Showing posts with label musical. Show all posts
Showing posts with label musical. Show all posts

Friday, May 30, 2025

If the Shoe Fits

Cinderella (1950)

Directors: Wilfred Jackson, Hamilton Luske, and Clyde Geronimi
Voice Talent:  Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, Lucille Bliss, James MacDonald
Released: April 27, 1950

Oscar nominations:

Best Song - "Bibbidi-Bobbidi-Boo" (lost to "Mona Lisa" from Captian Carey, U.S.A. - what the heck is that?!))
Best Score - Oliver Wallace and Paul J. Smith (lost to Adolph Deutsch (yikes on the name, but to be fair, he was born in 1897) and Roger Edens for Annie Get Your Gun)
Best Sound Recording (lost to All About Eve)



Cinderella (2015)
Director: Kenneth Branagh
Cast: Lily James, Cate Blanchett, Richard Madden, Helena Bonham-Carter, Stellan Skarsgard
Released: March 13, 2015

The 2015 live-action version of Cinderella was one of the first one to kickstart all the live-action Disney remakes. Yeah, I know there was 101 Dalmatians with Glenn Close, but that came out in 1996 so that's nearly a twenty year gap. Right after 2015 Cinderella, there was The Jungle BookBeauty and the Beast, Aladdin, The Lion King, MulanThe Little Mermaid, Snow White, Lilo and Stitch, and I'm sure they'll be making live-action Moana and Frozen, but I want to see live-action The Black Cauldron! 

Even though I haven't seen all the remakes, I believe that Cinderella is the best. For one thing, with all due respect to the animated 1950 movie, there was much to improve on, which they did, while also keeping the essence of the original. 

Of all the early era Disney Princesses, Cinderella is my favorite. Aurora just sleeps through the majority of the movie (yes, I know it is called SLEEPING Beauty) and I recently re-read my review of Snow White and thought her to be "very condescending" and "a little bit dumb" (remember when she opened the door to that scary old woman the Queen was disguised as?). Plus I couldn't stand her shrill singing voice. At least Cinderella didn't annoy me and even though the music wasn't my cup of tea, she did have a very beautiful singing voice. Maybe the sound quality vastly improved from 1937 to 1950 or maybe Ilene Woods (voice of Cinderella) was a better singer than Adriana Caselotti (voice of Snow White). Or maybe both are true. 

For this review, since I'm pretty sure everyone is familiar with this story, specifically the Disney version (tis a tad different that the Grim version!), I'm just going to go through some main plot points and compare and contrast the two movies. How fun! 

The beginning/Cinderella's backstory: The animated film, being much shorter than the live version, is quick to get to the story. We get a yada-yadda'd Cliff Notes version of her life before her stepmother and stepsisters entered into it. After her mother dies, we are told that Cinderella's father "gave his beloved child every luxury and comfort, still he felt that she needed a mother's care." This seems to be the main reason he married again, "a woman of good family" (whatever that means). 

In the 2015 movie, we see Ella (oh, yeah, her name is Ella, the Cinderella name will come later ) as a young girl, growing up with her loving parents in a beautiful chateau with many farm animals. It is quickly established she loves animals and believes the mice she has befriended can understand her. 

Cinderella - In the prologue of the animated movie, we are told that even though her stepmother was "cold, cruel, and bitterly jealous of Cinderella's beauty", even though the "family fortunes were squandered upon by the vain and selfish stepsisters", even though the chateau she grew up in was falling apart, even though she was "forced to become a servant in her own house", even though she lived in a tall turret that's pretty much isolated from the rest of the house, and even with all this abuse and humiliation, she remained "gentle and kind...with each new dawn, she found new hope that someday her dreams of happiness would come true." 

Much like her animated counterpart, our 2015 Cinderella (played by Lily James) is also an optimist despite her dire situation. Before her mother dies, she instills some words of wisdom upon her: "Have courage and be kind." This will be her mantra for the rest of the movie (and, really, for the rest of her life). This Cinderella will be a little more bold than the 1950 Cinderella, at one point she will pointedly ask her stepmother, "Why are you so cruel?" While animated Cinderella seems a little more passive, there is a scene where her stepmother and sisters are enjoying that she won't be able to attend the ball and being totally smug about it. While Lady Tremaine is pretending to be sympathetic, telling her there will be other balls, Cinderella just says "yes" and walks away, not letting them get any more satisfaction. 

Cinderella's father: We basically don't know anything about him in the animated film. I was asking myself why he would marry such a bitch, but Lady Tremaine doesn't become truly awful to Cinderella 'til after he dies. We're never told how she treated her while he was alive and it seemed he married Lady Tremaine when Cinderella was still a young girl. In the 2015 movie, Ella is older when her father tells her he thinks it's time "to begin a new chapter" and tells her how the Master of the Mercer's Guild, a man he met on his travels once, had died recently and left behind his widow, "an honorable woman still in the prime of her life." Ella knows he is asking for her blessing and wants him to be happy. 

We are never told what Cinderella's father does in the '50 movie even though they live in a beautiful chateau and Cinderella has a horse, but in the remake he is a merchant who often travels abroad. He's in the movie for about half an hour. He tells Ella he'll be traveling for work and will be back in a few months. He asks her what she would like to bring him back (because he always comes back with a gift for her) and she replies, "Bring me the first branch your shoulder brushes on your journey." Her stepsisters have asked for lace and a parasol, so this proves that she isn't materialistic. 

Because this is Cinderella, I knew he wouldn't be surviving this journey. I thought he might die in an accident, but he fell ill and died. The scene where his driver returns to the chateau and has to tell Ella what happened is so sad, especially when he hands her a leafy branch.

Lady Tremaine - So there are specific scenes involving this wicked woman that I will talk about separately just because they're iconic scenes. She is voiced by Eleanor Audley (fun fact: she also voiced Maleficent in Sleeping Beauty) and is played by Cate Blanchett. I don't know how old she is supposed to be, but Blanchett's Tremaine comes across much younger. She was around 45 when she filmed it and has reddish blonde hair and wears many fabulous outfits where she's always covered up, but still shows off her figure. The animated Lady Tremaine has gray hair, walks with a cane, and wears a very matronly red dress with a high ruffled purple collar. Her eyes are these really piercing green and she loves to wear jewelry to match her eyes: she has an emerald ring, emerald earrings, and an emerald brooch. The 2015 pays homage to it with Lady Tremaine wearing many outfits that have green in them. 

Obviously, we get many more scenes and more character development of the live action Tremaine. We see her take advantage of her stepdaughter's kindness when she tells her how her daughters have always shared a room, but "they're finding the sleeping quarters rather confining." (While she's talking to Ella, the two sisters are fighting with each other.) Ella, who has the biggest room aside from her father's and stepmother's, offers it up. She starts to say where she can stay, but her stepmother cuts her off and says she can stay in the attic and adds that it will only be temporarily while she has "all the other rooms redecorated" and gives her a sewing kit she can take up with her. I like that they show us how this materialized instead of her already living up in the turret like she does in the animated version.

Both Lady Tremaines care about their status, but we see it a little more in the 2015 movie as she likes to throw lavish parties. 


In the '50 film, Lady Tremaine seems to be jealous of her stepdaughter's beauty which is a little weird because Cinderella can't be any older than ten when her stepmother comes into her life. At least in the remake, we see that Lady Tremaine is jealous of Ella's relationship with her (Ella's) father and is quite aware that her new husband is still harboring feelings for his deceased wife. We see her eavesdropping on her new husband and Ella when he's telling his daughter to be good to her stepmother and sisters even though they "may be trying at times" and comments how her mother is always here, that "she's the heart of this place."

When Ella receives the news of her father's passing, Lady Tremaine is in the background, listening to the conversation and when Ella is told about her father, "To the end, he spoke only of you and your mother," she looks hurt hearing this. She announces they are ruined and questions how will they live. Because of their financial woes, she dismisses the household (they had maids, cook, and people who helped with the farm). This is how Ella morphs into their servant (and her name will morph into Cinderella), doing all their work, Lady Tremaine tells her it will help her distract from her grief. 

