics class in high school....I think, I don't really remember how I learned about it honestly, but it's a pretty famous commercial. One of the Imagination Land illustrations throws a chair at the screen with Anxiety's face and as soon as I saw that I knew they were parodying that 1984 Apple commercial. Yeah, I felt pretty smug about knowing that. I won't lie. Go Google it. Another reference that I caught was one from Network when Anger tells the Imagination Land workers, "You don't have to take it anymore!" I've never seen Network but even I know the "I'm mad as hell and I don't have to take it anymore!" line from Peter Finch (I did have to look up the name of the actor). 

Now that Anxiety's plans have been foiled, she wakes a sleeping Riley to make her consider sneaking into the coach's office to read the notebook to see what was written about her. Over a walkie-talkie (Riley's mind truly is a complex place), Sadness warns Joy and the others what Riley is up to and Joy tells her she has to stop her. Apparently Coach Roberts doesn't keep her office door locked. I sure hope she does't keep anything valuable in her office! And it's not like she keeps her notebook locked in a desk, no, it's just sitting on her desk just asking to be read. I'm guessing it's really early in the morning (or maybe late at night?) because right before she enters the office, she hears a janitor down the hall and quickly slips into the office and slides down to the floor and locks the door so the janitor can't get in (or see her when he uses a flashlight to peer in the room). 

Riley picks up the notebook. Sadness has control over her and she starts crying until Anxiety takes over and Riley wipes away her tears and determinedly opens the notebook. All she sees written under her name is "not ready yet." I'm sorry, but that's all that was written? What are the reasons she's not ready? Some coach! You'd think she'd have a list of things Riley needs to improve on. But maybe that's for the best because I'm sure that would have wrecked Riley even more had there been specifics. 

Anxiety and Envy are freaking out and Anxiety says they're going to have "to change Coach's mind" and all they need are "lots of idea." Cut to the other Emotions who are getting pelted with little colorful pellets. It is, of course, a "brain storm". Joy catches a few of them and some of the ideas include "hog the puck" and "trash talk the other team." I don't know how much the latter would help Riley make the team. If anything, you would probably be called out for bad sportsmanship. Anxiety and Envy realize the ideas are too small and they need to come up with a "big idea" (which is in the shape of a lightbulb that gets screwed into the console). Since Val made two goals at the scrimmage that made her a Fire Hawk, Riley's idea is to score three goals. 

At this point, Joy and the others have reached the Back of the Mind to retrieve Riley's old Sense of Self which is sitting on top of a giant heap of bad memories that Joy has previously sent there. Riley's new Sense of Self now has a new mantra, "I'm not good enough" and this alarms Anxiety, but she spins it as Riley knows there's "always room for self-improvement." 

The only way for the original Emotions to get back to Headquarters has diminished and Joy admits to the others that she "doesn't know how to stop Anxiety." (Who does, am I right?) In the end, they summon their good friend Pouchy who's carrying a bunch of dynamite and they use that to blow up the cliff so they can "ride an avalanche of bad memories back to Headquarters." I couldn't help notice that some of the bad memories were yellow which would indicate joy. All the other colors/emotions I can see being part of a bad memory, but shouldn't there be no yellow in that pile of bad memories? 

While playing the scrimmage, Riley makes her first score even though one of her teammates was open and told her to pass it. She continues to play erratically, stealing the puck from one of her teammates and makes another goal. She's happy, but her teammates aren't. She makes her third goal, but at the result of slamming into another player (who happens to be Grace) who goes flying cross the ice. The coach puts Riley in the penalty box for two minutes. She appears to be having a full-blown panic attack (as we see Anxiety furiously controlling the console and Envy tells her she's putting too much pressure on Riley). 

The other Emotions have returned and Joy tells Anxiety that she can't choose who Riley is and that she needs to let her go. In the end, Riley's Sense of Self is a mixture of the old ("I'm a good person") with the new ("I'm not good enough"). Riley, like everyone else, is a complex person and her Emotions love her just the way she is. Riley apologizes to her friends and feels much better as Joy takes over and she is able to have fun playing hockey. (And in the end, she does make the Fire Hawks. At least, it's implied that she does.)

Like I mentioned earlier, Inside Out is my second favorite Pixar movie, so of course I was delighted when I found out there would be a sequel. I thought this movie was solid, but nowhere near as good as the first one. While I did cry during this movie, I was bawling during the first one. I also though the stakes were much higher for Riley in the first movie when she moved from Minnesota to San Franscisco. Yeah, having your close friends go to a different school would suck, but she's still going to be able to see them. In the first movie, she moved from Minnesota to San Fransisco. Her parents (voiced by Diane Lane and Kyle MacLachlan) aren't in this one as much as the first one. I did forget to mention a fun side character, Nostalgia (voice by June Squib) who is this adorable granny-looking character who likes to reminisce about the past and the other Emotions have to remind her Riley's not quite ready for her. (She is only 13, after all...does anyone really have nostalgia when they're 13? Well, maybe she has nostalgia for the days when she watched Bloofy!)

Monday, June 17, 2024

BHPD

Beverly Hills Cop
Director: Martin Brest
Cast: Eddie Murphy, Judge Reinhold, John Ashton, Ronny Cox, Steven Berkoff, Jonathan Banks
Released: December 5, 1984

Oscar nomination:
Best Original Screenplay - Daniel Petrie Jr. and Danilo Bach (lost to Robert Benton for Places in the Heart)



Beverly Hills Cop II
Director: Tony Scott
Cast: Eddie Murphy, Judge Reinhold, John Ashton, Ronny Cox, Brigitte Nielsen, Dean Stockwell, Paul Reiser, Jurgen Prochnow
Released: May 20, 1987

Oscar nomination: 
Best Original Song - "Shakedown" by Harold Faltermeyer, Keith Forsey, and Bob Seger  (lost to ("I've Had) the Time of My Life" by Frank Previte, John DeNicola, and Donald Markowitz from Dirty Dancing)



Beverly Hills Cop III
Director: John Landis
Cast: Eddie Murphy, Judge Reinhold, Hector Elizondo, Timothy Carhart, Stephen McHattie 
Released: May 25, 1994


Cue the synthesizers and other '80s electronic instruments because it's time to head to Beverly Hills with Axel Foley as I review the Beverly Hills Cop trilogy (soon to have a fourth!). I don't think any of these movies are particularly good, but they are fun to watch (well, the first two anyway!) and you can tell when Eddie Murphy improvises during a scene and those are some of the funniest scenes in the films. 

When watching the first movie, there were only five actors I was familiar with:

1. Eddie Murphy, obviously.
2. Judge Reinhold - I probably couldn't tell you anything he's been in unless I looked up his filmography, but I'm definitely familiar with his name. I do remember he was in The Sant Clause movies.
3. Bronson Pinchot - It's Balki from Perfect Strangers
4. Paul Reiser - he looks younger than his My Two Dads character, much younger than his Mad About You character, and way younger than his Stranger Things character! 
5. Jonathan Banks  - yes, Mike Ehrmantraut (from Breaking Bad and Better Call Saul for those who may not know) is in this! Actually, I didn't recognize him at all and it was only when I was watching the credits that I realized he was in this.

