Showing posts with label heath ledger. Show all posts
Showing posts with label heath ledger. Show all posts

Wednesday, September 14, 2016

Cowboy, Take Me Away

Brokeback Mountain
Director: Ang Lee
Cast: Heath Ledger, Jake Gyllenhaal, Michelle Williams, Anne Hathaway, Randy Quaid, Kate Mara, Linda Cardellini, Anna Faris
Released: December 9, 2005
Viewed in theaters: January 10, 2006

Oscar nominations:
Best Picture (lost to Crash (UGHHHHHHHHHHH!!!))
Best Director - Ang Lee (won)
Best Actor - Heath Ledger (lost to Philip Seymour Hoffman for Capote)
Best Supporting Actor - Jake Gyllenhaal (lost to George Clooney for Syriana)
Best Supporting Actress - Michelle Williams (lost to Rachel Weisz for The Constant Gardener)
Best Adapted Screenplay - Larry McMurtry and Diana Ossana (won)
Best Cinematography (lost to Memoirs of a Geisha
Best Original Score - Gustavo Santaolalla (won)


If you've read my review of Crash and watched the last video I posted in this entry, then you know how much I absolutely hate that effing Crash won the Best Picture Oscar over Brokeback Mountain at the 2006 Oscars. And a lot of people feel the same way as me. I want to quote an excerpt from a tome I have called "85 Years of the Oscars" by Robert Osbourne when discussing the 2006 Oscar ceremony:
It was one of the biggest surprise endings in many years.
 The film the press regarded as most likely to score a triumph in the top spot 
[at the 78th Oscar ceremony] was the one that had been
universally praised since its debut, then voted best by the
Producers Guild, BAFTA, and numerous other 
prize-giving organizations. It was
Brokeback Mountain, a poignant tale
by director Ang Lee about the angst-filled
romantic relationship of two cowboys.
But Jack Nicolson's reaction when he opened the envelope
to announce the winner said it all: Crash
Whoa!

Everyone knows that Brokeback Mountain is by far the more superior film. The fact that Crash won the Best Picture Oscar over it, let alone that it was even nominated, is embarrassing! Unfortunately, a lot of Academy voters are older white men who don't always agree with the gay lifestyle and a lot of voters probably didn't even want to give Brokeback a chance. Which is really sad. Believe me, when this film came out, there were a few people I came across who were all, "Eww! That's gross! They're making out!" Of course, I live in Nebraska :::rolls eyes::: Uh, first of all, who doesn't want to see Heath Ledger and Jake Gyllenhaal make out? I'd pay money to see that..and I did! But seriously, it's sad (and kind of pathetic) how afraid of this movie some people were of it. Do they really think they'll turn gay or something if they watch two guys kissing each other? I adore this movie so, so much and it makes me sad that people refuse to see it because of the subject matter. It has been ten years since its been released and hopefully people who didn't want to see it back then have changed their minds and given it a chance.

Spoilers ahoy and if you haven't seen this movie yet, you are missing out!

Can we just take a second and applaud Heath Ledger and Jake Gyllenhaal for their brilliant portrayals of Ennis Del Mar and Jack Twist? I feel like a lot of heterosexual actors would not have taken on these roles as they would probably be uncomfortable with having to kiss or portray onscreen sex with another man, so I think it was pretty brave (and smart, in the end) for Ledger and Gyllenhaal to take the roles of the gay cowboys. Let's not forget they were only in their early 20s when they made this movie. It was a big risk and if done wrongly, this movie could have turned out horribly, but luckily they had Ang Lee at the helm. Thank God he won Best Director. Fun fact: he is the first non-white person to win the Oscar for Best Director. I can't imagine Brokeback Mountain with any other director or actors (though it would have been pretty amusing if Matt Damon and Ben Affleck had signed on!) 

The movie spans nearly 20 years, starting in 1963 when Ennis Del Mar (Ledger) and Jack Twist (Gyllenhaal) meet that summer on Brokeback Mountain in Wyoming after being hired by a man named Joe Aguirre (Randy Quaid) to herd hundreds of sheep through the mountains. We see them talking about their families, sitting around the campfire and eating beans, and bitching about their boss. And then after a drunken rainy night, Jack tells Ennis, who is sleeping outside in the cold and rain, to get in the tent and we all know what happens next! As my mom would say, Oh, my! At first Ennis is not having any of Jack's advances, but he is the one to, ahem, take control of the situation. The next morning is a bit awkward and they spend the entire day apart from each other until the end of the day when Ennis returns to camp and tells Jack that this was a one-time thing they did and he isn't queer and Jack replies that "It's nobody's business but ours" and that he's not queer either. They continue their strong friendship and sexual relationship on Brokeback until Aguirre suspects something going on between the two of them when he spies on them with his binoculars and sees them frolicking together with their shirts off and cuts their summer short.

The two say goodbye without any fanfare. There is no hugging or even a handshake. They just have a short conversation about what they'll do for the rest of the summer, then walk off in different directions. We see Jack in his truck looking like he's trying to hold back tears and we see Ennis go in an alleyway and start punching a wall and crying out. It is a very powerful scene.

Ennis marries his fiancee, Alma (Michelle Williams), who he told Jack about and they have two daughters, Alma Junior and Jenny. Meanwhile, Jack moves to Texas where he meets a rodeo queen named Lureen (Anne Hathaway), the daughter of a wealthy man who sells large farming equipment. She is a very forward woman ("What are you waiting for, cowboy? A mating call?") and they marry and have a son.

Ennis and Jack continue their romantic trysts in secret only seeing each other about once a year, which does not make Jack happy, but Ennis tells him he isn't able to get away with work and he is afraid of someone finding out about his secret. Jack wants him to drop everything and leave Alma and his daughters and have them run a farm together, but Ennis tells him there's no way that's going to happen because two guys living together could mean a death sentence for the both of them. He tells Jack a story of two guys who lived together when he was a kid and one of them was brutally killed and how his father took him and his older brother to see the man's mutilated body. He said for all he knew, it could have been his dad who killed this man which is terrifying. Ennis doesn't do a very good job of keeping his secret from his wife, however, when he receives news that Jack will be in town and this will be the first time in four years Ennis will have seen him since that summer on Brokeback Mountain. He tells Alma that Jack is an old fishing buddy (obviously "fishing" is code for something else!) and when he sees Jack, he can hardly contain his excitement and they aggressively kiss...right in front of the door where Alma can see them...which she does! Her expression is one of shock, betrayal, and hurt. Michelle Williams' best scene in the movie is when she confronts Ennis many years later, after they have divorced, that she knew he never went fishing because she tied a note to the end of his fishing pole telling him to bring home some fish and when he came back and she asked if he caught any fish and he said he did. She knew he was lying because he obviously never read the note and discovered the note was still tied to the pole and it had never been used. And of course this is when we get the famous, "Jack Twist? Jack Nasty!" line. 

