Showing posts with label Cate Blanchett. Show all posts
Showing posts with label Cate Blanchett. Show all posts

Friday, May 30, 2025

If the Shoe Fits

Cinderella (1950)

Directors: Wilfred Jackson, Hamilton Luske, and Clyde Geronimi
Voice Talent:  Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, Lucille Bliss, James MacDonald
Released: April 27, 1950

Oscar nominations:

Best Song - "Bibbidi-Bobbidi-Boo" (lost to "Mona Lisa" from Captian Carey, U.S.A. - what the heck is that?!))
Best Score - Oliver Wallace and Paul J. Smith (lost to Adolph Deutsch (yikes on the name, but to be fair, he was born in 1897) and Roger Edens for Annie Get Your Gun)
Best Sound Recording (lost to All About Eve)



Cinderella (2015)
Director: Kenneth Branagh
Cast: Lily James, Cate Blanchett, Richard Madden, Helena Bonham-Carter, Stellan Skarsgard
Released: March 13, 2015

The 2015 live-action version of Cinderella was one of the first one to kickstart all the live-action Disney remakes. Yeah, I know there was 101 Dalmatians with Glenn Close, but that came out in 1996 so that's nearly a twenty year gap. Right after 2015 Cinderella, there was The Jungle BookBeauty and the Beast, Aladdin, The Lion King, MulanThe Little Mermaid, Snow White, Lilo and Stitch, and I'm sure they'll be making live-action Moana and Frozen, but I want to see live-action The Black Cauldron! 

Even though I haven't seen all the remakes, I believe that Cinderella is the best. For one thing, with all due respect to the animated 1950 movie, there was much to improve on, which they did, while also keeping the essence of the original. 

Of all the early era Disney Princesses, Cinderella is my favorite. Aurora just sleeps through the majority of the movie (yes, I know it is called SLEEPING Beauty) and I recently re-read my review of Snow White and thought her to be "very condescending" and "a little bit dumb" (remember when she opened the door to that scary old woman the Queen was disguised as?). Plus I couldn't stand her shrill singing voice. At least Cinderella didn't annoy me and even though the music wasn't my cup of tea, she did have a very beautiful singing voice. Maybe the sound quality vastly improved from 1937 to 1950 or maybe Ilene Woods (voice of Cinderella) was a better singer than Adriana Caselotti (voice of Snow White). Or maybe both are true. 

For this review, since I'm pretty sure everyone is familiar with this story, specifically the Disney version (tis a tad different that the Grim version!), I'm just going to go through some main plot points and compare and contrast the two movies. How fun! 

The beginning/Cinderella's backstory: The animated film, being much shorter than the live version, is quick to get to the story. We get a yada-yadda'd Cliff Notes version of her life before her stepmother and stepsisters entered into it. After her mother dies, we are told that Cinderella's father "gave his beloved child every luxury and comfort, still he felt that she needed a mother's care." This seems to be the main reason he married again, "a woman of good family" (whatever that means). 

In the 2015 movie, we see Ella (oh, yeah, her name is Ella, the Cinderella name will come later ) as a young girl, growing up with her loving parents in a beautiful chateau with many farm animals. It is quickly established she loves animals and believes the mice she has befriended can understand her. 

Cinderella - In the prologue of the animated movie, we are told that even though her stepmother was "cold, cruel, and bitterly jealous of Cinderella's beauty", even though the "family fortunes were squandered upon by the vain and selfish stepsisters", even though the chateau she grew up in was falling apart, even though she was "forced to become a servant in her own house", even though she lived in a tall turret that's pretty much isolated from the rest of the house, and even with all this abuse and humiliation, she remained "gentle and kind...with each new dawn, she found new hope that someday her dreams of happiness would come true." 

Much like her animated counterpart, our 2015 Cinderella (played by Lily James) is also an optimist despite her dire situation. Before her mother dies, she instills some words of wisdom upon her: "Have courage and be kind." This will be her mantra for the rest of the movie (and, really, for the rest of her life). This Cinderella will be a little more bold than the 1950 Cinderella, at one point she will pointedly ask her stepmother, "Why are you so cruel?" While animated Cinderella seems a little more passive, there is a scene where her stepmother and sisters are enjoying that she won't be able to attend the ball and being totally smug about it. While Lady Tremaine is pretending to be sympathetic, telling her there will be other balls, Cinderella just says "yes" and walks away, not letting them get any more satisfaction. 

Cinderella's father: We basically don't know anything about him in the animated film. I was asking myself why he would marry such a bitch, but Lady Tremaine doesn't become truly awful to Cinderella 'til after he dies. We're never told how she treated her while he was alive and it seemed he married Lady Tremaine when Cinderella was still a young girl. In the 2015 movie, Ella is older when her father tells her he thinks it's time "to begin a new chapter" and tells her how the Master of the Mercer's Guild, a man he met on his travels once, had died recently and left behind his widow, "an honorable woman still in the prime of her life." Ella knows he is asking for her blessing and wants him to be happy. 

We are never told what Cinderella's father does in the '50 movie even though they live in a beautiful chateau and Cinderella has a horse, but in the remake he is a merchant who often travels abroad. He's in the movie for about half an hour. He tells Ella he'll be traveling for work and will be back in a few months. He asks her what she would like to bring him back (because he always comes back with a gift for her) and she replies, "Bring me the first branch your shoulder brushes on your journey." Her stepsisters have asked for lace and a parasol, so this proves that she isn't materialistic. 

Because this is Cinderella, I knew he wouldn't be surviving this journey. I thought he might die in an accident, but he fell ill and died. The scene where his driver returns to the chateau and has to tell Ella what happened is so sad, especially when he hands her a leafy branch.

Lady Tremaine - So there are specific scenes involving this wicked woman that I will talk about separately just because they're iconic scenes. She is voiced by Eleanor Audley (fun fact: she also voiced Maleficent in Sleeping Beauty) and is played by Cate Blanchett. I don't know how old she is supposed to be, but Blanchett's Tremaine comes across much younger. She was around 45 when she filmed it and has reddish blonde hair and wears many fabulous outfits where she's always covered up, but still shows off her figure. The animated Lady Tremaine has gray hair, walks with a cane, and wears a very matronly red dress with a high ruffled purple collar. Her eyes are these really piercing green and she loves to wear jewelry to match her eyes: she has an emerald ring, emerald earrings, and an emerald brooch. The 2015 pays homage to it with Lady Tremaine wearing many outfits that have green in them. 

Obviously, we get many more scenes and more character development of the live action Tremaine. We see her take advantage of her stepdaughter's kindness when she tells her how her daughters have always shared a room, but "they're finding the sleeping quarters rather confining." (While she's talking to Ella, the two sisters are fighting with each other.) Ella, who has the biggest room aside from her father's and stepmother's, offers it up. She starts to say where she can stay, but her stepmother cuts her off and says she can stay in the attic and adds that it will only be temporarily while she has "all the other rooms redecorated" and gives her a sewing kit she can take up with her. I like that they show us how this materialized instead of her already living up in the turret like she does in the animated version.

Both Lady Tremaines care about their status, but we see it a little more in the 2015 movie as she likes to throw lavish parties. 


In the '50 film, Lady Tremaine seems to be jealous of her stepdaughter's beauty which is a little weird because Cinderella can't be any older than ten when her stepmother comes into her life. At least in the remake, we see that Lady Tremaine is jealous of Ella's relationship with her (Ella's) father and is quite aware that her new husband is still harboring feelings for his deceased wife. We see her eavesdropping on her new husband and Ella when he's telling his daughter to be good to her stepmother and sisters even though they "may be trying at times" and comments how her mother is always here, that "she's the heart of this place."

When Ella receives the news of her father's passing, Lady Tremaine is in the background, listening to the conversation and when Ella is told about her father, "To the end, he spoke only of you and your mother," she looks hurt hearing this. She announces they are ruined and questions how will they live. Because of their financial woes, she dismisses the household (they had maids, cook, and people who helped with the farm). This is how Ella morphs into their servant (and her name will morph into Cinderella), doing all their work, Lady Tremaine tells her it will help her distract from her grief. 

Anastasia and Drizella - So I have to be honest, I can never remember who is who, but Drizella (I always thought her name was Drusilla) is the older of the two with dark hair and wears green and Anastasia has red hair and wears purple. They're only probably supposed to be a few years older than Cinderella, but the way they're drawn, they look decades older. Man, they look rough!

At the end of the movie when the Grand Duke has come to their house to try the glass slipper on the sisters, I laughed at his reaction when Lady Tremaine introduces his daughters to him. He physically winces because they're so unbecoming. 
 
The live action stepsisters look much more youthful and I like that it's their personalities (and their questionable taste in fashion) that make them ugly, not their physical appearances. I feel like the 1950 movie is trying to tell people that if you're ugly on the outside, then you're a terrible person, which of course, is a horrible message. 