Anastasia and Drizella - So I have to be honest, I can never remember who is who, but Drizella (I always thought her name was Drusilla) is the older of the two with dark hair and wears green and Anastasia has red hair and wears purple. They're only probably supposed to be a few years older than Cinderella, but the way they're drawn, they look decades older. Man, they look rough!

At the end of the movie when the Grand Duke has come to their house to try the glass slipper on the sisters, I laughed at his reaction when Lady Tremaine introduces his daughters to him. He physically winces because they're so unbecoming. 
 
The live action stepsisters look much more youthful and I like that it's their personalities (and their questionable taste in fashion) that make them ugly, not their physical appearances. I feel like the 1950 movie is trying to tell people that if you're ugly on the outside, then you're a terrible person, which of course, is a horrible message. 

We get the sense that Anastasia and Drisella are silly vain girls when Ella is helping them get ready for the dance and when she asks them, What do you think he'll be like?" (referring to the Prince) and one of them (sorry, I really do not know who is who!) replies, "What does it matter what he's like? He's rich beyond reason." When Ella asks wouldn't they like to know a little about him if one of them was to marry him, the other replies, "Certainly not. It might change my mind." Ha! 

Her sisters are the ones to give Ella her new name. Ella has been sleeping by the hearth because it's too cold in the attic. Because of this, she gets soot all over her face. The sisters are making fun of her and one of them exclaims, "That's what we'll call you! Cinderella!" Her mother laughs and says, "Oh, girls, you're too clever." 

Lucifer and the mice: - Justice for Lucifer! Haha, that sounds a bit odd without any context. Lucifer is Lady Tremaine's fluffy gray mean-spirited cat and I think he gets a bad rap in the animated film. The only times I think Lucifer is a true a**hole is when he takes a swipe at Bruno, Cinderella's dog (they don't talk about Bruno in the remake because he's not in it) and when he gets in the dustpan and trots his dirty paws all over the floor Cinderella has just cleaned. However, we're supposed to think he's evil because he keeps chasing and trying to eat the mice who just so happen to be Cinderella's friends. Um, hello! He's a cat! That's his job to chase and catch mice! It's his natural instinct! Why are we trying to villainize him for that? Okay, I will admit he was being a jerk when he was trying to keep the mice from delivering the key to Cinderella. 

Cinderella's only friends are the mice who live in the chateau (and she's friendly with the birds too). She names the mice and makes clothes for them. The only mice that seem to have names are Jaq and Gus. The mice speak English, but it's hard to understand them sometimes because they speak in squeaky voices and speak in cutesy dialogue where they repeat words or have their own words for things. A part of me wonders if Cinderella is having these conversations in her head with these mice because she has nobody else to talk to (aside from her stepmother and stepsisters, but it's not like they're having conversations with her) and she's just pretending these mice are her friends and she's so far gone that she's even made outfits
for them. But this is an animated Disney Princess movie, so of course they're her friends and can communicate with her. 

There are so many antics with Lucifer and the mice, it's ridiculous! Twenty-six minutes (out of a one hour and sixteen minute movie) are dedicated to these animals. The prince is only in it for a little over three minutes! (BTW, I Googled these times!) I guess back in those days, it was easier to animate animals than humans, but still...

One of Cinderella's chores is to feed Lucifer first thing in the morning. This entails her having to open her stepmother's door (because Lucifer sleeps in her room in his own little cat canopy bed) at the crack ass of dawn and whispering to Lucifer to come downstairs so she can feed him. This is really stupid of Lady Tremaine because you would think this would wake her up. It doesn't, so she must be a heavy sleeper. Also, Lucifer is nothing like my cat because he just wants to go back to sleep and seems grumpy to be woken up. My cat is always ready for his food at five a.m. (and depending on the day, I'm not up for another one to four hours!) and makes sure I know it! 

Also, animated Lucifer totally dies. When he jumps up on the windowsill to escape from Bruno (who was kind of a dopey dog; I was kind of surprised Lucifer couldn't take him!) and ends up falling out the window from that HIGH, there's no way he would have survived. Yes, I know cats can land on their feet, but that was way too high. He's still falling as we move to the next shot, so we're never told his fate, but I believed it was not a good one. I guess he is in the direct to DVD sequel, but that came out in 2002 and I'm guessing nobody who worked on the 1950 movie worked on the sequel (or was even still alive) and I believe their intention was to kill off Lucifer. 

On the other side of the coin, Lucifer (an adorable gray Persian) is shown a few times in the 2015 movie. Lady Tremaine has him on a leash when she and her daughters move into the chateau. He snarls at the four (CGI) mice and Ella picks him up and scolds/coos at him not to bother the mice. No cat falls out of a high tower in this movie. 

Ella has known the mice since she was a young girl and believes that they can understand her. They don't speak gibberish English (or sing!) like they do in the animated version, but they do nod and seem to understand what she's saying. She also doesn't make little outfits for them...because that would be weird, even on CGI mice! 

The Prince - It probably won't shock you to know that the Prince in the remake has more screen time than the mice and cat! He even has a name and meets Ella before the ball. Hurray for character development! Ella is out riding her horse to get away from her horrible stepmother and sisters. It never occurred to me that she was able to leave her house, because she never does in the '50 film (save for the ball), but that one takes place in one day which is insane when you think about it. 

She first sees a stag and hears voices so she knows there are men nearby who are trying to hunt it. She urges it to run away. As the men grow nearer, her horse starts running really fast. A noble young man sees she's in trouble and heads after her on his horse, asking if she's all right. She is able to slow down the horse and tell him she is. Of course, this is the Prince, but she does not know this. She adds that he "nearly frightened the life out of him" and he is amused when she clarifies she's talking about the stag, telling her, "I must confess I've never met him before." They have a cute little exchange and he is totally charmed by her. He asks her, "What do they call you?" Interesting that he words it like that instead of asking what her name is as this is right after she's been dubbed Cinderella and she doesn't want to admit that to him, replying, "Never mind what they call me." He is surprised when she asks him, "What do they call you?", then realizes she truly does not know that he is the Prince. He tells her that his father (the King, heh) calls him Kit, which is true, but he is the only person who calls him that. He also tells her that he lives at the palace and his father (the King!) is "teaching [him] his trade". Ella takes that to mean he's an apprentice. He is very smitten with her and before he leaves, he tells her, "I hope to see you again."

He is played by Richard Madden, best known for playing Robb Stark in Game of Thrones, and let's just say he gets a much happier ending in this movie! 

There is a fun callback to the animated film when we see Kit having his portrait painted. In the original, we see many portraits of the Prince, each one bigger than the last. 

We don't meet the Prince until near the end of the 1950 film. (Remember, he's only in the movie for three minutes!) The stepsisters are being presented to him when Cinderella enters and he sees her and is enchanted by her beauty and walks over to her, totally dismissing Anastasia and Drizella, which was hilarious. They waltz to "So This is Love" and seem to be in love after that exchange. It seems the Prince is only interested in her for her beauty, and doesn't get to know her on a deeper level like he does in the 2015 movie. 

The King - The prince's father in both movies wants his son to marry, but for different reasons. The animated (in more ways than one!) King is discussing his son (who is out of town at the moment, I guess) with the Grand Duke, saying how "it's high time he married and settled down." He adds that he (the King) isn't getting any younger and wants to spend time with any grandchildren before he goes and that he's lonely and "wants to hear the pitter-patter of little feet again." So he's pretty much trying to marry off his son for his own selfish gain.

In the remake, the King is sick and doesn't have long to live, so he wants to ensure that his son will be set up for success and (at first) wants him to marry for advantage. But the King will have a change of heart when he realizes that his son is in love with a country girl and on his deathbed will tell him to marry for love and to "find that girl." 

The planning of the ball/the invitations - In the '50 film, the King wants to have a ball to celebrate his son's return home from wherever the hell he's been. All the eligible maidens in the kingdom will be invited and the King is certain he's "bound to show interest in one of them." Huh...was this animated Disney character from a 1950 movie the first person to come up with the idea for The Bachelor? Because isn't that what this is? The Prince will be home that day and they'll be having the ball that very night. Like, WTF? Who has an extravagant dance the same day they come up with the idea to have one? 

