Showing posts with label Joseph Gordon-Levitt. Show all posts
Showing posts with label Joseph Gordon-Levitt. Show all posts

Wednesday, August 7, 2024

The Heat is On

Beverly Hills Cop: Axel F
Director: Mark Molloy
Cast: Eddie Murphy, Joseph Gordon-Levitt, Taylor Paige, Judge Reinhold, John Ashton, Kevin Bacon
Released: July 3, 2024
Viewed: July 3, 2024


It just happened to be pure coincidence that I had recently watched and reviewed the first three Beverly Hills Cop movies; I had no idea there was a fourth one coming to Netflix, but since I had watched the first movie, the trailer for the new one popped up and that's how I found out about it. By the time I had watched all the previous films, I was ready to watch this one and I caught all (well, most of) the shout-outs and nods of the previous films (well, the first two, really).

This movie is definitely going for the nostalgia factor for the old school fans. Why, within the first ten minutes you hear not one, but two songs that may sound a little familiar (especially if you just watched the first two films!). The opening scene starts with Axel driving through Detroit as "The Heat Is On" by Glenn Frey is playing on the radio (even though it appears to be winter, so kinda ironic!). If you remember, that's the song that started the very first film. So here's something I never knew: that song was written specifically for Beverly Hills Cop. Talk about a TIL moment! I have always been aware of that song for as long as I can remember, but I had no idea it was specifically written for BHC until I read it just now on Wikipedia. I was wanting to see what year it came out, thinking maybe it was the hot summer song of 1984 or maybe it came out a few years prior. Thinking about it now, it makes sense since "The Heat" is slang for police (I guess it has something to do with the red siren on their cars...IDK). 

About ten minutes later, when Axel and his partner (who's pretty much a nonentity in this as we never see him again after this scene) are chasing bad guys who were robbing the Detroit hockey arena (I guess they were taking rings and trophies, something that must have been of value), "Shakedown" by Bob Seger starts playing and that was payed during the opening scene of Beverly Hills Cop II. Now I knew that song was specifically for that movie as it was nominated for an Oscar. Here's a hot take (maybe, I really don't know if it is or not): I like "Shakedown" more than "The Heat Is On".

We'll also get "The Neutron Dance" by the Pointer Sisters that played early on in the first movie later on in this movie when Axel is getting into some hijinx in Beverly Hills, around Rodeo Drive. A remix of "Hot in the City" plays when he arrives in The Hills, but I can't remember if they played that song in any of the original movies. 

Another way they get the nostalgia factor is bringing back a lot of the characters from the previous movies. Of course we will get Judge Reinhold and John Ashton returning as Rosewood and Taggart (40 years older, but to be fair, everyone is 40 years older than they were in the first movie!), but we also get Paul Reiser returning as Jeffrey Friedman and Bronson Pinchot returning as Serge. Jeffrey is now the Chief and in his office there's a photo of Inspector Todd, the Chief from the first three movies, so that was a nice touch. When Axel and his partner (whose name I don't even remember because it's not that relevant) are chasing the bad guys in a snowplow (very reminiscent to when he and Rosewood are chasing the bad guys in a cement truck in the second movie), the partner calls it into the station and when one of the officers hears it and says "Let me guess...Foley", Jeffrey sticks his head in the room and says "Did you say Foley?" Ha! 

A bunch of cars and city property get damages because Axel can't drive the snow plow (I don't think Axel can drive any vehicle that isn't a car) and Jeffrey is furious. It's not an Axel Foley movie without Detroit or Beverly Hills getting completely destroyed (and BH will soon get its turn!) and the Chief getting angry with Axel. Jeffrey is irked that he himself was screamed at "for 45 minutes straight" by the police commissioner. He tells Axel that he's retiring and basically he won't be there anymore to help get Axel out of his jams because that's apparently what he did in the past. 

Of course, there are new characters too. We find out that Axel has a daughter named Jane (Taylor Paige) who he rarely sees. She works in (or perhaps near) Beverly Hills as a defense attorney and we see a quick shot of her ID card which has her birth year as 1991. This confused me a bit because this would mean that Axel had a young child in Beverly Hills Cop 3 (which came out in 1994) and, of course there is no mention of that because they didn't know they would be making a sequel thirty years later where Axel would have a grown daughter. It's just interesting that's the year they chose as her birth year. We get some backstory that he moved his family out to Beverly Hills when Jane was a kid because it wasn't safe in Detroit because the 12th Street Mafia was out to kill him and his family. He eventually divorced Jane's mother and moved back to Detroit. We never find out who the mother is (nobody we know, presumably) or if she's still around and we never find out the story with this 12th Street Mafia. I honestly don't even think the writers know and didn't really care that much. It certainly sounds like we could use a Beverly Hills Cop 3.5 because there's certainly a movie (or two!) missing from this timeline! 

Because Jane dislikes her father so much, she goes by Jane Saunders instead of Jane Foley. (I'm guessing Saunders is her mom's name.) When we meet her, she is meeting a young man in prison named Sam Enriquez who claims he's been set up to look like he killed a cop but insists he didn't. She tells him she is representing him pro bono and wants to hear his story of what happened. He says that somebody talked him into "muling one time". He was in the passenger seat with Copeland, an undercover cop, and he saw a black SUV trailing them. He tried to call someone, but his phone wouldn't work. The SUV pulled up alongside them and a gun pointed out and shot Copeland. Sam grabbed the wheel and steered them into the SUV, but lost control and hit a pole. The next thing he knew, he was waking up with the gun in his lap next to a dead body. 

