Showing posts with label 1991. Show all posts
Showing posts with label 1991. Show all posts

Tuesday, December 30, 2025

Yuppie Yuletide

All I Want For Christmas
Director: Robert Lieberman
Cast: Ethan Randall, Thora Birch, Harley Jane Kozak, Jamey Sheridan, Lauren Bacall, Leslie Nielsen, Kevin Nealon
Released: November 8, 1991 



I tried to get this review up by Christmas, but on Christmas Eve and Christmas Day I was sick with a sore throat and was miserable. I tried to write a little on Christmas Eve, but, as you can see, wasn't able to get the review out until now. At least it's still December and it's not like I'm posting a Christmas movie review in January.

This is a movie about a brother and sister trying to get their divorced parents back together. Ethan (played by Ethan Embry, though he is billed as Ethan Randall) and Hallie (played by Thora Birch) are the siblings; Ethan is about thirteen and Hallie is around seven or eight. 
 
This is the first Christmas since their dad moved out, so I guess their parents have been divorced for nearly a year. Apparently they divorced because their dad, Michael (played by Jamey Sheridan), quit some high-paying job to open a diner, which has always been a dream of his. Their mother, Catherine (played by Harley Jane Kozak, resented him for it because he was so busy with the diner because there's a lot of hard work involved in running one and she was never consulted about it. Honestly, this seems like something they could easily work through. At first I thought they were just separated, because it's mentioned the dad moved out, but no, they are divorced. 

It seems like this family is mooching off of Catherine's very rich mother, Lillian Brooks (played by Lauren Bacall), because they live in her very nice Manhattan townhouse complete with two housekeepers. One of them is a French woman named Olivia and she's pregnant. Just keep that in mind. Lillian is supposed to be some super famous actress and is referred to as "the second lady of the American theater", whatever that means. She's also a super snob. Later in the movie, the paramedics will arrive when Olivia goes in labor and when one of them asks her if she's Lillian Brooks, she replies, Yes, I am the Lillian Brooks." Like, get over yourself, lady. 

Catherine has started dating a man named Tony (played by Kevin Nealon) who works on Wall Street. I don't know how long they've been dating, but it seems to be moving awfully quick because later on in the movie it is revealed they plan to get married. 

Michael is supposed to take the kids to visit the Natural History Museum to see the dinosaurs, but Ethan suggests they visit the diner instead. The kids love the diner and they love helping out there. This is one of my favorite scenes: we see a montage set to the '50s song "Yakkity Yak" (you know, that song that goes, "Take out the papers and the trash or you don't get no spending cash...") while Hallie and Ethan are helping their dad, wait staff, and cooks. Now Hallie is doing very easy tasks like adding sprinkles to a sundae or taking two slices of cherry pie to a table. She's wearing a uniform complete with an apron and a paper hat, so it's all very cute, but if I were one of those patrons receiving pie from a seven-year-old, I'd be a little concerned. Ethan is behind the line, grabbing tickets and calling out orders like he's been doing this all his life. It looks like they're having a lot of fun while they're working and singing and dancing along with the other waitstaff and customers to the music. I guess it's a good thing these very well-to-do trust fund children are eager and willing to work at their father's diner, but something tells me OSHA wouldn't be too happy if they walked in and saw two underage children as part of the staff. 

Their dad lives in this HUGE loft on the top floor of the building where his diner is located. It was hinted that he had a good paying job before the diner gig, so I'm guessing that's how he's able to afford it, because no way he could pay for that otherwise. Don't these kids know that if they kept their parents divorced, they'd get twice the presents at Christmas and their birthdays? I kid, I kid. They'd probably get the same amount of presents regardless.

While they're playing pinball (because of course their dad has a pinball machine) while their dad is closing up the diner, Hallie tells Ethan she thinks their parents are getting along better. He asks her what makes her think this and she replies, "Cause I'm going to ask Santa to get them back together again so we can have us back together again." The hell? THAT DID NOT ANSWER HIS QUESTION! By the way, I don't know why she says that because she herself saw her parents arguing when their dad picked them up and he was late because something had come up at the diner. Their mom makes a comment about how the diner always comes first with him.  Ethan tells her she can't ask Santa for that and when she asks why not, he tells her he's "not a marriage counselor." 

When their dad reappears, Hallie asks him if he can take her to see Santa the next day since her mom is     busy. He has to work at the diner all day, so Hallie asks Ethan if he can take her which Michael thinks is a great idea. Ethan is making the biggest f***ing deal about it: "No. Uh-huh, don't even think about it. No." Dude, just take your little sister to see Santa. 

The next day they go to Macy's (in an earlier scene Hallie mentions that the Santa who works at Macy's is the real deal while all the other department store Santas are frauds) to see Santa. While they're waiting in line, Ethan tells her she can ask for toys or hair care products, but shouldn't ask him to get their parents back together and tells her, "You may not ask anything to do with interpersonal relationships, got it?" I think he is being a good older brother here, not telling her the reason why Santa won't be able to grant this particular request. 

Ethan sees some classmates from his private school and freaks out. He quickly gets out of the line, but remind his sister he's watching her before he does. While he's waiting for his sister, he's making a big show of looking at model airplanes when the boys from his school come over to taunt him. One of them tells him they saw him standing in line to see Santa. All he has to do is say the truth: that he's taking his little sister to see Santa. 

When it's Hallie's turn to see Santa (played by Leslie Nielsen) he asks her what her name is and she tells him, 'Hallie O'Fallon." He repeats it and adds, "There's a lot of L's in there" which made me laugh. Hallie gets straight to the point as she sits on Santa's lap: "Now here's the deal, Santa. My brother's watching, so whatever I say, just smile and nod." I should add that at this point, Ethan wasn't watching because he was interacting with his classmates. Hallie starts whispering in Santa's ear presumably telling him about her Christmas wish. He says that her request is "a tall order" and that "I usually specialize in stuff you can wrap." We get this odd moment where Hallie shushes him, then gets up to leave to end the scene.  

A party is being held at their Nana's house. It's pretty much held for her to light Christmas tree in front of everyone. It's a nice tree (though I have some issues with it), but like she even says, it's not the tree in Rockerfeller Center and why is she having a party just to have everyone ooh and aah when she plugs in some lights? If you're wondering, my issue with the tree is that there only seem to be green baubles on it. Maybe some red or gold ones would make it pop a bit more. There's just a lot of green. 

I guess there is a point to the party: it's to introduce us to a very pointless character who we really don't need in the movie. Catherine has invited one of her friends (I think they work together), Susan, and she has invited her daughter, Stephanie, who is visiting from Boston where she lives with her father and stepmom. According to Susan, "[Stephanie's] father and his really delightful fourth wife decided that they could trust me with her for a few days." Now there's a storyline that sounds way more interesting than these two yuppie kids trying to get their parents back together! This guy is on his fourth wife? Why don't they trust his ex with Stephanie? Anyway, Ethan has a crush on Stephanie and she's just there to pad out the movie and add a few extra scenes. She really doesn't add anything to advance the plot forward. 

We know he likes her because he gets embarrassed after making oinking sounds and sees her looking at him (though she's smiling). Why is oinking? Because Hallie had gone over to him with some hors d'oeuvres, but before she gave him any, she requested that he "make the pig sound." This scene is stupid for three reasons:

1. He tells her he will, but only once. He proceeded to oink for quite a while!

2. A better movie would have established he makes a pig sound that delights his sister before this scene.

3. Why is he even indulging her? Just get your own snacks! 

The party-goes are treated to a delightful duet of Baby it's Cold Outside between Hallie and her Nana. Now you think it would be a choice to have a grandmother and granddaughter singing this, and yeah, it is, but the audience loves it and is ahh-ing. Yes, Hallie has quite the voice for someone so young, but I tell you, if I were in that audience, I'd be rolling my eyes. The whole thing is just too cutesy and made me want to gag. 

The next day, Ethan has gone to an art museum (because he overheard that Stephanie would be there). He sees her in one of the rooms and in another room (with patrons roaming around) he starts having a monologue about what he's going to say to her. I guess the other patrons are used to being around weirdos in New York that it doesn't bother them this kid is talking to himself. He and Stephanie spend some time at the museum, then get lunch (at a department store of all places).

While Ethan is having his sort of date with Stephanie, Hallie is at home and overhears her mom tell her Nana (that would be Hallie's Nana, not Catherine's Nana; it would be Catherine's mother) that she's going to marry Tony. What the hell? That came up awfully fast. We never even saw Tony propose or even heard them discussing it. The only reason this is happening is for the sake of the plot. You see, little Hallie thinks this is her fault because when she told Santa she wanted her parents to remarry, she forgot to specify that she wanted them to remarry each other. Silly girl! 

When Ethan returns, Hallie confesses to him that she did ask Santa for "Mom and Dad to get married again", then tells him her little snafu with her wording and tells him about their mom marrying Tony. 