In the '15 film, the portrait of the Prince will be sent abroad "to induce the high and mighty to attend the ball" where he will choose a bride. By this time, he has already met Ella and wants the invitations to "go to everyone, not just nobility," so at least they address how commoners were invited to the ball. I was also under the impression the King had been thinking about having this ball for awhile and didn't just come up with it on a whim.

In the animated film, the invitation to the ball is delivered by a messenger. While Cinderella answers the door, one of her stepsisters is (awfully) playing the flute and the other is (awfully) singing "Sing Sweet Nightingale." She sees that the letter is marked "urgent" (I'll bet it's "urgent" because the ball is that night!) and there's a funny moment when she tells the mice, "Maybe I should interrupt the, uh, music lesson." You can just hear her putting quotes around "music lesson". This is one of those little moments that made this Cinderella have a bit of a personality. 

Lady Tremaine reads the invitation and she and her daughters become super excited when she reads, "by royal command, every eligible maiden is to attend." Cinderella points out she can go to because it did say "by royal command." I don't know, if I were ordered to attend a dance, I would be pretty annoyed. I feel like this should be optional. Lady Tremaine tells her, "I see no reason why you can't go if you get all your work done...and if you can find something suitable to wear." Cinderella is too happy to realize there's probably a catch and promises her stepmother that she will. After she leaves the room, Anastasia and Drizella are aghast that Cinderella could possibly attend the ball and their mother cackles and says, "I said, 'If'".   

Of course, Cinderella will be given so many chores on top of the already many chores she has to do. Jaq is indignant because he knows Cinderella won't have time to work on her dress with all the domestic work her stepmother and stepsisters are ordering her to do. Cinderella has a dress that she wants to wear to the ball that used to belong to her mother. The bodice is pink with capped sleeves with white ruffles and the skirt is white with a light pink sash around the waist and a light pink ribbon at the hem. All the female mice are there when she takes it out and shows them and one of them comments, "It's pretty, but it looks old." Heh. Who does she think she is, Tim Gunn? But as we'll see, these mice will show their dress designing skills and could be valid contestants for Project Runway! Cinderella is looking through a pattern book and decides she's going to give the dress a whole new look. She'll "have to shorten the sleeves, [she'll] need a sash, ruffles, something for the collar..." One of the mice even comments, "It'll be easy." Seriously? It's not like she's adding more ruffles, it looks like a completely different dress! Anyway, the other mice agree with Jaq and one of the female mice says they can fix the dress for her. These mice are definitely a product of the 1950s because when one of the male mice offered to sew, she tells him, "Leave the sewing to the women!" 

There's more shenanigans with the cat when Jaq and Gus see that the sisters are complaining about their "old rags" to the mother, one dropping a sash and the other dropping a necklace. The mice decide they'll be perfect for Cinderella's ball look, but Lucifer makes it difficult for them to acquire, but after ten minutes (I may be slightly exaggerating, but not by much) they finally have the items. 

We see the mice (with some help from the birds) doing all this time consuming work on the dress, which, of course, will be all for naught. Like, their hard work will be ruined in minutes by a few petty bitches. 

But before I go any further, let me go back to the live action remake. Cinderella is in town when it is announced the ball will be in two weeks (NOT that night!) and the prince will choose a bride and every eligible women is invited. Notice that nobody is commanded to go! I think it actually makes more sense how they deliver the invitations to every house in the animated film, because at least you know everyone will be getting one. Maybe the guy making the announcement is just hoping that everyone who is in the town square will past the word along. I do understand why they do it this way, though. Cinderella runs home to tell her stepmother and sisters the news. She is excited mostly because she'll see Kit the apprentice (remember, he lives at the palace!). I love Cate Blanchett's reaction. She literally jumps out of her chair (and Lucifer has to quickly hop off her lap!) and runs to her girls, telling them, "One of you must win the heart of the prince." Because they are in a lot of depth, it will help quite a great deal if they can marry into some money. She sees Cinderella is still standing there and tells her to run into town (which she literally just returned from) and ask the seamstress to make them "three fine ball gowns." Cinderella thinks she is talking about her and her stepsisters, but nope, Lady Tremaine means for herself and her daughters. Unlike in the animated movie, she never tells Cinderella she can go to the dance as long as she finishes all her chores, but she never says she can't go either. 

Like her animated counterpart, this Cinderella also has a pink dress that used to belong to her mother. She thinks if she provides her own dress, she will be able to attend the ball. She works on fixing the dress, though it doesn't go through a complete transformation like the other pink dress. Even though she's the one to mainly work on the dress, we do a get a shoutout to the original with the mice under the table rolling spools of thread or tying a ribbon to a shoe. 

Before they leave for the ball, Lady Tremaine gushes over her daughters (in their super garish dresses), saying one of them is bound to snare the prince and how happy she is she has "two horses in the race." She must be a little bit delusional if she actually thinks one of her daughter has a chance with him. Cinderella comes downstairs wearing her dress, telling them it cost nothing and she doesn't even want to meet the Prince. She wants to go to see Kit, she has no interest in the Prince! Because Lady Tremaine didn't have to pay for an extra dress and because she's taking herself off the table as an option for the Prince, she thinks they will allow her to attend the ball with them. Wrong! Her stepmother tells her she won't meet him because she's not going and that it would "be an insult to the royal personage to take [her] to the palace dresses in these old rags." After Cinderella tells her it belonged to her mother, she disparages her mother's taste in fashion and tells her the dress is "old-fashioned and practically falling apart" and reaches over and rips off one of her sleeves, then tears at the dress a couple more times. Cinderella asks, "How could you?" and she replies, "How could I otherwise? I will not have anyone associate my daughters with you...[it will] ruin their prospects to be seen arriving with a ragged servant girl. Which is what you are and what you will always be." She acts as though she is embarrassed by Cinderella, but I think she is jealous because she knows she would catch the prince's eye and she doesn't want her there as competition. 

The animated version of this scene is the same, but different. Cinderella sees that the carriage has arrived to take her stepmother and sisters to the palace. She informs Lady Tremaine of this and when her stepmother comments that she's (Cinderella) not ready, Cinderella informs her she's not going. This is because she thinks she doesn't have anything to wear because she's been too busy with chores. You know, being that the ball was THAT VERY NIGHT, I find it hard to believe she would be able to finish her dress even without all the chores. Good thing she has all her mice and bird friends. They really should be on Project Runway, seeing they finished that dress in a couple of hours! She goes back to her room and looks out the window where she can see the palace and insist to herself that the ball w
ould be "frightfully dull and boring" (and who is she kidding?) "and completely wonderful." Her mice friends surprise her with the dress and this is the cutest scene in the entire movie. I love how they're all, "Surprise! Surprise! Surprise!" in their squeaky little mice voices and Gus, being a little slow, tells her, "Happy birthday!" 

When she comes down twirling in her new dress and announcing she can attend the ball, her stepsisters aren't happy to se
e her all dressed up. Lady Tremaine notices the necklace she's wearing is the same that Drizella discarded earlier, and, knowing Drizella will get a rise out of Cinderella wearing it, comments how they give the dress a nice touch. Drizella indeed notices that it's her discarded necklace and calls her a thief. Anastasia notices she's using her sash and soon the two sisters are ripping apart Cinderella's dress. It gets way more trashed then the live action dress, which is mainly just a sleeve was torn off. 

The Fairy Godmother scene - So whenever I think of Cinderella, this is the scene that always comes to mind first. Both versions are pretty similar during this scene, with a few differences. Our protagonist in both movies runs outside, upset about what has just happened. The animated Cinderella is crying at a bench and her Fairy Godmother just materializes out of thin air. There's no explanation of who she is or how she got there and once she's talking about her magic wand, Cinderella figures out it's her Fairy Godmother. Honestly, if I were her, I'd be asking why she hasn't shown up a lot earlier!