We get the sense that Anastasia and Drisella are silly vain girls when Ella is helping them get ready for the dance and when she asks them, What do you think he'll be like?" (referring to the Prince) and one of them (sorry, I really do not know who is who!) replies, "What does it matter what he's like? He's rich beyond reason." When Ella asks wouldn't they like to know a little about him if one of them was to marry him, the other replies, "Certainly not. It might change my mind." Ha! 

Her sisters are the ones to give Ella her new name. Ella has been sleeping by the hearth because it's too cold in the attic. Because of this, she gets soot all over her face. The sisters are making fun of her and one of them exclaims, "That's what we'll call you! Cinderella!" Her mother laughs and says, "Oh, girls, you're too clever." 

Lucifer and the mice: - Justice for Lucifer! Haha, that sounds a bit odd without any context. Lucifer is Lady Tremaine's fluffy gray mean-spirited cat and I think he gets a bad rap in the animated film. The only times I think Lucifer is a true a**hole is when he takes a swipe at Bruno, Cinderella's dog (they don't talk about Bruno in the remake because he's not in it) and when he gets in the dustpan and trots his dirty paws all over the floor Cinderella has just cleaned. However, we're supposed to think he's evil because he keeps chasing and trying to eat the mice who just so happen to be Cinderella's friends. Um, hello! He's a cat! That's his job to chase and catch mice! It's his natural instinct! Why are we trying to villainize him for that? Okay, I will admit he was being a jerk when he was trying to keep the mice from delivering the key to Cinderella. 

Cinderella's only friends are the mice who live in the chateau (and she's friendly with the birds too). She names the mice and makes clothes for them. The only mice that seem to have names are Jaq and Gus. The mice speak English, but it's hard to understand them sometimes because they speak in squeaky voices and speak in cutesy dialogue where they repeat words or have their own words for things. A part of me wonders if Cinderella is having these conversations in her head with these mice because she has nobody else to talk to (aside from her stepmother and stepsisters, but it's not like they're having conversations with her) and she's just pretending these mice are her friends and she's so far gone that she's even made outfits
for them. But this is an animated Disney Princess movie, so of course they're her friends and can communicate with her. 

There are so many antics with Lucifer and the mice, it's ridiculous! Twenty-six minutes (out of a one hour and sixteen minute movie) are dedicated to these animals. The prince is only in it for a little over three minutes! (BTW, I Googled these times!) I guess back in those days, it was easier to animate animals than humans, but still...

One of Cinderella's chores is to feed Lucifer first thing in the morning. This entails her having to open her stepmother's door (because Lucifer sleeps in her room in his own little cat canopy bed) at the crack ass of dawn and whispering to Lucifer to come downstairs so she can feed him. This is really stupid of Lady Tremaine because you would think this would wake her up. It doesn't, so she must be a heavy sleeper. Also, Lucifer is nothing like my cat because he just wants to go back to sleep and seems grumpy to be woken up. My cat is always ready for his food at five a.m. (and depending on the day, I'm not up for another one to four hours!) and makes sure I know it! 

Also, animated Lucifer totally dies. When he jumps up on the windowsill to escape from Bruno (who was kind of a dopey dog; I was kind of surprised Lucifer couldn't take him!) and ends up falling out the window from that HIGH, there's no way he would have survived. Yes, I know cats can land on their feet, but that was way too high. He's still falling as we move to the next shot, so we're never told his fate, but I believed it was not a good one. I guess he is in the direct to DVD sequel, but that came out in 2002 and I'm guessing nobody who worked on the 1950 movie worked on the sequel (or was even still alive) and I believe their intention was to kill off Lucifer. 

On the other side of the coin, Lucifer (an adorable gray Persian) is shown a few times in the 2015 movie. Lady Tremaine has him on a leash when she and her daughters move into the chateau. He snarls at the four (CGI) mice and Ella picks him up and scolds/coos at him not to bother the mice. No cat falls out of a high tower in this movie. 

Ella has known the mice since she was a young girl and believes that they can understand her. They don't speak gibberish English (or sing!) like they do in the animated version, but they do nod and seem to understand what she's saying. She also doesn't make little outfits for them...because that would be weird, even on CGI mice! 

The Prince - It probably won't shock you to know that the Prince in the remake has more screen time than the mice and cat! He even has a name and meets Ella before the ball. Hurray for character development! Ella is out riding her horse to get away from her horrible stepmother and sisters. It never occurred to me that she was able to leave her house, because she never does in the '50 film (save for the ball), but that one takes place in one day which is insane when you think about it. 

She first sees a stag and hears voices so she knows there are men nearby who are trying to hunt it. She urges it to run away. As the men grow nearer, her horse starts running really fast. A noble young man sees she's in trouble and heads after her on his horse, asking if she's all right. She is able to slow down the horse and tell him she is. Of course, this is the Prince, but she does not know this. She adds that he "nearly frightened the life out of him" and he is amused when she clarifies she's talking about the stag, telling her, "I must confess I've never met him before." They have a cute little exchange and he is totally charmed by her. He asks her, "What do they call you?" Interesting that he words it like that instead of asking what her name is as this is right after she's been dubbed Cinderella and she doesn't want to admit that to him, replying, "Never mind what they call me." He is surprised when she asks him, "What do they call you?", then realizes she truly does not know that he is the Prince. He tells her that his father (the King, heh) calls him Kit, which is true, but he is the only person who calls him that. He also tells her that he lives at the palace and his father (the King!) is "teaching [him] his trade". Ella takes that to mean he's an apprentice. He is very smitten with her and before he leaves, he tells her, "I hope to see you again."

He is played by Richard Madden, best known for playing Robb Stark in Game of Thrones, and let's just say he gets a much happier ending in this movie! 

There is a fun callback to the animated film when we see Kit having his portrait painted. In the original, we see many portraits of the Prince, each one bigger than the last. 

We don't meet the Prince until near the end of the 1950 film. (Remember, he's only in the movie for three minutes!) The stepsisters are being presented to him when Cinderella enters and he sees her and is enchanted by her beauty and walks over to her, totally dismissing Anastasia and Drizella, which was hilarious. They waltz to "So This is Love" and seem to be in love after that exchange. It seems the Prince is only interested in her for her beauty, and doesn't get to know her on a deeper level like he does in the 2015 movie. 

The King - The prince's father in both movies wants his son to marry, but for different reasons. The animated (in more ways than one!) King is discussing his son (who is out of town at the moment, I guess) with the Grand Duke, saying how "it's high time he married and settled down." He adds that he (the King) isn't getting any younger and wants to spend time with any grandchildren before he goes and that he's lonely and "wants to hear the pitter-patter of little feet again." So he's pretty much trying to marry off his son for his own selfish gain.

In the remake, the King is sick and doesn't have long to live, so he wants to ensure that his son will be set up for success and (at first) wants him to marry for advantage. But the King will have a change of heart when he realizes that his son is in love with a country girl and on his deathbed will tell him to marry for love and to "find that girl." 

The planning of the ball/the invitations - In the '50 film, the King wants to have a ball to celebrate his son's return home from wherever the hell he's been. All the eligible maidens in the kingdom will be invited and the King is certain he's "bound to show interest in one of them." Huh...was this animated Disney character from a 1950 movie the first person to come up with the idea for The Bachelor? Because isn't that what this is? The Prince will be home that day and they'll be having the ball that very night. Like, WTF? Who has an extravagant dance the same day they come up with the idea to have one? 

In the '15 film, the portrait of the Prince will be sent abroad "to induce the high and mighty to attend the ball" where he will choose a bride. By this time, he has already met Ella and wants the invitations to "go to everyone, not just nobility," so at least they address how commoners were invited to the ball. I was also under the impression the King had been thinking about having this ball for awhile and didn't just come up with it on a whim.

In the animated film, the invitation to the ball is delivered by a messenger. While Cinderella answers the door, one of her stepsisters is (awfully) playing the flute and the other is (awfully) singing "Sing Sweet Nightingale." She sees that the letter is marked "urgent" (I'll bet it's "urgent" because the ball is that night!) and there's a funny moment when she tells the mice, "Maybe I should interrupt the, uh, music lesson." You can just hear her putting quotes around "music lesson". This is one of those little moments that made this Cinderella have a bit of a personality. 

Lady Tremaine reads the invitation and she and her daughters become super excited when she reads, "by royal command, every eligible maiden is to attend." Cinderella points out she can go to because it did say "by royal command." I don't know, if I were ordered to attend a dance, I would be pretty annoyed. I feel like this should be optional. Lady Tremaine tells her, "I see no reason why you can't go if you get all your work done...and if you can find something suitable to wear." Cinderella is too happy to realize there's probably a catch and promises her stepmother that she will. After she leaves the room, Anastasia and Drizella are aghast that Cinderella could possibly attend the ball and their mother cackles and says, "I said, 'If'".   