Axel Foley (a very young (and skinny!) Eddie Murphy) is a cop who lives in Detroit. This little detail surprised me, as I assumed he lived in California since the movie is called Beverly Hills Cop. The movie opens with Axel going undercover in a sting operation and it ends up in a high speed car chase (set to The Pointer Sisters' "Neutron Dance"; what is a Neutron dance anyway?). He does this without any authorization and his boss, Inspector Todd, is livid. Before he gets chewed out by him, Axel's fellow cop, Jeffrey (played by a very young Paul Reiser) tries to warn him that he's about to get it and right before Inspector Todd comes into the locker room to yell at Axel, Jeffrey turns around and pretend to be interested in the lockers. At one point, he (stupidly) intervenes in the conversation and Todd snaps at him that this is none of his business. He turns back to the lockers and exclaims, "This is not my locker!" This will come back in the second movie which was a nice nod to this scene. 

Inspector Todd tells Axel that if he ever does anything like that again, he will be fired. 

When Axel returns home, he notices the door to his apartment is slightly ajar. If that happened to me, I would be freaked out! However, being a cop, Axel has a gun, so he takes it out and scopes out his apartment. Luckily, he doesn't have anything to worry about because it's just an old friend of his named Mikey (which I didn't get his name until way later so maybe I missed it when we first meet him) who's sitting in his kitchen, eating. Actually, he does have to worry about Mikey wasting his electrical bill because he has the refrigerator door propped open. I'm guessing the A/C must be broken and he's doing that to keep cool, but, dude,' c'mon! Everyone knows you don't leave the fridge door open longer than is necessary. 

We quickly find out that Mikey was in jail for breaking and entering, but he was released a year early and has already been out for six months where he's spent some time in California (Beverly Hill, I presume!). They haven't seen each other in two years. Mikey shows Axel a stack of "untraceable bearer bonds worth 10,000 Deutschmarks." Axel asks if he stole them, then quickly rescinds his questions, saying he doesn't even want to know. I have no idea how much that is worth in US dollars, but considering that Germany uses the Euro now I don't think this will be a great future investment! In fact, this will be a fatal investment for Mikey. I'm sorry, but this guy seems like a real dumbass. 

But before Mikey meets his demise, at least he will have a fun night out with Axel as they go out to drink beer and shoot some pool. We get some more exposition as Mikey tells Axel he was in Beverly Hills (aha! I was right!) as a security guard. He was hired by a mutual friend of theirs, a woman named Jenny Summers who's the manager of a super fancy art gallery. Later, we will find out that Jenny's boss hired him as a favor for her. I guess Jenny didn't tell her boss that he did time for stealing because who the hell would hire this guy? 

They're both drunk when they return to Axel's apartment and as he's trying to unlock his door, two guys ambush them from both sides, knocking Axel out. They roughhouse Mikey and slam him against the wall and grab the bag he's carrying with the bonds in it (I love how he's just conveniently carrying them around). Mikey clearly knows who they are and tells them he was going to bring them back (yeah, right!); that he only took a couple stacks and didn't think they would miss them. Oh, they missed them, alright! They shoot him in the head right in the middle of the hallway. One of the guys who kills him is played by Jonathan Banks, and like I mentioned, the first time I saw this, it didn't even register with me that was him, but when I watched it again to take notes and knew this time he was in it, I definitely saw him. He's younger (but still old, if that makes sense) and has a lot more hair, but you can tell by the eyes and the voice. 

Somebody must have called the police because the next thing you know they're at the apartment and Axel is outside talking to Inspector Todd. He's really lucky that they just didn't kill him too, but then I guess we wouldn't have a movie. Or it would have been a very different movie! Todd warns Axel not to get involved in this case so Axel asks if he can take some vacation time which he's granted, but Todd tells him if he finds out he's butting into the case, "it will be the longest vacation [he] ever heard of." 

Now we see palm trees so we know Axel is in Beverly Hills. You would think that since he lives in Detroit, he would fly out to California, right? Wrong! He drives all the way out there in his crappy car, a Chevy Nova. It's 2,300 miles from Detroit to Beverly Hills. Who would drive that distance when you can fly out there in about five hours? (Still a long flight, but much better than driving!) 

After he obtains a hotel room he clearly can't afford, he goes to the art gallery where Jenny works. Before he's reunited with her, he meets Serge (Bronson Pinchot) who works at the gallery. He has some Eastern European accent (perhaps he hails from the Greek isle of Mypos?) and calls Axel "Ack-swell". Serge is only in two scenes, but he leaves a memorable impression. He is hilarious; when he sees a fellow co-worker with too many buttons on his shirt left open, he tells him to button it up because it's not sexy (and I loved when Axel agrees with him); when he tells Axel how much a piece of art work went for, Axel says, "Get the f*** out of here!" (because it's a very high price for a very odd piece!), he replies, "No, I cannot!" which cracked me up. He also offers Axel a cup of espresso with "a twist of lemon", but Axel politely declines. 

Axel and Jenny (as we'll learn in a later scene) know each other because they grew up in the same neighborhood. I guess Mikey was also part of this friend group too? IDK. Axel has to break the news to her that Mikey is dead and this is when we find out that her boss, Victor Maitland (Steven Berkoff), who is one of the top art dealers in the U.S., hired him as a favor to her and Mikey worked at the gallery warehouse. 

Axel shows up at Maitland's office building posed as a delivery man with flowers and tells the receptionist that "it's imperative" that Mr. Maitland get the flowers (why? they're just flowers!) and goes to deliver them himself even though she tells him that all deliveries are left on the desk. He barges into the office and gets to the point when he tells him he needs to ask him some questions about Michael Tandino and explains that he was in Detroit and someone killed him. Maitland's exclamation of "Oh my God! That's terrible!" isn't convincing at all. He confirms that Mikey did work for him and when Axel still probes for information, he tells him that the authorities in Detroit should look into this and that he needs to get back to work. This must be the cue for his six guards to grab him and throw him out the window. A bit excessive, especially with people in the lobby witnessing all of this. One guard leading him out the front door would have sufficed. 

The cops come to take him to the police department as he's been charged with having a weapon (they find a gun on him) and disturbing the peace. He's pretty outraged about the latter since he was thrown out a window! After spending some time in a cell (with a pay phone which he makes a joke about wanting to order a pizza; yes the pay phone is in the actual cell), they let him out. On the outside, the Beverly Hills Police Department is a very ornate building and on the inside, it's very high-tech (especially for 1984!). 

He's introduced to sergeants John Taggart (John Ashton) and Billy Rosewood (Judge Reinhold) who question him why he didn't identify himself as a police officer when he was arrested and Axel replies he was just minding his own business, but Taggart informs him that six witnesses saw him come in and tear up the place, then jump out the window. Let me guess: those six "witnesses" were the six security/body guards. Taggart and Axel don't get off on the right foot as the Beverly Hills cop tells Axel he's more likely to believe an established businessman than some "foul mouthed jerk from out of town." Axel answers withs a foul-mouthed response. They get into a squabble and Taggart punches him in the gut. From his office, Taggart's and Rosewood's boss, Lieutenant Bogomil (Ronny Cox,) sees this and after having a word with Taggart, he (Taggart) apologizes to Axel. Bogomil introduces himself to Axel and asks him if he would like to press charges against Taggart, but he says where he comes from, police officers don't do that to other police officers. Bogomil asks why he didn't inform them why he was in town and he tells them he's on vacation. When asked why he was in Maitland's office, Axel says he had to use the bathroom and thought that would be a good place. I don't know, that sounds kind of like a weak excuse. If you're walking down a street, are you going to go into an office building to use the bathroom? I mean, maybe, but I'd feel like you're more likely to use either a public bathroom or one at a restaurant or a fast food place. Bogomil asks if he always takes his gun on vacation and Axel replies that he's never been on vacation before, but in Detroit "cops are required to carry a firearm at all times." Bogomil informs him he had just been talking on the phone with Inspector Todd and that he's supposed to give him the message that if he's investigating the Tandino murder, then he shouldn't bother coming back to Detroit. Axel stills insists he's only in Beverly Hills on vacation. 