The 2015 Fairy Godmother (played by Helena Bonham Carter) first appears as an old lady who hobbles over to her and asks her for milk which the kind Cinderella fetches for her. This seems to be a test that Ella has passed with flying colors. The old woman turns into a much younger woman with blonde hair and wearing quite the dress that even lights up. Fairy Godmothers had been established earlier in the movie when Ella's mother tells her young daughter that they are the ones "who look after us." 

Both Fairy Godmothers turn a pumpkin into a carriage and four mice into horses. In the '50 film, Bruno the dog is turned into the footman and her horse is turned into the coachman while in the '15 film, two lizards are turned into footmen and one of the many goose who live on the property is transformed into the coachman. Both girls are told they must leave before midnight because that is when the spell will be broken and everything will go back to the way it was. 

The dress and glass slippers - I figured these needed their own separate category being so iconic and all. I always thought original Disney Cinderella had a blue dress because that's the color I usually associate her with, so I was a little surprised when the Fairy Godmother transformed her tattered dress into the ball gown and it's more of a silver color. It's seemed to change into blue over the years; look at 2015 Cinderella, after all! Now that dress has to be one of the best to grace the screen in recent years. It just moves so fluidly with her and the way the skirt twirls, it just looks like so much fun. The only thing I wasn't too keen on was the little butterflies attached to the top. It just felt very early 2000s to me. Before her Fairy Godmother transforms the dress, Cinderella tells her she wants to keep it because it's her mother's and her Fairy Godmother says she'll just tweak it a little, but to me it's a completely different dress! Maybe the bodice is the same? I don't know, I'm not really fashion savvy so I can't really tell. Before she gets into the carriage, her Fairy Godmother wants to change her shoes because "they're really quite hideous" and gives her the glass slippers, telling her they're comfortable even though they're made out of freaking glass which I appreciated because wearing shoes made out of glass can NOT be comfortable. Plus, putting all your weight on glass shoes just seems like a bad idea to me! 


The ball - Before our Cinderellas arrive, the single ladies are being introduced to the Prince at the ball. In the animated film, they are coming up to him after being announced as his father and the Grand Duke are watching from a balcony. The King isn't happy because his son isn't "cooperating". He looks pretty bored and at one point, even yawns (well, I can't really blame him because he just got back that day from traveling and the ball is that night...I would be tired too!). The only moment we get a glint of personality from him is when he is introduced to Anastasia and Drizella and his reaction to them is an eye roll because they're acting like buffoons. 

In the remake, Kit is sitting in the balcony with his father, watching as all the princesses and non-royalty single ladies are being announced. The King knows his son invited the commoner because he knows Kit is trying to look for the girl he recently met. When he reminds him he's only met the girl once, Kit replies that he's supposed to marry a girl he'll be meeting for the first time tonight. His dad tells him it's different because he'll by marrying a princess. 

Just as it is announced that the Prince will choose his partner for the first dance, Cinderella enters just a few moments later and he walks towards her as she's gliding down the stairs. I think we know who he's choosing to dance with! I just loved it when she twirled in that dress; it was so hypnotic! 

Animated Cinderella immediately catches the Prince's eyes when she enters, so much so that he walks over to her, dismissing her stepsisters who are being introduced to him at the time. Cinderella definitely stand out because of her dress. For one thing, it's the only one that sparkles and it's also the only dress that doesn't have a weird part that poufs out in the back, making everyone's butt look huge. (I'm sorry, but that's how it looks!) When the King sees his son taking interest in a woman, he is beyond excited and prompts the conduct to play a waltz for them to dance to. While they dance, he decides he's going to go to bed and tells the Duke to stay where he is to make sure his son and the girl aren't disturbed and to notify him immediately when his son proposes. WTF? He's been going on all day about how he wants his son to find a wife and he's not going to stay up for the rest of the ball to make sure that happens? Also, it's just so weird and random that the King, the one who is throwing the ball, decides he's just going to go to bed while the ball is still going on. This King is really stupid, I'm sorry. Also, he thinks his son is going to propose that night? I was thinking maybe he thought his son would meet a nice girl, wine and dine her, and then propose. 

One little detail that I appreciate them addressing in the remake is the fact that Lady Tremaine and her daughters may recognize Cinderella at the ball, so the Fairy Godmother puts a spell on her ensuring she won't be recognized by them. In the '50 film, when Cinderella is dancing with the Prince, her stepmother and sisters are wondering who she is. They don't seem to recognize her. I guess since she's wearing a fancy dress and her hair is up, she looks completely different. Lady Tremaine admits, "There is something
familiar about her." Gee, lady, why don't you put two and two together? 

In the '15 movie, when they see the Prince dancing with this beautiful girl, Lady Tremaine tells her daughters, "This does not bode well" and that they "must turn the prince's head." 

Another big difference between the two movies is that in the remake, Cinderella realizes he's the Prince and he tells her he didn't tell her when they first met because he thought she might treat him differently. When they're having this discussion, they're in a room with a bunch of portraits and we see one of Kit on horse, which is a nice homage to the animated movie. They go outside and he shows her a secret garden with a swing. He tells her that he is "expected to marry for advantage" and that his father and the Duke will be choosing the princess they think is best suited for him. We, along with Lady Tremaine, learn that the prince has been promised to marry Princess Chelina of Zaragosa.

In the animated movie, Cinderella has no clue he's the Prince. When she has to run off because she hears the clock striking midnight, she tells him she has to go because she hasn't met the Prince yet. He's about to tell her he's the Prince, but she runs off. 

In both movies, our heroine runs off, leaving one glass slipper behind. In the remake, while the carriage is being turned back into a pumpkin, I like that we see her sitting inside a large pumpkin with seeds surrounding her. As she's walking home, she lets the four mice sit in the glass slipper she's carrying. Why did I find that so adorable? 

Lady Tremaine becomes suspicious - The Duke in the animated film has to inform the King "that the young lady has disappeared, leaving behind only this glass slipper." There's a funny reveal that he was talking to an empty chair and that he was practicing his speech because he knows the King will be irate. And he is. The King is dreaming of playing with his (not yet existing) grandchildren when he hears the Duke knocking on his door and thinks this must mean that his son has already proposed. His face turns beet red when he is told the girl has gotten away. He seems to calm down a bit when the Duke informs him that the Prince loves her and is determined to find her because he wants to marry her. He must have had a conversation with the Prince off screen. The fact that the Prince "loves" this girl he's just met and only danced with and barely talked to is ludicrous. Yes, I think the remake did the right thing with developing their relationship a lot more! He also tells the King about the glass slipper and the King declares that he wants him to try it on every maiden in the Kingdom "and if the shoe fits...bring her in." 

The next morning, Lady Tremaine has heard the news and urgently tells her daughters to wake up. While Cinderella is coming up with their breakfast (apparently they eat their breakfast in bed every morning), she overhears her stepmom telling Anastasia and Drizella how the Grand Duke is coming to the house because he is searching for "the girl who lost her slipper at the ball last night." Cinderella knows she is talking about her and when she hears it was the Prince she danced with last night and how he's "madly in love with her", she drops the breakfast tray. 

Anastasia and Drizella don't know why they should even bother getting up if the Prince is in love with another girl but their mothers tells them, "There's still a chance one of you can get him" and proceeds to tell them about the glass slipper and how he doesn't even know who this girl is. I mean, yeah, he doesn't know her name, but I'm sure he would recognize her and realize one of these ugly stepsisters certainly wasn't her! I guess that makes sense why he's not the one to visit the house to try the shoes on the sisters. He would take one glance at them and wouldn't even let them try on the shoe because he would know neither of them were the girl he danced with! 

Lady Tremaine is telling her stepdaughter what she needs her to do for the day and she gets suspicious when Cinderella has a lovestruck look on her face and walks away singing, "So This Is Love", the same song she danced to with the prince last night. Lady Tremaine suddenly realizes that the girl from last night was Cinderella and follows her upstairs to her room where she locks her in. 