I've seen this film five times now (I own the DVD) and I read the short story by Annie Proulx (and it really is short, about 30 pages) about five years ago. While most movies adapted from novels have to take out scenes, they added scenes in Brokeback such as the Thanksgiving scene, and the scene with Ennis and his daughter at the end. They also added the characters played by Linda Cardellini and Anna Faris. All the well-known lines from the film (you know the ones!) are taken from the text. As I mentioned earlier, I can't imagine anyone else but Heath and Jake playing Ennis and Jack, though they were probably a little too good-looking as the two main characters are described as being plain old Joes. I mean, yes, they're dowdy in the movie and there's nothing glamorous about them, but I wouldn't mind sitting between them around the campfire, just saying! 

Whenever I watch the movie, I always notice a few things I hadn't noticed previously. For instance, the scene when Ennis and Jack are saying good-bye to each other after spending some, uh, quality time on Brokeback, Ennis says something about losing his shirt up there and Jack just mumbles something. Well, of course, we know Jack took the shirt because Ennis finds it in his closet at the end of the movie. (Another great scene). That had flown over my head until now. I also never noticed that Jack never calls Ennis by his name (except at the beginning when they introduce themselves to each other), just calls him "friend". I had especially noticed that when reading the story. Something new I learned recently is about the phone conversation Ennis and Lureen have towards the end of the movie after Ennis receives a postcard back that he sent to Jack with "DECEASED" stamped on it (what a gut punch!) and he calls Lureen to ask what happened. Lureen tells him that he was pumping a tire and it blew up and knocked him unconscious and he drowned in his own blood. While she's saying this, we see an image of Jack being brutally murdered by three guys, either what really happened or what Ennis imagined to have really happened. On a podcast I listened to (there I go again with the podcasts!), I learned that Anne Hathaway had to do two takes of this scene: one where the tire story is true and one where it isn't and Ang Lee sliced together both of them to make the final cut. Very interesting. And very tragic. My take has always been that Lureen knew about Jack's secret life and was lying to Ennis about his death and she knew the real reason how he died.

The relationship between Ennis and Jack is a tricky one and having seen the movies five times and read the story once, this is my own assessment of the two characters: first of all, I don't think of them as being gay or bisexual because I don't think they would label themselves as either one, though technically they would be bisexual since they were both married (and had children) to women. I read somewhere that someone said that Ennis is more toward the straight side of being bisexual while Jack is the opposite and I agree. While Jack was willing to divorce his wife and start a life with Ennis, Ennis did seem to care about Alma and was aware of the consequences if he and Jack shacked up together. He was paranoid that people knew about his secret and even after he was divorced from his wife, he found companionship (for a very short time) in another woman, Cassie (Cardellini). Jack was the only male he had a relationship with, whereas with Jack there's the scene where he attempts to buy a beer for the rodeo clown (before he even met Lureen), the scene where he's in Mexico attempting to fill his void, so to speak, and the scene with Lashawn's (Faris) husband where he hints at them going to his boss's cabin together. Obviously Jack had been with other men. Fun fact: the actor who played that guy is David Harbour whose name I instantly recognized it when I saw it in the credits because I had just watched him in as the police chief in Stranger Things. 

Now, here's the big question: who knew about their relationship? Obviously, Alma did since she saw them making out on her front lawn. And as I mentioned earlier, I think Lureen had a good idea too. Also, Lureen's father made that comment to his son-in-law during the Thanksgiving scene when he states that his grandson should watch football and be a man, as though he's making a jab at Jack. And David Harbour's character must have known or I doubt he would have made an advance on Jack. And I'm pretty sure Jack's parents had an idea, especially his mother, when Ennis went to visit them after their son died. Hmmm, interesting that all the people who I suspect knew about them (Alma notwithstanding) are all a part of Jack's life/storyline. This makes sense though, since he was the one who was more ready to admit to their relationship. I guess he didn't keep the secret as well as Ennis did. 

The aging of the main characters over twenty years' time was done subtly with changes to hair styles (and a little gray) and make up to add wrinkles. Okay, maybe Anne Hathaway's blonde hair wasn't so subtle, but I was willing to believe Heath as Kate Mara's dad, even though she was born four years after him. She plays teen Alma Junior.  

Watching this movie always make me feel so sad. Not just because it has a tragic ending (and even if Jack hadn't died, I don't think those two would have ever had their happy ending), but just seeing Heath Ledger. He was so good in this; his performance is very subtle and quiet. He gets a lot of praise for his performance as the Joker, which he was brilliant as, of course, and won the Oscar for, but I feel like some people forget this performance because it wasn't as epic or the movie wasn't as big as The Dark Knight. But just the fact that he could take on two completely different roles and just own them is a testament about what a great actor he was and it's such a shame we'll never see what else he could have done. I've mentioned numerous times how much I adored Heath Ledger (I was a total fangirl at first (what can I say? I'm a sucker for Australian accents!), but then when Brokeback rolled around, I realized he was actually a pretty good actor and began to actually respect him an an actor). There have been plenty of celebrity deaths I've been very saddened about and got choked up over, but his was the one that got to me the most. I was in a state of shock when I found and I cried every night for two weeks after he died. It is also bittersweet watching him and Michelle Williams together, since they had a daughter named Matilda who turns eleven next month. Eleven! Where did the time go? 

To take this review full circle, let me just add one last thing (and continue my bitching): five, ten, twenty years from now, nobody is going to remember anything about Crash. But whether if people have seen it or not, like what it stands for or not, they'll at least remember Brokeback Mountain. Oh, sure, some might refer to it as the "gay cowboy movie" (and yes, I love the movie, but trust me, I make stupid Brokeback jokes all the time), but I think in the long run this movie will have longevity. Hell, if somebody ever asks me what movie won the Oscar for '05, I'm going to tell them it was Brokeback. And I'll bet you they'll believe me! Okay, from now on, in my mind, Brokeback Mountain is 2005's Best Picture Winner.

