Tuesday, February 9, 2010

Don't *beep* with the baby-sitter!

Adventures in Baby-Sitting
Director: Chris Columbus
Cast: Elisabeth Shue, Anthony Rapp, Keith Coogan, Maia Brewton
Released: 7/01/87

Ah, yes, Adventures in Baby-Sitting. This has been a favorite of mine for years; I've seen it countless times, it was the movie of choice at slumber parties. I always get a kick out of watching it even though I can pretty much recite the entire thing verbatim and I know what's going to happen in each scene.

In case you're one of the few people who haven't seen this movie yet (shame on you!), here's a quick synopsis: Shue plays Chris, a senior in high school who is getting ready to go on a date with her boyfriend (played by Bradley Whitford, haha. I remember watching this after The West Wing aired and I was like, "OMG! It's Josh Lyman!"). He tells her he has to cancel because his sister is sick so instead she ends up baby-sitting for Sarah Anderson. Her older brother, Brad, has a crush on Chris, so he decides to stay home instead of going over to his friend Darryl Coopersmith's (played by Rapp) house. Meanwhile, Chris's BFF, Brenda has run away from home and is stuck at a bus station and calls Chris to help her because she has no money. So Chris ends up taking Sarah, Brad, and Darryl into Chicago to pick her up and of course one bad thing after another happens...

It's almost comical how '80s this film is. Exhibit A: when Brenda tells Chris how her stepmom is driving her crazy, she says she's going to "spike her Tab with Drano". It took me a few seconds to remember that Tab is a nasty Cola from the '80s. Exhibit B: Sarah's backpack has a picture of Gizmo on it and in her room in the background you can see a stuffed animal of a blue and purple monster with fangs. A quick search from Google told me it was called My Pet Monster. Exhibit C: When they get stranded on the expressway, Chris doesn't even have a cell phone to call for help (well, she did leave her purse at the house - what an idiot!) But I don't think teens in the '80s had cell phones, not like they do today anyway. While it's true that this film is dated (very dated!), I don't mind. It's like taking a nostalgic trip back to the '80s when I watch this.

I do my "impression" of the bad guy:


The scene that ALWAYS makes me cringe:


This movie is chock full of ridiculous scenes, but this is probably the most ridiculous:

Thursday, February 4, 2010

Send in the Basterds

Inglorious Basterds
Director: Quentin Tarantino
Cast: Brad Pitt, Christoph Waltz, Eli Roth, Diane Kruger, Melanie Laurent
Released: 8/21/09

Oscar nominations:
Best Picture (lost to The Hurt Locker)
Best Director - Quentin Tarantino (lost to Kathryn Bigelow for The Hurt Locker)
Best Supporting Actor - Christoph Waltz (won) 
Best Original Screenplay - Quentin Tarantino (lost to Mark Boal for The Hurt Locker) 
Best Cinematography (lost to Avatar)
Best Editing (lost to The Hurt Locker)
Best Sound (lost to The Hurt Locker)
Best Sound Editing (lost to The Hurt Locker)

It seems a lot of people had been raving about this film and since it got some Oscar nominations in major categories and because I liked Pulp Fiction and loved the Kill Bill movies, I decided I should check it out.

First of all, if you get really squeamish easily or you're a huge history buff and hate it when movies mess with history, then I would not recommend this movie to you as both factors are quite prevalent in the film. I'm actually quite surprised it had been getting Oscar buzz for Best Picture (and ended up getting a nomination). Not because it's a bad movie, but because it seems like Hollywood takes their Holocaust/Nazi movies so seriously that I thought they would have been offended by the obvious history changes Inglorious Basterds gives them.

Brad Pitt is the leader of the group which kills Nazis. (And really, who doesn't want to kill Nazis?) He's nothing more than a caricature (especially the minute you hear his accent; his Italian "accent" is even more hilarious), but it's the supporting cast who are more interesting than him.

Christoph Waltz has been receiving many awards for Best Supporting Actor as a Nazi with a penchant for dairy products and will most likely win the Oscar unless there's, like, some huge upset. (Which there won't be because the Oscars are boring and predictable like that, but I still love them!) I remember last year I didn't see Milk or Vicky Christina Barcelona until after the Oscars. I completely understood why Sean Penn won his Oscar, but with Penelop Cruz, it was like, eh, she was okay, not the most memorable performance, she was much better in Volver. I kinda feel the same way as Waltz as I did with Cruz. He's good and deserves the nomination, but I'm not blown away by it or anything. (I haven't seen the other nominated performances so I can't tell you who I would like to see win).

Actually, I'm a little sad Melanie Laurent didn't get a nomination for Best Supporting Actress as the French Jew who escapes being killed by the Nazis and gets her own revenge when she hosts a screening of a Nazi-glorified film at her theater in Paris by locking the theater and setting fire to it. Laurent's storyline was my favorite, and believe me, the payoff is pretty awesome. It's worth the two and a half hours just to see the last act.

The movie is a bit long and I felt some of the dialogue was unnecessary - like the scene with Diane Kruger playing the celebrity card game with the soldiers. None of it advanced the plot further in any way and it was like, okay, what's the point of this? But that's Tarantino for you.

While not my favorite movie nominated for Best Picture this year, it certainly is better than others that were nominated. :::coughTheBlindSidecough::::

Tuesday, February 2, 2010

Oscar Nominations!

In this blog entry I posted my predictions for the Oscars nominations. Let's see how I did, shall we?

Best Picture:

"Avatar"
"The Blind Side"
"District 9"
"An Education"
"The Hurt Locker"
"Inglourious Basterds"
"Precious"
"A Serious Man"
"Up"
"Up in the Air"


I got 7/10. Not bad. I had Nine, The Hangover, and Invictus instead of District 9, A Serious Man, and The Blind Side. BTW, The Blind Side seemed to come out of nowhere. I certainly had a WTF!? reaction when I saw it listed. It was a decent movie, not Oscar-worthy though. It was more like a made for TV movie than anything. I've only seen half of the movies on here, but there really isn't one movie I'm rooting for like there was when I watched the 1998, 2000, 2004, 2006, and 2009 Oscars. Hopefully by the time I do my predictions I will have seen more movies to get a better feel of which one I like the best.