Jane is suspicious of Copeland and thinks he's a dirty cop. At the court hearing, she tells the judge that "the defense will be submitted a motion to subpoena Lieutenant Copeland's finical records as [they] believe he was involved in potential criminal activity." 

In the parking garage, after she gets in her car, she gets a very clear message that there are people out there who do not want her working on this case. She knows this because her car, which she is still in, mind you, because she was unable to escape, is pushed off the parking garage by about four men in masks and she's just dangling there (the masked men were kind enough to at least tie her car with chains attached to poles so at least she didn't drop). However, that was just a warning, and next time she probably won't be so lucky. 

The police arrive as well as Rosewood, who now has his own investigating company. Apparently, he was the one who got her involved in the case. He tells her she needs to drop the case because he doesn't want to have to tell her dad that she got killed. When she refuses to give up on the case, he tells her that she and her dad are exactly the same. Billy calls Axel to tell him what's going on and this is the reason for Axel going to Beverly Hills. After hanging up the phone, two men have their guns pointed at Billy and he is kidnapped. He was in a junkyard and had "just got the evidence [he] needed". Axel had heard dogs barking and asked him where he was and learning that he's in an impound will be a clue for later on. 

Jeffrey drives Axel to the airport and tells him to "watch his ass out there" because he's "not 22 anymore." I believe that's how old Eddie Murphy was in the first movie (or at least, somewhere in his early twenties) so that was a fun little callback. Axel just smiles and replies, "They love me in Beverly Hills." 

Billy was supposed to pick up Axel at the airport, but he never showed up. Axel calls him from his rental car, but doesn't get an answer, so he goes to his office of Rosewood Investigations which is set in some hotel room (interesting place for a business, a little seedy if you ask me!). When he gets there, he notices the doors has been broken into and he walks in where he sees two guys rummaging around. Being who he is, Axel immediately acts like he's also supposed to be there. He asks them what's taking them so long and acts like he's looking for something. One guy asks who sent him and he (smartly) replies, "Who do you think?" These guys must be so dumb because one guy replies with "Beck?" and Axel replies (and this made me laugh), "No, LeBron James. Yes, Beck!" They're just giving him the answer that he needs! However, one of the guys sees a photo of Axel and Rosewood and points out to Axel that it's him (which he says is Wesley Snipes). Luckily before he was caught, he had ripped a page out of Rosewood's planner and surreptitiously put it in his pocket. 

Axel knows he's been made, but he's able to escape. Now there's a third bad guy and they're after him. This is when we get him wrecking havoc on Beverly Hills by driving a little scooter car through the posh shopping area while "Neutron Dance" is playing. At the end, the cart has flipped over and many tourists come up to him with their phones and start filming/taking pics of him. 

He ends up at his old stomping grounds of the Beverly Hills Police Department after he is arrested. He meets Detective Bobby Abbot (Joseph Gordon-Levitt) who has pulled his files and is quite familiar with his time in Beverly Hills. There is a funny moment after he mentions his time in BH in '94 as "not your finest hour." Obviously a nod to Beverly Hill Cop 3 just being a suck show. 

Axel sees a photo of Bobby that shows he was in the LAPD Air Support, meaning he used to be a pilot. This will come back later (and if you've seen the previews, you probably know). Bobby wants to know what Axel was doing in Rosewood's office (very similiar to the first movie when Taggart and Rosewood want to know why Axel was in Maitland's office), but Axel won't answer him, instead asking if he can talk to Taggart or get a phone call to call his lawyer, meaning his daughter. It takes three tries before he can finally get through to her without her hanging up on him. When he blurts out that Rosewood called him last night and if she can bail him out, he'll tell her everything. 

We get a brief scene of Axel reunited with Taggart and he asks him why he hasn't retired yet. He said he did (which is true, they mentioned it in the third movie how he retired and moved to Phoenix), but he said he got back together with his wife, Maureen, (I guess they were the Ross and Rachel of this franchise because they were always breaking up and getting back together) and apparently he moved back to Beverly Hills and now he's working again so he can be anywhere but home. Let's be honest, John Ashton wasn't in the third movie because he didn't like the script, but came back for this one. 

Taggart introduces Axel to Cade Grant (Kevin Bacon) who runs the "interdepartmental narcosis task force." When I first saw the preview for this movie I knew immediately that he was the bad guy, but it wasn't like they were trying to hide it. The discussion turns to Sam Enriquez and Taggart isn't happy that Axel's daughter is defending an assumed cop killer. 

Oh, yeah, we also find out that Jane and Bobby have a history. They used to date, but they broke up because she didn't want to date a cop. There's a really awkward moment where Axel asks them (after noticing their attitudes around each other) if they've had "intercourse" (yes, that's the word he uses). Like, dude, why would you ask your daughter that? At first, I felt a little bad that Jane was being so dismissive of him, but now I don't really blame her for not wanting him in her life! But what are the odds that those two would know each other? Yes, I suppose they do work in the same circle, but still. 