In the 2015 version, Cinderella arrive home minutes before her stepmother and stepsisters and the sisters tell her all about the ball. They start talking about the mystery girl and Lady Tremaine becomes suspicious about how lovey-dovey her stepdaughter is acting.

We see that she has hidden the shoe in a box that she keeps under one of her floorboards. 

The next morning, a proclamation is sent out and it is announced the new King (Kit's father has passed away so he is now the King) has proclaimed his love for "the mysterious princess" who wore glass slippers and "requests that she present herself at the palace" and if she is willing, he will marry her. 

Ella is in town when this is announced (she always seems to be in the Town Square for all the announcements!) and I thought for sure she was just going to head to the Palace because surely Kit would recognize her, but instead she heads home to retrieve her glass slipper only to find it isn't in her keepsake box anymore. It's revealed that her stepmother is sitting in a corner, holding the shoe. She tells Ella about how she was once "a beautiful young girl who married for love...[and] one day, her husband, the light of her life, died." The next time she married (to Ella's father) was for the sake of her daughters, but after that man was taken from her too, she was "doomed to look every day upon his beloved child." She asks Cinderella if she stole the shoe and when Ella tells her it was given to her, she scoffs, "Nothing is ever given. For everything you must pay." Cinderella replies, "That's not true. Kindness if free. Love is free." Lady Tremaine has her own ideas of what she wants to happen. Unlike her animated counterpart, she knows there's no chance anymore with one of her daughters with the new King so she has some demands for Cinderella: "When you are married, you will make me the head of the royal household. Anastasia and Drusilla will pair off with wealthy lords." She says Cinderella will not know how to rule a kingdom and this way they will all get what they want. Cinderella tells her no dice, and is especially not happy when her stepmother says she "shall manage that boy." In retaliation, Lady Tremaine smashes the shoe against the door. When Ella asks her, "Why are you so cruel?", she replies, "Because you are young and innocent and good. And I..." she leaves and locks her in the attic. You get the idea that she was once like Ella, but then became cynical after these terrible things happened to her. 

Lady Tremaine pays a visit to the Duke to show him the remnants of the shoe, telling him that "the mystery princess is a commoner." He tells her that she's "spared the kingdom a great deal of embarrassment" and when she tells him she "would like to keep it that way," he asks if she's threatening him and she simply replies, "Yes." He agrees to her terms of her becoming a countess and "advantageous marriages for [her] two daughters." 

If the Shoe Fits - So in the remake we get a montage of the shoe touring the village and women trying it on. We even see a long line of women at the palace waiting to try on the shoe. There are some comical moments, such as one woman greasing her foot and a woman with feet that stink so bad that when she takes off her shoe, everyone around her faints. 

We don't get a scene like this in the '50 film; we're just told that all the single ladies will be trying on the shoe. The Duke and some small random dude (I didn't catch his name or title, but he's part of the royal parsonage who is there to assist the Duke, I guess) stop at the chateau so they can try the slipper on Anastasia and Drizella. While he is reading from the royal proclamation, Jaq and Gus are trying to sneak the key out of Lady Tremaine's pocket. This will involve more hi-jinx with the mice and cat which will last fifteen minutes (again, I'm exaggerating, but probably not by much). 

They manage to obtain the key and now the two mice have to lug this heavy key all the way upstairs. It seems to take them forever, but before they can get to the door, Lucifer is ready to pounce and this is the scene where he will eventually fall out the window. 

While all this was going on, the sisters are claiming the glass slipper belongs to them. Anastasia is the first to try on the slipper and she has freakishly long feet and the shoe obviously doesn't fit. The dumb little guy attempts to pound the shoe so it will fit her. Okay, A) he's going to break it because it's made of glass and 2) Does he not see how large her foot is? It's like Jeff Probst says during puzzle challenges on Survivor: "If you have to force it, it won't fit!" 

Drizella doesn't have much luck either. She tries to "make it fit", but of course that doesn't work. 

Apparently the sisters were struggling with the shoe for a long time because just as the Duke and the little man are leaving, Cinderella comes running down the stairs. Lady Tremaine is dismissive of her, but the Duke says he has orders. Remember how in the remake it was the shoe that Cinderella already had that was destroyed? Well, in this one it's the shoe that she lost and the Duke has been trying on everyone that is destroyed. When the little man is walking over to present the show on a pillow, Lady Tremaine trips him with her cane and it shatters. But it's okay because Cinderella pulls out the other shoe, because of course she had it! Her stepmother really didn't think that through, did she? The expression on her face when Cinderella pulls out the shoe is hilarious...both her eyes and mouth are wide open. But again, why is she so shocked? She already had the suspicion that Cinderella was the mystery girl and she was right. 

Cinderella will just leave without saying anything and marries the Prince.

The 2015 movie does this scene a little differently. The Grand Duke and the Captain, who is very close with the Prince-turned-King, are the ones to enter the chateau, but they have seemed to brought the whole royal entourage because outside the house is a row of horses holding uniformed guards (or something, I don't know what their title would be). Anastasia and Drisella are super excited to see them because it's "now [their] chance." Anastasia is the first to try the shoe on and she claim that "it shrunk" when it doesn't' fit her. Drisella is straining as she's trying to fit her foot into the shoe. I laughed when the Captain says, "Bad luck, miss."

They're about to leave, but Lady Tremaine isn't worried that the shoe didn't fit her daughters because she knows they're good with the deal she made with the Duke. She tells her girls, "But fate may yet be kind to us, girls."

Meanwhile, Ella is upstairs, singing, having no clue who is downstairs. The mice know because they work together to open the window so everyone downstairs can hear her singing. Of course, the Duke knows who it is and insists they leave. The Captain asks Lady Tremaine if another girl lives in the house and she assures him there is nobody else. He quips, "Perhaps your cat has learned to sing?"and she just laughs nervously. 

One of the men on one of the horses takes off his hat and it's King Kit. Both the Captain and the Duke look surprised so they must not have known he was among them. He asks the Captain to investigate and the Captain is happy to oblige. Lady Tremaine has an "oh, sh*t" look on her face because she knows she can't not take him up to the attic. When she does, she just points at Cinderella and tells him, "I told you it was no one of any importance." Cinderella gets mixed messages when the Captain tells her she is "requested and required to present [herself] to [her] King", then her stepmother tells her, "I forbid you to do this" and the Captain tells Lady Tremaine, "And I forbid you to forbid her!" When he asks her who she think she is, she gestures to Cinderella and says she is her mother. Cinderella tells her, "You have never been and you never will be my mother." I like that this Cinderella gets to tell off her stepmother.

Kit is waiting downstairs with the shoe in his hand and he recognizes her when he sees her and when he asks who she is, she replies, "I am Cinderella," calling herself by that name for the first time.  

Before she leaves,  being the kind and courageous person she is, she tells her stepmother, who is coming down the stairs, "I forgive you." It also shows us that Cinderella is the bigger person.

The movie ends with Cinderella and Kit's wedding and the whole kingdom below them is cheering as they share a kiss on a balcony overlooking their people. We are told that her stepmother and sisters left with the Duke. I'm not sure if this was voluntary or forced! I do wish we had seen her mice friends at the wedding, I thought that would have been a cute touch. After all I assume (in both versions!) that the mice moved to the palace with there. The mice in the animated movie are so talented, that they can make all her gowns! 

As much as I prefer the remake (and even though I haven't seen all the live action remakes, I feel pretty confident saying it's probably theist) to the animated film, you have to give the 1950 film some credit. They didn't have many well-known movies in the '40s, mostly due to the war and when this one came along in 1950 it jump-started their beloved animated movies again and it was a huge box off success, being the fifth highest grossing movie of 1950. Also, Cinderella is just iconic. It's her castle that you see at Disney World and her story has been told countless times. 

I found this print advertisement for the 1950 movie on its Wikipedia page. I just found this really fascinating because I've never seen so many words on a movie poster! Usually they just have the title, the big name actors, the date it will be released, and a tag line to give you an idea of the movie. Walt really wanted the people to see this movie and was selling it big time. "6 years in the making making!" "Even the birds will be singing!" (That one made me laugh because bird seem like the most obvious ones to sing!) "...ready to thrill the world as no picture ever has!" It's a good thing this movie was so successful otherwise this poster would've looked embarrassing in hindsight! 