Best Supporting Actress:
Penelope Cruz, "Nine"
Vera Farmiga, "Up in the Air"
Maggie Gyllenhaal, "Crazy Heart"
Anna Kendrick, "Up in the Air"
Mo'Nique, "Precious"


My worst category; I only got 3/5. Gyllenhaal just came out of nowhere and I didn't think Nine would get any acting nods. I had Julianne Moore and Samantha Morton instead.

Best Supporting Actor:
Matt Damon, "Invictus"
Woody Harrelson, "The Messenger"
Christopher Plummer, "The Last Station"
Stanley Tucci, "The Lovely Bones"
Christoph Waltz, "Inglourious Basterds"


I got 4/5...instead of Plummer I had Alfred Molina.

Best Actress:
Sandra Bullock, "The Blind Side"
Helen Mirren, "The Last Station"
Carey Mulligan, "An Education"
Gabourey Sidibe, "Precious"
Meryl Streep, "Julie & Julia"


Whoohoo! 5/5!!!!! I am so good at this!

Best Actor:
Jeff Bridges, "Crazy Heart"
George Clooney, "Up in the Air"
Colin Firth, "A Single Man"
Morgan Freeman, "Invictus"
Jeremy Renner, "The Hurt Locker"


5/5 again! Of course, I think everybody had these five down for their predictions.

Best Director:
James Cameron, "Avatar"
Kathryn Bigelow, "The Hurt Locker"
Quentin Tarantino, "Inglourious Basterds"
Lee Daniels, "Precious"
Jason Reitman, "Up in the Air"


4/5...I had Clint Eastwood instead of Lee Daniels.

Thursday, January 21, 2010

Oscar Predictions

The Oscar nominations will be read on February 2nd (and I cannot wait any longer! Oscar nomination day is like Christmas for me...well depending on who gets nominated, haha), so I thought I would post my own predictions on who I think will be nominated in the six major categories:

Best Actor:
George Clooney, Up in the Air
Jeff Bridges, Crazy Heart
Colin Firth, A Single Man
Jeremy Renner, The Hurt Locker
Morgan Freeman, Invictus

I would say that Clooney, Bridges, and Firth are definite locks since they were all nominated for the three major precursor awards. Renner may have not been nominated for a Globe and Morgan may not have been nominated for a BAFTA, but unless there's some huge surprise, I'm pretty confident that this will be the list.

Best Actress:
Meryl Streep, Julie and Julia
Sandra Bullock, The Blind Side
Carey Mulligan, An Education
Gabourey Sidibe, Precious
Helen Mirren, The Last Station

Duh, of course Meryl and Sandy will be nominated. I'm pretty sure Carey and Gabby will be as well. Not as confident with Mirren; it could be Emily Blunt in her place, but now I'm going with this list.

Best Supporting Actor:
Christoph Waltz, Inglorious Basterds
Woody Harrelson, The Messenger
Stanley Tucci, The Lovely Bones
Alfred Molina, An Education
Matt Damon, Invictus

This one was more difficult because all the nominations in this category for SAG, Globes, and BAFTAs have been varying (except for Waltz and Tucci, who are locks, especially Waltz who will probably win anyway). I think Harrelson has a decent shot, but the other two slots are up in the air and I'm just completely guessing.

Best Supporting Actress:
Monique, Precious
Vera Farmiga, Up in the Air
Anna Kendrick, Up in the Air
Julianne Moore, A Single Man
Samantha Morton, The Messenger

Monique and the UitA women are definite locks. Moore is iffy, but I think she'll do it; she's Julianne Moore for Christ's sake! And not sure about the last spot, but I gave it to Morton. Remember back in '04 when she came out of nowhere when she was nominated for In America and everyone thought it was going to go to Nicole Kidman for Cold Mountain? (Well, I did anyway). So that's why I chose her!

Best Director:
Jason Reitman, Up in the Air
James Cameron, Avatar
Kathryn Bigelow, The Hurt Locker
Quentin Tarantino, Inglorious Basterds
Clint Eastwood, Invictus

Lee Daniels for Precious could get in instead of Eastwood, but the Academy loves Eastwood (well, even though they snubbed him last year), so I'm going with this list.

Best Picture:
Can I just say how much I hate that there are TEN movies nominated for best movie this year? I mean, is that really necessary? They're only doing this because people (LIKE ME!!) whined and bitched about The Dark Knight and Wall-E being snubbed last year, and yes, TDK should have been nominated (at the very least Nolan should have gotten a directing nod), I mean, who saw the friggin' Reader anyway? And don't get me started on Frost/Nixon! As for Wall-E, well it was nominated and won for Best Animated Picture, so I don't know why people are still bitching about it? So now we have to deal with this crap!

Well, here are my predictions:
Up in the Air
Avatar
The Hurt Locker
Precious
Inglorious Basterds
Invictus
Up
Nine
The Hangover
An Eduction

If there had only been five slots open, Nine wouldn't have made it because everyone hated it and it got completely shut out at the Globes, but since there's plenty of room and you know Harvey is campaigning like crazy, it will probably make it. I'm taking a risk and saying The Hangover since it won the Golden Globe. That's not always the case when a movie wins the GG for comedy/musical, though. When Walk the Line won the GG in '06, it wasn't nominated for an Oscar Best Pic, but, like I said, since there's more space available, I'll take a gamble and say it will get nominated. But won't win. But that would be kind of sweet if it did!