At this point, we had only met Tony when he came to pick up Catherine for a date, but now he's taking Catherine and Hallie to see a performance of The Nutcracker. They drop off Ethan at Michael's and Ethan convinces his mom to come in and see the diner (she's seriously hasn't seen it?), then she goes upstairs to check out his loft. While she's up there she tells him she's getting remarried and you can tell he's sad about it. If I were him, I'd be a little concerned that she's marrying someone who she probably just met. Unless did she just start dating Tony right after her divorce? 

During the intermission, Tony grabs three ginger ales. While he's gone, Catherine asks her daughter, who's been a little dismissive of Tony, if she could try to be friends with him because it's important to her (Catherine). Hallie says something about how Tony always expects her to be cute or do something cute or say something cute, which I didn't think was true at all. If anything, it's the movie that expects her to do those things. We've seen Tony ask her questions about The Nutcracker, asking her if she knows the composer (she does) and asking her if she wants to learn the rest of the words to "Have Yourself a Merry Little Christmas" when she keeps repeating the title over and over again (and not even singing the melody right). We even see him correct her when she uses the wrong word (she tells her mom she feels nauseous  and he tells her the word is "nauseated"). I never got the impression that Tony expected Hallie to be "cute" all the time. Hallie asks her, "Mommy, do you really like him, like a whole lot?"

Tony returns with the ginger ales and tells Hallie he put a cherry in hers, "so it an official Shirley Temple." Uh, no it's not. You need the grenadine. Hallie tells her mom she feels sick (this is when we get the nauseous/nauseated moment) and her mom feels her forehead, commenting she does feel warm and takes her to the bathroom. I swear, there's about four of five times in this movie that Hallie is sick of feigns sickness. I did laugh when Tony takes the cherry from her drink and eats it while they're gone. 

The next day Hallie heads out to see Santa in a red coat with black toggles (I swear, this girl wears about four different coats in this movie...I don't even own that many winter coats!) with white tights, white gloves (this outfit needed black or red glove), and I sh*t you not, a muff. Yes, a f*cking muff. Does this girl thinks she's Samantha Parkington circa 1904? Her mom and Nana have already gone out for the day and she tells Stella, one of the maids, that she's "got to go fix a problem." Stella sees she's dressed to go outside so you think she would be concerned who is taking this seven-year-old out to do her errand, but she does't seem to care. 

As she walks down the city streets, she greets passerbys with "Merry Christmas, Happy Hanukkah." She did this in an earlier scene when Ethan was walking her home from ballet class and explained to him, "My teacher says you should always say both things in New York because people are really sensitive." Why not just say "Happy Holidays". That way you're covering everything and it's fewer syllables.

Ethan is looking for Hallie and Stella tells him she went out ten minutes ago to "fix a mistake." He knows what that means and starts running towards Macy's. By the time he gets there, Hallie has already visited with Santa again. Like the first time, we don't hear the actual conversation. Santa reminds her "it's awfully late in the season for such a big order"...which is pretty much what he told her the first time.

Ethan is firm with his young sister and tells her she cannot go off alone in the city. Of course he's right, but Hallie starts turning on the waterworks and whines, "I had to see him! This is special! Not all moms and dads should get back together, but ours should...I just had to see him, I just had to." I just love the entitlement. There's no way Ethan is buying this, but he consoles her with a hug, pretty much telling her what she did was okay because she was doing it for their parents. Ugh, this movie. 

Now we get to the part of the movie where Ethan and Hallie (well, probably mainly Ethan) have devised a plan to get their parents back together. Ethan tells Stephanie his idea and that's how she becomes involved (but she's really not needed). He admits it might not get them back together so he hopes that at the very least he can get them to spend Christmas Eve together. 

The audience will learn the parts of the plan as the movie proceeds. I have to say, this so-called plan seems a bit convoluted at times and needs to have everything timed just right. 

Step 1 involves the O'Fallon siblings buying a bunch of little white mice at a pet shop. When I first watched this, I was confused by what they were going to do with all these mice, but then I realized that they had some pretty dark intentions for these mice. Now these mice are the kind you buy to feeds snakes, but that's all part of the circle of life. No, what these kids had in mind (at least Ethan, maybe little Hallie didn't exactly realize what all this meant) was to release these mice (there was about a dozen of them) in their Nana's home. They needed their mom out of the house and if they needed to exterminate the house, nobody would be able to stay overnight. It's a little messed up these kids bought mice just to have them exterminated! I think even the movie realized that was pretty dark, so when they release the mice and try to shoo them into a room where their mom and Nana are talking to a wedding planner (already?), they end up going outside when Stella opens the door. Not only does Stella not even see any of these mice that are scurrying around her feet, but she is lucky not to accidentally step on one of them. The mice scurry outside and the siblings follow them, but are unable to catch them. Now these mice will probably freeze to death, but at least now they have more of a chance than just being exterminated.  

There was one particular mouse that Hallie took a liking to, claiming he was "the cutest" (they literally all look the same) and named him Snowball. Snowball was the only one to make it to the living room and without anyone noticing him, he gets up on the coffee table and gets on a dessert plate where a piece of the guest's cake is. The guest picks up the plate, not noticing the extra weight of having a mouse on it. Still talking to the other ladies, she takes her fork and presses the back of the tines on the mouse. There is no reaction. I'm sorry, but if you pressed the back of your fork against a mouse, you would KNOW that something isn't right. It's only when she sees the mouse, she starts screaming and this causes Lillian to call the exterminators. She calls the Carlyle Hotel for her and the maids to stay. Because it is Christmas Eve, there are no rooms available, but because she is THE Lillians Brooks, she is able to snag a suite for over night.

Catherine has a date with Tony that night (they're going to a party) and decides she'll get ready for it at Susan's place (remember, she's the mother of Stephanie). After she calls her, we get a stupid scene where Stephanie is in the kitchen, overhearing her mom's conversation. Her mom (who's in a different room), tells her, "Catherine has mice." She says, "Oh, really?", then in an overly exaggerated move, she pumps her arm and hisses "yes!" It's so cringey. 

Step 2 involves Ethan calling a tow truck company to tell them a black BMW (the car Tony drives) has been parked in front of his dad's diner for three days. The guy tells him he can be there in an hour. This is lucky for Ethan because if the guy could be there right away, the plan wouldn't work! 

Step 3 involves Ethan calling his friend Marshall, then asking him to call him back. When he does, Ethan makes this big show of running down the stairs and yelling, "It's for me, it's for me! At least I assume it is." Even if someone else answered the phone, his friend would have just asked for him. When he's done having his fake conversation, he asks his mom if he can spend the night at Marshall's house. What the hell? It's Christmas Eve. He's doing this because he needs a cover for not being at his dad's place. He just plans to hang out at the diner. His mom asks him why he doesn't want to spend Christmas Eve with his dada he makes up some stupid story about how it will be too sad. If I were her, I would tell him he's not interrupting somebody else's Christmas Eve. Tony (who's shown up at the house to pick up Catherine) is the one to convince Catherine to let her kids do what they want after she suggests that they just skip the party and they (her and Tony) can take the kids out. Hallie feigns a cough so they quickly put the kibosh on that. So I had assumed Tony was there to pick up Catherine, but then Ethan suggests that Tony can drop him off at Marshalls and Catherine says if he does that, she can go over to Susan's and change. I'm so confused. Are her clothes at her house? Is she going to be driving her own car to Susan's? We'll soon find out that Tony won't be dropping her off there. Tony also adds that he can take Hallie's to her dad's. I did laugh when Tony says, "This is working out perfectly" and Ethan adds, "So far" because he knows what's in store for Tony. 

Somehow, Hallie was able to retrieve Snowball after the little critter caused a panic at her Nana's. She brings him along in the car and asks Tony if he would like to meet Snowball, "a friend of [hers]." Tony assumes she's talking about an imaginary friend and asks if she's the only one who can see Snowball, but she tells him, "Oh, no, you can see him too. Here." Then she shoves him right in Tony's face. Even though Tony doesn't love having the mouse right up in his face, he does take it pretty well. He doesn't smack the mouse out of Halie's hand or anything. After Hallie is satisfied when he says hello to Snowball and tells the mouse that he loves him, Hallie puts the critter back in her pocket. This scene is only here so Tony knows about Snowball because the kids have a plan.