When leaving the police department, Axel asks Jane why Rosewood would be at the impound and she tells him that's where Copeland's car is and they go there to check it out. On the way there, Jane tells her dad that Sam's "just a kid who got talked into muling cocaine for his uncle", who is "some big dealer on the east side named Chalino." Axel doesn't think it makes sense that if Copeland worked for Chalino, why would Chalino kill him? 

When they arrive at the impound, Axel does what he does best and pretends to be someone else to get the information he needs. He tells the young man behind that counter that he's the "producer of the new Liam Neeson revenge thriller, Impound" (what a terrible name for a movie!) and that they're looking for a technical advisor. He sees a headshot of the guy on the wall and asks if he's an actor and the guy replies that he was in Jupiter Ascending which is the most random movie and one that I've never seen and don't know anyone who's ever seen it. Wanting to butter him up, Axel giddily tells him he loved him in that movie. Knowing that her father has never seen the movie, she asks him what it's about and he replies it's about Jupiter...ascending. It's so stupid, but funny. The dumb guy behind the counter is so happy he's being considered to help them with a new movie, he doesn't even pick up that Axel has never seen Jupiter Ascending and can't even tell his daughter the plot. (I certainly wouldn't know what it's about!) He quickly changes the subject back to the faux film he's working on and tells the guy "the movie starts off with Liam Neeson breaking into a police impound yard." The guy stops him to tell him they just had a break-in last night and Axel is mock shocked. He asks if they could have a look for "research" and are allowed access where they find Copeland's car and Axel quickly discovers a surveillance camera that somebody installed. The SD card is missing and he surmises that's what Rosewood was after. Janes says there's nothing about a camera in the car in the police report and thinks that's what they were looking for in Billy's office. 

Axel quickly realizes they're being followed and he uses his camera phone under Jane's car to discover it has a tracker. He pulls it off and they drive away where he places it on the back of a stopped bus. They soon find out the two guys that were in Rosewood's office are following them. Axel and Jane start following them now and they go to a swanky restaurant where the father and daughter will use their magic to get into the private club on the rooftop. There they see the two goons with Cade and when Axel asks what they were doing in Billy's office, he replies that Billy "stole a crucial piece of evidence" which he needs to recover to exonerate Copeland and that he "will do whatever it takes to get it back." Sounds pretty ominous to me! 

Axel checks out the home of the address he found in Rosewood's planner. He tells his daughter that there was a lot of security there "even for Beverly Hills" and that he saw the guys that were following them. They're in the car when they're having this discussing and lucky for them, Bobby is following them. I say lucky because Bobby pulls up next to a car and he hears one tattooed man say to another tattooed man to take out the people in the car ahead of them, which just so happens to be Axel and Jane. It's a good thing Bobby knows Spanish because that's the language the tattooed men are speaking. We next get a crazy moment that should have made national news, but only seems to make the local news: the two men get out of their car and start shooting at Axel and Jane who by now have gotten out of their car and are crouching down to hide from the gunmen. One of them sees Jane in a side mirror and is about to shoot her, but Bobby shoots him and the other guy. Luckily, no one is killed here except for the bad guys. We find out that they were part of a "cartel kill crew out of Adelanto." Ah! I knew it! They looked like guys who would work for Gustavo Fringe. 

Apparently, Rosewood had tried to put these guys away, but somehow it never happened and perhaps that's because Cade was also involved in their case. Taggart denies that Cade is dirty and Axel questions him if he's part of this. Bobby is suspended without pay for what happened and he accuses the chief of not wanting to solve the case. Now he, Axel, and Jane are the only three people to check into the case. Jane had done some research of the mansion that was heavily guarded and they find out it was bought with drug money. The house next door to that one is for sale so they decide to recruit Axel's old pal, Serge (Bronson Pinchot), who is friends with a real estate agent (who feels like she should be on The Real Housewives of Beverly Hills) and Bobby and Jane pretend to be a married couple who are interested in the house.  

We get some fun moments from Serge who seems to be completely the same at 60 as he was when he was in his 20s and 30s. When he pulls up in his convertible, he exclaims "I'm on an undercover mission with Ack-well Foley and I'm so happy!" 

At the house, we get another callback to their relationship when Axel asks how many bathrooms there are and when Serge tells him there are ten, Axel says "Get the f*** out of here!" and Serge (predictably) responds with "No, I cannot!" They're just giving the audience what they want.

While Bobby and Jane are being shown the house, Axel sneaks away to check out the shady house next door. There are lots of statues in the backyard that are very similar to the ones in the yard of the mansion in the first movie, so obvious a shoutout, but those statues just make the yard look cheap even though I'm sure they're very expensive. Of course, having lots of money doesn't mean you have good taste. We've all seen Trump's New York penthouse in The Apprentice. He sneaks into the garage and takes photos of the hood of a car parked in there. A camera catches him and one of Cade's minions calls Cade to tell him that Foley was at the house. 

Axel took photos of the car because he sees paint on it that must have come from Copeland's car and he found a device that's used to disrupt cell signals. Jane remembers how Sam had tried to call for help, but wasn't able to get service. They need to find the SD card and the only person who knows its whereabouts is Billy, but where's Billy? 