Thursday, October 26, 2023

Part of Your World

The Little Mermaid
Director: Rob Marshall
Cast: Halle Bailey, Melissa McCarthy, Javier Bardem, Jonah Hauer-King, Daveed Diggs, Jacob Tremblay, Awkwavina
Released: May 26, 2023



Much like Beauty and the Beast, Aladdin, and The Lion King, this is another remake of a Disney animated movie from the '90s. (Okay, so technically, The Little Mermaid came out in 1989, but, close enough). Much like the others I just named, it pretty much follows its animated counterpart, but with a few exceptions. There are added songs and there are more fleshed out scenes for character development and to explain something a little more better that perhaps wasn't so clear in the original. The animated Little Mermaid is a little under an hour and a half and this movie is two hours and fifteen minutes! Yes, there are added songs (about three news ones, I believe) and some scenes are extended, but it seems shocking that it's almost 45 minutes longer! 

Okay, let's start with the new songs first. As I already mentioned, there are three new songs, plus a new reprise to "Part of Your World". The new songs...are not that great. Two in particular are really bad. Okay, to be fair, I've only listened to the new songs about four times: once when I watched the movie the first time, once when I watched it a second time to take notes, and I've listened to the soundtrack twice. One of the new songs is called "For the First Time" and despite it reminding me of the song from Frozen (well, the title reminds me, not the actual song), it's definitely the best of the three new songs, but nowhere as good as any of the original songs. Ariel (Halle Bailey) sings it when she becomes a human and she's being brought to the castle, but since at that point, she has given up her voice to Ursula, she's singing in her head. Luckily, they cast someone with a great voice for Ariel and she does justice to Part of That World, probably one of the most iconic Disney princess songs out there. However, I can't say the same for Prince Eric (Jonah Hauer-King). Yes, Prince Eric has his own song. It's called "Wild Uncharted Waters" and he sings it after he's been rescued by a girl with a beautiful voice. You know how they gave Princess Jasmine a song in the live action Aladdin? Well, I guess they thought they needed to give Prince Eric a song too? For some reason? Jasmine, I understand, because at least she IS a Disney Princess and never had her own solo song. And then there's the last new song, which, thankfully, is only a little over a minute. It's called "The Scuttlebutt" and it's sung by Scuttle (Awkwafina) and Sebastien (Daveed Diggs) when it's been announced that Prince Eric is engaged. Of course, they think he's engaged to Ariel, but he's not! Look, I love Awkwafina. I think she has some really funny line deliveries in this movie (one of my favorites is how she says "Yessss-ahhhh!" when Sebastien asks Scuttle if she's listening to him), but singing is just not her forte. Yes, I realize that Scuttle is supposed to be a bad singer, but this song is just terrible. I feel like it's only in here because it's near the end of the movie and they realized they haven't had a song (aside from the second reprise of "Part of Your World") in awhile. 

There are a couple of songs from the animated movie that didn't make it into this one. First of all, and this really doesn't surprise me, "Les Poissons" is not in this movie. It is a bit cartoony and I understand why they didn't include it. I'm not terribly upset about it because I would rank it last of the original songs. (Although I still love it: "Les poissons, les poissons, how I love les poissons!") 

Another song (although much smaller) that isn't in the movie is "Daughters of Triton". I mean, it's not a totally big loss although I do like the song (or ditty, really). They most likely excluded it for two reasons: 1) Triton's daughters don't have the same names as the ones in the song. (So no Aquata, Adrina, Arista, Attina, Adella, or Alanna. Obviously, Ariel is the only one who kept her name cuz she can't change her name!) Do I remember the names of his daughters in this movie? No; no, I do not. There was no catchy song to help me remember any of them. And, 2), There's a Coral Moon ceremony that Ariel misses, she's not singing in her debut.

However, they do keep the four main songs which we all know and love (at least I hope everyone knows and loves!) from the animated film. I'll add my thoughts on each one when I get to those parts of the movie. 

This Ariel is a little more well-behaved than animated Ariel. She is forbidden from going up to the surface and keeps her word...until a certain point. Animated Ariel was also supposed to not go to the surface, but she did anyway. For instance, in the animated movie, when Scuttle is showing Ariel and Flounder the fork (ahem, I mean, dinglehopper!) that he found, Ariel goes to the surface where he's on some small rock formation in the sea. In this movie, Scuttle swoops down into the water to show Ariel and Flounder (Jacob Tremblay)  the "dinglehopper" and this bird is underwater for quite a few minutes! They do make a joke out of it after Ariel realizes she's late for the Coral Moon and swims off, Scuttle says she's gotta go too and get some air.

One thing they touch on in this movie that they didn't in the animated one is how mermaids have a siren song that lure men to their deaths. (Somebody read The Odyssey before they made this! I remember reading that in my ninth grade Lit class with Mrs. Bradley as my teacher.) While Ariel (and I'm assuming all mermaids) have beautiful voices, it's not like they're using them to lure humans to their deaths even though King Triton (Javier Bardem) believes that all humans are barbarians. We do learn that Ariel's mother was killed by a human, so I suppose Triton's disdain of humans is justified! 

Speaking of family dynamics, Ursula is Ariel's aunt; Triton is her older brother. We find this out when we first meet Ursula and she's able to see everything with her magical orb. When she sees the Coral Moon ceremony, she mentions how they "forgot to invite Auntie Ursula to the party." I wonder how that works, though, since Triton is a merman and Ursula is an octopus. Yes, she does have the upper body of a human, but how did she get eight tentacles? I wonder if she transferred herself that way when she went to the dark side. We need an Ursula origin story! 

Also, speaking of mermaid anatomy, don't mermaids need to go up for air? Aren't they, like dolphins? In that they can stay under water for a few hours at a time, then come up for air? Okay, I just looked up how long dolphins can stay underwater at a time and I was way off. It looks like they can hold their breath anywhere from five to ten minutes, maybe even twenty minutes, but not hours at a time. Maybe I'm thinking of whales. Anyway, the point I'm trying to make is that since mermaids are half human, you'd think they would need to come up for air too! But I guess they are part fish too, so the question is, do they breathe with lungs or gills? Mermaids are effing weird if you think about it. 

"Part of Your World" is the first big song we hear and I think it's the best song in the movie and the one that translated best to this new film. Halle Bailey has a phenomenal voice that suits a Disney princess quite well. It still has the essence of the original, but she adds her own touch to it. I do love that when she later turns into a human, we see her reacting to a fire that's burning in the castle's fireplace and she reaches out to touch it, before recoiling from its heat. That's a nice callback from the line, "What's a fire, and why does it, what's the word? Buuuuuurrrrrrrrnnnnnnnnn!" 

After she sings this, she sees fireworks coming from the ship above the surface and goes to investigate. This is the first time she actually goes to the surface. Of course this is the ship that Prince Eric is on with Grimbsy and the rest of his crew. A big change to this movie (that desperately needed it) is that we learn a lot more about Prince Eric. Pretty much in the animated movie, Ariel falls for him because she thinks he's attractive and he thinks she's attractive and they fall in love and live happily ever after. They try to give him a little more depth; they're not just having Ariel looking at him with googly eyes and deciding she's going to give up the only life she's ever known just to follow a guy because she thinks he's hot. She very boldly hoists herself up on a lifeboat on the side of the ship to see what's going on. Of course, this is the part of the movie where a huge storm will capsize the ship and while the other men get on the lifeboats, Ariel will save Eric from drowning. But before that, she will hear Grimsby telling Eric that now that he's become of age (21), his responsibilities are at home. Eric replies, Yes, trapped inside the castle in isolation and fear." He tells Grimsby he wants to be "a different kind of leader" and that "they need to stay open to what's out here, that's the only way [their] island can grow" and also adds that he "feels there's something out there, calling to [him]." 