Of course, Cinderella will be given so many chores on top of the already many chores she has to do. Jaq is indignant because he knows Cinderella won't have time to work on her dress with all the domestic work her stepmother and stepsisters are ordering her to do. Cinderella has a dress that she wants to wear to the ball that used to belong to her mother. The bodice is pink with capped sleeves with white ruffles and the skirt is white with a light pink sash around the waist and a light pink ribbon at the hem. All the female mice are there when she takes it out and shows them and one of them comments, "It's pretty, but it looks old." Heh. Who does she think she is, Tim Gunn? But as we'll see, these mice will show their dress designing skills and could be valid contestants for Project Runway! Cinderella is looking through a pattern book and decides she's going to give the dress a whole new look. She'll "have to shorten the sleeves, [she'll] need a sash, ruffles, something for the collar..." One of the mice even comments, "It'll be easy." Seriously? It's not like she's adding more ruffles, it looks like a completely different dress! Anyway, the other mice agree with Jaq and one of the female mice says they can fix the dress for her. These mice are definitely a product of the 1950s because when one of the male mice offered to sew, she tells him, "Leave the sewing to the women!" 

There's more shenanigans with the cat when Jaq and Gus see that the sisters are complaining about their "old rags" to the mother, one dropping a sash and the other dropping a necklace. The mice decide they'll be perfect for Cinderella's ball look, but Lucifer makes it difficult for them to acquire, but after ten minutes (I may be slightly exaggerating, but not by much) they finally have the items. 

We see the mice (with some help from the birds) doing all this time consuming work on the dress, which, of course, will be all for naught. Like, their hard work will be ruined in minutes by a few petty bitches. 

But before I go any further, let me go back to the live action remake. Cinderella is in town when it is announced the ball will be in two weeks (NOT that night!) and the prince will choose a bride and every eligible women is invited. Notice that nobody is commanded to go! I think it actually makes more sense how they deliver the invitations to every house in the animated film, because at least you know everyone will be getting one. Maybe the guy making the announcement is just hoping that everyone who is in the town square will past the word along. I do understand why they do it this way, though. Cinderella runs home to tell her stepmother and sisters the news. She is excited mostly because she'll see Kit the apprentice (remember, he lives at the palace!). I love Cate Blanchett's reaction. She literally jumps out of her chair (and Lucifer has to quickly hop off her lap!) and runs to her girls, telling them, "One of you must win the heart of the prince." Because they are in a lot of depth, it will help quite a great deal if they can marry into some money. She sees Cinderella is still standing there and tells her to run into town (which she literally just returned from) and ask the seamstress to make them "three fine ball gowns." Cinderella thinks she is talking about her and her stepsisters, but nope, Lady Tremaine means for herself and her daughters. Unlike in the animated movie, she never tells Cinderella she can go to the dance as long as she finishes all her chores, but she never says she can't go either. 

Like her animated counterpart, this Cinderella also has a pink dress that used to belong to her mother. She thinks if she provides her own dress, she will be able to attend the ball. She works on fixing the dress, though it doesn't go through a complete transformation like the other pink dress. Even though she's the one to mainly work on the dress, we do a get a shoutout to the original with the mice under the table rolling spools of thread or tying a ribbon to a shoe. 

Before they leave for the ball, Lady Tremaine gushes over her daughters (in their super garish dresses), saying one of them is bound to snare the prince and how happy she is she has "two horses in the race." She must be a little bit delusional if she actually thinks one of her daughter has a chance with him. Cinderella comes downstairs wearing her dress, telling them it cost nothing and she doesn't even want to meet the Prince. She wants to go to see Kit, she has no interest in the Prince! Because Lady Tremaine didn't have to pay for an extra dress and because she's taking herself off the table as an option for the Prince, she thinks they will allow her to attend the ball with them. Wrong! Her stepmother tells her she won't meet him because she's not going and that it would "be an insult to the royal personage to take [her] to the palace dresses in these old rags." After Cinderella tells her it belonged to her mother, she disparages her mother's taste in fashion and tells her the dress is "old-fashioned and practically falling apart" and reaches over and rips off one of her sleeves, then tears at the dress a couple more times. Cinderella asks, "How could you?" and she replies, "How could I otherwise? I will not have anyone associate my daughters with you...[it will] ruin their prospects to be seen arriving with a ragged servant girl. Which is what you are and what you will always be." She acts as though she is embarrassed by Cinderella, but I think she is jealous because she knows she would catch the prince's eye and she doesn't want her there as competition. 

The animated version of this scene is the same, but different. Cinderella sees that the carriage has arrived to take her stepmother and sisters to the palace. She informs Lady Tremaine of this and when her stepmother comments that she's (Cinderella) not ready, Cinderella informs her she's not going. This is because she thinks she doesn't have anything to wear because she's been too busy with chores. You know, being that the ball was THAT VERY NIGHT, I find it hard to believe she would be able to finish her dress even without all the chores. Good thing she has all her mice and bird friends. They really should be on Project Runway, seeing they finished that dress in a couple of hours! She goes back to her room and looks out the window where she can see the palace and insist to herself that the ball w
ould be "frightfully dull and boring" (and who is she kidding?) "and completely wonderful." Her mice friends surprise her with the dress and this is the cutest scene in the entire movie. I love how they're all, "Surprise! Surprise! Surprise!" in their squeaky little mice voices and Gus, being a little slow, tells her, "Happy birthday!" 

When she comes down twirling in her new dress and announcing she can attend the ball, her stepsisters aren't happy to se
e her all dressed up. Lady Tremaine notices the necklace she's wearing is the same that Drizella discarded earlier, and, knowing Drizella will get a rise out of Cinderella wearing it, comments how they give the dress a nice touch. Drizella indeed notices that it's her discarded necklace and calls her a thief. Anastasia notices she's using her sash and soon the two sisters are ripping apart Cinderella's dress. It gets way more trashed then the live action dress, which is mainly just a sleeve was torn off. 

The Fairy Godmother scene - So whenever I think of Cinderella, this is the scene that always comes to mind first. Both versions are pretty similar during this scene, with a few differences. Our protagonist in both movies runs outside, upset about what has just happened. The animated Cinderella is crying at a bench and her Fairy Godmother just materializes out of thin air. There's no explanation of who she is or how she got there and once she's talking about her magic wand, Cinderella figures out it's her Fairy Godmother. Honestly, if I were her, I'd be asking why she hasn't shown up a lot earlier!

The 2015 Fairy Godmother (played by Helena Bonham Carter) first appears as an old lady who hobbles over to her and asks her for milk which the kind Cinderella fetches for her. This seems to be a test that Ella has passed with flying colors. The old woman turns into a much younger woman with blonde hair and wearing quite the dress that even lights up. Fairy Godmothers had been established earlier in the movie when Ella's mother tells her young daughter that they are the ones "who look after us." 

Both Fairy Godmothers turn a pumpkin into a carriage and four mice into horses. In the '50 film, Bruno the dog is turned into the footman and her horse is turned into the coachman while in the '15 film, two lizards are turned into footmen and one of the many goose who live on the property is transformed into the coachman. Both girls are told they must leave before midnight because that is when the spell will be broken and everything will go back to the way it was. 

The dress and glass slippers - I figured these needed their own separate category being so iconic and all. I always thought original Disney Cinderella had a blue dress because that's the color I usually associate her with, so I was a little surprised when the Fairy Godmother transformed her tattered dress into the ball gown and it's more of a silver color. It's seemed to change into blue over the years; look at 2015 Cinderella, after all! Now that dress has to be one of the best to grace the screen in recent years. It just moves so fluidly with her and the way the skirt twirls, it just looks like so much fun. The only thing I wasn't too keen on was the little butterflies attached to the top. It just felt very early 2000s to me. Before her Fairy Godmother transforms the dress, Cinderella tells her she wants to keep it because it's her mother's and her Fairy Godmother says she'll just tweak it a little, but to me it's a completely different dress! Maybe the bodice is the same? I don't know, I'm not really fashion savvy so I can't really tell. Before she gets into the carriage, her Fairy Godmother wants to change her shoes because "they're really quite hideous" and gives her the glass slippers, telling her they're comfortable even though they're made out of freaking glass which I appreciated because wearing shoes made out of glass can NOT be comfortable. Plus, putting all your weight on glass shoes just seems like a bad idea to me! 


The ball - Before our Cinderellas arrive, the single ladies are being introduced to the Prince at the ball. In the animated film, they are coming up to him after being announced as his father and the Grand Duke are watching from a balcony. The King isn't happy because his son isn't "cooperating". He looks pretty bored and at one point, even yawns (well, I can't really blame him because he just got back that day from traveling and the ball is that night...I would be tired too!). The only moment we get a glint of personality from him is when he is introduced to Anastasia and Drizella and his reaction to them is an eye roll because they're acting like buffoons. 