Axel and Bobby decide to talk to Chalino, Sam's uncle. They think he'll probably want to talk to them since Grant is trying to pin the murder on Chalino's nephew. Chalino's (Luiz Guzman) operations are in a bar-like establishment. Bobby says he's a little nervous since he knows there will be armed men everywhere and when he asks Axel if he's nervous, he replies that he's from Detroit and it will be just like going into Buffalo Wild Wings, heh. When they go inside and find Chalino singing karaoke (a half Spanish/half English "Man Eater"), he says, "This is nothing like Buffalo Wild Wings." They tell Chalino they're there because they know his nephew is being set up and is "about to go away for life for a murder he didn't commit." While pointing a gun at Bobby's head, Chalino wants them to give him a reason why he should trust them. Axel replies that his daughter is representing Sam and that the same guys who are trying to frame him almost took her out. Chalino agrees to work with them and tells them that Grant has dirty cops working for him, "protecting the cartel's interests." When ask why Grant killed Copeland, Chalino tells them "he was gonna go clean" and that he was talking to a PI that Axel realizes was Rosewood and when he asks about said PI, Chalino says "They caught him sniffing around the east basin of the port where they bring in the drugs." So now at least he knows Rosewood's last known whereabouts. I have to say, while people are concerned about Rosewood, they don't seem that concerned. 

When Axel and Bobby leave the bar and walk to their car, they are surrounded by Grant and his men. They have been obviously set up when Grant opens the trunk to reveal cocaine in a hidden spot. Both are held handcuffed in the country jail, but Axel, being Axel, manages to get them both to escape, but the only way out is on the roof where there's a helicopter...and remember, Bobby used to be a pilot for the LAPD Air Support. What he didn't tell Axel is that he doesn't fly anymore because he crashed the last helicopter he flew and now has PTSD from it. He must have forgotten how to fly because he does a terrible job. He's flying very close to the ground (like, he's level with the cars on the street, that's how low!) which just seems super dangerous. Cade shoots at the chopper and it ends up crash landing on a golf course. After listening to a couple of podcasts, I guess one of the golfers they see is from Happy Gilmore, but I've never seen that movie, so I didn't even realize that the first time I watched it. 

By this time, Taggart knows that Cade is behind this since he literally saw him shoot the helicopter. While Axel and Bobby are checking out the place where Billy last was and distract his captives to escape with him in a truck filled with statues that are full of cocaine, Jane is kidnapped when she gets into her car to drive home. Billy tells them he hid the SD card in his Rambo knife that's in his office and Axel calls Jane to let her know but Cade answer her phone and tells him to bring the SD card (by this time he already knows that Billy is with Axel) before he does something he "might regret" and to meet him at the Sunset Point Warehouse on Alameda in one hour. The audience clearly sees he's lying because he's at the mansion and Axel gets this confirmed when he calls Jeffrey to ask him to track Jane's phone. Billy thinks they should call for backup, but Bobby doesn't think that's a good idea since they're fugitives driving a truck full of cocaine (well, when you put it like that!). Axel sidesteps a police car that has a car pulled over on the side of the road and soon many cop cars are following the truck, but they soon lose their backup when the cars all crash into each other since Axel is driving so erratically. 

The truck crashes right through the front of the house which I'm sure you've seen if you've watched the trailer. I won't lie; it was a pretty cool moment. There's lots of gunfire as the bad guys are shooting at Axel, Bobby, and Billy. A few moments later, Taggart shows up and as he's pulling a gun out of the trunk, he's muttering, "That damn Foley! Here we go again." He's such a curmudgeon; I love it! Although, this guy is in his 70s; should he really be going into a house full of gunfire? When Billy does his "Drop your weapons!" routine, a clear shoutout from the first movie (and of course it doesn't work), Taggart just shakes his head and replies, "Some things never change." This is the first time we see Taggart and Rosewood together in this movie and it just dawned on me that we haven't seen them together since the end of the second movie since Taggart wasn't in the third movie. What a beautiful reunion! 

Axel spots Cade upstairs and makes his way to the second floor. We see that Jane has slipped out of her handcuff and we know that Axel taught her how to do that because they talked about it in an earlier scene. The guy watching her hears a noise and when he goes to check it out, this is when she breaks free of her restraints and smashes a vase over his head. 

Axel comes across Cade and they have a standoff. Axel tells him to put his gun down and Cade complies because he sees one of his men has a gun on Axel from behind. When Axel is about to get shot by that guy, we see him get shot by Jane who had taken the gun from the guy watching her. Cade shoots at Jane, but Axel throws himself in front of the bullet, which hits him in the front of his shoulder. Bobby arrives just in time to shoot Cade in the head. Of course, this whole sequence is done in slow motion. 

Axel is taken to the hospital, but he's going to be okay and now he and Jane are on good terms. The movie ends with a callback to the first one with Taggart and Rosewood in a parked car outside the hospital to make sure Axel doesn't leave (he had already snuck out to get some food at a nearby diner). They're arguing about something and Axel slips into the backseat and tells them they're the worst surveillance team in the world (he ain't lying!). 