A difference between both movies is how much both species hate each other. In the animated movie, Triton is very anti-human, telling Ariel she's forbidden from going to the surface, but I don't remember the humans being so vitriolic towards the mermaids. If anything, they're just curious about them. After their boat has been capsized, the Queen attributes the shipwrecks and hurricanes to the "sea gods" and believes that "they are eroding our land from under us, stealing it back into the ocean." On the other hand (fin?), when Ariel is helping her sisters clean up the wreckage from the shipwreck, they all pretty much act like the humans did this on purpose. WTF? At least Ariel is like, "I don't think they intended to have a shipwreck." Yeah, and if you asked the Queen, she would tell you it was the fault of the sea gods. I could understand the mermaids being angry if they found trash thrown overboard by the humans, but that isn't this case at all. One of the mermaids says, "They'd kill us if they had the chance" which echoes what the Queen says about them. So both species thinks the other wants to kill them. This reminds me of Romeo and Juliet. Wow, I'm just name dropping all the literary greats! 

Ariel has now become smitten with the prince and is humming to herself. Triton thinks this means she is in love, but he thinks it's with a merman. When he asks Sebastien about it, the little crab is so flustered and spills the beans that it's a human man, not a merman Ariel is in a haze about. Honestly, I'm kind of surprised that Sebastien was so nervous about it because Triton is joking with him because at this point he thinks it's a merman that has stolen the heart of Ariel, that Sebastien could have just denied the whole thing or tell the King he doesn't know who it is. But he lets it slide that Ariel is in love with a human and Triton is pretty upset about this. After he forbids Ariel from going to the surface and destroying the statue of the prince,  Ursula appears in her magical bubble and Ariel asks who she is and Ursula replies, "You must not remember me. I'm your Auntie Ursula." There's a funny moment when Ariel replies, "The Sea Witch?" and Ursula drops her sickly sweet voice and deadpans, "The what?" I loved Melissa McCarthy's delivery there. She convinces Ariel to come see her, telling her she can help her and Ariel does, escorted by the two eels. Now the eels in the animated movie are named Flotsam and Jetsam, but I don't think they're named in this movie. They also don't talk like they did in the '89 movie, although they don't talk often in that one if I remember right. 

So Ariel swims to Ursula's creepy underwater lair (okay, to be fair, I guess everything is under water!). As she goes through it, there's a skeleton of a mermaid, lots of mermaid skulls, creepy aquatic plants with eyes, fire that blows out of holes when she passes by, and weird sea plants that look like claws and grab at her when she swims by; one even grabs her around the throat. If I were her, I would have a lot of questions and concerns! I'd also be like, hell no, I'm getting out of here! Ursula calls it her "aggressive garden" and she calls her relations with with Triton "squidley rivalry". 

So of course this is when Ursula tells Ariel she will create a portion for her to become human for three days and before the sun sets on the third day, she and the prince must share a "kiss of true love" and if that happens, Ariel will remain human permanently. If she doesn't complete this task, she'll turn back into a mermaid and will belong to Ursula. If were Ariel, I'd be asking, What do you mean I belong to you? What exactly does that entail? Ursula also adds that Ariel won't have her "siren song because that wouldn't be fair", which, okay, I get that, but why not at let her least talk? I know, I know, they're going by the animated movie and, also, Ariel could just basically tell Eric what's going on. Okay, that was a stupid question. Forget I asked it! 

This is when we get "Poor Unfortunate Souls", another great song, although it doesn't have the oomph that the original did. You could tell that Melissa McCarthy as Ursula was channeling Pat Carroll (the original Ursula). I have stated before that "Be Prepared" (from The Lion King) is my favorite Disney villain song, but this is in strong contention for my second favorite.

When asked if she wants to go through with it, Ariel is hesitant and replies, "I don't know." I feel like the animated Ariel was also a little hesitant, but more ready to take the plunge (or opposite of plunge in this case!) while this Ariel seems to be weighing the consequences. Honestly, I think both options are pretty horrible. Yes, if she manages to kiss Prince Eric, she can remain human, but she'll never see her family again and even if she does come back as a mermaid, she's basically Ursula's little mermaid. I don't think I'd want to depend on Ursula to make the rules for me! But, of course, Ariel signs the contract (which includes plucking a scale from her tail and giving a drop of blood) and she gives up her voice to become a human. 

Okay, before I continue, I forgot to mention "Under the Sea" which comes after "Part of Your World" and before "Poor Unfortunate Souls". It's the song that's probably the most popular from the movie, but it just isn't the same. The main issue I have with it is that Ariel harmonizes along with Sebastien, singing "Under the Sea" (uh, I mean those literal words, she doesn't sing the entire song with him, just to be clear!) In the animated film, she does humor him and bops her head a little at the beginning, but then towards the middle, she's barely paying attention anymore, and by the end, we see her swim off with Flounder. In this movie, she still swims off with Flounder, but it makes no sense that she's singing along with Sebastien and dancing to the music. 

So Ariel becomes human right there in the depths of the ocean. You would think Ursula would let her swim up to the surface first, but this is Ursula were talking about. She's pretty deep underwater, wouldn't she get the bends? I don't think Ariel really thought this through because when she does surface (complete with the hair fling - which I know is an iconic moment from the animated movie, but I don't think it translated as well to the live version, but I do understand why they felt like they had to have it), she's completely in the middle of the ocean. Now in the animated movie, she's near land and she meets the prince within, like, five minutes, which was pretty convenient. Here, she (and Flounder and Sebastien) get caught up in the net of a fishing boat. Obviously, she is naked, but the nets and seaweed are covering her up. I'm sure this is one of the reasons why they changed it. This is when Scuttle scoops down and lands on Ariel's knee and makes a comment about how there's something different about her and Sebastien gets so irritated with her and says, "She's got legs, you idiot!" I love how frustrated Sebastien gets with Scuttle. Before the fisherman notices Ariel, Sebastien tosses Flounder back in the ocean and hides in a crate with other crustaceans. When the fisherman does notice her, he thinks she's a victim of a shipwreck and gives her something to cover up in. 
 
They added a little twist to the plot when we get a scene of Ursula talking to her eels, telling them that she made sure Ariel won't remember she needs to kiss Eric. Wow, that's way harsh! I don't think this plot point was in the animated movie and not sure why they changed it. I guess this Ursula thought this Ariel would be able to make it happen and just wanted the security that it wouldn't. 

Ariel is taken to the castle (I can't remember why she's taken there) and the maids give her a bath and when she tries to eat the soap, they just think she's really hungry. I laughed at the look Ariel gives one of the maids who tells her "Let's get that seaweed stink off of you." 

I mentioned earlier how I thought it was way convenient how Ariel just comes across Eric at the beach in the 1989 version, but in this one, as the maids are dressing her (and they're giving this poor girl who's literally just learning to walk high heeled boots!), she hears them talking about him and how he won't rest until he finds the girl that saved him. As they say this, they realize that the girl in front of them might be the one he was talking about and they retrieve him. When Eric asks her what her name is, the maids tell him she doesn't speak and he realizes it can't be her since his mystery girl was singing to him. He tells her she's welcome to stay at the castle for as long as she needs. 
 
Sebastien makes his way up to the room where Ariel is staying and at first he wants to get her back to the King and see if she can be a mermaid again, but he also doesn't want Ariel to be miserable for the rest of her life, so he agrees to help her kiss the prince. He realizes that Ariel doesn't have any recollection of this, that she just gives him a blank stare. As he later tells Scuttle when Ariel is out, "the thought jumps clear right out of her head". We get a funny moment (and perhaps a nod to the original fairy tale?) when Scuttle tells Sebastien that Flounder has filled her in on what's going on and asks, "Has Ariel killed the prince yet?" 

In this version, they basically make Eric into a male human version of Ariel. Seriously, it's a little too on the nose. When Ariel is at the castle, she finds a huge room that is just filled with lots of paraphernalia from the ocean. So just like Ariel likes to collect human things from land, Eric likes collecting things from the sea! He has a little figurine of a mermaid that he found off the coast of Cartagena that he calls his "little mermaid" and tells Ariel that he "never believed all that lore about mermaids luring sailors to their deaths." He gives Ariel the mermaid as a gift since he has so much stuff from his voyages. He also shows her a huge fossilized sea stone and when he gives it to Ariel to look at, he's horrified when she smashed is on the ground, but then when she reveals a beautiful gem inside the stone, he's amazed. He's also amazed when he shows her a large conch shell and she blows into it, making a sound like a horn. 