There are about 100 songs that remind me of this movie, so I made this clip video and narrowed it down to two songs! And it is no coincidence that both songs feature the word "cowboy"! Speaking of which, how great is the (Oscar winning!) score by Gustavo Santaolalla? It is instantly recognizable. 



I wish I knew how to quit you, Brokeback Mountain! 

Monday, March 14, 2016

Be The Flame, Not The Moth

Casanova
Director: Lasse Hallstrom
Cast: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt, Lena Olin, Natalie Dormer, Charlie Cox
Released: December 25, 2005
Viewed in theaters: January 12, 2006


This movie had a bit of an unfair advantage when it was released because it came out around the same time as Brokeback Mountain and that was the movie Heath Ledger was (rightfully) getting all the attention for. I saw Brokeback Mountain two days before I saw Casanova and the former is so, so, so, so good and the latter is....not so good. It's an enjoyable little film in its own right and it's probably unfair to compare it to Brokeback Mountain just because they both star Heath Ledger and came out around the same time. So I'll compare it to some of Lasse Hallstrom's other works and say I didn't like it as much as I liked Chocolat, The Cider House Rules, What's Eating Gilbert Grape, or Hachi: A Dog's Tale. The problem with Casanova is that it has no substance. First and foremost, this movie is pure eye candy: the setting (the film is shot and takes place in Venice and it definitely makes you want to visit the historical Italian city); the costumes (SO gorgeous!); the location they used for the Bruni's home (I loved the pink walls of their living room); and the classical music (ear candy?) And the casting director must have had a daughter who was a teenager circa 1999-2001 because if you asked any high school or college aged girl around that time who her Hollywood crush was, I'm willing to bet nine times out of ten she would say Heath Ledger. (Every tenth girl would probably say Freddie Prinze Jr. (blah!!)) In fact, if you go back and read my review of Ten Things I Hate About You, you can read about my experience when I watched it when I was in college with a bunch of other girls for our dorm's movie night. Good times, good times. So what I'm saying is that Heath was a good choice to play Casanova, however I am surprised he took the role because he liked to challenge himself and wanted to get away from just being another pretty face. This role for him seemed pretty simple and didn't really require any heavy lifting, so to say, on his part. I'm sure a big incentive for him to take the role was because it was filmed in Venice! 

Of course since this movie is about the famous lover (or manwhore, whatever you want to call him!), Giacomo Casanova, then you need the strong, beautiful, feminist woman who is against everything Casanova stands for. This is Francesca Bruni who is played by Siena Miller. Francesca is a big advocate for women's rights and writes books about feminism under a male pseudonym. She is engaged to be married to a man named Paprizzio (Oliver Platt) who she has never met. Her mother (Lena Olin) wants her daughter to marry him because he is rich. Francesca is about the only woman in Venice who doesn't fall for Casanova's charms, so of course he ends up falling in love with her. He knows she is to be married to a man named Paprizzio and reveals himself as her fiance. 

Young Margaery Tyrell
While it's pretty predictable how the movie will end, there's many cases of mistaken identity, especially with Casanova pretending to be Francesca's betrothed. Meanwhile, as himself, he's engaged to the beautiful, young blonde virgin who Francesca's brother, Giovanni (Charlie Cox) is in love with. This was my third time watching Casanova, but the first time that Victoria, the young blonde virginm looked familiar to me. I looked her up and she is played by Natalie Dormer aka Margaery on Game of Thrones. The last time I saw Casanova was in 2009 and Game of Thrones didn't premier until 2011 (although I only just watched the first four seasons of it last fall). 

There's a funny/amusing scene where Casanova's at Carnivale and he comes across Francesca's mother and Victoria's father, and of course, they both think he's marrying their own daughter so he has to be careful of the conversation and keep it ambiguous. He does confess his true identity to Francesca and she becomes angry with him because she could never love a man like him, but of course she does still love him (and meanwhile the real Paprizzio has ended up with her mother...though he was a bit older than Francesca!) 

Jeremy Irons plays Pucci, someone who has a lot of authority around that time in Venice and arrests Casanova because he has taken the blame for writing the illegal books that Francesca wrote. (This was when she knew she was in love with him). However, she confesses she wrote the books so both she and Casanova are set to be hung. Since his true identify was revealed, he is sentenced to death for his promiscuity. But his mother and stepfather come to the rescue when his stepfather pretends to be the Cardinal and reveals that since it's the Pope's birthday, he has granted a pardon to all people sentenced to death on that day. While Casanova is escaping with his parents, Franesca, her mother, Paprizzio (who is helping them escape on his large boat), Giovnni, and Victoria (yes, it does get a little muddled with all those characters!), the real Cardinal arrives and Pucci and his men try to chase after all of them. In the end, Giovanni decides to stay back and be Casanova so the real Casanova can escape with the woman he truly loves and spend the rest of his life with her, awww. And even though Giovanni did marry Victoria, the girl he's been in love with for so many years, he continues on Casanova's legacy and sleeps with many other women...even though he's married to the love of his life! What a jerk!!! But I guess he has to keep up his reputation for being the famous manwhore. 

Lasse Hallstrom said the movie had an R rating because of the under the table, uh, fellatio scene, even though you don't actually see anything beside the table being knocked around. I saw The Ugly Truth a few months ago and there's a scene where Katherine Heigl is wearing these panties with a vibrator that is controlled by a remote control and while she's out to dinner with a bunch of people, a kid gets his hands on the remote and starts pushing the buttons (don't ask!) and that scene was a lot more obvious that something was going on with her and a lot more raunchy! The sex scenes in this movie make the sex scenes in Game of Thrones look triple X rated! While you know what's going on, there's no nudity and every thing is strategically covered. If anything, Casanova should have received a PG-13 rating or they should have just gone all out if they had already gotten an R rating with that one scene.

While a very visually stunning movie, it is very forgetful. 