Wednesday, January 20, 2010

Let's Start at the End

Memento
Director: Christopher Nolan
Cast: Guy Pierce, Joe Pantoliano, Carrie-Anne Moss
Released: 3/16/01
I had to watch this movie twice because it's one of those films where it's beneficiary to watch it a second time (or perhaps even a third or fourth or fifth time...) It's hard to talk about this movie without revealing any clues or spoilers, but I will do my best not to ruin this movie for anyone who maybe hasn't seen it yet, although I would highly recommend you see it!

Perhaps you know, even if you haven't seen Memento, that the whole movie's gimmick is that it starts at the end and ends at the beginning. Now I'm sure this isn't the first movie to do that (I'm assuming; I do know that they did an episode of Seinfeld in this manner, lol), but it's probably one of the most well-known films to do this formula. With each scene, the audience is given a piece to a clue that they didn't have before.

The film starts (or ends, I should say) with Leonard (Pierce) a man who can only retain his memory for a short period of time before he forgets what just happened to him. The last thing he does remember is his wife being murdered and after he attacked the perpetrator, his head was banged against the floor and that's how he developed his memory loss. His mission in life becomes to find the man who murdered his wife. Through detective work he finds out the man he is looking for is someone named John G. and he tattoos all the facts he finds on his body, so he's always reminded of what he's looking for. In fact, he has a tattoo across his chest that reads "John G. raped and murdered my wife". Now can you imagine if you were a tattoo artist and some guy wanted you to tattoo that across his chest? I'd be like, Ummmmm.....maybe you should talk to the police? Just saying.

While that plot of the film is told backwards, there's another subplot in the movie (shown in black and white) that moves forward where Leonard is talking on the phone to someone about a man named Sammy Jankins, who has a similar condition to his. Now I can't comment too much about this subplot without giving too much away, but it's a vital part to the story.

After watching Memento, you will no doubt have million of questions. I've read many very interesting theories about what really happened in the movie and they're all pretty plausible. I would suggest watching this movie (if you haven't already), give yourself a few days to mull it over, then watch it again and pay extra close attention to the black and white scenes.

Friday, January 15, 2010

Brave Blue World

Avatar

Director: James Cameron
Cast: Sam Worthington, Zoe Saldana, Signourey Weaver, Stephen Lang
Released: 12/18/09
Viewed in theaters: 1/13/10

Oscar nominations:
Best Picture (lost to The Hurt Locker)
Best Director - James Cameron (lost to Kathryn Bigelow for The Hurt Locker) 
Best Score - James Horner (lost to Michael Giacchino for Up)
Best Art Direction (won)
Best Cinematography (won)
Best Visual Effects (won)
Best Editing (lost to The Hurt Locker)
Best Sound Mixing (lost to The Hurt Locker)
Best Sound Editing (lost to The Hurt Locker)

I have to admit; when I first heard about Avatar, I really had no desire to see it because sci-fi really isn't my thing. But when all my Facebook friends and the celebs I follow on Twitter were raving about how great it was, I decided it was worth a watch. After all, it's from the same guy who directed Titanic, The Abyss, and Aliens, all movies that I love, so at least I know Cameron has a good track record. I have to say, I'm quite glad I did see it. For one thing, I really liked it and for another, this is definitely a movie you have to see on the big screen. Your TV screen won't do this film justice. In fact, Cameron told EW that he wasn't making a movie to watch on your phone. (I've watched the trailer on my phone and he's right...watching the full feature on a phone wouldn't have the same effect). I also caught this movie in 3-D, the first feature film I've ever seen in 3-D. (I've seen those educational Imax movies in 3-D, but never an actual movie). While the 3-D is cool, it's not necessary for you to see it. About halfway into the movie, my ears were starting to hurt because my glasses were starting to get too tight, so I probably won't be seeing anymore 3-D movies in the future unless they're essential.
In a way, Avatar kinda reminded me of Titanic. Yes, sure, there are major differences: Titanic is based on historical events while Avatar is an original story and Titanic takes place in the past while Avatar takes places many years into the future, but it has that epic feel that Titanic did and of course there's the love story. I also had that same feeling of awe when I saw Titanic while watching Avatar.

Taking place in the year 2154 on a planet called Pandora, Worthington plays Jake, a paralyzed marine who travels to this other world to take over a mission for his twin brother who was killed in battle. Pandora is beautiful, but deadly. It's also home of a very valuable mineral worth $200 million an ounce. The only thing standing in their way is the native Na'vi, these ten-feet tall, blue aliens with cat-like features. The only way they can talk to them and negoatiate with them is to look like large blue human-cats themselves, so they create avatars where they can virtually control their own Na'vi alien. I'm probably not explaining it clearly, but don't worry, it makes perfect sense when you watch the movie and the story is easy to follow. In fact, I have heard complaints that the story is too simplistic. Hey, at least Avatar has a plot unlike some movies. :::coughcoughTransformers2coughcough:::


It took me awhile to get used to the big blue aliens at first, but once you get past the first initial shock, it's easy to accept them and their world. The special effects of Pandora are absolutely amazing with some crazy scary creatures. I have to wonder, though, how this movie will hold up 10-20 years from now. The problem when you have a movie chock full of GGI is that it doesn't age very well. But for now, in 2010, the film is quite revolutionary and Cameron proves he is a master at the technical aspect of film and there is no doubt in my mind Avatar will sweep all the technical awards at the Oscars.


The film is nearly three hours long and while my ears became sore from the 3-D glasses, I found myself completely immersed in this world. I found myself becoming emotionally involved with the characters and there were a few times where my eyes started brimming with tears. Now I never flat-out bawled like I did when I saw Titanic, but I came very close several times.



It will probably be awhile before we see another film like this again, so I highly recommend you see it (on the big screen!) before it leaves your theaters. This film 'blue' me away!