This is totally random and has nothing to do with the movie, but the name "Bogomil" reminded me of something and it finally dawned on me that it sounds a lot like Gargamel, you know, as in the villain from The Smurfs

Jenny pays for Axel's bail and takes him back to his hotel. During the drive, Axel notices the cops are following them and they park on the opposite side of the street of the hotel. In his room, Axel orders room service (the bay shrimp salad sandwich and the cold poached salmon in dill sauce) and instructs them to take it to the car with Taggart and Rosewood. This is all to distract them as Axel sneaks in behind their car and puts a couple of bananas in their tail pipe so the car stalls when they try to follow Axel and Jenny who drive to Maitland's warehouse where Axel finds a crate full of coffee grounds. They have to hide from some guys coming in with a box, but from where he's hiding, he's able to see that it's full of the bearer bonds that Mikey had. They follow them to what Jenny tells Axel is a "bonded warehouse", where they "hold foreign shipments until they clear customs." Axel tells a reluctant Jenny to take the car (it's her car they took, btw) and go home because he wants to check out the place. I know he doesn't want Jenny to be in harm's way if things go bad, but my first thought was how is he going to get back to his hotel? 

He walks inside, not trying to be sneaky, and when a security officer spots him, Axel smiles at him and asks how he's doing, then asks the man if he can get his supervisor and flashes his badge. The guy gets the supervisor and Axel introduces himself as "Inspector Rafferty, United States Custom Service" and asks him if all this stuff has passed through customs and the guy tells him this is "the bonded area." Axel wants him to answer a question for him: "How can a black man, dressed like me (he's wearing jeans, t-shirt, and unzipped hoodie), just march into your warehouse, walk into the bonded area and start poking around without anyone asking me any questions whatsoever?" It cracked me up when the supervisor replies "I don't know" and he says that's the answer he was looking for. He takes their ID badges from them and tells them somebody's gonna lose their job over this. He informs them he does "security checks all over the nation" and this one has the worst security in the nation right behind Cleveland. I'm sure back in 1984, the people of Cleveland watching this in the theaters had a big chuckle over this line. He tells them they're going to check the background of each and every crate in the section, starting with the one he's already picked out that he knows belongs to Maitland.  

It's amazing how they just go along with this and don't even ask to see his credentials, but I guess things were different back in the '80s. Or maybe it's just for the convenience of the plot and people really weren't that dumb back then. 

Meanwhile, Bogomil is furious about the banana incident and orders that Taggart and Rosewood wait for Axel to return to the hotel. We get a funny scene of them in the car where Rosewood shares the information from the magazine article he's reading: "By the time the average American is 50, he's got five pounds of undigested red meat in his bowels." Taggart asks him why he thinks he would want to hear this (my thoughts exactly!) and Rosewood replies, "You eat a lot of red meat." That "fact" (if indeed it is true; I was too scared to fact check it on the Internet for fear of what I might find!) is so gross! Kinda makes me glad I don't eat much red meat (I may have 2-3 steaks a year, if that!).

After he gets the info he needs, Axel returns to the hotel and sees the cop in their car and hops in the backseat (guess they don't keep their doors locked!). They're still a bit salty with Axel (especially Taggart) because his banana stunt docked them two days' pay. That sucks for them since it really wasn't their fault. Axel apologizes and says they should all be working together since they're cops and suggests they "all go get something to drink and make up and be friends" 

They end up at a strip club which will be a staple of the Beverly Hills Cop franchise. Axel shows them the coffee grounds, but they don't know what they mean. That's quickly forgotten when Axel looks over and sees two shady guys enter, both wearing long black leather coats. One of them stays by the bar and the other walks towards the back, leaning against the wall. Axel points out the guy near the wall to Taggart and asks him if he thinks it's odd he's wearing a coat in June. He points out the other guy and tells him something's about to go down and asks him to cover the guy against the wall. He walks towards the guy at the bar and shouts "Phillip!" and pretends to know him as he loudly yells and makes a racket. The guy tells him to get out of his way and stops the music (which, thank God cuz that "Nasty Girl" song was awful!), then takes out his gun and the other guy does the same. Axel has his hands up but is still acting like he knows the guy. The guy comes closer to him and Axel grabs his gun and whacks him with it; meanwhile Taggart takes out his gun and points it at the other guy. They arrest the two guys and everyone claps as Taggart apologizes for the disturbance. I guess these two guys were planning on robbing the place. When I first watched this, I thought these guys were connected to Maitland, but nope, just two random guys whose plot was foiled. 

When they return to the police department, Bogomil is livid and wants to know what they were doing at a strip club out of their jurisdiction while they were on duty. Axel cuts in to tell him they were there because the other two were following him and that's where he went. They waited outside while he was inside and the only reason they went inside was because "they saw two suspicious-looking gentlemen with bulges in their jackets going into the place." He had no idea what was going on, but Taggart and Rosewood "were able too stop them." It's a very good, believable story, but when Bogomil asks the two sergeants if that's what really happened, Taggart, who apparently cannot lie, tells him no and tells him the true story and that it was Foley who saw the suspects and that he's the one who deserves credit for the arrests. Bogomil tells Taggart and Rosewood they're off the case and has two other cops keep an eye on Foley. 

The next morning, Axel orders coffee and doughnuts from room service to be delivered to the new set of cops and he sneaks away in his car, but they're on to him and follow him to Victor Maitland's house. During this scene, you can see a DeLorean parked on the curb. Besides being useful for a time machine, the DeLorean has to be one of the most impractical cars ever made. You can only parallel park because of those doors and who wants to parallel park? But the sight of it made me laugh because of course some rich dude (because you know it's a guy) in Beverly Hills is going to own a DeLorean in the '80s. While they're busy chatting, they see a car leave the house and Axel follows it and they follow Axel, but he's able to lose them. 
 
Axel follows him to a fancy, members-only restaurant and when he goes in, he acts very flamboyant and tells the maitre d' he's looking for Victor Maitland and the man replies if he tells him the message, he can relay it to Mr. Maitland. Axel gives him his message: "Tell Victor that Ramon, the fella he met about a week ago, went to the clinic today, and I found out that I have herpes simplex ten. And I think Victor should go check himself out with his physician to make sure everything is fine before things start falling off." Not surprisingly, the maitre d' tells Axel he better tell Victor himself. Yeah, I don't blame him, that's not the kind of information you want to be delivering as the middleman, but I would be a little suspicious if I were the restaurant employee because I'd be thinking, this is not the time or place to be relaying this news. 

Victor is seated with Zach (that's young Mike Ehrmantraut...lol, now I'm picturing him saying "Axel" in the same way he says "Walter"....you know what I mean if you've seen Breaking Bad!) and the henchman gets up and tells Axel to get out out and they start slapping each other, then Axel grabs him and throws him into the nearby buffet table that's full of fruit and sliced strawberries, lemons, kiwis, bananas, and watermelon go flying everywhere. If I were one of the prep cooks who had spent all morning cutting all that fruit, I would be pissed! The other diners around them are just staring at them, but besides that, there's really no reaction. 

Axel tells Victor that he knows he's into shady stuff and is pretty certain that he had Mikey killed. Vitor replies that he has no idea who he's dealing with and tells him to go back to Detroit. At that point, the police come to take Axel away, so apparently somebody must have called them. 