In the remake, Kit is sitting in the balcony with his father, watching as all the princesses and non-royalty single ladies are being announced. The King knows his son invited the commoner because he knows Kit is trying to look for the girl he recently met. When he reminds him he's only met the girl once, Kit replies that he's supposed to marry a girl he'll be meeting for the first time tonight. His dad tells him it's different because he'll by marrying a princess. 

Just as it is announced that the Prince will choose his partner for the first dance, Cinderella enters just a few moments later and he walks towards her as she's gliding down the stairs. I think we know who he's choosing to dance with! I just loved it when she twirled in that dress; it was so hypnotic! 

Animated Cinderella immediately catches the Prince's eyes when she enters, so much so that he walks over to her, dismissing her stepsisters who are being introduced to him at the time. Cinderella definitely stand out because of her dress. For one thing, it's the only one that sparkles and it's also the only dress that doesn't have a weird part that poufs out in the back, making everyone's butt look huge. (I'm sorry, but that's how it looks!) When the King sees his son taking interest in a woman, he is beyond excited and prompts the conduct to play a waltz for them to dance to. While they dance, he decides he's going to go to bed and tells the Duke to stay where he is to make sure his son and the girl aren't disturbed and to notify him immediately when his son proposes. WTF? He's been going on all day about how he wants his son to find a wife and he's not going to stay up for the rest of the ball to make sure that happens? Also, it's just so weird and random that the King, the one who is throwing the ball, decides he's just going to go to bed while the ball is still going on. This King is really stupid, I'm sorry. Also, he thinks his son is going to propose that night? I was thinking maybe he thought his son would meet a nice girl, wine and dine her, and then propose. 

One little detail that I appreciate them addressing in the remake is the fact that Lady Tremaine and her daughters may recognize Cinderella at the ball, so the Fairy Godmother puts a spell on her ensuring she won't be recognized by them. In the '50 film, when Cinderella is dancing with the Prince, her stepmother and sisters are wondering who she is. They don't seem to recognize her. I guess since she's wearing a fancy dress and her hair is up, she looks completely different. Lady Tremaine admits, "There is something
familiar about her." Gee, lady, why don't you put two and two together? 

In the '15 movie, when they see the Prince dancing with this beautiful girl, Lady Tremaine tells her daughters, "This does not bode well" and that they "must turn the prince's head." 

Another big difference between the two movies is that in the remake, Cinderella realizes he's the Prince and he tells her he didn't tell her when they first met because he thought she might treat him differently. When they're having this discussion, they're in a room with a bunch of portraits and we see one of Kit on horse, which is a nice homage to the animated movie. They go outside and he shows her a secret garden with a swing. He tells her that he is "expected to marry for advantage" and that his father and the Duke will be choosing the princess they think is best suited for him. We, along with Lady Tremaine, learn that the prince has been promised to marry Princess Chelina of Zaragosa.

In the animated movie, Cinderella has no clue he's the Prince. When she has to run off because she hears the clock striking midnight, she tells him she has to go because she hasn't met the Prince yet. He's about to tell her he's the Prince, but she runs off. 

In both movies, our heroine runs off, leaving one glass slipper behind. In the remake, while the carriage is being turned back into a pumpkin, I like that we see her sitting inside a large pumpkin with seeds surrounding her. As she's walking home, she lets the four mice sit in the glass slipper she's carrying. Why did I find that so adorable? 

Lady Tremaine becomes suspicious - The Duke in the animated film has to inform the King "that the young lady has disappeared, leaving behind only this glass slipper." There's a funny reveal that he was talking to an empty chair and that he was practicing his speech because he knows the King will be irate. And he is. The King is dreaming of playing with his (not yet existing) grandchildren when he hears the Duke knocking on his door and thinks this must mean that his son has already proposed. His face turns beet red when he is told the girl has gotten away. He seems to calm down a bit when the Duke informs him that the Prince loves her and is determined to find her because he wants to marry her. He must have had a conversation with the Prince off screen. The fact that the Prince "loves" this girl he's just met and only danced with and barely talked to is ludicrous. Yes, I think the remake did the right thing with developing their relationship a lot more! He also tells the King about the glass slipper and the King declares that he wants him to try it on every maiden in the Kingdom "and if the shoe fits...bring her in." 

The next morning, Lady Tremaine has heard the news and urgently tells her daughters to wake up. While Cinderella is coming up with their breakfast (apparently they eat their breakfast in bed every morning), she overhears her stepmom telling Anastasia and Drizella how the Grand Duke is coming to the house because he is searching for "the girl who lost her slipper at the ball last night." Cinderella knows she is talking about her and when she hears it was the Prince she danced with last night and how he's "madly in love with her", she drops the breakfast tray. 

Anastasia and Drizella don't know why they should even bother getting up if the Prince is in love with another girl but their mothers tells them, "There's still a chance one of you can get him" and proceeds to tell them about the glass slipper and how he doesn't even know who this girl is. I mean, yeah, he doesn't know her name, but I'm sure he would recognize her and realize one of these ugly stepsisters certainly wasn't her! I guess that makes sense why he's not the one to visit the house to try the shoes on the sisters. He would take one glance at them and wouldn't even let them try on the shoe because he would know neither of them were the girl he danced with! 

Lady Tremaine is telling her stepdaughter what she needs her to do for the day and she gets suspicious when Cinderella has a lovestruck look on her face and walks away singing, "So This Is Love", the same song she danced to with the prince last night. Lady Tremaine suddenly realizes that the girl from last night was Cinderella and follows her upstairs to her room where she locks her in. 

In the 2015 version, Cinderella arrive home minutes before her stepmother and stepsisters and the sisters tell her all about the ball. They start talking about the mystery girl and Lady Tremaine becomes suspicious about how lovey-dovey her stepdaughter is acting.

We see that she has hidden the shoe in a box that she keeps under one of her floorboards. 

The next morning, a proclamation is sent out and it is announced the new King (Kit's father has passed away so he is now the King) has proclaimed his love for "the mysterious princess" who wore glass slippers and "requests that she present herself at the palace" and if she is willing, he will marry her. 

Ella is in town when this is announced (she always seems to be in the Town Square for all the announcements!) and I thought for sure she was just going to head to the Palace because surely Kit would recognize her, but instead she heads home to retrieve her glass slipper only to find it isn't in her keepsake box anymore. It's revealed that her stepmother is sitting in a corner, holding the shoe. She tells Ella about how she was once "a beautiful young girl who married for love...[and] one day, her husband, the light of her life, died." The next time she married (to Ella's father) was for the sake of her daughters, but after that man was taken from her too, she was "doomed to look every day upon his beloved child." She asks Cinderella if she stole the shoe and when Ella tells her it was given to her, she scoffs, "Nothing is ever given. For everything you must pay." Cinderella replies, "That's not true. Kindness if free. Love is free." Lady Tremaine has her own ideas of what she wants to happen. Unlike her animated counterpart, she knows there's no chance anymore with one of her daughters with the new King so she has some demands for Cinderella: "When you are married, you will make me the head of the royal household. Anastasia and Drusilla will pair off with wealthy lords." She says Cinderella will not know how to rule a kingdom and this way they will all get what they want. Cinderella tells her no dice, and is especially not happy when her stepmother says she "shall manage that boy." In retaliation, Lady Tremaine smashes the shoe against the door. When Ella asks her, "Why are you so cruel?", she replies, "Because you are young and innocent and good. And I..." she leaves and locks her in the attic. You get the idea that she was once like Ella, but then became cynical after these terrible things happened to her. 

Lady Tremaine pays a visit to the Duke to show him the remnants of the shoe, telling him that "the mystery princess is a commoner." He tells her that she's "spared the kingdom a great deal of embarrassment" and when she tells him she "would like to keep it that way," he asks if she's threatening him and she simply replies, "Yes." He agrees to her terms of her becoming a countess and "advantageous marriages for [her] two daughters." 

If the Shoe Fits - So in the remake we get a montage of the shoe touring the village and women trying it on. We even see a long line of women at the palace waiting to try on the shoe. There are some comical moments, such as one woman greasing her foot and a woman with feet that stink so bad that when she takes off her shoe, everyone around her faints. 

We don't get a scene like this in the '50 film; we're just told that all the single ladies will be trying on the shoe. The Duke and some small random dude (I didn't catch his name or title, but he's part of the royal parsonage who is there to assist the Duke, I guess) stop at the chateau so they can try the slipper on Anastasia and Drizella. While he is reading from the royal proclamation, Jaq and Gus are trying to sneak the key out of Lady Tremaine's pocket. This will involve more hi-jinx with the mice and cat which will last fifteen minutes (again, I'm exaggerating, but probably not by much). 

They manage to obtain the key and now the two mice have to lug this heavy key all the way upstairs. It seems to take them forever, but before they can get to the door, Lucifer is ready to pounce and this is the scene where he will eventually fall out the window. 