Sunday, March 16, 2014

Knight Moves

A Knight's Tale
Director: Brian Helgeland
Cast: Heath Ledger, Mark Addy, Alan Tudyk, Paul Bettany, Shannyn Sossamon, Berenice Bejo, Laura Fraser
Released: May 11, 2001
Viewed in theaters: May 11, 2001


This was Heath Ledger's first movie where he played the lead. There are three main instances where he became known in the public eye. The first, was this, his first starring role; the second was his Oscar-nominated turn in Brokeback Mountain; and the third was his critically-acclaimed performance in The Dark Knight which was sadly overshadowed by his death. Now, I don't want to brag or anything, but I was a Heath Ledger fan (oh, okay, fangirl!) before any of those movies. Heath had a lot of female admirers before 2001, but, trust me, A Knight's Tale cinched many more! I know this for a fact because after 10 Things I Hate About You and The Patriot, I raved about him to my friend. Did I praise his amazing talent and tell her to watch out for a few Oscar nominations in his future? Haha, please! I was a shallow college student! I was going on about how hot he was and how I loved his Australian accent (those are seriously the best!) I was a little infatuated, you could say. My friend agreed he was cute but she wasn't as into him as I was....until she saw A Knight's Tale (more than once!) and suddenly starts raving to ME about how hot he is and I'm thinking, This is what I've been telling you all along! It was like she suddenly saw the light. It was pretty amusing!

I wasn't the biggest fan of this movie the first time I saw it. I just couldn't get past how these 14th century people could sing Queen and dance to David Bowie when obviously that music didn't exist back in those days, duh! (Or, in the words of Wat, "Hellooooo!") But after seeing its sort-of-but-not-really sequel, The Order (same director and stars Ledger, Addy, and Sossamon), I came to appreciate this movie and realize, despite a few flaws (and if you can look past the music, which I have), it is quite an entertaining movie. Or maybe The Order was just that bad! Ha!

Ledger plays William Thatcher, a poor peasant who takes on the alias of Sir Ulrich von Liechtenstein so he can compete in jousting tournaments. He has to hide the fact that he is poor because only nobles are allowed to compete in tournaments. He practices jousting with his friends, Roland (Addy) and Wat (Tudyk). They meet famous writer Geoffrey Chaucer (Bettany)  - even though they don't know who he is - and he's the one who comes up with William's new name and forges his signature so he can compete as a noble.

"Excuse me, did you just say you named
your son Audio Science?!?"
William falls in love with the beautiful Jocelyn (Sossamon) who is wealthy and only knows him as Ulrich. She is a little weary of his courting at first as he is just another guy trying to get her attention. I used to think she was a major bee-yotch for making him lose those jousting matches to prove his love for her, and furthermore, I thought he was a love sick fool for going through with it and letting her walk all over him, but now I can kind of understand where she's coming from. It doesn't mean anything to her that knights tell her they'll win a tournament for her because that's expected of them anyway. Making him choose between her or winning the match was brilliant on her part. Evil, but brilliant. It's a great ultimatum for every woman to have! And it was sweet of him to lose to show her that he did love her, but honestly, if some guy, no matter how hot he was, came up to me and said the things William said to Jocelyn, I'd probably laugh in his face. Or roll my eyes. "Love has given me wings so I must fly!"; "If I could ask for one thing, it would be for time to stop so I can be in this moment with you forever!"; "I would give my ears just to hear your name!" And let's not forget the love letter. Good Lord, that was filled with cheesy goodness.

There are two actresses (basically the other two that aren't Shannyn Sossoman since there are only three women in the whole movie!) who would go on to become more well known in projects much later on in their careers. The first is Berenice Bejo who would later go on to play the female lead in The Artists ten years later. (A perfectly nice movie, but a bit forgetful even if it did win the Oscar). She plays Jocelyn's lady-in-waiting, or personal assistant. Wikipedia says her character's name is Christina, but honestly, I don't even remember her ever being called by her name. At first, whenever she is on screen she doesn't have any lines (early practice for The Artist, ha!), but she does eventually get to speak. I would be totally annoyed if I were her because whenever she's around Jocelyn, Jocelyn gets complimented about her looks by everyone and they just treat her lady-in-waiting like she's invisible when she's a very pretty girl too!

And then there's Laura Fraser who plays Kate, the blacksmith, who joins William's entourage and makes William a new suit of armor that's thinner, but still as strong, so he can easily move around in it. Fraser is best known for playing everyone's favorite stevia-addicted neurotic who can provide an "ocean of methylamine." That's right, I'm talking about Lydia Rodarte-Quayle from Breaking Bad, which just so happens to be my favorite show of all time. It's a good thing William wasn't interested in Kate since we know she's not into blondes! (Oh, Todd, you poor, creepy, guy). She's very fresh-faced and cute and not so uptight in this film! And she does speak with her own natural Scottish accent. There's not a murderous bone in her body! 

"Will, I am!"
After reading Michael Crichton's Timeline (which also takes place in the same century), I became quite intrigued with the time period. There's a chapter where two characters are jousting against each other and I didn't realize what a dangerous sport it was until I read that book. I mean, from the movie I could tell it looked a bit painful, but it takes a lot of precision and you can easily get killed if someone aims the lance at your head. Which is why the last scene where William jousts without his armor or a helmet AND just got stabbed in the chest if a little bit WTF?, but I think everyone knew he was going to win. After all, his blind father was "watching". Supposedly they have modern-day jousting with "strict guidelines" (yawn!) and "development of the use of breakable lance tips for safety" (boring!) You know it's lame compared to the bloodshed and excitement of the real thing. Don't you wish you lived in the 14th century? Yeah, me neither. 

Wednesday, July 4, 2012

The Spirit of 1776

The Patriot
Director: Roland Emmerich
Cast: Mel Gibson, Heath Ledger, Jason Isaacs, Joely Richardson, Chris Cooper, Tom Wilksinson
Released: June 28, 2000
Viewed in theaters: July 14, 2000

Oscar nominations:
Best Cinematography (lost to Crouching Tiger, Hidden Dragon)
Best Sound (lost to Gladiator)
Best Score - John Williams (lost to Tan Dun for Crouching Tiger, Hidden Dragon)



When it comes to movies about celebrating this country of ours, there's only one director you need to turn to for finding that perfect patriotic movie. I'm talking, of course, about Roland Emmerich, the German who gave us Independence Day and the movie I'll be reviewing in honor of Independence Day, and my favorite Emmerich movie, The Patriot. Now I know what you're thinking: Emmerich directs a lot of crap, crazy Mel Gibson is in this movie, this movie isn't the most historically accurate. Yes, it is true that Roland "let's destroy the world" Emmerich is a bit of a one-trick pony (director?) but to be fair, this is one of his few movies where the world isn't being destroyed and it's his highest rated movie on Rotten Tomatoes. Granted it's only 62% fresh, but it's still his highest rated. As for Mel Gibson, well this was before he became a punchline and honestly isn't the fact that both Heath Ledger and Jason Isaacs in this movie enough to make up for that? Plus there's a lot of other really cool people in this movie: (Oscar winner!) Chris Cooper, (Oscar-nominee!) Tom Wilkinson, Rene Auberjonois, Donal Logue (I'm one of the five people who watched Grounded for Life).