When they get to their dad's, Ethan tells Tony he can take Hallie up to the loft which takes us to Step 4 which involves Hallie releasing Snowball. She will start shrieking and Tony will get out of the car to see what the commotion is all about. I thought Ethan was being a dick when he makes Hallie release the mouse. She has obviously become attached to Snowball and doesn't want to part with him. He tells her, "Look, Hallie, Snowball is a mouse. I know you love him, but he's a mouse." He adds that if she lets him go, he'll buy her "a million mice." Dude, that's not the point! Also, why does she even need to release it? I know they want to make it look real, but when Tony gets out of the car, he doesn't see Snowball anyway, so what was the point of releasing him? She could have just kept the mouse in her pocket. I don't fault Hallie for this because she's only seven, but seriously, Ethan didn't think of this? When Tony gets out of the car after Hallie is screaming, they tell him Snowball got loose and Ethan says it just went inside the back of a Ben and Jerry's ice cream truck (the door was open). I don't know how a mouse could climb up the back of the truck. The door is about three feet off the ground. Tony gets in the truck and the kids close the door and lock it. That's so f***ed up! To make it even more sadistic, the kids start laughing at him. The driver of the truck is nearly deaf and when he comes out, the kids distract him so he doesn't see (or hear) Tony banging on the back of the window. I find it a tad ridiculous that the driver didn't even hear him yelling or banging on the door later when he's driving. He's singing along loudly to a Christmas song, but you would think he would hear the vibration of Tony knocking. Tony will end up in New Jersey before he's able to make his way back. 

With Tony out of the way, Ethan tells Hallie to go upstairs and tell their dad that Tony dropped her off. After she heads on up, he sees the tow truck arrive to take away Tony's car. What perfect timing! 

Up at the loft, Hallie tells her dad that Ethan is at his friend's. Michael doesn't seem that concerned or hurt that his son doesn't want to spend Christmas Eve with him. Hallie has found a suit in her dad's closet and asks him to put it on. She says she'll put on a party dress and they "can pretend they're at a really nice restaurant on Pluto." (Pluto is her favorite planet; remember, this was 1991.) Michael agrees because he can't say no to her. 

Step 5 involves Hallie feigning sickness (once again). As Catherine is getting ready at Susan's house, she gets a call from Michael who tells her that Hallie "has been in the bathroom for half an hour." We see Hallie, in a dress, sitting on the toilet (lid closed just in case you were wondering!), reading a book. When her dad knocks on the door and asks how she's doing, she tells him, "Terrible." She gets up and takes a glass from the counter that she already filled with water and, while groaning, pours it down the toilet. Was that supposed to sound like she was throwing up? Because that is not the sound one makes when vomiting! You wretch when you throw up, you don't groan (maybe after the fact...okay, I'll stop talking about this). She asks him if "mommy" is coming and he confirms she is. We see a big smile on her face. 

Remember when Hallie asked her dad to wear a suit? Well, it's so he can look handsome when he answers the door to his ex who's wearing a sparkly red dress for the party she's supposed to attend with Tony. Michael is surprised when Catherine tells him that Tony isn't with her. They both comment about how attractive the other look. They both check on Hallie, now in her bedroom, pretending to be asleep. She actually opens her eyes a tiny bit at one point when she knows her parents aren't out of the room yet which is pretty ballsy on her part. And she does it in a way that's so obvious she wasn't sleeping; it's like, girl, you need to act like you're slowly waking up like you've been alseep for while.

Step 6 is Stephanie's turn to shine! I feel like this movie wanted to justify her having in this movie, telling us, See! She's important to the plot! They needed her for this part of the plan! But I would argue, no. Let me tell you what she did and then I'll explain why I still think she's super unnecessary. She calls Michael's number (obviously she got the number from Ethan) and asks for "Mrs. O'Fallon" and tells her she got a call for Mr. Boer. (That would be Tony.) I did laugh when she calls him "Mr. Bore" and Catherine corrects here. (Though they do sound very similar.) She tells her that he "had an emergency come up" and to still go to the Plaza. Is is me or would it have been better for Catherine not to get a message (albeit fake) from Tony. The fact that they're telling her he had an emergency, gives him some leeway. If they had just left it where he never called or anything, then that makes him even worse. Yes, this girl was really not needed. You know, in terms of dynamics, this movie reminds me of Hocus Pocus with the younger sister (played by Thora Birch in both movies), her older brother, and the brother's crush. At least in Hocus Pocus, the crush was established early and her role in the movie makes sense. In this movie, it just seems like they needed more scenes and that's why they added her and the movie would have been fine without her. 

Okay, wait, you guys. I may have spoken too quickly. I forgot that Catherine tells Stephanie that she's going to head back to her mom's place (Stephanie's mom's place, just so we're clear). This is not part of the plan! If it weren't for Stephanie coming over when the cab for Catherine arrives (I have no idea how far she lives away, but she seems to conveniently arrive a minute after the cab arrives) and pretending to be Catherine and telling the driver that something has come up and cancelling the cab, then Catherine wouldn't have a ride! She's totally useful, you guys! 

I should mention that during this whole time, since Hallie went up to their dad's loft, Ethan has just been hanging out outside the diner, which is closed and locked up. It's cold and snowy and he's all bundled up and trying to keep warm and whining about how their plan better work because he's outside freezing his ass off. (Okay, he didn't say that, but he was whining about how cold it was. Like in the museum, this was another instance where he was just talking to himself.) After Stephanie shows up and shoos the cab away, we get this really stupid scene where she asks if they can go inside the diner and he holds up a key. Barely a few minutes ago he was complaining about waiting in the cold and the whole time he had a key to go inside the diner? Are you flipping kidding me? What was with all the "Oh, poor me" brouhaha? 

Catherine has found out her taxi has bailed on her and starts to get a new one, but then Michael, looking out the window at the snow, starts reminiscing about the blizzard the happened when she was pregnant with Hallie. Or maybe it happened when she gave birth to her, I don't remember. Hallie is peering outside the door (if her parents turned around, they would have seen her obviously spying on them) making pitiful noises as her mother says she isn't sure if she'll stay. She starts whimpering, "Please, please, please", then, as if somehow hearing her daughters pleads, Catherine decides she's going to stay...but she'll sleep with Hallie in her room. 

Michael lends her one of his shirts to wear and when she gets into the bed with Hallie, her daughter, pretending to be asleep, slaps her arm across her mom. After she does this a couple more times, Catherine gets up and goes to the couch where her ex is now sleeping. She puts a blanket over him and curls up next to him and shares the blanket. The second she puts her head down, Hallie speaks out of her bedroom and across the room to the door where she closes it with a loud click. There is no way Catherine is already asleep. People don't fall asleep the second their heads hit the pillow. I think that's only happened to me once and it was after a really long day where I woke up early, drove a few hours with a friend to visit an amusement park in another state, then drove back the same day, so yeah, I was exhausted when I got home. Catherine definitely would have heard her daughter sneaking out. 

Hallie goes down to the diner where Ethan and Stephanie have been eating burgers and fries and tells her brother that her parents are sleeping on the same couch. Ethan is ecstatic and exclaims that "they did it", they got their parents back together, WTF? Just because their parents are sleeping on the same couch? I'm not gonna lie; I was rooting for the parents not to get back together because the kids are so damn entitled. I know, I know, I'm a total Grooge. (You like my portmanteau of Grinch and Scrooge? I couldn't decide which one I was being, so why not combine the two? Although Scrinch is good too.)

The kids have fallen asleep in the diner (after going outside and playing and shouting in the snow). They wake up when they hear their parents outside. They are worried because Hallie wasn't in her room and they had called Marshall to talk to Ethan and Marshall confessed everything, telling them Ethan never slept over and he was told to say that he did. Busted! Now you would think the parents would check the diner first because they're literally standing right outside it, but instead they hail a cab to take to the Nana's house.  

The kids realize they're in trouble and they head to Nana's house. Do you remember Olivia, the French pregnant maid that we're introduced to at the beginning of the movie and never hear from her again? We might seer her in the background, but she doesn't have any purpose to the plot. Well, Nana Lillian is back at her house on Christmas morning and while she's on the phone, Olivia goes into labor. Paramedics are called and so when the kids reach their house, they see an ambulance outside the house. Ethan thinks they're there for them (the kids), but why would they think they needed to call am ambulance for them? If the parents thought their kids were missing, they'd call the police. Or does he think something bad happened to one of his parents or Nana because they were freaked out about them missing? Also, we're given one line about Olivia having her baby, then that's it. There was absolutely no reason for this plot line. I think this movie was written in a week. 

When Catherine and Michael come running in the house, asking Lillian if she's seen the kids, I laughed at Lauren Bacall's face when she asks, "Are they missing?" I laughed because the expression on her face says, "That wouldn't be a terrible thing." I read this as being Lauren Bacall's reaction because she probably knows this movie is crap and how entitled those kids are and that it wouldn't be such a bad thing. Or maybe that's just me. 

The kids come home and there's a lot of hugging. Now Tony has arrived and storms into the house. I understand he's a little irked (that's an understatement!), but he goes about it all wrong. Instead of telling Catherine what devious act her kids did to him, he calls them brats and tells her once they're married, the kids will be shipped off to boarding school. THEN he tells her what they did. Of course, Catherine doesn't like what he's saying and basically tells him, No dice, Tony, we're not getting married. I want to know how he got his car back.