Wednesday, January 13, 2010

Flying High

*minor spoilers*

Up in the Air
Director: Jason Reitman
Cast: George Clooney, Vera Farmiga, Anna Kendrick
Released: 12/23/09
Viewed in theaters: 1/12/10

Oscar nominations:
Best Picture (lost to The Hurt Locker)
Best Director - Jason Reitman (lost to Kathryn Bigelow for The Hurt Locker)
Best Actor - George Clooney (lost to Jeff Bridges for Crazy Heart)
Best Supporting Actress - Vera Farmiga (lost to Mo'Nique for Precious)
Best Supporting Actress - Anna Kendrick (see above)
Best Adapted Screenplay - Jason Reitman and Sheldon Turner (lost to Geoffrey Fletcher for Precious)



Up in the Air follows Ryan Bingham (Clooney), a businessman who travels around the country terminating employees from their companies and giving speeches at conferences. He lives out of a suitcase and has all the tricks and the trades of air traveling down to a science. He lives an isolated existence, but it's the only way he knows how to live and enjoys his lifestyle. However, his career is turned upside down when his boss hires a fresh ivy league college grad, Natalie (played by Kendrick who was also in the Twilight movies, but I don't remember her since she plays a human, so therefore, she's non-important in those movies), who devises a plan to fire people over the Internet, and therefore, no more air travel is necessary.

This scares Bingham and he is not convinced this new plan will work and that Natalie needs "real" experience with terminating people. His boss agrees and sends her with him on one of his firing excursions.

The movie uses real people who were fired from their jobs; if I remember correctly, Reitman placed an ad in a few national papers saying he needed people who had been recently laid off for a documentary. I thought that was a nice touch and added realness to the film. It was actually quite heartbreaking seeing those people get fired. I've never been terminated from a company I've been at for years, but I do know what it's like to be without a job and it sucks! I've been down that road, people! And if I were ever in that situation and had a Natalie telling me the news, I'd probably lean across the table and slap her!

There was one woman they fired who calmly stated that she had plans for the future; she was going to jump off the bridge near her house. This is when Natalie starts to see the personal side of the terminations and stops treating the people like electronic objects she's just turning off. She asks Bingham if they should be concerned about her and he replies that's a common threat they get all the time, which I'm sure is true, but I had a feeling we would be hearing about her again. She was way too calm when she said it; like she knew exactly what she had to do. If she had said the same thing, but had been hysterical, it would have just been for attention.

Bingham starts an affair with Alex (Farmiga), a woman he meets, who also travels a lot for a living. Even though their relationship is casual at first, he starts to develop feelings for her and invites her to his sister's wedding. Halfway through the movie I figured out what he discovered about her in Chicago. I mean, it wasn't that hard.

The movie was shot in several different cities, including, wait for it...Omaha, which is where yours truly resides! It was kinda exciting seeing some of the familiar (well, to me) landmarks. I had to laugh though when they got a shot of Omaha Steaks behind Clooney. Can you believe I've never had an Omaha steak before? Well, maybe I've had; I don't know, but that gave me a little chuckle. The Omaha scenes were actually longer than I was expecting, so that was pretty exciting. I will tell you, it was a pretty exciting day in Omaha when Clooney was here. We don't get much excitement in Omaha. Now I can say I've been to an airport that was featured in an Oscar-nominated (hell, maybe even winning) movie. (We all know it's going to be nominated for an Oscar!)

I liked Up in the Air, but I left the theater feeling quite depressed.

Golden Globe nominations

The Golden Globes are this Sunday and while I haven't seen much of the competition (blame it on the alcohol weather), I present my predictions for the major categories for film. Remember, folks, I'm not a professional!

Best Drama and Musical/Comedy predictions:


Best Actor predictions:


Best Actress predictions:

Wednesday, January 6, 2010

Be careful what you wish for

Coraline
Director: Henry Selick
Voice talent: Dakota Fanning, Teri Hatcher, Ian McShane
Released: 6/09/09

Oscar nominations:
Best Animated Picture (lost to Up)

For some reason I thought Tim Burton directed this film. For one thing, it has a very Burton-esque vibe to it and this is also from the same guy who directed The Nightmare Before Christmas, another movie I thought was directed by Burton (well, when they call it Tim Burton's The Nightmare Before Christmas, can you blame me?) But apparently he wrote and produced that one. I don't think he had anything to do with Coraline.

I enjoyed this film because it reminded me of one of my favorite flicks, Pan's Labyrinth, which was my second favorite movie of 2006. Like that movie, this one features a young girl who's not happy with her reality (although her problems are pretty mundane compared to those of the girl in Pan's) and escapes into an alternate fantasy world. Coraline (there's a running joke where all the characters call her Caroline) is voiced by Dakota Fanning and if I didn't already know it was her, I don't think I would have known who was voicing her as Fanning has a pretty generic sounding voice and sounds just like any other American teenaged girl. However, if I didn't already know she voiced the mother, I would have instantly recognized Teri Hatcher's voice. (Probably because I watch Desperate Housewives every Sunday).

Coraline, who resents her parents for being too busy with their work, finds a small door in the huge old rickety house she and her parents have recently moved into, but when she opens it she finds a layer of bricks blocking passage. Eventually she gets through and ends up in another world that is exactly like the one she already lives in except everyone has buttons for eyes and her neighbor's cat talks. At first everything is great and perfect: her "other" mother cooks these fabulous feasts and her "other" neighbors put on these fantastic shows for her and her "other" friend. Of course those sayings "too good to be true" and "be careful what you wish for" apply to this movie and Coraline soon wishes she had never entered that world.

I have to say, for an animated movie, there was creepy and disturbing images (the stuffed Scotties for one). Of course not all animated movies are geared towards children and this is one of them.

Coraline doesn't use traditional hand-drawn animation or computer animation. Instead it is stop-motion which I found was essential and added to the story. Had the same story been done with computer animation, it just wouldn't be the same.