Back at the police headquarters, Bogomil asks Axel why he keeps harassing Maitland and he tells him about Mikey and his suspicions of Maitland having him killed and adds, "I can't prove that right now, but when I do, you'll be the first to know." He also tells him about the bearer bonds and Bogomil doesn't think that proves anything. Axel says that Maitland is "not an investor, he's a smuggler" and that the crate that he saw didn't pass through Customs, but rather "Maitland is paying someone so his guys can get his shipments out of Customs before they get inspected" and when his guys get their hands on it, "they take the drugs or the bonds out of the crate and send it back before Customs even knows what's going on." When asked, Axel confirms he witnessed all that, except he didn't see any drugs, but he did see coffee grounds which drugs are sometimes packed in because the scent throws off the dogs. By-the-books Bogomil says they don't have a search warrant to inspect the warehouse and tells Taggart to start checking this out. Axel points out that if they start snooping around, Maitland will just close down and move his shipments somewhere else. 

However, Police Chief Hubbard want Axel to be escorted out of city limits because he's had enough of his shenanigans and Rosewood is ordered to drive him out of Beverly Hills. In the car, Axel tells him that Maitland is expecting another shipment in today and wants Billy to drive him to the art gallery so she can let them in the warehouse. Rosewood asks how can he be sure if the shipment will contain drugs and Axel replies that he's "got a hunch". It doesn't take much for him to convince Billy to take the detour. 

At the gallery, we get another humorous scene with Serge when Axel asks him to get Rosewood an espresso. He asks him if he wants a lemon twist and Billy replies sure, if it's no bother, and Serge replies, "No, don't be stupid." Jenny tells Axel that Maitland had come by earlier that day to ask about Axel and wanted to know where Foley was staying because he had "some helpful information" but she claimed she didn't know. She want go go to the warehouse with them, but Axel says it's too dangerous and adds that he doesn't have time to argue. Jenny replies, "Let me get my keys and we'll argue on the way" which is a line that made me laugh.

They drive to the warehouse and Axel tells Billy to stay in the car and observe. He can't go in because he's a cop and if he goes in "without probable cause, they'll call it an illegal search." He asks Jenny if there's any chance she can give him the key so he can go in by himself, but she says "no chance" and goes in with him. They check out the crate and he finds one from overseas that hasn't passed through Customs yet and opens it with a crowbar. Inside are coffee grounds and under those are plastic bags of a white powder substance which I'm sure isn't sugar! Axel is sure too when he takes his pinkie to taste it. Uh...pretty sure cops aren't allowed to do that! At that moment, two guys show up and one points a gun at Axel's head. In the car, Rosewood sees Maitland, Zach, and some other goons show up and go inside. Maitland tells his men to take Jenny to the car. Everyone but the first two men who were already there get in the car and drive off. Rosewood goes in and hears Axel coughing as he's being hit in the stomach by one of the men. He shoots at one guy and Axel is able to get free and take a swing at the other guy. They are able to get out and run to the car where Rosewood gets on the radio and tells dispatch to have Taggart check out the warehouse and act on whatever he finds. Taggart has other plans and tells the two cops who were assigned to follow Axel the second time to check out the warehouse and he drives to Maitland's house (because he knows that's where Axel and Billy are headed) and when he arrives there, he sees the two cops breaking into the back gate. After they explain to them Jenny has been kidnapped and she's in the house (I'm not really sure how they knew Maitland took her to his house; I guess it was just a lucky guess or I missed something), Taggart tells them they need a search warrant and they can get it in twenty minutes. Axel replies they may not have that much time and he's going in, regardless, and Rosewood says he's going in too. Taggart tells Billy that if he's lucky, the worst thing that will happen to him is that he'll just get fired. He decides that he's going in too and goes to get his guns from the trunk. Inside, two security guards see that there are people in the backyard with guns and they alert other men who work for Maitland and they come out with guns to check what's going on. 

Axel sneaks up the stairs that leads to the back of the house while Taggart and Rosewood go around a large stone wall. They try to climb it, but it's too high. There's a hilarious moment where Taggart gets on Rosewood's shoulders after Billy gives him a boost, but Billy can't keep his balance and he's stumbling and they fall. Eventually, they are able to get over. You can tell it's a different wall, because from their side of the fence, it's a solid white wall, but when you're seeing them from Axel's point of view, it's not solid and there are decorative slabs. 

There's lot of gun firing. A few bad guys are shot, but mostly the decorative gardening vases and statues are getting the brunt of it. This is the most gaudy pool area I've ever seen. There's huge statues everywhere. At one point, Rosewood stands up with his badge and yells, "Police! You're all under arrest!" but they don't care and continue to shoot at him so he has to dive for cover. They cover Axel as he makes his way into the house. There's no way the interior of this house is the same one they use for the outside. For a Beverly Hills mansion of an art collector, the rooms just feel small and uninspiring. He kills Zach after he's being fired at, then Maitland shows up and starts shooting at Axel. 

Meanwhile, Bogomil finds out that they're at Maitland's residence and he and many other cops show up a few minutes later. 

Back in the house, Maitland has grabbed Jenny with a gun to her head, but then Bogomil pops in and yells "Freeze!" and Jenny elbows a surprised Maitland and is able to get away and both Axel and Bogomil shoot him dead. This time, when Billy yells, "Police! You're all under arrest!", they put their weapons down and their hands up because many police officers are swarming the area. Rosewood's smug reaction is pretty funny.

Police Chief Hubbard shows up and wants to know what's going on, excuse me, he wants to know "what the hell's going on?" He spots Axel and demand to know why he isn't in custody. Bogomil tells him he can explain everything and makes up a story that Jenny "accidentally discovered large quantities of a substance she suspected was cocaine in the art gallery's warehouse" and she told Axel who was "cooperating at the time in a joint Beverly Hills-Detroit investigation of narcotics trafficking." He and Rosewood responded to her report and "discovered approximately 80 kilos of cocaine". Rosewood called for backup and he dispatched their officers to this location which Taggart was first to arrive and "having probable cause to believe a felony was in progress" they "proceeded to enter the grounds" and they shot several suspects to defend themselves. Hubbard wants to hear from Taggart if he can confirm that story since it was established earlier that he has a penchant for telling the truth, but Taggart says that's what happened. 

After Hubbard leaves, Axel asks Bogomil if he could call Inspector Todd and straighten things out for him and he tells him he'll do that in the morning. I really thought he was going to offer Axel a job and that's how he became a Beverly Hills cop, hence the title! Axel checks out of his hotel room and he's lucky that the BHPD paid for it! 

That's the end of the first movie, now on to Beverly Hills Cop II which follows a similar formula to the first movie, but is a bit more convoluted. The movie is directed by Tony Scott so there are more actions scenes with sh*t blowing up and you can tell they had a bit more money for production. 

It's two years later and Axel is still living in Detroit as a cop and is working undercover on an assignment with fake credit cards. We learn that he's kept in touch with Bogomil, Taggart, and Rosewood; he even has to cancel a fishing trip he had planned with Bogomil. Okay, I can buy that maybe he sends Christmas cards or talks to them on the phone every few months, but visits? Yeah, that seems a bit much. He even seems to be very friendly with Bogomil's adult daughter, Jan, who we meet in this movie. They obviously just added her as a character they needed because it was never mentioned before that he had a daughter. 

In the first movie, Axel was brought to Beverly Hills because of the murder of a friend; this time he comes to Beverly Hills because Bogomil was shot and Axel knew he had been working on a case and thinks it may have to do with him being shot. 