The first BHC movie will always be the best, but I think this one is the next best. The third is just terrible and the second one has its fun moments, but is a bit of a hot mess and I felt like this one was more thought out and at least the storyline made a little more sense.

Tuesday, July 25, 2017

Take Me Out to the Ballgame

Angels in the Outfield
Director: William Dear
Cast: Joseph Gordon-Levitt, Danny Glover, Christopher Lloyd, Brenda Fricker, Tony Danza, Matthew McConaughey, Adrien Brody, Dermot Mulroney
Released: July 15, 1994



Not only is this movie pre-10 Things I Hate About You (which is the first Joseph Gordon-Levitt movie I saw where I knew who he was), but it also predates Third Rock From the Sun by two years, probably the role he was first known for. I remember seeing this in the theater with a friend. It was either this or Rookie of the Year, but I'm pretty sure it was this one, though it's possible I saw both of them. I haven't seen this movie in a very long time so I was a little surprised to see two future Oscar winners as baseball players: Adrien Brody plays Hemmerling and Matthew McConaughey plays Angels outfielder Ben Williams. Both of them probably have less than five minutes of screen time combined with only a couple of lines each. 

Even though he is credited around fourth or fifth, JGL as Roger Bomman is definitely the lead. I could understand if they put Danny Glover first since he was a big name, but JGL should have at least been credited second, come on! 

Roger lives in a short-term foster care home because his mom is deceased and his dad (Dermot Mulroney) is a deadbeat. They don't really explain why he can't take care of his son. He has told Roger in the past that he's going to be his legal guardian, but things never seem to work out that way. He does occasionally keep in touch with Roger and visits him at his foster home to tell him he's heading up north. When Roger asks his father when they're going to be a family again, his father replies, "When the Angels win the pennant." This is a snarky response because the Angels, Roger's favorite team, are just God-awful, so in other words, he's saying that the Angels will never win and they will never be a family. What a nice guy.

However, Roger is bit of a naive and hopeful kid and when he goes to bed that night, he looks out the window and sees a shooting star. He whispers a prayer to God (he may be whispering, but I'm pretty sure his two other roommates can hear him) for the Angels to win. The next day he and his best friend, J.P., who also lives at the foster home, go to a game because it's Kids' Day where kids get a discount on tickets. This is when we first see the angels helping the Angels and the only one who can actually see them in the movie is Roger. Two of them lift Matthew McConaughey so he can catch the ball. They also help a hopeless batter not only hit a home run, but he breaks the bat while doing so. The "angels" look pretty terrifying...that 1994 CGI (wait, was there even CGI in 1994?) looks pretty terrible. An astonished Roger asks J.P. if he saw what he did, but J.P. has no idea what he's talking about, so Roger turns his attention to the large man sitting next to him (and why is this grown man who's clearly not with Roger and J.P. sitting next to two underage boys...I'm just saying, it's a little weird) and asks him if he saw it too, but he said it was just a lucky catch. He gets up to leave and this is when Roger meets the Head Angel (Christopher Lloyd) who calls himself "Al" (because he's wearing an American League baseball cap.) He explains he's there because he asked for help and that only Roger can see and hear him. Of course, he's having a conversation with an invisible man while J.P. is sitting next to him, though J.P. doesn't ask who he's talking to until about two minutes later! If I were that kid and my friend started talking to somebody who clearly wasn't there, I would be interrupting that conversation about five seconds in! I did think it was funny when Roger tells his friend, "You didn't see them? There were Angels in the outfield! And in the infield!" and J.P. replies, "Yeah, nine of them!" They sure had to make it confusing by the team being named the Angels!

Due to the celestial beings, the Angels win the game and a few lucky kids have the chance to get their photo taken with Angels manager/coach, George Knox (Danny Glover). I feel like kids would be more excited to get their photo taken with one of their favorite players then the manager, but this scene is only here for Knox to meet Roger and J.P. While they're getting their photo taken, Roger blurts out about the angels helping the Angels and of course Knox thinks he's insane. Later, when he delivers the photo to Roger he asks him why would there be real angels at the ballgame and Roger replies, "Because I prayed for them. I figured you could use the help."

Knox invites the two kids to a ball game as his guests and while J.P and the kids' chaperone, David, are getting snacks, Al pops out of his fountain drink and Roger freaks out and of course he looks crazy because the people behind him are only seeing a kid freaking out over a soft drink. And he sounds insane when J.P. returns and he tells him, "I just saw an angel in my Coke cup!"

 Every time Roger sees an angel, he starts waving his arms like wings to signify he sees one. Whichever Angel is with an angel, Roger tells Knox to put that player in since they've been given the "magic touch". Because an angel is massaging Adrien Brody's shoulders, Roger tells Knox to put him him, despite him being the worst batter. An angel comes and slows the ball down so he can hit it. Then the ball starts moving around because Al is kicking and juggling it around and everyone just sees a ball go haywire. Because of this tomfoolery, the Angels win the game. Um....how in the hell did the opposing team NOT issue a complaint? There is some serious shady business going on! You would think they would want the ball inspected to make sure there's not a motor inside of it and someone else is controlling it. Because if I were in that stadium, that's what I would be thinking. However, that wouldn't explain how the ball slowed way down when it was being pitched to Adrien Brody. There's a thing called gravity and no way an object could just stay in the air like that. How come nobody is suspicious of THAT? But nobody seems to care or is asking any questions. Knox is so happy that they're winning and wants the kids to come to the rest of the games as good luck charms.