We see them bond as Eric shows her a map of some of the places in and around South America he's visited. He also shows her a map of the island they're on and offers to show her around the next day. They take a carriage ride and come across an outdoor market. There's a fun Easter egg where a woman gives Ariel some fruit with a fork and when she receives it, she starts combing her hair with the fork and is given weird looks by everyone. While that is a shoutout from the animated movie (Ariel uses the fork to comb her hair during dinner!), the woman is played by Jodi Benson, the original voice of Ariel. I didn't know this the first time I watched it because I have no idea what Jodi Benson looks like now (or 30 years ago!), but I read it somewhere and I knew it was her when I watched it a second time. 

Ariel and Eric join in dancing to calypso music and Ariel picks out a straw hat for Eric. This hat will come in play later when it's becoming dusk and she and Eric are heading back to the castle. Scuttle nabs the hat and flies off with it and Ariel and Eric chase after the bird and end up at a lagoon where Scuttle has dropped the hat in a row boat. Eric sees that Ariel is interested in the boat, so they get in and start paddling. Scuttle tells Sebastien and Flounder (who are also there), "I think it's time for a little vocal romantic stimulation" and proceeds to do a "bow chicka wow wow" routine. I love how Sebastien just simply says "Please, no." If you haven't already guessed, this is when we get "Kiss the Girl". While I think it is so much better in the animated movie, I think it's really cute in this one. For one thing, in the animated movie, Sebastian has a whole orchestra of animals (fish and flamingoes among them) singing along, while in this one, it's only Flounder and Scuttle singing along with Sebastien so it's not as epic. When they sing the chorus, Scuttle screams "he's gonna MISS THE GIRL!" and Sebastien tells her, "pull back, Scuttle, pull back." 

 During the song's interlude, Eric shows Ariel the different constellations and tells her what they're called and mentions he still doesn't know her name and starts guessing random names. In the animated movie they just have Sebastien whisper her name in his ear, but in this one she pointes to the Aries constellation and when he says it, she puts her finger over his lips on the second syllable and I guess tries to make him say the "L" sound? I'm not really sure, but he gets Ariel and she nods enthusiastically. At first, I was wondering why she just didn't write it down on a piece of parchment, but then realized she probably doesn't know how to read and write. In reality, she probably shouldn't know English as if mermaids DID exist, they would probably have their own language. In the animated movie, there is some slight criticism because Ariel signs her name on the contact Ursula produces for her so it would make sense for her to just write down what's going on....although maybe she only knew how to sign her name? I don't know, but that's probably why they changed it to Ursula binding the contract with a scale and and a drop of blood. Anyway, the song continues and they are about to kiss, but their boat is tipped over and you see the two eels swimming away. 

We see Ursula witnessing this with her magical orb and she says it was too close and she can't "let that happen again" and she decides to take "matters into her own tentacles." Obviously we know that this means turning into a beautiful human herself with Ariel's angelic voice.

While Ariel and Eric were out, carriages had been sent out to try to find the "mystery girl" and when they return from their outing and Eric has said goodnight to Ariel and she's gone to her room, Grimsby tells Eric that they didn't find his mystery girl. He asks him if they should continue the search for her. Eric seems unsure so Grimsby offers him some advice: "Don't be held back by what you think should be. Think only of what is." In other words, he's telling him he's obviously smitten with this girl he's already met and has gotten to know her and why would he bother looking for another girl who may or may not exist? 

We see Eric outside on the beach, contemplating, I guess, when he seems to have an epiphany and starts running towards the castle. He stops suddenly when he hears the same singing voice that he heard the day he was rescued. He sees a beautiful girl with dark hair just standing on the rocks in the ocean like she just appeared there. Now in the animated movie they give her the name Vanessa, but I don't remember anyone ever calling her by a name. 

The next morning Ariel finds out that Eric is getting engaged (through that horrible song I mentioned earlier!) and she thinks she's the lucky girl, but soon discovers that she's NOT the lucky girl he's engaged to. Of course, this devastates her and she runs away. She doesn't even seem to notice that Eric seems to be in a trance. (Because he's being brain-washed, that's why!) It's Scuttle who discovers that Vanessa (I'm just going to call her that) is actually Ursula and she goes to warn Ariel and the others. When she does, Ariel heads back to the castle and Sebastien tells Flounder to tell King Triton what's going on (we did get a scene of him earlier with his other daughters discussing how they've searched all seven seas and no sign of Ariel anywhere) and he tells Scuttle to fly him to the castle. There's a hilarious scene where Scuttle is getting close to the castle (she's holding Sebastien in her beak) and he tells her that he'll let her know when he wants her to drop him. He dumbly asks her, "Got it?" and when she replies, "Got it!", she drops him and he falls into the ocean below. Oh, man, I was laughing so hard at that part. I love how he screams, "You idiot!" as he's falling. 

In this movie, it's the engagement party that they crash, not the actual wedding that they have in the animated film. I guess they thought it was a tad too early for Eric to get married to a girl he literally just met the day before! Scuttle starts attacking Vanessa, and Max, Eric's sheepdog, also joins in. There's a lot more creatures in the animated movie (I remember seals being there) that go after the disguised sea witch, but this one they keep the chaos down to a minimum. I also like how in this film it's Ariel who grabs the necklace around Vanessa's throat and just rips it off her and smashes it on the ground and regains her voice. In the animated movie, the necklace comes off during all the pandemonium and breaks on its own and Ariel's voice finds her way back to her. Eric seems to snap out of his trance when he realizes that Ariel is the girl he was looking for all along, that she was the one who rescued him and sang to him on the beach. They are about to kiss, but of course the sun goes down and it's too late - the curse has been broken and Ariel turns back into a mermaid as everyone gasps. Even more alarming, Ursula becomes her sea witch self again and she grabs Ariel and they both dive into the ocean where King Triton is there to meet them. Ursula tells him that if he gives himself and his trident up to her, she will let Ariel go and he takes that deal. She turns Triton into a small, pathetic part of her garden and takes his trident. Now I'm not sure exactly how far deep down they are in the water, but Eric swims down with a harpoon, trying to puncture Ursula, but misses. Ursula sends her eels after him and points the trident at him, but Ariel grabs her arm and she accidentally kills her eels with the trident instead. 

Ariel is able to escape (although it's not like she was restrained) and she swims to the surface with Eric, telling him he needs to get out but he tells her he's not going to lose her again. This is when Ursula becomes a giant version of herself and creates a huge whirlpool. In the animated movie, it's Eric who saves Ariel by impaling Ursula with the bowsprit (I had to look that up on Wikipedia) of his wrecked ship, but in this movie they flip the script and have Ariel save Eric by doing the same thing. Since Ariel is still a (little!) mermaid, she can't exactly walk to the wheel and steer it in the direction it needs to go; instead she sort of slithers towards the wheel and it's very uncanny. It honestly kind of creeped me out and made me think of this book I read a few years ago called Into the Drowning Deep which is about creepy, murderous, bloodthirsty non-English (or any known language) speaking mermaids with grotesque bodies. It's a super gory book, but I loved every second of it and there is a shoutout to The Little Mermaid in it when one of the characters calls one of the mermaids "Ariel". If you don't mind your fairy tale image of mermaids being ruined and can handle a bit of gore, I highly recommend it. 

So Ursula is killed and Triton and the other merfolk that Ursula had captive are released and returned to their natural size. Triton sees how much his daughter wants to be with Eric, so he transforms her into a human she's able to be with him. I really liked her wedding dress with the relaxed, beachy island vibes. 

Overall, I think this movie was pretty good. Yeah, the songs just weren't the same, but at least they tried with making Ariel's and Eric's relationship based more on physical looks.