While all this was going on, the sisters are claiming the glass slipper belongs to them. Anastasia is the first to try on the slipper and she has freakishly long feet and the shoe obviously doesn't fit. The dumb little guy attempts to pound the shoe so it will fit her. Okay, A) he's going to break it because it's made of glass and 2) Does he not see how large her foot is? It's like Jeff Probst says during puzzle challenges on Survivor: "If you have to force it, it won't fit!" 

Drizella doesn't have much luck either. She tries to "make it fit", but of course that doesn't work. 

Apparently the sisters were struggling with the shoe for a long time because just as the Duke and the little man are leaving, Cinderella comes running down the stairs. Lady Tremaine is dismissive of her, but the Duke says he has orders. Remember how in the remake it was the shoe that Cinderella already had that was destroyed? Well, in this one it's the shoe that she lost and the Duke has been trying on everyone that is destroyed. When the little man is walking over to present the show on a pillow, Lady Tremaine trips him with her cane and it shatters. But it's okay because Cinderella pulls out the other shoe, because of course she had it! Her stepmother really didn't think that through, did she? The expression on her face when Cinderella pulls out the shoe is hilarious...both her eyes and mouth are wide open. But again, why is she so shocked? She already had the suspicion that Cinderella was the mystery girl and she was right. 

Cinderella will just leave without saying anything and marries the Prince.

The 2015 movie does this scene a little differently. The Grand Duke and the Captain, who is very close with the Prince-turned-King, are the ones to enter the chateau, but they have seemed to brought the whole royal entourage because outside the house is a row of horses holding uniformed guards (or something, I don't know what their title would be). Anastasia and Drisella are super excited to see them because it's "now [their] chance." Anastasia is the first to try the shoe on and she claim that "it shrunk" when it doesn't' fit her. Drisella is straining as she's trying to fit her foot into the shoe. I laughed when the Captain says, "Bad luck, miss."

They're about to leave, but Lady Tremaine isn't worried that the shoe didn't fit her daughters because she knows they're good with the deal she made with the Duke. She tells her girls, "But fate may yet be kind to us, girls."

Meanwhile, Ella is upstairs, singing, having no clue who is downstairs. The mice know because they work together to open the window so everyone downstairs can hear her singing. Of course, the Duke knows who it is and insists they leave. The Captain asks Lady Tremaine if another girl lives in the house and she assures him there is nobody else. He quips, "Perhaps your cat has learned to sing?"and she just laughs nervously. 

One of the men on one of the horses takes off his hat and it's King Kit. Both the Captain and the Duke look surprised so they must not have known he was among them. He asks the Captain to investigate and the Captain is happy to oblige. Lady Tremaine has an "oh, sh*t" look on her face because she knows she can't not take him up to the attic. When she does, she just points at Cinderella and tells him, "I told you it was no one of any importance." Cinderella gets mixed messages when the Captain tells her she is "requested and required to present [herself] to [her] King", then her stepmother tells her, "I forbid you to do this" and the Captain tells Lady Tremaine, "And I forbid you to forbid her!" When he asks her who she think she is, she gestures to Cinderella and says she is her mother. Cinderella tells her, "You have never been and you never will be my mother." I like that this Cinderella gets to tell off her stepmother.

Kit is waiting downstairs with the shoe in his hand and he recognizes her when he sees her and when he asks who she is, she replies, "I am Cinderella," calling herself by that name for the first time.  

Before she leaves,  being the kind and courageous person she is, she tells her stepmother, who is coming down the stairs, "I forgive you." It also shows us that Cinderella is the bigger person.

The movie ends with Cinderella and Kit's wedding and the whole kingdom below them is cheering as they share a kiss on a balcony overlooking their people. We are told that her stepmother and sisters left with the Duke. I'm not sure if this was voluntary or forced! I do wish we had seen her mice friends at the wedding, I thought that would have been a cute touch. After all I assume (in both versions!) that the mice moved to the palace with there. The mice in the animated movie are so talented, that they can make all her gowns! 

As much as I prefer the remake (and even though I haven't seen all the live action remakes, I feel pretty confident saying it's probably theist) to the animated film, you have to give the 1950 film some credit. They didn't have many well-known movies in the '40s, mostly due to the war and when this one came along in 1950 it jump-started their beloved animated movies again and it was a huge box off success, being the fifth highest grossing movie of 1950. Also, Cinderella is just iconic. It's her castle that you see at Disney World and her story has been told countless times. 

I found this print advertisement for the 1950 movie on its Wikipedia page. I just found this really fascinating because I've never seen so many words on a movie poster! Usually they just have the title, the big name actors, the date it will be released, and a tag line to give you an idea of the movie. Walt really wanted the people to see this movie and was selling it big time. "6 years in the making making!" "Even the birds will be singing!" (That one made me laugh because bird seem like the most obvious ones to sing!) "...ready to thrill the world as no picture ever has!" It's a good thing this movie was so successful otherwise this poster would've looked embarrassing in hindsight! 




Friday, March 1, 2019

The Dragon King

How To Train Your Dragon: The Hidden World
Director: Dean DuBlois
Voice Talent: Jay Baruchel, America Ferrera, Cate Blanchett, F. Murray Abraham, Gerald Butler, Craig Ferguson, Jonah Hill, Kristin Wiig, Kit Harrington
Released: February 22, 2019
Viewed in theaters: February 27, 2019



My last line of my How To Train Your Dragon 2 review was "I'll see you in another couple years for How To Train Your Dragon 3!" and here we are. 

It's a good thing Toy Story has a fourth movie coming out or else I wouldn't know which animated trilogy would be my favorite animated trilogy. How could I choose between those two? But why couldn't Toy Story 4 come out a year earlier or a year later because now it's going to win the Oscar for Best Animated Movie and Toy Story 3 already won that Oscar over How To Train Your Dragon (and they were both wonderful movies, so I'm not complaining or anything!). I just want one of the HTTYD movies to win an Oscar for Best Animated Movies because they are all so good! I thought the second movie DID win said Oscar, but while it was nominated, it lost to Big Hero Six

You guys, the How To Train Your Dragon movies are so good! Seriously, if you've never seen them, I HIGHLY recommend you check them out. Also, I'm being quite serious about that because I will be spoiling some things from the first and second movies in my review as I rewatched both of them in preparation for the final movie. These movies are put out by DreamWorks which seem to have more bad movies than good, but even these movies could rival something from Pixar. (Apparently not Toy Story, though! But if I had to choose between the Toy Story movies and the HTTYD movies, I would just curl up in a ball and start crying because there's no way I could choose between them!) 

The animation is gorgeous, the score is amazing, the actors they got to voice the characters are great, the story is touching and has a lot of depth (all three make me CRY hardcore!), but there's also touches of humor (not all the humor works all the time, but when these movies are funny, they'll get you laughing), oh, yeah and the dragons are super awesome! Plus I just love the simple story of a boy bonding with an animal, so I feel this movie appeals to pet owners who also share a special bond with their own animal.

Spoilers ahoy for all three movies! Go watch these movies if you've never seen them! 

Mother of Dragons
We are told that the third movie takes place only a year after the events of the second movie. I thought it would have been a lot longer since there's a five year gap between the first and second movies (only four in real life, though!) This means that Hiccup (Jay Baruchel) is 21 because we learned in the second movie he is 20. (Whoo hoo! I can do math!) While watching the first movie (for the third time), I was wondering how old Toothless, the Night Fury that Hiccup befriends, is. We are told this in the second movie (only my second time watching it since I saw it in theaters) by Valka (Cate Banchett), Hiccup's mother, that Toothless is the same age as Hiccup. She appears to be reading his scale lines or something. Now I'm assuming that Toothless hasn't literally been on Earth for twenty years, but rather that's in dragon year. I don't know the life expectancy of a dragon (does anyone?), but I'm assuming you count your pet dragon's age in dragon years much like a dog or cat owner uses dog/cat years to determine their pets' age. I'm just going to assume Toothless is three or four and that equals twenty in human years. Yes, I have put way too much thought into this.

Toothless and Cloudjumper
I remember watching the first movie for the first time way back in 2010 and thinking how much Toothless reminded me of a cat. He has very feline qualities. He also reminds me of a bat with his wings, especially when he's flying. (Or when he's hanging upside down!) While watching the movies again, I noticed that a lot of the dragons remind me of at least some kind of animal. Obviously you have ones that take on lizard or snake-like qualities, but there are other animals I noticed in the design of the dragons. Valka's dragon, Cloudjumper (my second favorite dragon after Toothless....absolutely adorable, yet very fierce!), was like a cross between an owl and a bulldog; the large "alpha" dragons in the second movie reminded me of walruses with their tusks; the dragon-killing dragons that belonged to the bad guy in the newest movie reminded me of scorpions.