At the next game it is announced that there are more people in the seats than the last five games combined. We get a cute montage of the Angels winning game after game (with ridiculous tactics) with the audience singing "Take Me Out to the Ballgame." There is a headline in the paper that says "Angels Fly Together." Now you know they took this from D2: The Mighty Ducks as it is also a Disney movie and only came out only months before this one. I can't remember if "Ducks fly together" was uttered in the first movie, but it defintely was in the second one. "Angels fly together" doesn't quite work, because, at least, literal ducks really DO fly together and they are actually real! Angels aren't real and even if they were, would they even fly together? It just doesn't make any sense! Terrible headline.

During all this, Roger learns he's never going to live with his dad and will have to continue living with Maggie (Brenda Fricker), his short term caretaker until he is adopted. Now Brenda Fricker also played the pigeon lady in Home Alone 2 and I think you could say this movie is a continuation of that character. Think about it: this movie only came out a year and a half after Home Alone 2. We never learn her name in that movie, but in this one we find out it's Maggie. Maybe she decided to move to California to get a job helping kids without families after she saw how lucky Kevin was to have a loving family and wanted to help kids less fortunate than him. Doesn't really explain why she has an Irish accent in that movie (she did, right?) and an American accent in this one but you could say she accumulated to living in the United States.

There are no angels to help the Angels in the championship game because it's against the rules. (Oh, so NOW it's cheating if they help?) However, there is a nice moment when Roger, J.P., the players, and the entire stadium start flapping their arms to give support to pitcher Mel Clark (Tony Danza) who used to be the teams' star player, but has been wavering lately. This gives him the confidence he needs and he wins the game.  While it's a touching scene, logistically, it doesn't make any sense how everybody in the stadium has room to stretch out their arms and move them up and down...how do you not intertwine limbs while doing that? Although we do see some close ups and it looks a little awkward how some people are waving their arms so they don't hit the people next to them.

The movie ends with Knox adopting BOTH Roger and J.P. We never do learn anything about his life outside of coaching/managing the Angels. Is he married? Does he have any kids? No clue. I also had no clue that this movie is actually a remake of a 1951 movie. This was a fine movie, but it did get pretty hokey at times. 

Monday, February 15, 2016

Man On Wire

The Walk
Director: Robert Zemeckis
Cast: Joseph Gordon-Levitt, Ben Kingsley, Charlotte Le Bon, James Badge Dale, Ben Schwartz
Released: October 9, 2015




If you've seen the 2008 documentary, Man On Wire (which won the Oscar), then you are familiar with the story of Philippe Petit, the French famed high-wire walker who walked between the two World Trade Center Building towers when they were first built back in '74. This guy is lucky to be alive because my God, you would have to be stupid or insane (or both!) to do that. Though I imagine if he had not been so lucky, I doubt there would have been a movie made about it...we don't need another depressing story involving the World Trade Center! I had actually never heard about him and the crazy stunt he did until the documentary came out. 

Joseph Gordon-Levitt plays Petit and he does a passable job with the French accent. We get a background of his childhood and early years and his love for entertaining people in the streets of Paris where he did magic tricks and worked as a mime for money. He falls in love with wire walking when he goes to a circus and sees it being performed for the first time and sneaks into the circus tent to try it. His soon-to-be mentor, Papa Rudy (Ben Kinglsey) chases him out of the circus tent, but is impressed by Petit's juggling skills. He teaches Philipe how to tie knots and rig up the ropes. Philippe learns to wire walk in a park with a rope only a few feet off the ground. He becomes friends with a photographer named John Louis (Clement Sibony) who he will later hire to join his coup and becomes romantically involved with another street performer named Annie (Charlotte Le Bon....I thought she was Katie Holmes with a French accent when I saw the trailer for this!) 

While waiting in a dentist's office, Philipe sees the World Trade Center being advertised in a magazine. The ad states they will be the tallest buildings in the world when finished and compares how much taller they will be compared to the Eiffel Tower. He is determined to wire walk between the two buildings. Why anyone would want to walk across a thin piece of cable between two 110 story buildings where the distance from point A to point B is 150 feet is beyond me. Even Papa Rudy, who supports Philippe, tells him he would never want any of his tight-rope walking sons to ever do anything like that ....because it's so stupid! Okay, I added that last part, but I'm sure it's what he was thinking! Philippe said he wanted to be the only person in the world to do that because it would make him special. I have never understood people like him who do crazy stunts like that just because they want to get famous and gain notoriety...but it certainly worked for him. 

Petit calls his mission to walk between the two tall buildings "The Coup" and hires more accomplices to help him including someone who is terrified of heights. I feel like that's the worst quality you could get someone to help you in a task like this! But he's really good at math so they think he will be useful in that regard. They plan to get more people "working on the inside" to help them when they get to New York.