Because of the way a case was handled, Lutz, the new police chief, has suspended Bogomil; and Taggart and Rosewood have been demoted to traffic duty. At one point, he calls Rosewood "Roseweed" which made me giggle. On his way home, Bogomil is followed by a tall, attractive woman with dark hair and sunglasses, but she must have gotten in front of him because he sees her parked on the curb in a residential area (I'm assuming his). Her hood is open as though she has car trouble and he pulls over to offer help. As he's checking out the engine, another car pulls up and she hands him a piece of paper with "B" written on it and asks him what he thinks of it and the guy driving by shoots at him. He grabs at her and pulls off the wig she's wearing to reveal she's a blonde and she shoots him in the chest. I gasped, thinking for sure he was dead, but he actually makes it out okay by the end of the movie, so he must have been wearing a bullet proof vest. 

The tall blonde woman that shot him is the same tall blonde woman we saw rob a fancy jewelry store at the beginning of the movie. Well she didn't do any of the stealing; the masked men who were with her did all that while she just kept shouting how much time they had until the police arrived ("Two minutes! One thirty!"). On her way out, she left a pink carnation and a card with the letter "A" on the back of the manager. The man is alive, but he was ordered to "eat the floor". It cracked me up seeing this nicely dressed, polished woman use such boorish language. Yes, I realize she's involved in a heist, but its not like she's really doing any of the dirty work! The "A" stands for the name of the jewelry store (and presumably the last name of the owner), Adriano. With the "B" card found on Bogomil, the two crimes are connected and are quickly dubbed the Alphabet Crimes. It was really lucky that Bogomil wasn't named, like, Zogomil in the first movie or else they'd have to think of something else! 

Axel finds out about the shooting of Bogomil on TV. Why would this be on the news in Detroit? Seems like that would be more local news, not national news. But I guess they need to have him find out, although I'm sure Taggart or Rosewood or Jan would have called him to tell him. Yeah, that would make way more sense. This is when we find out that he's "going to be okay" and Rosewood tells him about "the Alphabet Bandit" and that he and Taggart aren't on the case. 

Before Axel leaves for Beverly Hills, he asks Jeffrey (that's Paul Reiser's character, remember) to have him tell Inspector Todd (that's his boss, remember) that he's pursing his credit card bust. When he arrives in the ritzy town, we're shown a bunch of Beverly Hills cliches like expensive cars and Rodeo Drive. The one that stuck out to me in particular was an attractive woman walking her little dog down the sidewalk. Not only is she wearing heels (ridiculous! She must only be walking her dog down to the end of the street and back), but she's wearing a leotard and tights and it looks like she has the world's worst wedgie (try saying that three times fast!). I know this because they show a close up of her ass...I guess we're supposed to think it's sexy? Yeah, it's not. Serge would not think it's sexy, heh! (And no, Serge is not in this movie because Pinchot was filming Perfect Strangers.

Axel sees a mansion under construction and pulls up to it. Once again, he manages to convince a group of people that he's someone he's not. He quickly learns the name of the couple who live there and that they are away in Hawaii until the end of the week. He tells them he's in charge now and that the couple have changed their plans. According to him, there's "not supposed to be any right angles" and tells everyone to stop. He needs to talk to some people and tells them to go home and take the week off. He ends his little speech with "It's Miller time!" which made me laugh. But once again, I don't know if people in the '80s were really this stupid and gullible or this is just exaggerated for the plot of the movie. Maybe a little bit of both. Either way, he found a nice, free place to stay. 

He goes to the police station where he wants Rosewood and Taggart to show him the letters left from the Alphabet Bandit. Lutz wants to know who he is and in a Caribbean accent, Axel tells him his name is Johnny Wishbone and he's a psychic from St. Croix who's been sent here to help the Beverly Hills police with a crime they're having trouble with. I laughed when he said that Lutz and Biddle (the guy who's always following Lutz around) sounds like Kibble and Bits. It's funny because it's true! That had to be an improvised Eddie Murphy line. In fact, the whole scene felt like it was improvised!

Even though Rosewood and Taggart are supposed to be only doing traffic duty, Axel convinces them to help him find who shot Bogoil. He reminds them he was there for him a couple years ago and they agree as long as they can be covert and keep a low profile. (Ha! Good luck with that!) 

While he was at the station, Axel had taken a shell casing from one of the bullets that hit Bogomil and Taggart thinks they should go to the Beverly Hills Shooting Club and ask the owner, Russ Fielding, about it.

When they get to the exclusive, members-only club, we get another ridiculous scene where Axel takes a paper sack (filled with Rosewood's vitamins) and walks into the swanky reception area. He stops a waiter holding a bottle of champagne and while he's asking what year it is (the champagne, not the actual year!), he dips his hand in the ice and covers his face with water. The waiter answer his question but doesn't question what he's doing. Axel starts breathing heavily and walks carefully towards the desk where the receptionist is sitting. He tells her he's from "Metalux Explosive Research Company" and asks for Russell Fielding because he "ordered these plutonium-nitrate multi-explosive sound-seeking projectiles. The receptionist looks at her records and tells him she doesn't see anything about that and she can straighten this out, but before she can reach for the phone, he stops her and suggests she doesn't "use the phone, sneeze, cough, or anything." He slowly gets up to leave, telling her that she can work it out, but she tells him she can just take it to Mr. Fielding's office and tells him where it is. Uh, wouldn't you be calling the bomb squad if you really thought there were explosives in that bag? I don't know how believable that scene was, but it was amusing. 

Once he's out of her sight, he throws the bag away. I'm sure Rosewood will be thrilled about that. (He'll think that Axel sold them.) He goes into the shooting range room where he finds Russ and asks him about the bullet and he identifies it. The tall blonde woman who we know shot Bogomil is there and comes over and introduces herself as the assistant manager, Karla Fry (Brigitte Nielsen). In a private conversation, Russ tells Karla about the casing Axel brought to show him that was from there and that he made it and others just like it for Charles Cain, the manager of the Shooting Club. Karla goes into an office and tells this information to a man with a German accent. 
  
I need to do a quick fashion corner here and talk about Karla's earrings. They are the most '80s earrings I've ever seen. There are these huge, silver geometric-shaped earrings that cover almost the bottom third of her ear. They look very uncomfortable, not to mention ugly as hell. I posted a picture so you can see what I'm talking about.

While Axel is preoccupied with the shooting range (he gave a fake name to Russ and Karla), we are given some exposition. Charles Cain (played by Dean Stockwell; Al from Quantum Leap!) is called into the office of the German man to go over plans "C" and "D" because they "have promised to deliver Thomopolis $10 million Friday at 6." He wants to avoid the same mistakes they made on the Adriano job. The man wasn't happy that Cain supplied the men on that job with guns from his club, but Cain insisted nobody would be able to trade them and that nobody knows that he (the German) wrote the notes or planned all this. He questions why there is a man in the club asking questions and believes him to be a cop, because who else would be asking questions like those? He shows Cain Axel on the security footage and tells him he's going to kill him. Also, if you, like me, have no idea what the hell they're talking about, don't worry about; it really doesn't matter. This movie gets pretty convoluted and it's best not to ponder everything. 

Cain introduces himself to Axel and asks him if he would like a guest membership. Axel agrees and gives him the address where he can send it to after Cain asks for it. Uh, wouldn't you just fill it out there at the club? I get why he asked for it; after this scene we see Cain give the address to two hitmen in a car. I'm surprised Axel just gave out the address.

I have to laugh because in this scene Dean Stockwell has a cigar he occasionally smokes and he does this exact same thing in pretty much every episode of Quantum Leap. Maybe, like, it was in his contract he had to be smoking a cigar in all his projects. 