After he leaves, Ethan stands in front of the Christmas tree and gives a saccharine speech about how he didn't realize "how much I missed us." I will say the background is beautiful with the
Christmas tree and the snow falling outside the large windows. He explains how they put their plan in action. Catherine and Michael embrace and kiss and tell each other they're in love with the other.  I guess they're back together. Who didn't see that coming.

The movie ends with the Macy's Santa Claus (who we are to presume is the real Santa) arriving at their house. He has Snowball with him and returns him to Hallie. To be honest, I had totally forgotten about the mouse.

Ethan gets a peck on the cheek from Stephanie before she leaves with her mom (who had also arrived at Nana's house that morning). So is she moving to New York to live with her mom or are they gonna have a long distance relationship? Who knows? Who cares. 

Then the movie ends with the truly horrendous original theme song sung by Stephen Bishop (yeah, I don't know him either). We had heard it earlier in the movie when Ethan is at his dad's house, watching a video of his parents' wedding and other home videos. This song could join the song from the end of Teen Wolf and the song from the end of Splash in terms of their awfulness. I just need another awful song and then I'll have my Mount Rushmore of movie theme songs so schmaltzy, saccharine, sappy, and so-cheesy-you-can-practically-see the-Velveeta-dripping-off-of-them.

Let me share the lyrics so you can see what I'm talking about. I should add the melody of the song isn't even that catchy so this song has nothing going for it: 

"All I want is what I had back then

when time was my friend

and love didn't end. 

All I want is what I had with you

Is it too much to ask?

Can dreams still come true?

Don't look down on me

with compromise you can see the world from my point of view

it's all up to you.

All I want is the promise that you'll stay.

All I want is one more yesterday.

I don't mean to oversimplify,

but I cross my heard and hope to die

Seriously, what is this dreck? Truly awful.

Go watch The Parent Trap (Hayley or Lindsay) if you want a movie about kids getting their divorced parents back together. 

Sunday, January 6, 2019

Baby Steps

What About Bob?
Director: Frank Oz
Cast: Bill Murray, Richard Dreyfuss, Julie Hagerty, Kathryn Erbe, Charlie Korsmo
Released: May 17, 1991


I have seen this movie a couple times before, but it's been awhile since I've last seen it and while I remember the basic premise and it being a comedy, I had completely forgotten about just how dark it gets towards the end, and wow, does it ever get dark! I just remembered this being a laugh-a-minute riot.

The Bob in question is Bob Wiley (Bill Murray) who has obsessive-compulsive disorder, panic attacks, agoraphobia, hypochondria, germaphobia, high anxiety, and who knows what else. I almost feel bad for the guy (I easily become anxious, so I can relate), but my God, is he ever f***ing annoying! He also does some pretty abhorrent things, though many not as bad as what his therapist will do later on in the movie! 

Not surprisingly, with all his conditions and phobias, Bob has a therapist and in the first scene we see him (the therapist) calling Dr. Leo Marvin (Richard Dreyfuss), telling him he's leaving his practice and moving out of town and wants to know if he can take on one of his patients. He strokes Dr. Marvin's ego by telling him that Bob needs someone "brilliant" and assures him he is not psychotic. When he hangs up the phone, he grins and says "Free!" I think it's safe to say that Bob also drove his first therapist crazy like he will Dr. Marvin.

Bob meets with Dr. Marvin and their first session seems to go well. Leo gives him a copy of his book called Baby Steps, telling Bob he just needs to get somewhere "one step at a time" after Bob tells him he gets a bunch of symptoms of anxiety when he's out in public. We learn that he was once married, but divorced her because she didn't like Neil Diamond. (Or maybe it's because she did like him. I forget.) Yeah, I was a bit shocked to find out he was once married, but not at all surprised that he's divorced! When their session ends, Bob freaks out when his new doctor tells him he won't see him until after Labor Day when he'll return from his family vacation. He'll be gone for a month, which seems a little extreme to me especially since they're not going to Europe or any place far away. They're only going to New Hampshire where they have a house overlooking Lake Winnipesaukee. It's a quaint little town, but really, what is there to do for a month? Dr. Marvin assures him he'll be okay and if he does need someone to talk to, he can call one of the other psychiatrists.

Bob tries to get in touch with Leo through the operator but she tells him he is unavailable and can't forward his call. Bob tries to con her, saying that he was supposed to call Dr. Marvin, but lost his number. (Please. Who would fall for that?) She firmly tells him she can't give out the number, but when he asks her if she can call Dr. Marvin, then patch him through to him, she does, which I'm pretty sure is unethical. However, not as unethical as something Bob will do a few scenes later. Bob tries unsuccessfully to figure out where Dr. Marvin is, but to no avail.

In the next scene, the operator calls Dr. Marvin again telling him that his sister is on the other line with an emergency when actually its' a prostitute whom Bob had asked to pose as Leo's sister, then taking the pay phone from her once Leo answers (after thoroughly wiping the receiver with a cloth...after all, he IS a germaphobe!) Wouldn't his sister already have his phone number to his vacation house anyway? And this isn't even the unethical scene I was talking about. No, that comes in the next scene when Bob goes to visit the operator posed as a detective and tells her that he has "questions about a Bob Wiley" and that he had committed suicide, but had left a note mentioning Betty (the operator). First question - why didn't Betty recognize "the detective's" voice as Bob's? Bill Murray didn't change his voice during this scene. Second question - shouldn't Betty be suspicious that Bob supposedly mentioned her in his suicide note? If I were her, I would want to know why he had mentioned me. Obviously this is "Detective" Bob's excuse as to how he "found out" about Betty because that's who he needs the information from. It works too, because Betty immediately gives him the information he needs (I guess that badge he had looked legit!), telling him that a Bob Wiley had called, wanting to talk to his psychiatrist. When Bob tells her he needs his information too because he'll need to ask him questions, Betty says she can't give him his phone number, but she can at least give him a mailing address and that more than satisfies Bob. (Hmmm, I think Betty is going to get fired!) I understand that she can't give him the phone number, but why couldn't she just call Dr. Marvin herself (like she did in the scene two minutes earlier!), explain the situation, and hand over the phone to "the detective"? And if this was really legit and a patient of Dr. Marvin's had killed them self, I'm sure he would rather deal with it over the phone then having the cops come to his vacation home. But I digress.

So Bob takes a bus to New Hampshire and the town the Marvins are vacationing in must be the smallest town in the world because when Bob steps off the bus and starts calling Dr. Marvin's name, the whole family is coming out of a grocery store that is right where Bob is. Leo is surprised to see Bob because he thought he was dead (Betty called him to tell him about Bob). It's obvious Bob has no concept of personal boundaries and at this point I'm thinking they could have easily gone the horror/thriller route. This movie is the comedic version of Cape Fear (which also came out the same year). While both scenarios are my worst nightmare, I'd rather have annoying Bill Murray stalking me than scary Robert De Niro!

Leo is furious when he sees Bob and tells him he needs to get back on the bus and go back to New York. Bob starts freaking out and Leo makes a deal with him that he'll have a quick session with him in two hours, then he has to go back. Yeah, things don't go exactly as Leo plans! When he tells Bob to take a vacation of his own, Bob decides to stay and take his vacation at Lake Winnipesaukee as well. Leo's family does not help matters at all. They seem to encourage Bob to stay and are overly friendly to him. I don't have an issue with them being nice to Bob, but it seems they go out of their way to include him. For example, Bob's teen daughter, Anna (Kathryn Erbe) decides to take Bob sailing with her friends. Then he gets involved with helping Leo's young son, Sigmund (Charlie Korsmo) overcome his fear of diving. Leo's wife, Faye (Julie Hagerty) invites Bob to dinner. This is actually a pretty funny scene and one I remember where every time Bob eats something, he goes, "Mmm, mmm, MMMM!" He literally does it after every bite he takes. It's really annoying, but also really funny. His family should have known better and not interact with a patient of Leo's. At this point, I am 100% on Dr. Marvin's side.

There's a big rain storm the night Bob has dinner with them and Leo is in a rush to get him out because the next morning Good Morning, America is due to arrive and do a live interview (I understand why they want it live for the context of the movie, but a piece like this on GMA would never be live; they would have recorded it in advance). They're going to be there at seven, which doesn't make any sense. Doesn't GMA start at seven? So if they were doing a live story at Dr. Marvin's vacation home, wouldn't they arrive much earlier for time to set up? Unless they were going to do the story at eight. Who knows. I'm probably putting too much though in this, anyway.