Petit practices wire-walking between two points of Notre Dame. While still high and he could have easily killed himself if he fell, it was nowhere near as high as what he would be doing in New York! He picks August 7 as the day he will be performing his stunt. The night before, he gets very anxious and keeps going over their plan for The Coup. Before he left, Papa Rudy told him he should use a safety harness, but Petit, having too much pride, refused. I must say, I'm on Papa Rudy's side on this. So you wear the harness and if you make it, you're so far up that nobody can even see you wearing it (although he did have his photographer friend taking photos so perhaps he was worried about that?), or God forbid, if you happen to fall, then at least you'll still be attached to the wire as you're dangling in the air. I don't think people are going to get mad that you're wearing a harness because at least you're not dead on the ground! 

They get everything set up, but not without a few hiccups. I remembered a lot of this stuff from Man On Wire. Annie, on the ground, stays up the entire night with binoculars. At one point, the next morning, Petit is changing into his "costume" (just blank pants and a black turtleneck) on the side of the building. It is the literal side of the building as he jumps over a rail guard and is perched on just a few inches of building. (As you can see from the above photo). Even though I know this is all green screen, the visual effects are very effective because I definitely got a sense of wooziness whenever he did that. He drops his turtleneck and Annie sees something falling and is freaking out until she realizes it's only an article of clothing. Can you imagine if you were about to perform a stunt that would receive world recognition (which it did) only to fall off the building before you even attempted it? 

At one point, he and the guy afraid of heights have to hide from a security guard who has come up to the roof and Petit has him go over the rail. I felt so bad for the guy! I think that would terrify anyone whether or not you had a fear of heights! It didn't seem to scare Philippe which I guess is why he's the perfect person to do something so crazy. He has a long pole he holds which much help him with his balance. He crosses the towers once, which was his original intent. Annie sees him crossing and tells pedestrians all around her to look up and soon a large crowd will gather. If I were on the ground that day, I would NOT look because I would be too scared for him. I would be the person covering her eyes telling me to open them when it's over!

When Petit gets to the other side, he says there is something calling him to cross back to the original tower from where he started from. Okay, this makes sense because if this had been a task on The Amazing Race (though they would have been wearing safety harnesses!), they would have to cross once and then back. But then he ends up crossing the wire six times which is insane when once would have sufficed! At one point, Annie mutters to herself, "Okay, Philippe, that's enough, time to come down" and I would have been thinking the same thing if I were her! Like, quit being stupid before you get yourself killed.

The reason he keeps on the wire is because the police have come up on both towers so he's goading them. He seems to get either very comfortable or very confident and "bows" to the towers, sits on the wire, and LAYS DOWN. What the hell is wrong with this man? There's a scene earlier in the movie when he's practicing on a high wire in the circus tent and he's done well and only has three steps left, but ends up falling and catches the wire. Papa Rudy tells him he must never lose his concentration and not get too cocky. I feel like he was getting a little too cocky doing all these insane stunts. He is really lucky nothing went wrong! 

The police send up a helicopter to tell him he needs to get off the wire. I can't remember if this was in the documentary or not because I feel like having a helicopter hovering above a wire walker would be very distracting and add even more danger to his situation. One officer threatened that if he wasn't going to get off, he would have to come out there to get him which made me laugh, because, oh please, like that guy's really going to step on the wire, let alone step over the side of the building! Once Petit  steps off the building, he is immediately arrested, but as he's walking handcuffed through the building, everyone is applauding him and he becomes an overnight worldwide sensation. 

During the movie, he is narrating from the Statue of Liberty with a view of the World Trade Center in the background. This was a little confusing because I was wondering if he was narrating from a few years after '74 or it was the "present" (although the WTC wouldn't be there and Petit is in his 60s now so it wouldn't make sense for JGL to play him as he is currently), but then without mentioning 9/11, he mentions 9/11 and you don't see the towers in the background anymore and it's quite depressing, but then the camera pans and you see the towers! What the hell? I guess it was suppose to be symbolic more than anything. I remember them never mentioning anything about 9/11 in Man On Wire which I always found odd since Petit had such a special attachment to the buildings; much more special than anyone else would have. In The Walk, he says that he was granted a pass to go on the observation deck and it would never expire and he could visit anything he wanted. Super depressing. While I knew there was that restaurant, Windows on the World, near the top of one of the buildings that had a great view of the city, I had no idea there was an observation deck on the roof. That's quite terrifying knowing that now! 

Can I just say this movie has one of the worst titles I've ever heard: The Walk. I mean, are you kidding me with how boring and generic that sounds? Ooh, let's go see a movie called The Walk. Nobody would want to see that. Horrible name. The documentary got the much better name! And while I enjoyed The Walk, Man on Wire is the superior film.  

Saturday, May 28, 2011

Class of '99

10 Things I Hate About You
Director: Gil Junger
Cast: Julia Stiles, Heath Ledger, Joseph Gordon-Levitt, Larisa Oleynik, Andrew Keegan, Larry Miller, Allison Janney
Released: March 31, 1999
Viewed in theaters: April 17, 1999


This is my tenth and final teen movie that came out when I was a teen. And I decided to save the best for last. Or, at least, my favorite. Have I seen this movie as many times as the number in the title? Definitely, if not more. Can I recite the lines verbatim? Pretty close, pretty close.