There is no doubt that Coraline will be nominated for Best Animated Feature at the Oscars this year and if I didn't love Up so much, I would be rooting for it. Actually, 2009 has been a great year for animation. I haven't seen The Princess and the Frog or Fantastic Mr. Fox yet, but I've heard good things about them.

Monday, January 4, 2010

Favorites from the '00s

Here are my fifty favorite films from the last ten years, "favorite" being the operative word. This isn't a list of the best movies of the decade, just a list of the ones I enjoyed the most.

Since it's too damn difficult to rank fifty movies (hell, it's hard enough when I have to rank ten!), I'm going to rank them alphabetically in chronological order. However, my five top movies of the decade would have to include the Lord of the Rings trilogy, Brokeback Mountain, Slumdog Millionaire, Pan's Labyrinth, and the Kill Bill movies. I haven't seen many movies from 2009, so my list could change in about six months!

1. Almost Famous (2000) - because even though it takes place before I was even born, there's something about it that makes me feel nostalgic.

2. Bring It On (2000) - (DON'T LAUGH!) because this is possibly the best teen movie of the '00s and one of my guilty pleasures.

3. Center Stage (2000) - because it's another one of my guilty pleasures of this decade and the entire Michael Jackson dance routine was ridiculously awesome. It also launched the career of Zoe Saldana.

4. Crouching Tiger, Hidden Dragon (2000) - because the martial arts moves were really cool.

5. Erin Brockavich (2000) - because Julia Robets really did deserve the Oscar for this.

6. Memento (2000) - because it's one of the greatest movies ever to play with your mind and I'm still not exactly sure what happened...

7. Nurse Betty (2000) - because it has my favorite performance from Renee Zellweger and the story is wickedly original and funny.

8. The Patriot (2000) - because it's the best movie about my favorite time period, the Revolutionary War (okay, it's the only (non-musical) movie about the Revolutionary War).

9. Legally Blonde (2001) - because Elle Woods proves you can be bubble-headed and smart.

10. The Lord of the Rings trilogy: The Fellowship of the Ring (2001), The Two Towers (2002), The Return of the King (2003) - because despite never having read the books and thinking I would be beyond bored watching the first film, I absolutely fell in love with the story and it had my full attention from beginning to end.

11. Moulin Rouge! (2001) - because it's like being high without actually taking any illegal substances!

12. The Mummy Returns (2001) - because it's fun and I invented the acronym "PLEM" - Precious Little English Muffin.

13. Ocean's 11 (2001) - because it's a fun caper movie.

14. The Royal Tennenbaums (2001) - because watching a movie about a dysfunctional family makes me feel a little better about my own.

15. Y Tu Mama Tambien (2001) - because we were introduced to Gael Garcia Bernal and Diego Luna, Mexico's equivalent to Matt and Ben.

16. Chicago (2002) - because it's a fun musical with catchy songs.

17. Rabbit-Proof Fence (2002) - because it's the amazing true story of three Aboriginal children who escape from a prison camp and walk 1500 miles back to their home.

18. Spirited Away (2002) - because it's the best anime movie I've ever seen.

19. Big Fish (2003) - because it's a movie easy to fall in love with.

20. Camp (2003) - because the soundtrack is awesome and Vlad is pretty awesome for being the only straight guy to attend that camp.

21. Elf (2003) - because it's one of my favorite Christmas movies.

22. Finding Nemo (2003) - because the animation is visually stunning and it's such an adorable story.

23. In America (2003) - because it's a sweet, small film.

24. Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004) - because it was just so damn fun and over the top!

25. The Magdalene Sisters (2003) - because it's a powerful movie that gets your blood boiling.

26. Mystic River (2003) - because it's a great actor's movie with a wonderful ensemble and the story catches you from the beginning and holds you until the end.

27. Pirates of the Caribbean: The Curse of the Black Pearl (2003) - because who knew a movie based on a Disneyland ride could be so much fun and garner Johnny Depp an Oscar nomination?

28. Criminal (2004) - because it's a fun movie with a twist I didn't see coming.

29. Hotel Rwanda (2004) - because it's a powerful movie that will stay with you for a long time.

30. Mean Girls (2004) - because it's the other great teen movie of the decade and one of the very few fond moments we have of Lindsay Lohan. Plus it gave us the great line, "Gretchen, stop trying to make fetch happen! It's not going to happen!"

31. National Treasure (2004) - because, okay, so sue me, I love those kinds of movies!

32. Brokeback Mountain (2005) - because it was one of the decade's best love stories (traditional or unconventional) and perhaps, maybe just a little, brought some understanding and tolerance to the world. Plus Heath Ledger and Jake Gyllenhaal make out! A lot!

33. Grizzly Man (2005) - because that guy was nucking futs! He was so insane he got mauled by a bear!

34. Harry Potter and the Goblet of Fire (2005) - because it's from the most movie-friendly Potter book and therefore my favorite of the franchise.

35. In Her Shoes (2005) - because it's one of those rare movies that's just as good as the novel it was adapted from.

36. Walk the Line (2005) - because it made me a fan of Johnny Cash.

37. Children of Men (2006) - because any movie that can keep the same shot in motion for five minutes is pretty amazing.

38. The Devil Wears Prada (2006) - because of the clothes! And Meryl!

39. Little Miss Sunshine (2006) - because I loved it even more the second time I saw it.

40. Pan's Labyrinth (2006) - because I was astonished, absolutely astonished by the great fantasy journey this film takes you on.

41. Across the Universe (2007) - because it's a musical based on Beatles' music!

42. The Mist (2007) - because it has one of the most craziest twists I've ever seen.

43. No Country For Old Men (2007) - because that scene with Anton Chigurh and the gas station proprietor was one of the most chilling I've seen.

44. The Dark Knight (2008) - because without Christopher Nolan directing and Heath Ledger as the Joker, this movie would probably be just mediocre.