When I saw the trailer, I knew I had to see this movie. I'm usually not a big fan of epic war movies that are over two and a half hours, but when it comes to the 18th century and the American Revolution, I am a huge geek. It's my favorite era. If I could go anywhere back in time, I'd choose the 1770s. I think it would be fun! Well, maybe for like a day! The closest I've ever been to that time period is Williamsburg, VA (in 1994!)

Cinematic crush
Now as much as I love this movie as it's the only film about the Revolutionary War besides the one that's a musical starring Mr. Feeney, it does help that Heath Ledger is in it. I would still enjoy the movie even without him, but him being in the movie makes it so much better. I was a bit of a, ahem, Heath fangirl back in the day (and yes, I took his death VERY hard), but his character, who is the oldest child of Benjamin Martin (Gibson) is such a gem....which is actually what his initials are...GEM (Gabriel Edward Martin). He joins the war against his father's wishes and while he's gone, he writes to Ann, the (bland) girl he's courting and he's writing to her in his perfect calligraphy penmanship about how he's thinking of her and how he misses her and signs the letter "Eternally and forever yours." Awwwwww.  There's a lot of cute scenes between him and Ann like when she puts ink in his tea as revenge for when he did it to her when she was 11 and when they get married and he tells his dad that he must dance with her.

Plays an evil guy who hates a family with seven children..
sounds familiar! 
Jason Isaacs plays Colonel Tavington. The good news? No blond wig. The bad news? No pimp cane, although the furry hat makes up for it.  Let's just say Tavington makes Lucius Malfoy look like a kitty cat. When we are first introduced to him he finds out that Benjamin has been caring for wounded Red Coats at his plantation, and, thinking that Gabriel is a spy, demands for his hanging. His father tries to stop them, but he takes him anyway. Thomas, the next oldest Martin child, tries to save Gabriel, but is immediately shot and killed by Tavington who calls him a "Stupid Boy."

If you think just shooting innocent kids is bad enough, it gets worse. Just days after Ann and Gabriel get married, he gathers a bunch of the townspeople into the churching, including Ann and her parents, to hold a conference. After he gets information he needs from some blabber mouth, he demands for all the doors and windows to be shuttered and throws a torch onto the roof thus burning all the people inside. I didn't understand why everyone didn't just pry the pews from the floor and break the windows with them. Have they never seen Titanic? You know that event that happens about 130 years in the future and then a movie was made about it 85 years later? :-) But if Ann hadn't died, then we would have never gotten really hot Gabriel seeking revenge (he is really hot when he's angry!) So, uh, thanks, Tavvie. That's one of my favorite scenes when Gabriel and the others go after Tavington and his brigade after they discover the burned church. I love the scene where the priest (Auberjonois) has been shot and as he's falling in slow motion, he throws up his musket and Gabriel catches it to shoot Tavington with. It's just really cool and badass the way it's shot. It's just too bad that Gabriel had to get personal and stab Tavington himself. It's so obvious he wasn't dead after Gabriel shot him and when he drops the musket, I'm screaming, "What he hell are you doing? Shoot him again! SHOOT HIM AGAIN!"


Even after Tavington kills two of the main character's children and burns a church with a bunch of civilians inside, I still laugh at one of his lines during the final battle scene:
Tavington: "On my command, we charge!"
British solider: "But sir, we haven't been given the order yet!"
Tavington: "CHARGE!"

LOL! Tavington may be an evil SOB, but he sure can bring the funny.

Benjamin's youngest child, Susan, hasn't spoken since her mom died. She starts talking again when her father and oldest brother are out recruiting people to fight in the war. When the audience first hears her speak (along with Gabriel), she tells him that she hates their father and wishes he would go away and never come back. Later, Gabriel tells his father that Susan is talking and saying how much she loves him and misses him and understand why he's gone. That always makes me laugh how he just blatantly lies. When little Susan cries and begs the day after Gabriel's wedding when her father is about to leave again, I cried too! It  is so sad! I remember watching this in the theater and tears were streaming down my face! Did I cry when Thomas died? No. Did I cry when Gabriel died? No. (I was very disappointed though!) Did I cry when Ann and the others were burned alive? No. Did I cry when that one guy found his wife and  little red-headed son had been murdered? Yes, yes I did. But not as much as when Susan kept crying and saying, "Papa! Don't go! I'l say anything! Don't leave me!" OMG, it's sooooo sad! It just broke my heart.

Watching the movie now, there's no doubt that everyone would agree that the most famous Martin child is played by Heath Ledger, but when the movie came out 12 years ago, I would say there was probably someone else who played one of the Martin children who may have been a little more recognizable than Heath, who American audiences may have only known from Ten Things I Hate About You. Of course I'm talking about Gregory Smith, who played Thomas, from Zenon: Girl of the 21st Century. Haha, no I'm just kidding. Third-oldest son Nathan is played by Trevor Morgan who had just come off playing Tommy Tammisimo (perhaps you've seen his cough syrup ads?) in a little movie called The Sixth Sense. Yeah, you may have heard of it. I love that movie even more than I love this movie. I remember watching this in the theater and thinking, "Be careful, Tommy Tammisimo!" when he was hiding under the table from Tavington.

Besides the great cast and the era this movie is set in, I also love the score, the costumes, and the cinematography.

HAPPY FOURTH OF JULY! In the words of another character from another Roland Emmerich movie, "Tonight we celebrate our Independence Day!"

Saturday, May 28, 2011

Class of '99

10 Things I Hate About You
Director: Gil Junger
Cast: Julia Stiles, Heath Ledger, Joseph Gordon-Levitt, Larisa Oleynik, Andrew Keegan, Larry Miller, Allison Janney
Released: March 31, 1999
Viewed in theaters: April 17, 1999


This is my tenth and final teen movie that came out when I was a teen. And I decided to save the best for last. Or, at least, my favorite. Have I seen this movie as many times as the number in the title? Definitely, if not more. Can I recite the lines verbatim? Pretty close, pretty close.