So Bob spends the night (and sleeps in the same room as twelve-year-old Sigmund which seems highly inappropriate) and while Leo is trying to get him out of the house before GMA arrives, it does't work. (Of course it doesn't!) In fact, when one of the producers finds out that Bob is a patient of Dr. Marvin's, she wants Bob to stay and be part of the interview. By this time, you can almost see the steam coming out of Leo's ears. Right away we see why the show is aired live; otherwise we wouldn't see Bob having a panic attack on live TV! When he recovers, the hosts asks him how long he's been a patient of Dr. Marvin's, and he replies, "Three or four days." He claims that Dr. Marvin's book (the reason they're there to interview Leo in the first place) has been helping him, despite only being a patient of his for a few days! Bob ends up taking over the interview, even introducing the other Marvins.

Leo tricks Bob and drives him to psychiatric ward where the director tells him that she can only hold him for 24 hours, then she will need staff corroboration. Leo is not worried in the slightest, because he knows that they will see just how crazy and erratic Bob is, but Bob seems perfectly normal to the staff, telling jokes and talking easily and he is released. This is around the time the movie turns really dark. Since whatever he does to try to get rid of Bob doesn't work, Leo now turns into a murderer. Or at least an attempted murderer since his plan doesn't work. (Probably for the best for everyone). Taking Bob by gunpoint, he leads him into the woods where he straps twenty pounds of explosives to him, both of which he stole from a store (I told you it gets dark!). Bob thinks this is all part of Dr. Marvin's therapy and after Leo leaves after he sets a timer for ten minutes, he is talking it out to himself, thinking the ropes tied around him refer to the emotional knot he has inside himself and if he doesn't untie it, he will explode, hence the explosives. He manages to untie himself, and proud of himself, he walks back to the Marvin's home.

While Leo and Bob were gone, Leo's family had been looking for him and he happily reunites with them, telling them they won't have to ever worry about Bob again. But, surprise! Here comes Bob! Leo's screaming, "No! No!" He's not wearing the explosives anymore and tells Leo that he freed himself from the ropes. Leo asks him where the bags he was wearing are and not even five seconds after Bob tells him they're in the house, we see the house blow up. And it was a nice house. Luckily nobody was inside of it!

The movie ends with Leo in a catatonic state and the family is afraid he will always be this way, but when Bob marries Leo's sister, Lily (who he met at Leo's birthday party....guess they hit it off pretty well if they're getting married so quickly) and during the wedding when the priest asks if anybody objects to this union, Leo stands up from his wheelchair (wearing a robe...they couldn't put him in a suit? I know he's catatonic, but still...) and yells, "NOOOO!" His family, which includes Bob now, are all excited that he's back and can now communicate again.

It almost felt like they didn't know how to end the movie. To be honest, I was surprised that Faye decided to stay with Leo after he tried to murder a man. I feel like that would be a deal breaker! 

Monday, May 9, 2016

We all fall down like

Toy Soldiers
Director : Daniel Petrie Jr.
Cast: Sean Astin, Wil Wheaton, Keith Coogan, Louis Gossett Jr., Denholm Elliot, Andrew Divoff
Released: April 26, 1991

Remember that Martika song from 1989?

Won't you come out and play with me?
Step by step,
heart to heart,
left, right, left
we all fall down like toy soldiers

Who doesn't remember that song? It's amazing! Unfortunately, this song has nothing to do with the movie as it isn't even played during it! Toy Soldiers the movie wasn't named after the song, but rather after a book it's based on...which I had no idea it was based on book and I've seen this movie many, many times. There is no way this movie would ever be made today because it's about terrorists taking a boarding school hostage. 

A post-Goonie, pre-hobbit Sean Astin plays Billy Tepper, a student at the Regis Prep School for boys who doesn't have a handle for authority. This is the third school he's been to as he's been kicked out of the other two. He sells alcohol to students by mixing vodka with peppermint schnapps and creme de ment so it looks and tastes just like mouthwash so no one will be none the wise. (There must be hardly any vodka in it if everyone says it tastes exactly like mouth wash because I feel like you would be able to tell if there was vodka in your mouth wash!) He hooks up a phone device he got from Radio Shack so he can call 1-900 numbers and talk to sex-phone operators. He (with the help of his friends) moves all the furniture from the Headmasters' office (we're talking couches, chairs, a huge desk, bookshelves, a globe, a phone, a bunch of books, and a rug) outside and places it exactly how it was in the office. 

Dean Parker (Louis Gossett Jr.) refuses to kick him out because he believes that's what the boy wants. Instead he punishes him with washing the pots and pans in the kitchen after meals and keeping a strict eye on him. While the dean is away, taking the confiscated alcohol off the property to confront the cop who has a brother who has a liquor store and most likely sold the whiskey to the minor, the school is overtaken by terrorists. Leading the charge is Luis Cali (Andrew Divoff) who is demanding the release of his father. They are from Colombia, so naturally, his father was sent away for being a major drug dealer. He overtakes the school because he wants to kidnap the son of the judge who is overseeing his father's trial who attends the school. However, the authorities have gotten to the kid first and took him to a safe location. While the other terrorists are "securing" the school grounds with explosives and placing men with guns at certain posts so nobody can go in or out, Headmaster Marcus Brody (Denholm Elliot) tells Cali that the boy he is looking for is not at the school and he doesn't know where he is. One of Cali's men finds proof the Headmaster is telling the truth. By the way, what exactly is the difference between a headmaster and a dean? 

Since Cali's initial plan doesn't go exactly as planned, he just keeps everyone hostage. He does let the faculty go, except for the Headmaster and the cooks (hey, terrorists still gotta eat!). One faculty member is killed when he tries to escape the initial takeover. Cali and his men do a headcount of everyone for a total of 92 hostages. He tells the students they will be allowed to go out in the courtyard, but they need to be in the dining hall every hour on the hour so he can do a headcount and make sure everyone is accounted for. He threatens that if one person is missing, then five people will be shot and if two people are missing, ten will be shot. This guy is one of the most lenient terrorists I have ever seen. If I was ever taken hostage by a terrorist, I'd want it to be this guy. I'll tell you who in a minute after I set up the scene:

Billy and his group of friends (which also include Wil Wheaton and Adventures in Baby-Sitting's Keith Coogan) decide they're going to do something about the situation and gather as much intel about the terrorists as they can. They learn how many men there are, where they're stationed, and what kind of weapons they have. They write all this information down in a notebook. While one kid is doing their research, he's paired with a buddy who can give him a signal (like coughing) if a terrorists comes to close and might see the notebook so they just quickly turn the page and act like they're drawing or working on a school assignment. Once they have all the info they need, they have an elaborate plan for Billy to escape, deliver the notes to the FBI, then return all within the hour. To do this, Billy breaks the window to unlock a door that is hidden from view from the terrorists. This is to be timed with one of his friends kicking a soccer ball and breaking a window. He runs through the school and escapes through a window at the front of the school. He hides behind a car and waits for his friends to distract the two guys on the roof with a remote control airplane. Amazingly this works and Billy is able to run across the lawn. If the terrorists had turned around, they would have plainly seen a kid running away! Cali takes over the toy plane and radios the two men on the roof to tell them to keep an extra eye out on things. When they turn around, Billy is no longer in sight. I have no idea how he knew where the FBI team would be, but as he's running through the woods, he's caught by them and patted down. He tells them he escaped from the school and gives them his notes. They want to keep him but he pleads for them to let him go back, but they refuse. He talks with Dean Parker who is also there and tells them he needs to go back or people will be killed and the dean tells the officer to let him.

Meanwhile back at the school, his friends are looking very worried because there's only one minute left before the headcount begins and there is no sign of Billy. Even though he has taken one of the Jeeps from the FBI to make up for time, he is still running quite late. He runs through an underground tunnel that has water running through it and gets soaked in the process. This time he manages to escape the eyes of the men on the roof when Coogan leaves a cigarette burning by a smoke detector and the fire alarm goes off and they go inside to investigate it. While entering through the window, Billy takes off his clothes. He grabs a towel and apologizes for being late, that he didn't hear the bell signaling it was time for the headcount.

Okay, so the reason why Cali is the ideal terrorists to be held hostage by is because he did the headcount at least four times! Most terrorists would only count once, then kill the five people without a second thought. After the fourth count, he does begin to randomly pick five people, including the Headmaster, to be killed, but luckily Billy comes in then and nobody is killed much to everyone's relief. Billy, however, is severely punished with a whipping. 

Cali decides to let Wil Wheaton's character, Joey Trotta, go because he respects his dad because he's a New York mafia boss. Instead of being happy about this, Joey doesn't want to leave his friends behind, but Cali has one of his men escort him off the premises. While doing this, Joey punches the man and takes his machine gun. He fires at another terrorist outside but manages not to hit him even though he must have fired 100 rounds. The terrorists kills him right in front of Billy's friends and classmates. Oddly enough none of the terrorists take the gun that Joey was holding until AFTER Billy and the others have run up to his body. Either they didn't see the gun or didn't take it because they knew they would be shot.