45. Frozen River (2008) - because even Indie movies can have you biting your nails.

46. Gran Torino (2008) - because it's the first Clint Eastwood movie I really liked where he both directed and starred.

47. Slumdog Millionaire (2008) - because it was the little movie that could, winning film's most coveted award, the Oscar, and who is the last character you can remember rooting for as hard as you did for Jamal?

48. Tropic Thunder (2008) - because the fake trailers at the beginning (Satan's Alley, anyone?) set the tone for the movie and it only gets funnier and better from there.

49. Wall-E (2008) - because who couldn't fall in love wit Wall-E and Eva?

50. Up (2009) - because Pixar shows us there's no shame in crying during an animated movie.

Sunday, December 6, 2009

Alternate Endings

Warning: major spoilers for the film and book!

My Sister's Keeper
Director: Nick Cassavettes
Cast: Abigail Breslin, Cameron Diaz, Alec Baldwin, Joan Cusack
Released: 6/26/09

I had pretty low expectations while watching this, knowing that the book is always better than the movie, at least 90% of the time. The film wasn't horrible, but it definitely had flaws. A lot of them. It seemed more like a made-for-TV (perhaps Lifetime? Of course, many of Picoult's books seem like they would fit in perfectly with Lifetime's lineup).

As you probably already know, this movie is based on Jodi Picoult's best-selling novel of the same name about a young girl named Anna (played by Breslin) who sues her parents for the rights to her own body because she was genetically conceived to have the same blood type as her older sister, Kate, who is ridden with cancer. I read it three and a half years ago and it was one of those can't-put-down books. The problem with the movie is the way they translated it to the big screen didn't quite work. If you've read the book, you may remember that different characters alternate telling the story in their POV with each chapter. There's random voiceovers from the different characters that just seem out of place. One second, two characters are talking to each other, then the next you hear a voiceover from one of the characters. Very distracting. The film is very manipulative and the director tries way to hard beating the audience over the head with his "okay, you're supposed to cry now because this is sad, damnit!" scenes. And every other scene involves a sappy, melancholy song set to the characters in slo-mo whether they're playing at a beach or blowing bubbles while jumping on a trampoline. After a while, you start to roll your eyes.

Baldwin plays the lawyer Breslin hires and he plays his character exactly the same way he plays Jack Donaghy that I kept preparing for a punch line. Diaz plays the mother and she is a shrill little harpy in this movie, but I suppose her character has good reason to be so upset.

But those little flaws aside, the film does follow the novel pretty faithfully...until the end. And here's where the major spoiler comes in place, so stop reading if you've never read the book and don't want to be spoiled, don't read the next paragraph...

In the book, there is a huge twist and Anna dies in a car accident and her kidney is given to her sister who goes on to live a relatively normal and healthy life. There's a scene in the movie where Anna and Kate are talking about heaven and I was thinking, "Aha! Foreshadowing! Everybody thinks it's going to be Kate, but it's really Anna!" Turns out I was the wrong one. In the film, that never happens and Kate dies, as one would expect someone that sick with cancer to do. I'm not sure why they changed the ending (perhaps too lazy?), but it is a little funny that the more preposterous ending is from the book. Hollywood loves those kinds of crazy twist endings, so you think it would eat that up.

If you've never read the book, you might enjoy the movie (if you can stand really cheesy scenes), but I would recommend the book before the film.

Thursday, December 3, 2009

A Very Long Review

Um spoilers...and please ignore how crappy this looks (especially towards the end)! I have not mastered Blogspot yet; why can't it be simple to use like LiveJournal?

Batman
Director: Tim Burton
Cast: Michael Keaton, Jack Nicholson, Kim Basinger
Released: 6/23/89

Oscar nominations:
Best Art Direction (won)



Batman Forever
Director: Joel Schumacher
Cast: Val Kilmer, Jim Carrey, Tommy Lee Jones, Nicole Kidman, Chris O'Donnell
Released: 6/16/95
Viewed in theaters: 6-7/?/95

Oscar nominations:
Best Cinematography (lost to Braveheart)
Best Sound (lost to Apollo 13)
Best Sound Effects (lost to Braveheart)



The Dark Knight
Director: Christopher Nolan
Cast: Christian Bale, Heath Ledger, Aaron Eckhart, Maggie Gyllenhaal, Gary Oldman
Released: 7/18/08
Viewed in theaters: 7/20/08 (Um, my first viewing)

Oscar nominations:
Best Supporting Actor - Heath Ledger (won)
Best Sound Editing (won)
Best Art Direction (lost to The Curious Case of Benjamin Button)
Best Cinematography (lost to Slumdog Millionaire)
Best Editing (lost to Slumdog Millionaire)
Best Makeup (lost to The Curious Case of Benjamin Button)
Best Visual Effects (lost to The Curious Case of Benjamin Button)
Best Sound (lost to Slumdog Millionaire)


As you can see, I watched three different Batman films. Three different decades, three different directors, three different Batmans (sorry, Clooney, you didn't make the cut - there's no way you can make me watch that dreck!). Now I should preface this by saying that I'm not a Batman fan in the least; I know nothing when it comes to the world of Batman. In fact, for the longest time, I had no idea he was referred to as the Dark Knight. When I first heard of Nolan's title, I thought he was the one who came up with it (I'm being serious, people) and thought it was a catchy title and could totally see Batman being called the Dark Knight. Little did I know... Actually, they refer to him as the Dark Knight twice in Batman Forever, but I didn't remember that since it's been at least ten years since I've seen that movie. I also didn't know that Harvey Dent and Two Face were the same person. I remember Eckhart doing press before TDK was released and didn't understand why all the interviewers kept bringing up the character of Two Face and then I put two and two together. Aha! So in this review I'm going to compare and contrast the different elements of these three movies. I totally won't discriminate - oh, who am I kidding? I so have a clear favorite and you might be surprised by which one it is. Or not. Probably not.