Back in the car where Rosewood and Taggart are waiting, Axel tells them a six-foot blonde woman was working in the club and Rosewood replies that a woman of the same description was spotted at the Adriano robbery. Taggart points out there are six foot blondes everywhere in the area. They decide to meet at Axel's "place" in an hour. 

Before he heads back, Axel makes a stop at Bogomil's house where he looks through his office and finds a newspaper clipping about oil price dropping and an ad for a club called 385 North. There's also a photograph of the German man with the name "Maxwell Dent" written in large red markers so the audience can see it. Jan is there too and Axel asks if she can use her connections of working at an insurance company to find out about this Maxwell Dent. 
 
When Taggart and Rosewood arrive at the address of the mansion Axel gave them and find him lounging in the pool, Taggart accuses him of stealing the house, but Axel insists it's his uncle's house. Funny, he's never mentioned having an uncle living in Beverly Hills before! That's what I would have pointed out! Taggart gets angry at him and tells him he needs to get out of the house. Hilariously, he ends up slipping on the concrete (which Axel had warned them was slippery) and falls into the pool. He ends up changing into a super preppy outfit that he finds upstairs: plaid pants white polo, yellow sweater vest, and light blue blazer. (I guess the man who lives in that house is the same size as Taggart!) He looks like he's about to go golfing. He's pretty pleased with himself and thinks he looks "sharp". 

They head out to 385 North, which happens to be a members-only strip club. Axel gets them in by telling the host that Taggart is former President Gerald Ford and he's his representative and Rosewood is his bodyguard. The host says he doesn't look like Ford and Axel asks him if he's ever seen him without his make-up. He convinces the guy it really is the ex-POTUS and adds that he should be proud to have him there and the host says it is a pleasure to have him there. 

Okay, so I looked up Ford's date of birth to see how old he would have been in '87 and the make-up line makes a lot of sense now. He was a lot older than I would have thought; in' 87 he turned 74! I looked up John Ashton's age and he turned 39 in '87, so I'm assuming Taggart is supposed to be the same age or around it. Personally, I think Taggart looks like Dr. Phil (but no accent!), but obviously, nobody knew who he was back then. 

Axel asks the bartender about a blond man named Nik Thomopolis who is seen schmoozing with a few people and finds out he owns the place. He asks his cop friends about him and Taggart tells him he's "the biggest arms dealer on the West Coast." Sidenote: Thompolis is played by Paul Guilfoyle who also played the bad guy in another movie from 1987, Three Men and a Baby. I guess he got sick of playing bad guys that he wanted to play someone who caught the bad guys in CSI:

Word must have gotten around that ex-President Ford was at the club because when they get up to leave, everyone else stands up and applauds. 

The two hitmen must have followed them to the club because as the three cops walk to their car, the men pull up to the curb and one of them takes out a gun and starts shooting. The cops dive for cover and start shooting back. The car ends up crashing into a pole and turns over, but the two guys manage to get away (not sure how it escalated so quickly!).

A furious Police Chief Hubbard shows up at the scene. He tells Axel that he checked with immigration and that "they never heard of a Johnny Wishbone." Axel comes clean (sort of) and shows him his badge and tells him he's a cop from Detroit and that he's in Beverly Hills because he's "attached to a multi-jurisdictional federal task force on organized crime and [his] code name is Wishbone." Hubbard just snaps back that he's the Chief of Police and he need to know about any federal task force. Axel tells him he can call his boss back in Detroit between the hours of 9 and 10, central time, and he'll tell him everything he needs to know. The fact that he gave only a one hour window to call his boss should have sent up red flags for Hubbard, but he never questions it. 

This will lead to a hilarious scene back in Detroit the next morning, where Jeffrey, having talked with Axel the night before, calls up Inspector Todd early in the morning pretending to be someone with the "FBI Enforcement Bulletin" (he disguises his voice) and he wants to interview him for some piece he's working on and asks if he can meet him at a diner for breakfast at nine o'clock. I'm surprised Todd said yes; if that had been me, I would have been super annoyed that a) somebody was calling me that early (I wouldn't have even answered the phone!), and b) why are they trying to set up an appointment without giving me that much notice? As soon as Todd leaves for his faux appointment (I hope for Jeffrey's sake, he gave him the address of a diner that's far away!), Jeffrey goes inside Todd's office (apparently he doesn't lock it when he's gone!) and wills the phone to ring. It does, eventually, in a few minutes, but what if Hubbard had waited until the end of the hour to call? By then, Todd would have been back and Axel's plan wouldn't have worked. As it is, by the time Hubbard does call, Todd has come back to the station, clearly pissed that he's been duped (I guess the diner wasn't that far away) and enters his office just as Jeffrey's hanging up the phone after confirming Axel's story with Hubbard. He had been hiding behind Todd's desk and when the Inspector demands to know what he's doing there, he exclaims "This is not my office!" which is a nice callback to the first movie with his "This is not my locker!" line. Paul Reiser was not in the third movie (I assume he was busy with Mad About You or maybe he saw the script and bailed, heh), but he's in the trailer for the new movie coming to Netflix and I hope they give him a similar line. 

Meanwhile back to Beverly Hills and the night before where Axel gets a match off a set of fingerprints he found on a matchbook that was in the car of the two goons who tried to off him. They get a match with Charles Cain and Axel recognizes him as the manager of the Shooting Club. He wants to go there and check it out even though it's 11 at night and closed. He manages to get them in with some MacGyver type maneuver using chewing gum, the foil from the gum, and a pocket knife. I'm not really sure what he did, but it certainly wouldn't work in real life! In Cain's office, they find map coordinates in his locked desk which he broke into. 

They find out the coordinates correlates with the City Deposit which is a federal Reserve Bank where banks take their money. Axel bets that's the next target. He's right and the Alphabet Bandit crosses off "C" and "D" in one fell swoop (does that really count as both, though? Seems like cheating to me, just saying). 

While it's being robbed the next day, the three cops drive there (quite recklessly), but come across construction that blocks their way. Axel and Rosewood are close enough to the bank that they can sound the alarm by shooting it and the bad guys escape and they follow them in a cement truck (yeah, it's just as ridiculous as it sounds) and we get a hilarious scene where Rosewood sideswipes a police car and tells Axel it's okay because he knows the guy and "he's a jerk!" Although, the next moment might have made me laugh more: we see a guy in his fancy car back out of his driveway, but when he sees the armored truck the bad guys are driving comes barreling down his street, he quickly retreats back to his driveway and when he thinks the coast is clear, he backs out again only to be sideswiped by the cement truck. I don't know, that just made me laugh...the guy is being so cautious, but his car ends up getting totaled anyway. 

They eventually spot the armored truck which is empty. Axel finds a $50 bill in the front seat and sees tracks in the dirt and realizes there was a pick-up vehicle. They follow the tracks and it leads them to the Playboy Mansion, of all places. The only really humorous moment during this whole scene is when they drive up in the cement truck and the valet is played by a very young Chris Rock. This would be three years before he was even on SNL! When he sees the cement truck, he says to Axel, "I get $10 for cars, I get $20 for limos. What the hell is this?" Axel gives him the fifty and tells him to put it next to a limo. 

There's a pool party (of course there is) and they somehow manage to make their way in by telling the receptionist (lol was there really a receptionist at the Playboy Mansion?) that they are there to clean the pool which doesn't make any sense since people are already using the pool, so you think they would have it cleaned before the party, but whatever. They just wanted an excuse to film at the Playboy Mansion. Out back, they see Karla, Maxwell Dent, and Thomopolis. Oh, and Hugh Hefner makes a cameo, because, of course he does. He still looks old even back in '87, but thats probably because he was 61. Axel tells Hugh that he wants to give him some information about some of his guests, such as that Thomopolis is "into guns and drugs" and "Max kills cops for a living." Hugh just tells them all to get out. He doesn't have time for this! 