Billy and the others come up with a new plan. Cali is wearing a device around his wrist, that, if he pushed the button, will detonate the entire school. It is a last resort measure he plans to take should anyone from the outside try to come in and rescue the boys. Billy wants to switch the chip that's in the bomb located in the Headmaster's office with the chip of the confiscated toy airplane that is also now in the Headmaster's office. To do this he needs the help of a younger boy who can tell him how to switch the chips. They crawl through a vent from the bathroom to the Headmaster's office. To distract the terrorists, Coogan has an asthma attack that lasts exactly the amount of time that is needed for Billy to switch the chips. These terrorists are so dumb because they don't even give it a second thought that they might be getting duped here. And why do they need all of them hovering over him?

Billy manages to switch the chips with a few uncertainties since there's no red chip like the younger kid said there was going to be, but it was the blue chip and nothing explodes. They make their way back to the bathroom through the tunnel. Their signal is if there's running water, then it is safe to come down. However, a terrorist came in to use the bathroom while a kid was posted at the sink. He makes the kid leave and while the terrorist is washing his hands, Billy and the other kid think it's safe to come down. Luckily the kid who was posted at the bathroom sinks told one of Billy's friends a terrorists was in the bathroom and he comes in to knock the terrorists out and Billy and the kid manage to get the gun away from him.  

Meanwhile, somehow, the FBI have also planned their attack accordingly even though they have no way of knowing from the inside that Billy had switched the detonator's chip. Cali has captured Billy after he has ushered the kids into the basement. (Is it secret? Check! Is it safe? Check!) He pushes the button on his wristband, but nothing happens. Right before he is about to kill Billy with his gun, FBI agents and Dean Parker break into the office and a bullet is put through Cali's head. I should mention this movie is Rated R and does not shy away from its graphic content! 
   
As I mentioned before, I've seen this movie several times. The first time I saw it must have been in the mid '90s when my brother rented it. I watched some of it with him, then watched it later. It's one of those movies most people don't know exist so you should definitely give it a watch if you're not familiar with it.

Oh, and if for some reason you're not familiar with the Martika song of the same name, you must listen to it:



Wednesday, May 4, 2016

Bon Appetit

The Silence of the Lambs
Director: Jonathan Demme
Cast: Jodie Foster, Anthony Hopkins, Scott Glenn, Ted Levine
Released: February 14, 1991

Oscar nominations:
Best Picture (won)
Best Director - Jonathan Demme (won)
Best Actress - Jodie Foster (won)
Best Actor - Anthony Hopkins (won)
Best Adapted Screenplay - Ted Tally (won)
Best Sound (lost to Terminator 2)
Best Film Editing (lost to JFK)


I have a book (a tome, rather) called 85 Years of the Oscar by Robert Osborne and it details all the stats of the Oscars from the beginning to the 2012 Oscars in 2013. (A new, updated version comes out every 5 years, so there will be a new one in 2018). Since Silence of the Lambs was a big Oscar winner for the '92 Oscar ceremony, I knew I would find some interesting facts about it and that I did. It is the first psychological thriller to win Best Picture. It is the third movie ever in Oscar history to win five major Oscars which includes Best Picture, Director, Actor, Actress, and Screenplay. The previous two movies to do that were It Happened One Night in 1934 and One Flew Over the Cuckoo's Nest in 1975. I don't know if it's happened since...I'm too lazy to research that! It's also the first movie to be out on video at the time it won as it had a very early release date of February 14, nearly a year before the Oscars that would take place on March 30, 1992. By the way, I want to know who decided to release this on Valentine's Day of all days...it's not exactly a date movie! Most Oscar winners tend to get a late November or December release. I do know its happened since because I remember Crash (ugh) had a very early spring release before it won. At just about twenty minutes of screen time, Anthony Hopkins is a Best Actor winner with one of the shortest amounts of time he actually appears on screen. I am a little surprised they didn't have him in the Best Supporting Actor category because he's more of a supporting character than lead.

Supposedly this movie is a sequel (!!) to a film called Manhunter, which I've never heard of. It came out in 1986, also based on a book by Thomas Harris and stars Brian Cox as Hannibal. Needless to say, it didn't do very well at the box office and didn't have the cultural impact that Silence of the Lambs had. I think most people either don't know about Manhunter or have forgotten about it, so I feel like SotL is more of a stand alone movie and people don't think of it as a sequel or even a reboot. This was a complete shock to me because I had no idea another actor had played Hannibal "the Cannibal" Lecter before Anthony Hopkins, but obviously, he was the actor to make that role iconic. 

Even to people who have never seen this movie, I'm sure they are familiar with the names Clarice Starling and Dr. Hannibal Lecter; they know exactly what someone is talking about when they mention "fava beans and a nice Chianti"; and they can utter, "Hello, Clarice" just as creepily as Anthony Hopkins does. (Although the line is actually, "Good evening, Clarice." I actually kept waiting for Anthony Hopkins to say that line but he never did and I read that "Good evening, Clarice" often gets mistaken for "Hello, Clarice.")

Believe it or not, this was my first time seeing this movie. And if you know me, you would believe it because I'm kind of a wuss when it comes to scary movies. But luckily this movie is more of a psychological thriller than a horror (and I wouldn't classify this as a horror) and I can handle those. This movie didn't scare me AS MUCH as I was expecting. Don't get me wrong, it was very disturbing, unsettling, and creepy, but I kept expecting the jump scares to come and there were plenty of opportunities for them to happen, but they never did. I know this is based on a book, but I have never read it. However in the past 25 years since this movie's been out, I have known some of the things that happen in the movie!

It's not difficult to see why Jodie Foster won the Best Actress Oscar. She is really good as FBI-agent-in-training Clarice Starling. She is selected by her boss (Scott Glenn) to interview Dr. Hannibal Lecter aka "Hannibal the Cannibal" (Anthony Hopkins) because they think he could be helpful in helping them catch another serial killer, Buffalo Bill (Ted Levine). Dr. Lecter, after all, if a former psychiatrist and a serial killer who ate his victims. Before going in to talk to him, she is told by that facility's psychologist that they have him in solidarity confinement at all times and he is never allowed to come out of his cell unless he is completely confined and tells her how one time when he was in the hospital, he managed to wake up from his drugs and bite off a nurses's nose. While the other inmates are behind bars, Hannibal is behind glass that have a few holes in them so he can smell the lotion Clarice is wearing. Compared to the other men in the prison, Dr. Lecter is actually very polite and courteous, you know for a flesh-eating serial killer! At least he wasn't masturbating and flinging, ahem, himself at her.....ewww! That really happened after she talked to him and was walking out. I audibly freaked out at the scene because I do not like bodily fluids...ewww, ughgghghg! Gag! Hopkins has a very unsettling way of never blinking.

Buffalo Bill tends to go for overweight girls in their twenties who he skins after he kills them because he wants to make himself a "woman suit". So he and Cruella DeVil have some things in common! He wants to get a sex change to become a woman but has failed the psychological tests to do so. So far he has killed at least six women and Clarice is called in to look at the latest body that was found in a lake in West Virginia. Lodged in the girl's throat is a cocoon which Clarice takes to an entomologist who tells her it's a moth that's indigenous to Asia only and that someone must have bred this particular one. I have always noticed the creepy moth on the movie poster, but never knew how they intertwined with the plot. When we see Buffalo Bill's house, or lair, rather, he has a cage with the large, creepy moths and as someone who hates just regular moths, this is enough to make your skin crawl because these moths are at least three times bigger and some are flying out in the open by the lightbulbs. Ugh!! I also learn where the movie gets its title when Dr. Lecter, wanting to know more about Clarice, asks her about a traumatic childhood memory and she recounts to him a story of how she once woke up on her relatives' farm to hear the screaming of lambs who were being slaughtered. She tried to save one and ran away with it, but it was too heavy and she was caught and the lamb was brought back to the slaughterhouse. At the end of the movie, Hannibal will ask her if the lambs have stopped screaming.

Hannibal has told Clarice he will only cooperate with her if she can move him to a facility with a window so he can look outside since he's been trapped in his cell for eight years. She manages to put something together for him (though it's a lie) and demands to know information about Buffalo Bill such as a real name, address, and physical appearance. This time he has kidnapped a young woman named Catherine who is the daughter of a U.S. Senator. I'll tell you one thing: if I ever see someone struggling to move a couch into a van, I am never, EVER going to help them! Especially if they have a broken arm! I know this may sound horrible of me, but this is how this girl got captured! She was walking to her apartment and went past Buffalo Bill who was "struggling" to move a couch into a van with a cast on his arm and she decides to be nice and help him. When she has her side of the couch, he has her step into the van and then she can't move because the couch is blocking her way out and he knocks her out and thus kidnaps her.