Director: Burton v. Schumacher v. Nolan
All three movies are very different in style. Burton's has a certain athestic where you definitely feel like you're watching one of his films. There's a very gritty and almost nostalgic feel to '89. It kind of reminds me of an old mafia movie, especially with the way the men dress: trenchcoats, bowties, vests, fedoras. Watching it is almost the equivalent of watching a comic book come to life.

Then there's Schumacher who took over when Burton's movies were deemed too dark. (While I didn't find '89 scary, Batman Returns is pretty twisted and dark.) Forever is a flashy summer blockbuster. It's almost like watching a live-action cartoon. Most of the characters are caricatures with over the top performances and it's clear Schumacher chose the actors based on their attractiveness or popularity at the time. Watching this is like eating a bag filled with fun-sized candy bars: enjoyable at first, but the more you have, you start to get sick of it and want to stop and make it go away. It gets very tiring very fast.

Nolan's version is the most realistic and I mean this as a compliment when I say it's like I wasn't even watching a Batman movie (except when Bale showed up in costume). All the characters felt real, not as though they were taken from Saturday morning cartoons and there was no dialogue that sounded like it came from a balloon bubble. It's insane how well this movie did. Look at it this way: according to IMDb.com, it made more money in the first six days of its release than Batman Begins made in its ENTIRE run. As Brian Fellows would say, That's crazy! Oh yeah, you should know Begins made $205 million. Crazy! (By the way, TDK made over a billion dollars around the world.)

Gotham:
Obviously, the look and feel of Batman's hometown differs in all three films. There's a very 1930s New York vibe to it in '89. It doesn't look like a place I'd visit because of its dark and gritty appearance. I read a review that said the exterior shots of the city looks like "a diagram of an artificial city" and yeah, I have to agree. Of course, this film came out twenty years ago, so of course the special effects are going to be outdated and crappy. I'm sure twenty years from now we'll all have a good laugh over how big the cell phones are in TDK.

If Burton's Gotham looks like a place I wouldn't want to visit, then Schumacher's vision is a city I would avoid at all costs. Good Lord. His Gotham makes Las Vegas look like the small Iowa town where my mom grew up. There are neon lights everywhere and the GCI exterior just looks cheap. Forever's Gotham gave me a huge headache and can you imagine living there? Ugh! Nolan's Gotham is a real place where real people live. Of course, that's because it's Chicago, but they film it so it's not obviously Chicago and it works. No stupid and cheap made-up Gotham.

Batman/Bruce Wayne: Keaton v. Kilmer v. Bale:
In all three movies, I prefer Bruce Wayne to Batman because I cannot take a grown man in a bat costume seriously and all three actors are way better when playing Wayne. Keaton is charismatic as Wayne but it bugs me he didn't alter his voice as Batman and the delivery of the line about "dancing with the devil in the pale moonlight" to the Joker is just awful. Another thing that bugs me is the scene where he's sleeping hanging upside down. There are so many things wrong with that. First of all, Batman is human, not a bat, so WTF? And if he was a bat-human, wouldn't he be sleeping during the day? Duh! And second of all, Vicki Vale was there and saw him; wouldn't she be suspicious? It was just stupid.

Kilmer at least attempts to change his voice as Batman, but he gives off a very metrosexual vibe (perhaps it's the nipples on the Batsuit?) as Bruce Wayne as in he wouldn't want to break a nail. With Bale, you could totally see him taking some names and not afraid to pull a punch. Now his Batman voice is unintentionally funny but you have to give the guy credit for at least trying. Maybe he should've used his natural accent as Batman, though people would all be "why the f--- does Batman have a British accent?"

The Women: Basinger v. Kidman V. Gyllenhaal:
The love story in the Batman films always seem like filler to me and they're just thrown in there to fill a quota. As photographer Vicki Vale in '89, I thought Kim Basinger looked better with her hair pulled back and wearing glasses then when she was "glammed up" in those ugly pouffy dresses. She has so much hair that it's almost her supporting co-star.





As Chase Meridian, Kidman's role in Forever is pretty much only to seduce Batman and make booty calls and come off as desperate. See, she's in love with Batman, but Bruce is in love with her (she's his psychiatrist - and whose therapist looks like that anyway? Please!) and she doesn't know her patient is the Caped Crusader. Hijinks! So of course everyone knows Katie Holmes played Rachel Dawes, Bruce's childhood friend and love interest in Batman Begins, but due to "schedule conflicts" (please, Joey Potter, we weren't born yesterday!), Maggie Gyllenhaal stepped in for her in its sequel. So here are my thoughts about TomKatGate:



I like Maggie, but I found her to be the weakest link in TDK only because I didn't really care for the character of Rachel and found any scenes with her to be boring. While I was semi-spoiled about her death (when I was walking into the theater, I walked past these guys who said, "I can't believe they did that to Batman's girlfriend!" So yeah, it wasn't that hard to figure out something terrible was going to happen to her), and while I felt bad for Bruce, I was kinda glad she was gone from the movie at that point. Oh, well, at least a certain someone's sister played her so I can write hilarious captions like this:


"Hey, didn't I make out with your brother once?"

The Joker: Nicholson v. Ledger
It's the age-old question that's been going on for decades (okay, under two years): who was the better Joker? Who do I prefer? I was a teenager when 10 Things I Hate About You came out, so who do you think? Hey, I don't discriminate...against hot Australians. Okay, I may be a bit biased with my decision. I've always been a Ledger fan (and yes, that was an awful day for me). Plus I heard that Nicholson said that he would only be cast as the Joker if only Burton billed him first? Uh, shouldn't the guy playing the MAIN TITLE CHARACTER be billed first? Dude, get over yourself!