So after that totally pointless scene (although the Chris Rock scene was pretty good, but I'm sure they could have found another small role for him), we find out that the bad guys are ready to set plan "E" in motion. 

Somehow, Axel had managed to pick pocket Dent's jacket and got a card with the information of his financial manager named Sidney Bernstein. He is played by Gilbert Gottfried and is doing his whole Gilbert Gottfried shtick. When the three cops enter his office while he's on the phone, he sarcastically says, "Oh, come on it. Don't let the fact that my door's closed dissuade you in any way from entering my office." Like Murphy, you can definitely tell when Gottfried is improvising! 

We next get this completely ridiculous (albeit hilarious) scene where Axel tells him they're with the Beverly Hills police and that he has 25 unpaid parking tickets and they're there to arrest him. Sidney tries to bribe them to drop the charges and Axel asks for $200 which Sidney is more than happy to part with. Now the most ludicrous moment: Axel asks Sidney if he can use his computer because he has "to wipe all evidence of this transaction out." He even asks him to leave to give him privacy and Sidney is all too eager to leave and let Axel use him computer. The hell? Shouldn't this be a huge red flag for Sidney? Surely he would realize that Axel was using his computer for other reasons because why would a police officer be using some random accountant's computer. It's so stupid, but whatever, the movie just wants you to know that Axel finds information that Dent and Kara are fleeing to Costa Rica soon.

He calls Jan to see what she found out about Dent and she tells him that he "was the cultural attache to the East Germany embassy in Honduras" and "he's got a racetrack, shooting club, drilling rig companies, and an oil company." He learns that Dent is in trouble because "he's let his insurance lapse on everything in the last six months." Tsk, tsk, tsk! Everything that is, except for the racetrack which he has a huge policy for. The racetrack is called Emperium Fields. Looks like we're knocking out the "F" too! 

The three cops reach the horse track, but by then it's too late and the money is gone. Cain has also been murdered (the audience sees Karla shoot him). Around this time, a press conference is being held by the police chief where he says he "is confident that [they] have identified the Alphabet bandit." He says it was Charles Cain because all the notes were signed "Carlos" and that's Spanish for Charles. Axel, Rosewood, and Taggart don't buy it. If the deceased Cain did it, then where is the money? A dead man can't make money disappear! Axel believes that Dent framed Cain for the first few crimes, then killed him on this one so he could get away because then the police would believe they had their man. (Spoiler alert: he's right.) He was buying guns from Thomopolis so he could sell them to his contacts in Central America. 

By this time, the movie is coming to an end and they are led to an oil field where they find trucks filled with explosives. The bad guys are there and there's a huge shootout. Axel kills Dent and Karla is about to kill Axel but Taggart comes to the rescue and shoots her. It was just a tiny bit misogynist when he utters, "Women" after he kills her. 

So the Alphabet Crimes have been solved and the mayor fires the Police Chief. We get one last funny scene with the the mayor calling Inspector Todd to thank him for lending Axel to their case and tells him his "extra tutelage" really paid off. Todd gets on the phone with Axel and exclaims, "Extra tutelage? What the f*** have you been telling them?" 

Just as Axel is leaving the mansion he's been staying in, the couple comes back. I bet that construction company is going to get chewed out for not working on their house at all while they were gone! 

While this movie has some funny moments, I like the first one better. This one has a few scenes that don't seem that necessary. There's a weird subplot with Billy where he's obsessed with guns, knifes and other weapons. Axel and Taggart keep telling him, "We need to talk." This really doesn't fit with his character from the first movie. That being said, the second movie is much better than the atrocious Beverly Hills Cop 3. 

I can't think of one scene in the third movie where Eddie Murphy improvises his lines as I don't think he ever does! He plays Axel way more seriously and it feels like he's trying to be a dramatic actor in a comedy! (And the funny scenes aren't even that funny.) The tone is so odd. The movie was panned and there wouldn't be another Beverly Hills Cop movie for another thirty years! I'll probably yada-yada through most of this as there's a lot of nada-nada here. 

Once again, we begin in Detroit where Axel has organized a raid to stop a car thief ring at a chop stop. Before that happens, the audience sees the criminal mechanics in the garage working on cars. The radio is on and "Come See About Me" by Diana Ross starts playing and they're all bopping their heads to the music, which, I can't blame them because it is a catchy song. But then we get an absolutely ridiculous moment when these two fat guys stop what they're doing to get up and DANCE. They're singing into a fake mic and have a whole routine and everything...wtf is going on? One guy even does a cartwheel in front of the other guy who asks him, "What are you doing?" Uh, you're one to talk! You're also part of this song-and-dance routine! 

The garage door opens and a car comes in and a guy in a suit gets out of the back seat. You can tell he's going to be the Big Bad of the movie. He asks the two fat guys if they had any trouble with the hi-jack and we see a truck that's filled with boxes that says "Property of U.S. Government." The bad guy pumps his fist and gives a comical "Yes!" like he's an eight-year-old who scored a goal in his soccer game. 
 
The fat guys were promised a payment and I knew they were going to get killed instead of paid and I was right. In fact, all the mechanics are gunned down. The crazy thing is "Come See About Me" is still playing when they're shot! This song is a little under three minutes. Just think: one minute you're dancing to Diana Ross; the next you're dead. 

Axel and his team have been given intel that the guys at the chop shop don't have guns, which is probably true, but unbeknownst to them, they're all dead by the time they plan to do their raid. Axel knocks on the door and the bad guy tells one of his cronies to shoot whoever's on the other end. Instead of opening the door and just shooting Axel, he lets Axel, who's pretending he wants to sell car parts, ramble on, until finally, Axel is able to overtake him when the bad guy takes out his gun. 

Long story short, there's a bunch of shooting. Inspector Todd, Axel's beloved boss, ends up getting shot and dies, which I hated, but I guess you need a reason for him to go after the bad guy. It just sucks that this awesome character was killed off by such a dud of a villian. Axel is chasing the bad guy (we'll learn his name later) after he gets away in the truck, but he is intercepted by a man who introduces himself as Steve Fulbright (Stephen McHattie) from the FBI and tells Axel that he got himself in the middle of an investigation and it's important that this man "not be apprehended at this time" because they want to know "where he's going and what he's got and who he's selling it to." 

Back in the chop shop, towels with "Wonder World" printed on them are found. That's a theme park near Beverly Hills and Axel believes he needs to head back to the Hills to find Todd's killer. 

They play the theme song for the first time and it sound different from the other two movies. I did some research and found out that Harold Faltemeyer, who composed the theme song, did not come back for this movie so it's performed by somebody else and it's in the "breakbeat hardcore" version, whatever that is (I just read it on Wikipedia), but all I know it sounds different and the original is better! 

Axel goes sees Rosewood who has been promoted to DDO-JSIOC, which stands for Deputy Director of Operations for Joint Systems Interdepartmental Operational Command. Terrible title! We find out that Taggart has retired to Phoenix. Now, he would have only been in his early fifties, so its seems kind of early for him to retire, but hey, good for him. At first, I just assumed John Ashton read the script and didn't want anything to do with it, but I read that he and Ronny Cox (guy who played Bogomil) had other projects they were working on. Mmm, are we sure about that? 