He has her in his creepy lair, in a well where he lowers down lotion so she can rub it on herself. He has an unsettling way of referring to his kidnap/murder victims as "it" so he doesn't have to think of them as real people. ("It will put the lotion in the basket!") He has a little white dog named Precious and Catherine kidnaps (dognaps?) the dog by luring it over to the edge. We don't actually see the dog jump/fall into the pit, so I'm not sure how that happened, but she now has Buffalo Bill's Precious (I would have laughed so hard if he cried, "My Precioussssssss!" but that does not happen). She tells him the dog needs a vet because she broke her leg as a result of the fall and that he better send down a phone or else she's not releasing the dog. A very upset Buffalo Bill goes to get his gun. 

We get the old bait and switch when we see Clarice outside the house which she thinks is the address of someone who can give her information while we see other agents outside the house which they believe to be Buffalo Bill's and have it surrounded. When they enter the house, they find it empty and nobody is there...but Clarice has walked right into it. Luckily, she's smart and immediately can tell from the sewing machine and thread, oh, and not to mention the random creepy moth, that this is Buffalo Bill's house and she pulls out her gun and tells him to freeze, but he runs away. She finds Catherine who's screaming (and Precious who's barking) in the dungeon room and tells her that the other agents are on their way. Uh...I don't think they are because she hasn't called for back up! There are a few rooms connected to the dungeon room so she checks them and they're all empty. There's only one room left she hasn't checked and it's the room where all the creepy moths are in. This was the creepiest scene in the whole movie because while Clarice is looking for Buffalo Bill, he turns the lights off so it is PITCH BLACK and he puts on night-vision goggles so we can see Clarice through his POV. Jodie Foster is fantastic in this scene. We see the fear on her face as she's feeling around to get a sense of her surroundings and to get the hell out of there! At one point, she touches a hot vent or something, then another time she trips over something and falls. But the scariest part is when Buffalo Bill is literally right in front of her face and we see his hand reach out to -almost- touch her face - ahhh!!! - and she seems to sense that something is close to her, but he never touches her. Just when she turns around and her back is to him, he lifts his gun and she hears the clicking sound it makes and turns around just in time to shoot and kill him. Very scary, intense scene!

Hannibal, meanwhile, has been moved to a different location and they have him in a mask and his arms are bound and he's being wheeled as well since his legs are also bound. However, for some reason, he manages to steal a pen that the psychologist left lying nearby. I have no idea how this happened because when he sees the pen just laying there, he's already bound. I thought maybe they would go back and show us how he managed to grab this pen with his arms constricted to a straight jacket, but we never see this amazing feat! Hannibal only uses the ink portion when two policemen bring his dinner (very rare lamb, what a jerk! Good thing Clarice wasn't there to see it) and they handcuff him to the bars as they bring the food in and sit it down. This time his cage is in the middle of a room and it's all bars, no glass. He picks the handcuffs with the pen part and kills one of the officer and smashes the other's head with a crowbar and escapes. There's a big search for the serial killer (naturally). He fools the officers by cutting off the face of one of the officers and putting it over his own face so they send who they think is the officer in an ambulance, but surprise, it's Hannibal and he makes his escape. Not really sure how they got fooled by that.

At the end of the movie, Clarice gets a phone call from Hannibal who is now in some tropical island. He tells her he won't be on the phone for long because he doesn't want to be traced, but just wanted to tell her that he doesn't have any plans to pursue her and hopes she extends the courtesy to him which she says she cannot do. He then tells her he has to run because he's "having a friend for dinner." I'm surprised he didn't add, "Literally!" As he says this, we see him eyeing the psychologist from his original holding place who he never liked very much. Oh, dear. Good thing he at least had some respect for Clarice.

As with 1999, I have now reviewed all the movies from 1991 that won Oscars in the "big 8" categories - Best Picture, Best Director, the four acting categories, and the two screenplays. Obviously, this movie knocked five of those out so that helped tremendously! I also recently reviewed The Fisher King to cover Best Supporting Actress and City Slickers to cover Best Supporting Actor. And quite a few years ago, I reviewed Thelma and Louise which won the Oscar for Best Adapted Screenplay. I wonder what year I will complete next? 

Sunday, May 1, 2016

Forgive Me

The Fisher King
Director: Terry Gilliam
Cast: Jeff Bridges, Robin Williams, Mercedes Ruehl, Amanda Plummer
Released: September 27, 1991

Oscar nominations:
Best Actor - Robin Williams (lost to Anthony Hopkins for The Silence of the Lambs)
Best Supporting Actress - Mercedes Ruehl (won)
Best Original Screenplay - Richard LaGravenese (lost to Callie Khouri for Thelma and Louise)
Best Art Direction/Set Direction (lost to Bugsy)
Best Original Score - George Fenton (lost to Alan Menken for Beauty and the Beast)



The only thing I knew about this movie before watching it was that it starred Jeff Bridges and Robin Williams and was directed by Terry Gilliam. Knowing that, I knew I was in for an unusual movie since the (few) Terry Gilliam movies I've seen tend to be on the eccentric side. The Fisher King was no exception; it was a very odd movie. It's not quite all set in fantasy, but it's not all set in reality, either. The movie starts fairly normally. Jeff Bridges plays Jack Lucas, a radio personality who was clearly modeled after Howard Stern. He is very crude and arrogant and tells it like it is, with his catchphrase being "Forgive me!" Inadvertently, he is responsible for the murder of seven people at an upscale restaurant in Manhattan when he tells a recurring caller that he will never be good enough to be seen with the yuppies who frequent it. When he sees this on the news, he knows it is the same guy who he told this to because they play the transcript of the conversation he had with him on the radio. This sends Jack into a spiral of depression and things haven't gotten any better three years later when the movie takes a time leap.

He has since quit his job at the radio station (I thought maybe he was fired, but I think he just quit as he does get an offer later in the movie to go back to work) and now works at a video rental store called Video Spot! (complete with the exclamation point) with his girlfriend, Ann (Mercedes Ruehl). Ah, remember the video rental places such as Blockbuster and Hollywood Video? I still go to a local "video" rental place, but it's all DVDs....I remember when these places only had the video tapes like they do in this movie. The world was a very dark and dour time before DVDs and instant streaming were invented. Jack, still depressed and on the bottle a little too much, decides to end it one night when he goes to kill himself by jumping into the river after a drunken binge, but is stopped by two thugs who think he's homeless and aren't happy he's in their territory, so they throw gasoline on him. This is when Jack meets Parry (Robin Williams), a true homeless man who, along with his other homeless friends, attack the two young thugs (and also treat them to an impromptu Broadway show by singing, "I like New York in June, how about you?") It is a very odd scene to say the least. Parry manages to scare the two thugs away and Jack sleeps off his drunken state in the basement of an old building where Parry crashes. It is clear that Parry is mentally unstable and Jack just wants to get out of these. On the way out, the landlord tells him that Parry isn't allowed to have visitors and lets him stay in the basement out of the goodness of his heart because of the tragedy. Jack queries about that and learns that Parry lost his wife in the restaurant where the massacre happened three years ago. He immediately feels guilty and wonders, why, out of all the people in New York, he had to meet a man whose wife he had inadvertently killed.

When Jack returns home, his girlfriends asks where he was all night, thinking he was cheating on her. He tells her pretty much the whole truth, saying he was attacked, but leaves out the part where he was about to commit suicide before he was attacked. Ann tells him that if he's not happy with her, he doesn't have to douse himself with gasoline and beat himself up just to get away from her.

Parry is on a mission to find the Holy Grail, which he believes to be housed in a castle-like residence and wants Jack to help him get it. Feeling guilty and responsible for Parry's life, Jack decides to help him. He also learns that Parry used to be a college professor named Henry Sagan and after his wife was murdered right in front of him (of which we see the flashback of and it is an especially brutal scene), he went into a catatonic state. When he woke up, he became the alter ego of Parry and became obsessed with finding the Holy Grail and with the story of the Fisher King. Jack decides not to only help Parry with this, but with also helping Parry get the attention of a woman he's smitten with (Amanda Plummer). Parry knows everything about her because he follows her every day (which is a little creepy). There's one particularly funny scene that made me laugh out loud when the woman is eating at a Chinese restaurant and Parry takes Jack right up to the window where a couple are dining next to inside and keep looking at the two grown men right by the window looking in and Jack yells at them, "Yes, we're looking through the window!" There's also a scene, which I'm sure has to be the most famous from the movie, where Parry is following her in Grand Central Station and then everybody starts waltzing and the train station becomes a grand ballroom. Jack learns that her name is Lydia and finds out where she works and calls her with the disguise that she's won a free membership at the Video Spot! store. He pretends to have Parry working there so he can meet her when she comes in.

The four main characters end up having dinner at a Chinese restaurant (since Parry knows Lydia likes Chinese food) and this is my favorite scene in the movie. It's a bit of a montage where we see Lydia, who is a complete klutz, drop her food, nearly knock over everyone's food and just has about near disasters as the others are trying to keep her from causing any more damage. Ann confides in Jack that Parry and Lydia are perfect for each other and she is right because Lydia is quite quirky herself, an oddball like Parry. They are both so socially awkward, that they really are perfect for each other.