We learn the reason that Night Furies are so rare is that Grimmel (F. Murray Abraham), our movie's bad guy, has killed most of them almost into extinction. He has plans to kill as many dragons as he can, especially any remaining Night Furies. You may think it's ironic for someone who hates dragons so much to have his own dragons (he has about four), but much like in the second movie with Drago, they have been trained to serve him and will do whatever he wants. 

The island of Berk has become overcrowded with dragons (of all shapes and sizes - everything between itty-bitty and massively huge) as Hiccup and his mother and friends (which include his girlfriend, Astrid (America Ferrera)) have rescued captured dragons and bring them back. Hiccup knows that they need a better place to live, not to mention that Grimmel knows about them and he decides the only safe thing to do is to move everyone and every dragon somewhere else. We see Stoick (RIP Stoick :::sniff:::: seriously, was that not one of the saddest moments in animation movie history?) appear in flashbacks (voiced by Gerald Butler) when Hiccup was younger and he tells his son about a Hidden World where dragons live and how he wants to find this place and seal the door so humans and dragons don't have to co-exist. Of course, we know now that humans and dragons can live together peacefully. There is a cute moment when young Hiccup asks about Night Furies and then adds, "They're scary!" Oh, if only you knew, young Hiccup! 

I suppose the good thing about having dragons when you move somewhere, is that they can carry all the heavy stuff...which is exactly what they do. A lot of the much bigger dragons are carrying Viking ships and heavy bundles of things. They see a sparse island and Hiccup decides they should make camp there. 

Grimmel decides to lure Toothless by using the captured Light Fury he has to entice him. A Light Fury looks exactly like a Night Fury, only it's white instead of black. We get some pretty cute scenes between Toothless and the Light Fury (who never gets a name, but I guess that makes sense since she isn't anyone's pet) doing their mating dance. The romance between these two dragons has to be the cutest romance between an animated non-human pair since Wall-E and Eve from WALL-E. When the Light Fury flies away, Toothless is upset because he can't follow her because, if you remember from the first movie, a part of his tail fin (the horizontal stabilizer if you will) was torn off when Hiccup shot him down) and he can only fly when he has a full tail. So Hiccup creates a new one for him and he is able to fly off and find his female counterpart who takes him to the Hidden World. Meanwhile, he's been gone for awhile and Hiccup is starting to get worried as he thought Toothless would be back by now. Astrid points out to him that he gave Toothless his freedom. Hiccup thinks that his dragon might be in trouble so he and Astrid hop on Astrid's dragon, Stormfly, to find him. All the dragons must be able to find the Hidden World because Stormfly seems to know exactly where to go. As expected, the Hidden (Dragon) World is gorgeous with this extra-worldly light and is full of dragons (I even saw Drago's alpha dragon from the second movie who loses its tusk, but it's hard to miss that thing as it's so massive!) and Hiccup and Astrid see that Toothless and his new girlfriend have become the Dragon King and Queen of the Hidden World.

Crouching Dragon, Hidden Dragon
Since many of these dragons are wild and not been domesticated, when they spot the two humans, they start to attack them. They are rescued by Toothless who flies them back to the island where they've set up camp. Meanwhile, Ruffnut (the other young female who isn't Astrid) has been captured and held by Grimmel and we get one of the funniest scenes in the movie where she is going on and on and won't shut up. She is voiced by Kristin Wiig and you know they just set up the scene for her and let her ad-lib. If I hadn't known Kristin Wiig voiced this character since the first movie, I would have no idea that was her because she makes her voice sound gruff. It is a very funny scene because she is just going on and on (she doesn't seem to realize that she could easily be killed at any moment!) and you think Grimmel is going to make her dragon chow, but then she lets slip where her people have landed and Grimmel uses this to his advantage and lets her go so he can follow her. The Light Fury has also followed Toothless back to the island and she is captured by Grimmel which results in Toothless being captured when he goes to her aid. Look, we can all blame the incompetent Ruffnut for unknowingly leading Grimmel to their camp, but if Hiccup had never gone looking for Toothless in the Hidden World, then Toothless would have never flown him back and his Queen wouldn't have followed, and she wouldn't have gotten captured, etc., etc. Hiccup knows this because he guiltily points it out to Astrid. I love the callback to the first movie when Astrid asks Hiccup, "What are you going to do about it?"

Grimmel warns Toothless to keep the other dragons from attacking him or else he will kill the Light Fury, so instead the other dragons follow willingly without any threat leaving the Vikings without their dragons. Of course the humans find a way to save the dragons and Hiccup saves the Light Fury, who in turns saves Toothless, then saves Hiccup from falling to his death. It's a sweet moment because before then, the Light Fury, who has never been around humans, had always been apprehensive around Hiccup, breathing fire in his vicinity whenever he was  around.

So around this time, we're near the end of the movie and I have't cried...yet. Well, that's about to change! Get out the Kleenex because the tears are about to start flowing. Now this wasn't a huge surprise that I cried as I bawled during the first and second movie, so I knew this moment was going to be inevitable. Hiccup realizes that Toothless and all the other dragons belong in the Hidden World where they will be safe from humans who are trying to hunt them, not to mention that Toothless has found his soul mate and needs to be with her. I cried so much when they say their goodbyes and we also see the other Vikings saying goodbye to their dragons. If you think about it, Hiccup and Toothless were only together for six years which isn't that long at all!

The very last five minutes of the movie take place a few years later and Hiccup and Astrid are married and have two small children. This is when we see Hiccup with his beard which they show in some of the promo posters so I was wondering when we were going to see that. The family is on a boat and they come across Toothless, the Light Fury, and three absolutely adorable baby dragons! I think I literally "aw!"-ed. Hiccup is reunited with his friend and he introduces his children where we get a great callback from the first movie when Hiccup puts up his palm towards Toothless while looking away and Toothless nuzzles him. We get that scene again, only this time it's Hiccup's children who are putting their palms towards the dragon while looking away. It's a very sweet ending and I'm having to take a handkerchief out of my purse to wipe the cascade of tears flowing from my eyes.

I love these movies so much! I just have to make sure I have Kleenex nearby when I watch them! 

Thursday, July 10, 2014

DragonCon

How To Train Your Dragon 2
Director: Dean DeBlois
Voice talent: Jay Baruchel, Gerald Butler, Cate Blanchett, America Ferrera, Dijmon Hounsou, Craig Ferguson, Kristin Wiig, Jonah Hill
Released: June 13, 2014
Viewed in theaters: June 29, 2014


Spoilers ahoy!

Much like the first movie, I loved this one too, and much like the first movie, I cried during this one as well. Also, like the first one, I saw this one at nine in the evening to avoid young children talking or crying or kicking the back of my seat. Unlike the first one, I did not see this one in 3-D, but that's only because the theater I saw it at wasn't showing it in 3-D! Otherwise I would have as I kept seeing the obvious scenes that were meant for the 3-D viewers and how cool it would have been to be able to see it that way.

I probably should have seen the first movie before seeing this one, but I thought I didn't need to since I saw How To Train Your Dragon twice, but I sure couldn't remember how Hiccup lost his leg...or even that he did lose his leg!

The sequel takes place five years later (I thought they should have made it four years since it's been four years since the first movie!) and the village where our hero, Hiccup (voiced by Jay Barachel), lives has become littered with dragons now that everyone owns one. The town, once fearful of dragons, now has a dragon feeding-station, a large stable for the dragons to sleep, and a fire prevention device.

Besides Hiccup and Toothless, his fiercely loyal dragon, we are re-introduced to some old familiar characters such as Stoic (voiced by Gerald Butler), Hiccup's father and the town's chief; Astrid (voiced by America Ferrera), Hiccup's girlfriend; Hiccup's ragtag team of misfit friends (voiced by many including Kristin Wiig and Jonah Hill); and Gobber (voiced by Craig Ferguson), the chief's right hand man. We are also introduced to some new characters, mainly the film's villain, Drago (voiced by Dijmon Hounsou) who wants to control all the dragons. I guess because his name is "Dragon" without the N, that gives him the right. I first heard his name as "Draco" and was thinking, "Harry Potter already did it!" And we are introduced to Valka (voiced by Cate Blanchett), Hiccup's mother who he thought was deceased all these years. She has a Scottish accent (by the way, I love that both Hiccup's parents have strong Scottish accents and he doesn't) and when I first heard her in the trailer, I was curious to see who voiced her.

We learn of her backstory where she has become a savior for dragons who have become hurt or neglected and need care. Everyone thinks she was killed by a dragon because the last time anyone saw her (when Hiccup was a baby), she was cornered by a dragon and carried off by it, but it never had any intentions of hurting her. Valka is reunited with her family (complete with a cute Scottish ditty she sings with her husband) and they're off to stop Drago from controlling all the dragons. There's a huge fight between his alpha, a humongous black dragon, and Valka's alpha, a humongous white dragon and Drago's dragon wins, thus making him in control of all the other dragons. This is yet another reason why I wished I had seen the first movie because I remember a huge dragon being in the movie, but don't recall if it was the same kind.