But actor preference aside, let's just focus on the acting aspect. Now I have no idea whose Joker is more like the original one (probably Jack's since his is more like a comic-book character), but if I watched a clip from '89 without knowing who played the Joker, I would have said Nicholson in a second. His schtick is he falls in a vat of chemicals and his skin turns white (not burned as you might think) and he has a permanent smile. He kills people by using a cute array of deadly gags like hand buzzers that electrocute and acid-squirting flower pens. He's a happy clown! He likes to twirl his cane and dance to Prince. (WTF, I know). Creepy, yes. Scary, um, not really. He plays it very campy. Now I'm going to get a lot of flack for this, but I really don't see what the big deal about his Joker is and I remember when it was announced Heath was playing the new Joker and everybody was saying he would never do Jack justice and how he was going to suck and ruin the movie. I'm sorry, but if John Lithgow (who was actually considered for the part; I bet he wouldn't have demanded to be filled first!) had played the Joker the EXACT same way as Jack did, nobody would be saying anything about his performance. And now it's funny that people are saying Heath was the better Joker (except for the stubborn Burton fanboys). Now if I saw TDK and didn't know who played the Joker, I would have never guessed in a million years who it was. (Well, except for the three second he's not wearing make-up, then it's pretty obvious). I think the voice he used (which Entertainment Weekly described as "Al Franken mixed with a nerdish pedophile" - thank you, EW, I couldn't have said it better myself) was the big reason that made Ledger almost unrecognizable. In real life, Heath's voice was like buttah, but his Joker voice is so damn creepy! Now, undoubtedly, he is scarier than '89 Joker, but I would dare say that he is funnier too...and he didn't even have all those cutesy gags. I laughed when he overheard one of his goons describe him as "the crazy clown in the cheap purple suit" and tells him "Oh, by the way, my suit wasn't cheap. You should know; you paid for it." And by the fourth time he asked somebody if they wanted to know how he got his scars, all I could think of was '08 Joker at some dinner party, asking guests that same question and people thinking, Oh, God, not this schmuck again!" Also, did anyone else think he rigged those detonators on the boats so they would blow up their own boat instead of the other one?
Two Face: Jones v. Eckhart:
In Forever, Two Face is every bit the comic book caricature with his 
"normal" side and his 
"wild" side. Not only is his appearance and suit divided into
two, but also his headquarters and he has two, uh,
concubines, I guess: Sugar and Spice. We never see him as D.A.
Harvey Dent, although there is a quick explanation of how he
turned evil, but I didn't really understood what happened to him 
physically. 
In TDK, Eckhart doesn't actually become Two
Face until the third act; we see him as good guy Dent for the
first two. His Two Face makeup is definitely more gruesome
than Jones'. In
fact, the only thing I would say is not very realistic about TDK (well, besides, some of the Joker's 24-style terrorist activities; seriously, you would need to know some serious access codes to pull off what he does in that movie), is the fact that this man is walking around with half of his FACE burned off right in the open. Even if you lived to survive that, there's no way anybody could go out in the open like that and not get infected. But that said, it is still a Batman movie. I have to give Eckhart props, because even though Heath Ledger steals the movie, he definitely held his own. Harvey Dent is also featured (in a very small role) in '89 and played by Billy Dee Williams. Burton never got to use him as Two Face, but there was some serious foreshadowing when he reads a letter from Batman at the end of the film and states, "If the forces of evil should rise again, call me." Hmmmmm....he was talking about himself! And speaking of foreshadowing, there was some of that in TDK when Fox tells Bruce that his newest weapon of choice "should do well against cats". Whoever could he be referring to?

The Riddler and Robin:
To get a good sense of Jim Carrey as the Riddler in Forever, take Ace Ventura and the Grinch and smash them together, multiply that by ten and you have the Riddler. Carrey is ridiculously over the top and I have a feeling that Schumacher was encouraging him to be as obnoxious as possible. Unlike '89 and TDK where the villains are feared, I never got that sense with the Riddler or Two Face. They were used more for comic relief, and honestly, they weren't that funny. While I wanted more scenes with the Joker when I watched TDK, the Riddler couldn't get off my screen soon enough when I watched Forever. Now I've seen Eternal Sunshine of the Spotless Mind, so I know Carrey is a capable actor, but man, he is awful in this. There's even a scene where he says something to Batman, then asks, "What that over the top?" YES! Yes, it was! The real person we should feel sorry for, though, in
this movie (after all, Carrey laughed his way to the bank), is Chris O'Donnell. Not 
only did he have to play the useless Robin (who is Batman's answer to Scrappy-Doo), 
but he is the only one from this film who went on to be in the even worse Batman and Robin - which I've never seen and never want to judging from the few clips of it I have seen.


Okay, to wrap things up, because I'm sure nobody is reading
this anymore, I actually preferred
Michael Gough's Alfred in '89 and Forever to Michael Caine's in TDK because with the former
that's the only character I've ever seen him play, so he is
Alfred to me. With the latter, I've seen
Caine in other movies and at award shows, so I just saw
Michael Caine. (Though he did have
some funny lines). Commissioner Gordon is hardly used in
'89 and Forever, but is very much
used in a great storyline in TDK and Gary Oldman is right
behind Ledger and Echkart in terms
of performance.

Why so...Sirius?

Somehow my font keeps changing and and I have no idea why and this review is going to look really messed up and I'm about to go all Christian Bale on this stupid site, so I better wrap this up. Anyway, here is my final evaluation of the movies:
Batman: See it if only for it's a classic and it did jump start the whole franchise (which is a good and bad thing). And if you don't compare Nicholson's Joker to Ledger's, he's not entirely that bad. I still think Lithgow would have make a better '89 Joker, though.
Batman Forever: This movie sucks. Don't see it if you haven't already.
The Dark Knight: This movie is awesome and if you haven't already seen it, you must live under a rock. There's a reason this movie made a boatload of money: because everyone and their grandma went to see it...multiple times!

Wednesday, November 25, 2009