Parry slips back into his catatonic state after he walks past the restaurant where his wife was murdered and has a horrible flashback. Jack thinks the only thing that will snap him out of this will be to retrieve the Holy Grail that Parry has been obsessed over.

It is a very odd, quirky movie, but of all the (few) Terry Gilliam movies I've seen, I would say it's my favorite movie of his, but like I said, I haven't seen that many movies he's directed because the movies he makes aren't really my taste. Since Mercedes Ruehl won the Best Supporting Actress Oscar for this, I wanted to watch this for my ten movie reviews of 1991. Speaking of which, we're almost to the end! So far, I've reviewed:
1. Hook
2. Boyz n the Hood
3. My Girl
4. Backdraft
5. Father of the Bride
6. Sleeping with the Enemy
7. City Slickers
8. Point Break
9. The Fisher King

I have only one left and I think we all know what movie that's going to be! There were a lot of '91 movies I could have chosen, so I will just have to review those movies later; just because I did a special dedication to that year doesn't mean that all movies from 1991 are off the (review) table forever!


Saturday, April 30, 2016

Hang Ten, Dude!

Point Break
Director: Kathryn Bigelow
Cast: Keanu Reeves, Patrick Swayze, Lori Petty, Gary Busey, John C. McGinley
Released: July 12, 1991



I would love to know who pitched this movie and how it got greenlit in the first place. Let's have a group of surfers....and make them bank robbers! That is the plot of this movie, basically. We first meet FBI agent ("I AM AN FBI AGENT!") Johnny Utah (Keanu Reeves) who, along with his partner, Angelo (Gary Busey, who I'm only familiar with from Celebrity Apprentice), decide that he's going to infiltrate the bank robbing surfers and try to get into their crowd so he can stop them. Since Johnny Utah is the younger, more athletic (he is a former quarterback for the Ohio Buckeyes, after all), overall better looking one, they decide that he should be the one to work his way into the surfers' group. Although it certainly would have been funnier if Gary Busey tried to. 

Since the group of robbers are wearing rubber masks of former presidents (and even call themselves the Ex-Presidents), Johnny Utah isn't exactly sure which group of surfers are the bank robbers since this is L.A. and there are a lot of surfers in L.A. The Ex-Presidents have robbed 27 banks in the last three years, but to keep from becoming caught, they never rob the vault, only grab the cash in the drawers so they can be sure they're out in 90 seconds. Although they wield guns, they have never killed anyone. Angelo figured out they were surfers because one of them mooned the camera with "Thank you" written across his butt and he could tell by the tan line that he was a surfer. They also found traces of sand left at the crime scene.

Johnny Utah attempts his first try at surfing and nearly kills himself. He is saved by a female surfer (Lori Petty) who screams at him for being stupid. After tracking down her license plate number, Johnny Utah finds out her name is Tyler and where she works so he can ask her to give him surfing lessons. Through her, he meets Bodhi (Patrick Swayze) who is the charismatic leader of a group of surfers. He and Tyler are a bit of an item, but not since other women openly flirt with him right in front of Tyler. I didn't really get their romantic dynamic. But surprise, surprise, Tyler will end up falling for Johnny Utah anyway. I did find it peculiar that Keanu Reeves and Patrick Swayze didn't have the other's roles. I feel like Keanu would have been better as the surfer dude, I mean he's Keanu Reeves for god's sake. But Patrick Swayze does have the long, blond beach hair, so you gotta make him the surfer! 

Johnny Utah (don't you just love that name?) gets in good with the group and quite likes his new friends. Of course he does since his only other friend is Gary Busey! Speaking of Angelo, he leads Johnny Utah and some other agents on a raid in a house where a group of surfers are gathered. Johnny Utah had a nasty altercation with them earlier when he ran into one while he was surfing and one of the guys punched him. While he was using the beach shower, the same guy and a group of his friends came upon him with the intent to beat him up, but luckily Bodhi showed up and told them to stand down before punching the guy. Johnny Utah and Bodhi followed the car with the fist-happy surfer and thought for sure they had their bank robbers. These guys are not the bank robbers, but rather involved with some serious drugs and were all loaded with guns. There's a big shootout and Johnny Utah gets awfully close to a blade of a lawn mower when one of the bad guy pushes his head towards it. This freaked me out and I had to turn around so I wouldn't see anything too gruesome. But right before he's about to get his pretty face chopped up, Angelo shoots out the motor with his gun. Whew! An undercover cop gets really angry with them because they messed up his assignment because he was this close to finding out where the drugs were coming from. 

Well, if you haven't guessed by now (and, uh, spoilers ahead!), Bodhi and his crew of surfers are the ones pulling the bank jobs. Johnny Utah begins to have his suspicions about them and while at a stakeout at a nearby bank, he and Angelo nearly miss another heist when Angelo has Johnny Utah go into a nearby sandwich shop and get him two meatball sandwiches because he can't shut up about how great they are and how hungry he is. Seriously, this scene must go on for five minutes! When they see the four masked men, they shoot out their back car window and chase after them. Their car gets stuck as the Ex-Presidents turn into a gas station where they firebomb their car so they can get a new one and Johnny Utah runs all the way there to try to stop them. The three other guys are in the car waiting for Bodhi (in a Ronald Reagan mask) to get in, but instead, he and Johnny Utah have a wild goose chase, running through houses (like actually going inside the house from the front door to the back door). It's a pretty exciting foot chase, I must say. Johnny Utah sprains his ankle after jumping from a long drop and it's clear he can't chase after "Reagan" anymore. We see a close up of the eyes behind the Reagan mask and know it's Bodhi. Well, duh, they wouldn't spend this much time on the chase if it was just some random guy Johnny Utah was running after! 

Now that Bodhi's gang know that Johnny Utah is an FBI agent (He is an FBI AGENT!), the other surfers want to get the hell out of town, but Bodhi has other plans. He blackmails Johnny Utah into joining him on a bank robbery by telling him that someone has Tyler (oh, and she's pretty pissed about how Bodhi lied to her) hostage and the only way he can free her is if he available in the next twelve hours to call it off. So Johnny Utah has his hands tied and is forced to rob the bank with the others. Only since there is no extra Presidents masks (what, they couldn't get a George Bush mask for him? Surely they had those in 1991!), Johnny Utah has to go in sans a mask. This time Bodhi decides he's going to get money from the vault and while doing this, an undercover cop who was one of the customers in the bank at the time, tells the bank security guard to back him up and shoots at one of the surfers. I think Bodhi's brother gets shot, but manages to escape...I don't remember! Bodhi kills the undercover cop and somehow manages to escape to an airfield where he has a plane ready to take off for Mexico. Johnny Utah follows him and Angelo is also there and there's a big shoot out. Johnny Utah doesn't want Angelo to kill Brodhi because he needs him alive so he can tell him where Tyler is. Angelo gets shot by one of the other surfers and Gary Busey and his teeth are hamming up that death scene so much that I was laughing...probably not a good thing to laugh over a death scene! But it was hilarious.

Johnny Utah ends up on the plane with Bodhi, Bodhi's bleeding brother, and the pilot. Johnny Utah begs for Bodhi to call off the kidnapping of Tyler and to let her go before he jumps out of the plane just in case something happens, but Bodhi ignores him and jumps out after he's sent his brother. Since Johnny Utah is now a skydiving expert since he's already skydived once before in his life (in an earlier scene), he jumps out of the plane without a parachute and tackles Bodhi in the air, puts a gun to his head and tells him to open the parachute, but Bodhi refuses to open it, saying Johnny Utah needs to open it and in order to do so, he has to drop the gun. Guess who ends up opening it? Yep, Johnny Utah has to sacrifice his gun in order to save their lives. So Bodhi gets away with the money (even though his brother is now dead) and Tyler is safe. We fast forward a year later where FBI agent Johnny Utah has finally found Bodhi in Australia where he's surrounded by cops. There's a huge storm and the ocean has 50 foot waves and Bodhi begs him to let him surf one last time because he was going on about how he wanted to surf that one perfect wave, so Johnny Utah lets him go and we see Bodhi paddle out in the death wave and I guess it's up to interpretation what happened to him, but I'm guessing he probably drowned.

This movie has a lot of fun action, but for the most part, I didn't understand why this movie even exists. Did you know there was a Point Break remake that came out just last year? I mean, was the world really clamoring for a Point Break remake? It does have some interesting history as it was directed by Kathryn Bigelow who would become the first female to win the Best Directing Oscar for The Hurt Locker and later go on to direct Zero Dark Thirty. I feel for a surfing movie there wasn't enough surfing, but I guess if I always wanted to watch a surfing movie, I could watch Blue Crush.