I love this movie so much, I think, because I have such fond memories of it. This is the movie that introduced millions of teenaged girls to Heath Ledger and I can attest that any female who was in high school/college when this movie was released has definitely seen this movie. I mean, who didn't swoon when he serenaded Julia Stiles on the bleachers? I remember when I was in college and this was one of the movies we watched for movie night in our dorm's lobby. There were, like, 25 girls and only 3 guys and of course all the girls had already seen the movie. Hilarious. I remember all the girls were being all fan-girlish when Heath walked into Club Skunk wearing leather pants and of course, when he sang Can't Take My Eyes Off of You. 


Best scene ever! 



Tommy Solomon and Alex Mack:
Cutest Couple
Here's a quick plot synopsis: Cameron (Joseph Gordon-Levitt) is the new kid at school and he wants to go out with Bianca Stratford (Larisa Oleynik - I have no idea how to say her last name; I've always pronounced it "oily neck" but I don't think that's right! ) who isn't  allowed to date because of her father's strict rules, but he tells her she can date when her older sister, Kat (Julia Stiles), does. Only problem is nobody likes Kat because she's a "heinous bitch" who hates everybody at her school. Joey Donner (Andrew Keegan) is the school's part-time model and full-time douche bag who also wants to date Bianca so he can "score" with her. Cameron and his friend Michael try to recruit somebody who will be brave enough to take Kat out and they enlist the mysterious Patrick Verona (Ledger) who has a questionable reputation. They then get Joey to pay Patrick to take Kat out so he  can go out with Bianca, then tell Patrick that they are doing this for Cameron and not for Joey because he's only a pawn. So while Joey's paying Patrick a hundred bucks a date, Cameron and Michael are gathering intel from Bianca about her sister which they in turn give to Patrick so he can get on her good side and she'll want to go out with him. It makes more sense when you watch the movie, trust me.

I don't think Kat and Patrick would have ever made it as a couple in real life. She was insulted when he didn't kiss her back in the car, but I have to side with him because he didn't want to take advantage of her being so drunk, then after he sang to her and everything was looking good again, they got into a fight about going to prom and he said that she needed therapy. I sided with her because that's just not cool. Then Kat decides to forgive him and they go to prom and that's when the big secret is revealed and she finds out that he was being paid to take her to prom. Of course all is forgiven at the end of the film and they kiss and make up. But they don't discuss the fact that she's going to college in New York while he'll most likely stay in Seattle. Yeah, we can kiss that relationship goodbye...

In case you didn't know, I should mention the film is based on the Shakespeare play, The Taming of the Shrew (which I've never read, but really, why do I need to?) and the title of the film refers to a poem Kat reads at the end of the movie.

Is there a party scene? Affirmative. 
Is there a prom scene? Affirmative. 
Is there a football scene? Negative.
Is there a makeover scene? Negative.
Is there a scene where all the different high school cliques are being shown? Affirmative.
Was this movie spoofed in Not Another Teen Movie? Affirmative. The main guy sang "Janie's Got a Gun" because the main girl's name was Janie and everyone freaked out because they thought Janie had a gun. They also spoofed the poem.




Do I own the soundtrack/favorite song - Yes, I like "The Weakness in Me" by Joan Armatrading and "Even Angels Fall" by Jessica Riddle. The best song that's not on the soundtrack is "Just Be Good To Me" by SOS Band. (I also have a rare cover that Mariah Carey performed live in Japan - that was back in the good old days of Napster.)

Darkest scene -  I would say when Bianca punches Joey twice in the face and then knees him in the groin, but that was more hilarious than anything, so I'll say when Kat finds out she was being used as a bet. (Hmm, we've come full circle to She's All That!) 

Favorite line - "There's a difference between like and love: I like my Sketchers, but I love my Prada backpack." - Bianca. I also get a good chuckle everytime the guidance council (played by a pre-West Wing Allison Janney) asks, "Judith, what's another word for engorged?" when she's writing her steamy romance novel.

Favorite character -  Ms. Perky is great. Allison Janney is only in about three scenes, but she's hilarious in all of them and you wish she had more screen time. 

Favorite scene -  Duh, I like the scene where Heath Ledger sings to Julia Stiles! 

Hey, it's the '90s! - Bianca watches The Real World, there are mentions of Dawson's Creek, Marilyn Manson, and the Spice Girls. Also, fliers are used to announce a party. Yes, FLIERS! No Facebook or texting for these freaks who went to high school in 1999! 

And now you've waited for it. The #1 reason why the class of 1999 is the best graduating class of all time. I won't rehash the other nine reasons why it's such an awesome year because you can just go back and read them in my other reviews (and most of them were pretty lame, I will admit). 

So 1999 is the best graduating year of ALL TIME because not only are we the last graduating class of  the nineties, but we are also the last graduating class of the century and millennium. Now before you nitpick and whine that technically 2000 was the last year of the century and millennium, I know that, but to me the clock starts over when you reach 999 and flips to 000, so therefore I count 1999 as the end. Everybody celebrated 2000 as the millennium anyway, except for, like, supernerds.  SO IT TOTALLY COUNTS!!!! Besides, class of 2000, you can brag that you're the first graduating class of the century and millennium. (Sorry, class of 2001). 
                                                                        

Thursday, December 3, 2009

A Very Long Review

Um spoilers...and please ignore how crappy this looks (especially towards the end)! I have not mastered Blogspot yet; why can't it be simple to use like LiveJournal?

Batman
Director: Tim Burton
Cast: Michael Keaton, Jack Nicholson, Kim Basinger
Released: 6/23/89

Oscar nominations:
Best Art Direction (won)



Batman Forever
Director: Joel Schumacher
Cast: Val Kilmer, Jim Carrey, Tommy Lee Jones, Nicole Kidman, Chris O'Donnell
Released: 6/16/95
Viewed in theaters: 6-7/?/95

Oscar nominations:
Best Cinematography (lost to Braveheart)
Best Sound (lost to Apollo 13)
Best Sound Effects (lost to Braveheart)



The Dark Knight
Director: Christopher Nolan
Cast: Christian Bale, Heath Ledger, Aaron Eckhart, Maggie Gyllenhaal, Gary Oldman
Released: 7/18/08
Viewed in theaters: 7/20/08 (Um, my first viewing)

Oscar nominations:
Best Supporting Actor - Heath Ledger (won)
Best Sound Editing (won)
Best Art Direction (lost to The Curious Case of Benjamin Button)
Best Cinematography (lost to Slumdog Millionaire)
Best Editing (lost to Slumdog Millionaire)
Best Makeup (lost to The Curious Case of Benjamin Button)
Best Visual Effects (lost to The Curious Case of Benjamin Button)
Best Sound (lost to Slumdog Millionaire)