Toothless, under Drago's control, is ordered to kill Hiccup, but Stoic dives right in front of his son right before Toothless breathes fire, killing Hiccup's father. That was the scene I cried at (and several scenes after I was still crying!). It would be bad enough to have our main character lose his father, but have him die at the cost of his beloved friend is really a punch to the gut! Like Hiccup, I was even angry at Toothless for what he did, but Valka, being the voice of reason tells her son that it's not Toothless's fault; that he was tricked into doing it.

Now the town has no chief and no dragons, but Hiccup steps up to take his dad's place and defeat Drago and free the dragons from the hypnotized state they're all in. Not only does Hiccup become a hero, but so does Toothless, who fights through the mind control of the alpha and defeats the alpha, thus becoming the new alpha. Now Toothless doesn't kill the ex-alpha since he is a million times smaller, but the ex-alpha retreats into the water like a whimpering puppy.

The first movie came out the same year as Toy Story 3 (2010), so I knew it had no chance of winning the Best Animated Movie Oscar, but I hope it can win it next year for this movie because it's such a great movie and deserves to! I'll see you in another couple years for How To Train Your Dragon 3

Sunday, November 20, 2011

My preciouuuussssss!

Ahoy there! I know it's been awhile since I posted an actual review. Admittedly, it's been because I've been a bit lazy, but also because I've been busy and distracted with something called life. And because in my downtime I haven't been watching many movies, but rather catching up on TV and reading what has to be the worst book ever published in the history of the world, Breaking Dawn, the final (thank god!) book in the Twilight series. 

So what better to come back with a triumphant return with not only one, but THREE movies (although you could argue they're just one really long movie put together). Not only are these movies very popular but the ten year anniversary of the first movie is coming up. I'm talking, of course, about The Lord of the Rings trilogy.

The Lord of the Rings: The Fellowship of the Ring
Director: Peter Jackson
Cast: Elijah Wood, Ian McKellen, Sean Astin, Viggo Mortensen, Orlando Bloom, Liv Tyler, Billy Boyd, Dominic Monaghan, Sean Bean, Cate Blanchett, Christopher Lee, John Rhys-Davies, Hugo Weaving, Ian Holm
Released: December 19, 2001
Viewed in theaters: February 2, 2002

Oscar nominations:
Best Picture (lost to A Beautiful Mind)
Best Director - Peter Jackson (lost to Ron Howard for A Beautiful Mind)
Best Supporting Actor - Ian McKellen (lost to Jim Broadbent for Iris)
Best Adapted Screenplay - Peter Jackson, Fran Walsh, and Philippa Boyens (lost to Akiva Goldsman for  A Beautiful Mind)
Best Cinematography (won)
Best Art Direction (lost to Moulin Rouge!)
Best Costume Design (lost to Moulin Rouge!)
Best Sound (lost to Black Hawk Down)
Best Film Editing (lost to Black Hawk Down)
Best Visual Effects (won)
Best Makeup (won)
Best Song - "May It Be" by Enya (lost to "If I Didn't Have You" by Randy Newman for Monsters, Inc.)
Best Original Score - Howard Shore (won)


I haven't watched The Lord of the Rings trilogy since early 2007 and with the upcoming 10th anniversary of the first movie coming up, I thought what better time to watch them again. It's almost funny that I'm a fan of LotR (well, the movies anyway), because I almost never saw the first movie. I remembered way back in the summer of 2001 when I knew there would be two movies coming out later that year based on very popular book series that I had not yet read. One, as you may have already guessed, was Harry Potter, and the other, of course was LotR. Because I wanted to be with the times, I bought both first books of those series, so when I saw the movies I would know what was going on. Reading Sorcerer's Stone was no problem. I read it in a day and soon devoured the following three books. However, Fellowship of the Ring was a different story as I just could not get into it. The writing was too heavy and tedious for me and there were so many characters to keep track of and this whole Middle Earth place was so confusing to me. So I flung the book aside and never picked it back up...for awhile, anyway. December came and I didn't see the movie. Towards the end of January I was becoming more curious, hearing everyone talking about it and all, but didn't think I would understand it, not having read the book, not to mention I wasn't sure I could sit though a three hour movie that I might find dull. My brother, a Tolkien geek, assured me that I didn't need to read the book to understand what was going on, so finally, on 2/2/02 I decided to see it. I was living in a small town at the time which only had one old movie theater with two screens and the seats weren't very comfortable, so I knew I would be in for a long, painful and excruciating experience if I didn't like it. I was really expecting to hate this movie and usually this IS the kind of movie I hate; however, it turned out I loved it and was dying to see the second one as soon as it ended! (And, hey, I only had to wait ten months while everyone else had to wait a whole year!) And I finally picked up the book and read it and actually understood what was going on having seen the movie.

The first movie obviously sets up the story and introduces us to the nine members of the Fellowship as well as some other characters. For me, the movie doesn't really start until Frodo and Sam embark upon their journey and after the Fellowship is introduced, then that's when it starts to get really exciting. Even if you have never seen the movie (gasp!), everyone knows the plot. Basically Frodo is in possession of an evil ring and has to travel to Mordor to get rid of it and there are A LOT of obstacles along the way.

I have to give Peter Jackson and all the other people who worked on these films a lot of credit. Think about all the costumes, makeup, set designs, set locations, music, visual and special effects they had to work on! And let's not forget the daunting task of adapting all three of the books into screenplays! Ten years later and the effects still hold up pretty well although some of the computer graphics are a bit obvious. But just watching the movie makes me exhausted thinking of all the long hours and hard work that was put into it.

Just one small nitpick: at the beginning of the movie we learn the date is September 2, 1400 (Bilbo Baggin's 111th birthday!) I really never paid attention to this before, but this time while watching, I thought it was odd when Frodo and Sam are sleeping on the ground and Sam is complaining about how uncomfortable he is and Frodo tells him to imagine he's sleeping on a soft mattress. Uh...did they even have mattresses (did the word even exist?) back then? I mean, I'm no history expert, but I always thought the mattress was more of a modern invention.

He's so pretty - it isn' fair!
With so many characters, it's hard to choose just one favorite. I love the humor and mischievousness from Merry and Pippin and how they're always hungry. "What about second breakfast?" I've seen FotR probably about five times now and I ALWAYS laugh after Merry and Pippin announce they're going to join Frodo on his quest and Pippin asks, "Where are we going?" Gandalf is awesome (as is his cane which I've dubbed the Staff of Awesomeness) and he has Shadowfax, the most beautiful horse in the world, and the best lines. ("Keep it secret, keep it safe!"; "YOU SHALL NOT PASS!"; "Fly, you fools!"; "Fool of a Took!")  The elves were my favorite among the different races of Middle Earth. Arwen is so gorgeous with her dark hair and alabaster skin. She even CRIES beautifully and gracefully. Liv Tyler sounds so different in this movie than how she normally does. And great casting there. She is so amazingly stunning; she really does kind of have these elfish qualities. And Legolas!  He's just so damn pretty! Look at that face! That hair! Those ears! Whenever he's on screen, I'm like, "Ooh...pretty...pretty...so, so pretty!" I'm just so mesmerized by him. Not only is he pretty but he has amazing archery skills and is quite agile.

As much as I love those characters, I have to say my two favorites are Sam and Aragorn. Sam is such a sweet hobbit! There were several times during the trilogy when I wanted to give him a big hug and a big bowl of stew. I think Sam was a little gay, I mean, c'mon, it was so obvious he was in love with Frodo! I always think of that joke on The O.C. when Summer asks Marissa, "Remember that movie the guys showed us? About the gay guys on the mountain?" and Marissa immediately responds matter-of-factly, "The Lord of the Rings." Oh, that was great. That will never not be funny. But in all seriousness, Sam was the heart of the movie and he was the one who stuck with Frodo through thick and thin even when Frodo was being a jerk and needed to be slapped over the head with a frying pan. (I know, I know, it was the damn ring...) Then there's Aragorn who is so smoldering that I nicknamed him HRH (His Royal Hotness). Haha, I remember when my theater had this huge poster of him hanging up and I'd just stare at it. Best poster EVER in the history of cinema! It's no wonder both Arwen and Eowyn (and I think Legolas just a tad!) were in love with him. He looks damn good for 87! But just the way he looks isn't the only reason why I love him (well, it's a big reason, though!), but he's definitely an important part of the trilogy and he has mad sword skills.

Top row: Aragorn, Gandalf, Legolas, Boromir
Bottom row: Sam, Frodo, Merry, Pippin, Gimli
My favorite scene is when the nine members of the Fellowship are crossing the Bridge of Khazad Dum (had to look that up; I'm not that much of a geek!). I always tense up when they're running across the narrow path over the deep chasm and come across the gap in the steep steps and have to jump even though I know they're going to be okay...well, most of them. There's some nice foreshadowing when Gimli warns the others that he doesn't need any help and how, "Nobody tosses a dwarf!"