I love this movie so much, I think, because I have such fond memories of it. This is the movie that introduced millions of teenaged girls to Heath Ledger and I can attest that any female who was in high school/college when this movie was released has definitely seen this movie. I mean, who didn't swoon when he serenaded Julia Stiles on the bleachers? I remember when I was in college and this was one of the movies we watched for movie night in our dorm's lobby. There were, like, 25 girls and only 3 guys and of course all the girls had already seen the movie. Hilarious. I remember all the girls were being all fan-girlish when Heath walked into Club Skunk wearing leather pants and of course, when he sang Can't Take My Eyes Off of You. 


Best scene ever! 



Tommy Solomon and Alex Mack:
Cutest Couple
Here's a quick plot synopsis: Cameron (Joseph Gordon-Levitt) is the new kid at school and he wants to go out with Bianca Stratford (Larisa Oleynik - I have no idea how to say her last name; I've always pronounced it "oily neck" but I don't think that's right! ) who isn't  allowed to date because of her father's strict rules, but he tells her she can date when her older sister, Kat (Julia Stiles), does. Only problem is nobody likes Kat because she's a "heinous bitch" who hates everybody at her school. Joey Donner (Andrew Keegan) is the school's part-time model and full-time douche bag who also wants to date Bianca so he can "score" with her. Cameron and his friend Michael try to recruit somebody who will be brave enough to take Kat out and they enlist the mysterious Patrick Verona (Ledger) who has a questionable reputation. They then get Joey to pay Patrick to take Kat out so he  can go out with Bianca, then tell Patrick that they are doing this for Cameron and not for Joey because he's only a pawn. So while Joey's paying Patrick a hundred bucks a date, Cameron and Michael are gathering intel from Bianca about her sister which they in turn give to Patrick so he can get on her good side and she'll want to go out with him. It makes more sense when you watch the movie, trust me.

I don't think Kat and Patrick would have ever made it as a couple in real life. She was insulted when he didn't kiss her back in the car, but I have to side with him because he didn't want to take advantage of her being so drunk, then after he sang to her and everything was looking good again, they got into a fight about going to prom and he said that she needed therapy. I sided with her because that's just not cool. Then Kat decides to forgive him and they go to prom and that's when the big secret is revealed and she finds out that he was being paid to take her to prom. Of course all is forgiven at the end of the film and they kiss and make up. But they don't discuss the fact that she's going to college in New York while he'll most likely stay in Seattle. Yeah, we can kiss that relationship goodbye...

In case you didn't know, I should mention the film is based on the Shakespeare play, The Taming of the Shrew (which I've never read, but really, why do I need to?) and the title of the film refers to a poem Kat reads at the end of the movie.

Is there a party scene? Affirmative. 
Is there a prom scene? Affirmative. 
Is there a football scene? Negative.
Is there a makeover scene? Negative.
Is there a scene where all the different high school cliques are being shown? Affirmative.
Was this movie spoofed in Not Another Teen Movie? Affirmative. The main guy sang "Janie's Got a Gun" because the main girl's name was Janie and everyone freaked out because they thought Janie had a gun. They also spoofed the poem.




Do I own the soundtrack/favorite song - Yes, I like "The Weakness in Me" by Joan Armatrading and "Even Angels Fall" by Jessica Riddle. The best song that's not on the soundtrack is "Just Be Good To Me" by SOS Band. (I also have a rare cover that Mariah Carey performed live in Japan - that was back in the good old days of Napster.)

Darkest scene -  I would say when Bianca punches Joey twice in the face and then knees him in the groin, but that was more hilarious than anything, so I'll say when Kat finds out she was being used as a bet. (Hmm, we've come full circle to She's All That!) 

Favorite line - "There's a difference between like and love: I like my Sketchers, but I love my Prada backpack." - Bianca. I also get a good chuckle everytime the guidance council (played by a pre-West Wing Allison Janney) asks, "Judith, what's another word for engorged?" when she's writing her steamy romance novel.

Favorite character -  Ms. Perky is great. Allison Janney is only in about three scenes, but she's hilarious in all of them and you wish she had more screen time. 

Favorite scene -  Duh, I like the scene where Heath Ledger sings to Julia Stiles! 

Hey, it's the '90s! - Bianca watches The Real World, there are mentions of Dawson's Creek, Marilyn Manson, and the Spice Girls. Also, fliers are used to announce a party. Yes, FLIERS! No Facebook or texting for these freaks who went to high school in 1999! 

And now you've waited for it. The #1 reason why the class of 1999 is the best graduating class of all time. I won't rehash the other nine reasons why it's such an awesome year because you can just go back and read them in my other reviews (and most of them were pretty lame, I will admit). 

So 1999 is the best graduating year of ALL TIME because not only are we the last graduating class of  the nineties, but we are also the last graduating class of the century and millennium. Now before you nitpick and whine that technically 2000 was the last year of the century and millennium, I know that, but to me the clock starts over when you reach 999 and flips to 000, so therefore I count 1999 as the end. Everybody celebrated 2000 as the millennium anyway, except for, like, supernerds.  SO IT TOTALLY COUNTS!!!! Besides, class of 2000, you can brag that you're the first graduating class of the century and millennium. (Sorry, class of 2001).