As you can see, I watched three different Batman films. Three different decades, three different directors, three different Batmans (sorry, Clooney, you didn't make the cut - there's no way you can make me watch that dreck!) Now I should preface this by saying that I'm not a Batman fan in the least; I know nothing when it comes to the world of Batman. In fact, for the longest time, I had no idea he was referred to as the Dark Knight. When I first heard of Nolan's title, I thought he was the one who came up with it (I'm being serious, people) and thought it was a catchy title and could totally see Batman being called the Dark Knight. Little did I know... Actually, they refer to him as the Dark Knight twice in Batman Forever, but I didn't remember that since it's been at least ten years since I've seen that movie. I also didn't know that Harvey Dent and Two Face were the same person. I remember Eckhart doing press before TDK was released and didn't understand why all the interviewers kept bringing up the character of Two Face and then I put two and two together. Aha!
So in this review I'm going to compare and contrast the different elements of these three movies. I totally won't discriminate - oh, who am I kidding? I so have a clear favorite and you might be surprised by which one it is. Or not. Probably not.

Director: Burton v. Schumacher v. Nolan
All three movies are very different in style. Burton's has a certain athestic where you definitely feel like you're watching one of his films. There's a very gritty and almost nostalgic feel to '89. It kind of reminds me of an old mafia movie, especially with the way the men dress: trenchcoats, bowties, vests, fedoras. Watching it is almost the equivalent of watching a comic book come to life.
Then there's Schumacher who took over when Burton's movies were deemed too dark. (While I didn't find '89 scary, Batman Returns is pretty twisted and dark). Forever is a flashy summer blockbuster. It's almost like watching a live-action cartoon. Most of the characters are caricatures with over the top performances and it's clear Schumacher chose the actors based on their attractiveness or popularity at the time. Watching this is like eating a bag filled with fun-sized candy bars: enjoyable at first, but the more you have, you start to get sick of it and want to stop and make it go away. It gets very tiring very fast.
Nolan's version is the most realistic and I mean this as a compliment when I say it's like I wasn't even watching a Batman movie (except when Bale showed up in costume). All the characters felt real, not as though they were taken from Saturday morning cartoons and there was no dialogue that sounded like it came from a balloon bubble. It's insane how well this movie did. Look at it this way: according to IMDb.com, it made more money in the first six days of its release than Batman Begins made in its ENTIRE run. As Brian Fellows would say, That's crazy! Oh yeah, you should know Begins made $205 million. Crazy! (By the way, TDK made over a billion dollars around the world).

Gotham:

Obviously, the look and feel of the Batman's hometown differs in all three films. There's a very 1930s New York vibe to it in '89. It doesn't look like a place I'd visit because of its dark and gritty appearance. I read a review that said the exterior shots of the city looks like "a diagram of an artificial city" and yeah, I have to agree. Of course, this film came out twenty years ago, so of course the special effects are going to be outdated and crappy. I'm sure twenty years from now we'll all have a good laugh over how big the cell phones are in TDK.
If Burton's Gotham looks like a place I wouldn't want to visit, then Schumacher's vision is a city I would avoid at all costs. Good Lord. His Gotham makes Las Vegas look like the small Iowa town where my mom grew up. There are neon lights everywhere and the GCI exterior just looks cheap. Forever's Gotham gave me a huge headache and can you imagine living there? Ugh!
Nolan's Gotham is a real place where real people live. Of course, that's because it's Chicago, but they film it so it's not obviously Chicago and it works. No stupid and cheap made-up Gothams.

Batman/Bruce Wayne: Keaton v. Kilmer v. Bale:
In all three movies, I prefer Bruce Wayne to Batman because I cannot take a grown man in a bat costume seriously and all three actors are way better when playing Wayne. Keaton is charismatic as Wayne but it bugs me he didn't alternate his voice as Batman and the delivery of the line about "dancing with the devil in the pale moonlight" to the Joker is just awful. Another thing that bugs me is the scene where he's sleeping hanging upside down. There are so many things wrong with that. First of all, Batman is human, not a bat, so WTF? And if he was a bat-human, wouldn't he be sleeping during the day? Duh! And second of all, Vicki Vale was there and saw him; wouldn't she be suspicious? It was just stupid.
Kilmer at least attempt to change his voice as Batman, but he gives off a very metrosexual vibe (perhaps its the nipples on the Batsuit?) as Bruce Wayne as in he wouldn't want to break a nail. With Bale, you could totally see him taking some names and, well, pulling a Bale on them. Now his Batman voice is unintentionally funny but you have to give the guy credit for at least trying. Maybe he should've used his natural accent as Batman, though people would all be "why the f--- does Batman have a British accent?"

The Women: Basinger v. Kidman V. Gyllenhaal:
The love story in the Batman films always seem like filler to me and they're just thrown in there to fill a quota. As photographer Vicki Vale in '89, I thought Kim Basinger looked better with her hair pulled back and wearing glasses then when she was "glammed up" in those ugly pouffy dresses. She has so much hair that it's almost her supporting co-star.

As Chase Meridian, Kidman's role in Forever is pretty much only to seduce Batman and make booty calls and come off as a desperate. See, she's in love with Batman, but Bruce is in love with her (she's his psychiatrist - and whose therapist looks like that anyway? Please!) and she doesn't know her patient is the Caped Crusader. Hijinks!
So of course everyone knows Katie Holmes played Rachel Dawes, Bruce's childhood friend and love interest in Batman Begins, but due to "schedule conflicts" (please, Joey Potter, we weren't born yesterday!), Maggie Gyllenhaal stepped in for her in its sequel. So here are my thoughts about TomKatGate:



I like Maggie, but I found her to be the weakest link in TDK only because I didn't really care for the character of Rachel and found any scenes with her to be boring. While I was semi-spoiled about her death (when I was walking into the theater, I walked past these guys who said, "I can't believe they did that to Batman's girlfriend!" So yeah, it wasn't that hard to figure out something terrible was going to happen to her), and while I felt bad for Bruce, I was kinda glad she was gone from the movie at that point. Oh, well, at least a certain someone's sister played her so I can write hilarious captions like this:


"Hey, didn't I make out with your brother once?"