Part one ends with Gandalf falling to his assumed death, Boromir getting killed, Merry and Pippin being taken by the orcs, Sam following Frodo to join him on his continued quest to Mordor to destroy the ring, and Aragorn, Legolas, and Gimli off to save their little friends. To be continued...

The Lord of the Rings: The Two Towers
Director: Peter Jackson
Cast: Same people from the first movie, Miranda Otto, Bernard Hill, David Wenham, Brad Dourif, Andy Serkis, Karl Urban
Released: December 18, 2002
Viewed in theaters: December 25, 2002

Oscar nominations:
Best Picture (lost to Chicago)
Best Art Direction (lost to Chicago)
Best Sound (lost to Chicago)
Best Film Editing (lost to Chicago)
Best Sound Editing (won)
Best Visual Effects (won)


The Two Towers is my favorite movie in the trilogy. I may or may not have seen it more than once (um, or twice ::::coughcoughorthreetimescoughcough::::) in the theaters in two weeks. I like this one the best for several reasons: we are introduced to new and intriguing characters such as Eowyn, King Theoden, Faramir, Wormtongue, Treebeard, and, of course, Gollum/Smeagol. I hadn't quoted a character as much as Gollum since 2000 when I went around shouting "TIMMY!" all the time. I like how the movie is divided into three different stories so the pacing is a little quicker and you get a change of scenery with each storyline. Here's a fun fact if you've never read the book: Tolkien divides the book into three sections and you read about Aragorn, Legolas, and Gimli first, then you read about Merry and Pippin meeting Treebeard, then you read about Sam and Frodo meeting Gollum. That might not be the right order because I don't have the book on hand, but the point I'm trying to make is that Tolkien didn't intersect the different storylines. Peter Jackson was smart to do that!

This one is also my favorite because the Battle of Helms Deep was my favorite scene in any of the movies (and this is coming from someone who usually hates battle scenes in movies, but this one was pretty cool and epic). I love the friendly rivalry between Legolas and Gimli when they're counting how many orcs they've killed and the callback to the first movie when Gimli allows Aragorn to toss him onto the bridge and tells him, "Don't tell the elf!" This film also features three of my favorite (albeit very short) clips. One is the scene where Aragorn is opening those huge double doors in slow motion when he has returned to Helms Deep. Let's not kid ourselves: that was pretty hot. I have not yet met another female who doesn't love that scene. Whoever edited that in slow motion is a genius. And the other two are Legolas scenes, you probably already know which ones I'm talking about: When he slides down the steps on his shield during the battle and the one-handed vault onto his horse. Let's not kid ourselves: that was pretty freaking awesome! Haha, I remember when I saw it in the theaters and there was this guy sitting in the same row as me and he went, "WOW!" Wow, indeed, buddy, wow, indeed.
  
Right after the movie's release, I conducted a "scientific poll" on a message board I frequented back in the day. It was titled "Who's Hotter: Aragorn or Legolas?" Legolas won. Damn teeny-boppers ;-) I remember this one girl said she debated for two hours trying to decide who indeed was the hotter one and finally settled with Aragorn.  Haha, I love it. Here are some of the other answers people wrote down: (I voted for Aragorn, btw). 


LEGOLAS!!!!!!!! ooooohhh could eat him up he's so pretty. I don't really go for the always dirty, can't make up his mind about which freaking woman to marry sort of guy.

Oh, don't make me choose! :-\
Um... hm... uh... *whimpers* I...can't...decide!
Aragorn's smoldering and HOTT.
Legolas is sexy in this poetic, beautiful way.
Oh jeeze. *bites lip*
I'm gonna go with...
Legolas.
I like his ears and he has pretty hair. 

I'd say Aragorn has it going for him.

Legolas. I am a boy.  Is my vote counted? 

Legolas is pretty like a wintergreen mint but Aragorn is a cinnamint! I choose Aragorn! (but I also like Legolas!) ARAGORN!!!

LEGOLAS!!!! HIS HAIR IS SO......SO.....PRETTY!!

ARAGORN HANDS DOWN! OF COURSE HE'S THE HOTTER ONE!

LEGOLAS!!!!!!!!!!!!!!!!!!!!!!!!!!!! he's my husband, he just doesn't know it yet, lol.


Obviously Legolas won the poll, but clearly Aragorn is the real winner as he had two ladies (and I still maintain Legolas was in love with him too!) after him. There's a lot of Aragorn/Legolas fanvids on YouTube and this one has to be my favorite:

https://www.youtube.com/watch?v=gd71dfxnjE4
Leggy consoles Aragorn.

I would be remiss if I didn't mention the creepy Gollum/Smeagol conversation. It was disturbing, funny, and heartbreaking all at the same time. Gollum was a revolutionary character; you really had seen nothing like him on the screen before. I also loved Sam's speech at the end - so sweet. Almost reminded me of another speech Sean Astin gives during one of his movies. "Down here it's our time! It's our time down here!" If you weren't a child of the '80s, I'm talking about The Goonies.  

Part two ends with Gollum leading Frodo and Sam onward towards Mordor with malicious intentions. To be continued...

The Lord of the Rings: The Return of the King
Director: Peter Jackson
Cast: Same people from the first two movies, John Noble
Released: December 17, 2003
Viewed in theaters: December 25, 2003

Oscar nominations:
Best Picture (won)
Best Director - Peter Jackson (won)
Best Adapted Screenplay - Peter Jackson, Fran Walsh, Philippa Boyens (won)
Best Art Direction (won)
Best Costume  Design (won)
Best Film Editing (won)
Best Score - Howard Shore (won)
Best Song - "Into the West" by Annie Lennox (won)
Best Makeup (won)
Best Sound Mixing (won)
Best Visual Effects (won)
(Yes, it won EVERYTHING!) 




Let me tell you a true (and stupid) story: right after The Two Towers had just been released, I was all giddy and excited for Return of the King, so myself and another online friend who also frequented the same message board as me decided we would do a countdown to RotK....starting in January 2003. I've found the original message, which you'll notice was written on January 9, 2003!  



Countdown to ROTK
Author: *********
Date: 01-09-03 13:48

LOL, this will be the first of MANY MANY posts to come. Sara and I will take the time each day to post how many more days until December 17, or when ROTK comes out! To me, this is very good time to pass the many days of waiting! And so, the first official "Countdown to ROTK" post -

342 days to go! *throws confetti*

Welcome all, to the longest year ever!


When we got to 299 we were excited we finally reached the 200s. I think we quit after four months! 

I once wrote a post about how Return of the King was one of my most memorable movie experiences. If you haven't read it, you can find it here at #9.


I still think this movie has way too many endings and I think it should have ended after Frodo does the voiceover of how they returned home after being away for 13 months. There. The end. We don't need the other ten millions endings you tacked on, Peter Jackson! I do love the credits and how instead of getting a black screen like the previous two movies it's a white background and you see sketches of the actors as the characters they played when they show their names. It's a very cool curtain call. It also helps that "Into the West" is my favorite song of the three original songs. I don't know why Liv Tyler is credited third though! She's right behind Elijah Wood and Ian McKellen, but she should at least be behind Viggo Mortensen and Sean Astin too. 

The scene that always gets me is when Frodo and Sam are almost to their destination and Frodo has grown tired and weary and Sam declares, "I can't carry it for you, but I can carry you!" and he picks up Frodo with a determined look on his face. That should make even the cruelest of people shed a small tear, because seriously, if that scene does not get to you, you obviously have no heart or soul!

My other favorite moment is when the Witch King tells Eowyn that no man can kill him and she takes off her helmet and declares, "I am no man!" before killing him. That got a huge cheer from my audience when I saw it in the theaters. 

I've mentioned before that the effects are amazing, but I'm beginning to think they ran out of money by this movie because there's a shot of Eowyn and Merry on a horse and when they show a close up of the actors you can tell they're using green screen, it's that obvious and bad!  

While I liked Gollum in the second movie and felt sorry for him at times, I really hated him in this one and was glad when he got his comeuppance. I thought it was strange he didn't scream when he landed in the lava as I would imagine most people would scream if they were covered with hot, boiling lava. When Frodo and Sam are escaping from Mount Doom, it totally reminded me of the (very old school, circa 1992) PC game, "Indiana Jones and the Fate of Atlantis" (the greatest game ever) when Indy and Sophia are escaping from Atlantis. In both scenarios, there's lava everywhere and things are crumbling down around them. 

These are amazing movies and by the time you finish them you are exhausted, but you feel strangely satisfied. They really let you escape and take you into another world. I highly recommend them and this is coming from somebody who's not really a fantasy fan. Sure, I've read and seen all the Harry Potter books and movies, but other than that and being a fan of the LotR films, I could care less about the fantasy genre. If you've never seen these movies, you must give them a chance because they are amazing. I would daresay that they are among the best movies of the aughties!