Another cop has replaced Taggart. Hector Elizondo plays Detective Jon Flint and when I saw him, I jokingly thought to myself, did Garry Marshall direct this movie? (The credits don't roll until the end of the movie so I had no idea who directed it, even though, yes, I realize I could have easily just looked it up.) You can tell that the writers wrote this role with Taggart in mind and they didn't even change many, if any of his lines. There are a few scene where we see Flint in his cop car and he gets a message that things are going haywire at Wonder World and he says "Axel!" like he knows Axel personally and he literally just met the guy only a few hours ago. It's so weird. 

Anyway, Axel tells him why he's come back to Beverly Hills and explains about the towels from Wonder World and that he's going to check out the theme park. Flint tells him he should talk to Ellis De Wald (Timothy Carhart) who is head of park security and "runs the biggest private security force in America." 

When Axel enters Wonder World, he is watched closely by two security guards. I get the feeling "Wonder World" was a placeholder name until they could come up with something a little better (and not so generic) and either they forgot to change the name of they just couldn't think of anything a little more clever. Seriously, who ever came up with the name "Wonder World" has no creativity. 

Axel sees employees entering through a fake tree with a door and he is able to just walk in. You think this door would have a keypad or a swipe code for employees only, but nope, he is able to open the door and walk right in! It leads downstairs where some of the rides are controlled, including one called Alien Attack. There he meets a woman named Janice who doesn't really question who he is or why he's down there. She becomes his love interest...I guess? There's some cringe-y flirting that happens between them and while he does ask her out, we never see them on a date (maybe that's a good thing) and he never kisses her at the end of the movie. He had more chemistry with Jenny from the first movie and they weren't even in a romantic relationship, although they had great banter, but maybe that's because they've been friends for a long time. 

Well, wouldn't you know it...De Wald happens to be the bad guy who shot Todd and Axel is after! Whaaaaa-? Both Flint and Rosewood think he must have the wrong guy or the killer he's after has a striking resemble to De Wald, but Axel is positive it's him. 

Back at his hotel, Janice and Uncle Dave (he's the Walt Disney of Wonder World) tell him that that Roger Fry, the park's chief operating officer, disappeared two weeks ago. He designed the whole park and knows it like the back of his hand. Dave shows Axel a note that Roger left that just says "This is important life and death", but other than that they don't have any information about why or how he disappeared. Axel thinks he must have found something someone didn't want him to find (spoiler alert: he's right).

Serge has come back (Perfect Stangers ended the year before) and we get a funny, though ultimately unnecessary scene with him. Axel and Billy come across him at some convention and he has a "Survival Boutique" booth. I cracked up when he exclaims "Ack-well!" and "Beeeeee-lieeee" and asks Billy if he remembers the espresso he made him with a lemon twits. He tells them that the art gallery has gone bankrupt. I'm surprised he didn't say anything about Jenny or that Axel didn't ask about her. Serge tells them he's selling survival items that "must conform to the 3 P's: protection, prestige, and pretty." He shows them his best-seller, a clunky-looking "gun" called the Annihilator 2000 that doesn't look like any of the adjectives he mentioned. This weapon looks like the most impractical thing ever: its equipped with a phone, microwave, CD player, radio, night vision goggles, verbal alarm system, and video camera among other thing. Did I mention it's huge and clunky and it certainly ain't pretty! 

Axel keeps harassing De Wald, but doesn't have any evidence he's behind Todd's killing. The FBI agent, Fulbright (I guess he has come to California too), reminds Axel to stop messing with his investigation because they "want him doing business as usual." He gives him a first class plane ticket back to Detroit, but we know Axel is lying when he tells Fulbright he'll be on that plane. 

Janice shows Axel the schematics of the park and he enters through a vent and above he spies on De Wald and his men creating counterfeit money. I laughed when they were only printing $1 bills. You'd think they'd print something with more value! He is literally standing above them not even attempting to hide and of course De Wald sees him and the bad guys go after him, but he gets away and calls Fulbright from a payphone in the park to tell him what's going on. 

The bad guys are able to to find him because of the security cameras and soon they have him surrounded. In a move I didn't quite understand, he takes out his gun (how the hell was he allowed in with a gun...oh, never mind) and shoots it in the air, then lies it on the ground. Why would he do that with all these people around him, not to mention many children? I didn't quite get that. They had him surrounded and they were going to apprehend him, regardless. They bring him to the underground offices and Fulbright comes in, wondering why he's not in Detroit. Axel tells him he knows what he's investigating and goes to show him the room where he found the counterfeit money. Only the money that's being printed is fake play money called Wonder World dollars. Apparently it's easy to change the setting! 

Later, Axel meets up with Uncle Dave (on the side of a street) and wants to know about the guy who disappeared. He takes another look at the note and realizes that it was written on the paper that the fake money is being printed on and it has a barcode or something to prove that it's being used for the counterfeit money. IDK, but now he has proof that counterfeit money is being made and as he says that, here comes De Wald and some of his goons. They had followed Uncle Dave and De Wald shoots him. Axel manages to get away and drive Uncle Dave to a hospital where he will survive. We never do find out what happened to the guy who disappeared. I mean, obviously they killed him, but we never found out what they did with the body. I guess the point of that storyline was that the note was written on the fake money paper. 

Anyway, yada, yada, yada, Axel ends up back at the underground offices of the park because De Wald has told him to come with the mint paper or he'll kill Janice, who he has hostage. On the way there he stops to get the Annihilator 2000 from Serge. Rosewood and Flint find out he's headed to Wonder World (damn it, I always want to write "Wally World" instead!) and head there too. 
 
Axel refuses to give De Wald the paper, there's a lot of fighting, yada, yada, yada, Billy and Janice end up trapped behind a glass door that protects something when there's a fire...IDK, who cares...Axel gets away, there's more fighting and gun shooting, yada, yada, yada. 

We will get a scene of Axel using the Annihilator 2000 against a couple of goons and at first it shoots out a net, then plays rap music, then old-timey music until it finally sprays bullets the men. Then yada, yada, yada, more bad guys are killed in the alien space ride we saw from before, we see that the trapped Billy and Janice get out and Flint has arrived. I can't remember who it was, being either Billy or Flint shoots a bad guy who falls out of the chairlift ride. Like, this amusement park has now officially become a crime scene. For some reason the annoying "Wonder World" song (think "It's a Small World After All") is playing on a loop and Flint screams (to nobody because everybody around him is dead), "Turn that f***ing song off!" I think that was the only part of this scene I laughed at. 

Finally, Axel eventually kills De Wald in some dinosaur ride and here comes Fulbright asking if he's okay. Earlier, I had thought either he or Flint is a bad guy disguised as a good guy and as soon as he points his gun at Axel, I had a good hunch it was him! Luckily, Flint shows up ad Axel is able to take a surprised Fulbright and kill him with his gun. 

There's a super weird scene where Rosewood walks in, all bloodied on one side and walking funny and asks if they're okay before collapsing. They just start laughing, saying he needs medical attention. Not sure why they're laughing when their friend looks like he's knocking on death's door!

But it's okay because everyone is okay and in the last scene we see Uncle Dave dedicating a new Wonder World character to Axel, a fox named Axel Fox. Why the hell would they want to remember this day of bloodshed? Anyway, thank God the movie is finally over. 

If you want to see Judge Reinhold in a better ' 94 movie, see The Santa Clause (and it's not even like I'm a fan of that movie, but it's better than this one!); if you want to see Hector Elizondo in a better movie that takes place in Beverly Hills, see Pretty Woman; if you want to see a better Beverly Hills Cop movie, see the first, second, or upcoming one on Netflix. Yes, the one on Netflix hasn't been released yet, but I'm confident it will be better than this one! I'm pretty sure they learned from their mistakes of this one!