The Joker: Nicholson v. Ledger
It's the age-old question that's been going on for decades (okay, under two years): who was the better Joker? Who do I prefer? I was a teenager when 10 Things I Hate About You came out, so who do you think? Hey, I don't discriminate...against hot Australians. Okay, I may be a bit biased with my decision. I've always been a Ledger fan (and yes, that was an awful day for me). Plus I can't stand Nicholson and his "oh, I think I'll wear sunglasses and sit in the front row of the Oscars this year even though I'm NOT NOMINATED because I can get away with it because I'm some Hollywood legend." Did you know that he would only be cast as the Joker if only Burton billed him first? Uh, shouldn't the guy playing the MAIN TITLE CHARACTER be billed first? Dude, get over yourself!
But actor preference aside, let's just focus on the acting aspect. Now I have no idea whose Joker is more like the original one (probably Jack's since his is more like a comic-book character), but if I watched a clip from '89 without knowing who played the Joker, I would have said Nicholson in a second. His schtick is he falls in a vat of chemicals and his skin turns white (not burned as you might think) and he has a permanent smile. He kills people by using a cute array of deadly gags like hand buzzers that electrocute and acid-squirting flower pens. He's a happy clown! He likes to twirl his cane and dance to Prince. (WTF, I know). Creepy, yes. Scary, um, not really. He plays it very campy. Now I'm going to get a lot of flack for this, but I really don't see what the big deal about his Joker is and I remember when it was announced Heath was playing the new Joker and everybody was saying he would never do Jack justice and how he was going to suck and ruin the movie. I'm sorry, but if John Lithgow (who was actually considered for the part; I bet he wouldn't have demanded to be filled first!) had played the Joker the EXACT same way as Jack did, nobody would be saying anything about his performance. And now it's funny that people are saying Heath was the better Joker (except for the stubborn Burton fanboys).
Now if I saw TDK and didn't know who played the Joker, I would have never guessed in a million years who it was. (Well, except for the three second he's not wearing make-up, then it's pretty obvious). I think the voice he used (which Entertainment Weekly described as "Al Franken mixed with a nerdish pedophile" - thank you, EW, I couldn't have said it better myself) was the big reason that made Ledger almost unrecognizable. In real life, Heath's voice was like buttah, but his Joker voice is so damn creepy! Now, undoubtedly, he is scarier than '89 Joker, but I would dare say that he is funnier too...and he didn't even have all those cutesy gags. I laughed when he overheard one of his goons describe him as "the crazy clown in the cheap purple suit" and tells him "Oh, by the way, my suit wasn't cheap. You should know; you paid for it." And by the fourth time he asked somebody if they wanted to know how he got his scars, all I could think of was '08 Joker at some dinner party, asking guests that same question and people thinking, Oh, God, not this schmuck again!"
Also, did anyone else think he rigged those detonators on the boats so they would blow up their own boat instead of the other one?
Two Face: Jones v. Eckhart:
In Forever, Two Face is every bit
the comic book caricature
with his "normal" side and his
"wild" side. Not only is his
appearance and suit divided into
two, but also his head-
quarters and he has two, uh,
concubines, I guess: Sugar and
Spice. We never see him as D.A. Harvey Dent, although there
is a quick explanation of how he
turned evil, but I didn't really
understood what happened to him physically.
In TDK, Eckhart doesn't
actually become Two
Face until the third act; we see
him as good guy Dent for the
first two. His Two Face makeup is definitely more gruesome
than Jones'. In
fact, the only thing I would say is not very realistic about TDK (well, besides, some of the Joker's 24-style terrorist activities; seriously, you would need to know some serious access codes to pull off what he does in that movie), is the fact that this man is walking around with half of his FACE burned off right in the open. Even if you lived to survive that, there's no way anybody could go out in the open like that and not get infected. But that said, it is still a Batman movie. I have to give Eckhart props, because even though Heath Ledger steals the movie, he definitely held his own.
Harvey Dent is also featured (in a very small role) in '89 and played by Billy Dee Williams. Burton never got to use him as Two Face, but there was some serious foreshadowing when he reads a letter from Batman at the end of the film and states, "If the forces of evil should rise again, call me." Hmmmmm....he was talking about himself! And speaking of foreshadowing, there was some of that in TDK when Fox tells Bruce that his newest weapon of choice "should do well against cats". Whoever could he be referring to?

The Riddler and Robin:
To get a good sense of Jim Carrey as the Riddler in Forever, take Ace Ventura and the Grinch and smash them together, multiply that by ten and you have the Riddler. Carrey is ridiculously over the top and I have a feeling that Schumacher was encouraging him to be as obnoxious as possible. Unlike '89 and TDK where the villains are feared, I never got that sense with the Riddler or Two Face. They were used more for comic relief, and honestly, they weren't that funny. While I wanted more scenes with the Joker when I watched TDK, the Riddler
couldn't get off my screen soon enough when I watched Forever. Now I've seen Eternal Sunshine of the Spotless Mind, so I know Carrey is a capable actor, but man, he is awful
in this. There's even a scene where he says something to Batman, then asks, "What that over the top?" YES! Yes, it was!
The real person we should feel sorry for, though, in this
movie (after all, Carrey laughed
his way to the bank), is Chris O'Donnell. Not only did he have to play the useless Robin (who is
Batman's answer to Scrappy-Doo), but he is the only one from this film who went on to be in
the even worse Batman and Robin - which I've never seen and never want to judging from the
few clips of it I have seen.


Okay, to wrap things up, because I'm sure nobody is reading
this anymore, I actually preferred
Michael Gough's Alfred in '89 and Forever to Michael Caine's in TDK because with the former
that's the only character I've ever seen him play, so he is
Alfred to me. With the latter, I've seen
Caine in other movies and at award shows, so I just saw
Michael Caine. (Though he did have
some funny lines). Commissioner Gordon is hardly used in
'89 and Forever, but is very much
used in a great storyline in TDK and Gary Oldman is right
behind Ledger and Echkart in terms
of performance.

Why so...Sirius?

Somehow my font keeps changing and and I have no idea why and this review is going to look really messed up and I'm about to go all Christian Bale on this stupid site, so I better wrap this up. Anyway, here is my final evaluation of the movies:
Batman: See it if only for it's a classic and it did jump start the whole franchise (which is a good and bad thing). And if you don't compare Nicholson's Joker to Ledger's, he's not entirely that bad. I still think Lithgow would have make a better '89 Joker, though.
Batman Forever: This movie sucks. Don't see it if you haven't already.
The Dark Knight: This movie is awesome and if you haven't already seen it, you must live under a rock. There's a reason this movie made a boatload of money: because everyone and their grandma went to see it...multiple times!