Showing posts with label 2025. Show all posts
Showing posts with label 2025. Show all posts

Wednesday, October 8, 2025

Killer Date

Drop
Director: Christopher Landon
Cast: Meghann Fahy, Brandon Sklenar, Reed Diamond
Released: April 11, 2025


This is a fun thriller, but there are some things that really don't make much sense why the bad guy would go through all this trouble. 

Violet (Meghann Fahy), a single mother and psychiatrist, is going out on her first date in quite awhile. She's a victim of domestic abuse and her ex is dead, though it's unclear whether she killed him or not. (We'll find out the truth later.) For the last three months, she's been talking to a guy named Henry on a dating app and they're meeting to have dinner. Her sister will be watching her five-year-old son, Toby. 

The restaurant they choose to have their first date at is a bit much for a first date. It's on the top floor of a tall building in Chicago so if you sit by a window, you have this amazing view of the city. It's clear this is a high class place just by the decor and the food they serve. This is the kind of place you would go for a special anniversary, not a first date. 

Violet has taken a taxi and after she's dropped off, before entering the building, she looks up and tells herself, "It's just a date." On the way up in the elevator, she gets a text from Henry telling her he's going to be ten minutes late. 

She decides to get a drink at the bar. The restaurant is set up so the hostess stand and restrooms are separated from the bar and the dining area by a long tunneled hallway you have to walk through. When she enters the dining area, she immediately bumps into a guy. Now if you already knew the premise of this movie, you might think he's the one sending her the drops (we'll get to that soon if you have no idea what that means, i.e, you have no idea what the plot of this movie is), but I knew it wasn't going to be him because it would be way too obvious. They bumped into each other because they were both looking at their phones. She had just gotten a text from Henry telling her he was on his way. Duh, Henry, you already told her that with your first message! 

While at the bar, she chitchats with the bartender, a young woman who's also a single mother. An older guy in a suit asks her if she's Diane and introduces himself as Richard. She tells him she's not Diane and learns he's on a blind date. While they're talking, the piano player interrupts them and starts flirting with Violet. The bartender tells him to knock it off, that she's waiting for her date. When he asks her is she has any songs she likes, she asks him if he knows "Baby Shark" because that's her son's favorite song. Yep, it might be time to get out if the only song you can think of is "Baby Shark." 

Diane arrives and it's clear by the look on her facer, she's not thrilled about Richard. Why would she even agree to go on this date? Why would anyone agree to go on a blind date? Richard follows her to their table and when he turns around, Violet gives him a thumbs up sign. While still waiting (I feel like it's been more than ten minutes!), Violet texts her sister to see how things are going. Her date hasn't even started yet and she she's already texting home? But this is mainly used as a plot device because while on her phone, she received a "digiDrop" from someone with the username Lets_Play who wants to share a photo and she can either accept or decline it. She declines it. A digiDrop is like an AirDrop. (I'm guessing they didn't have the rights to use AirDrop.) We'll get a little more information how it works later. I would be a little freaked out if I were her and was receiving an digiDrop from some random person in a restaurant. If there were someone you knew there, wouldn't they just text you (or, come up and say hello)? I would be wondering why someone random person was sending me a pic, and I too, like her, would decline it. 

She starts looking at pictures of Henry (who is very good-looking) from the dating profile and I thought for sure he was going to come up and see her looking at pics of him and I would have been so embarrassed for her, but instead she gets another digiDrop that she declines. She looks around the restaurant and literally, almost everybody is on their phones. 

Henry, who is a photographer, shows up with his camera. He says he brought his camera with him because if he left if in the car someone will take it. I mean, I get him being cautious, but having him bring the camera is for the sake of the plot. Another thing that is for the sake of the plot is Violet leaving her phone on the table. She asks him if it's okay she leave her phone there just in case her sister needs to get in touch with her and he says it's fine. 

Now if you're wondering, is Henry the one sending her the digiDrops, that is something I never considered because the summary on Peacock is about how she's receiving messages from someone that wants her to kill her date, so why would those come from him? (Hope that wasn't a spoiler!) 

Their waiter comes to take their order. It is his first day and he just wants to chat about how he's an improv actor and he's writing a sketch for Second City where he plays a hat on top of Allison Janney's head (that is the most random thing!). He is clearly the comic relief of the movie. When he leaves to get their drinks, Violet receives another digDrop. Henry sees the concern on her face and asks if everything is okay and she shows him and tells him somebody keeps sending them. He thinks it's probably just a bunch of dumb kids messing with her because it happens to him all the time on the L train. She doesn't think this is the kind of place where someone would do that, but when they look around they see a bunch of high school kids having dinner before prom and assume it must be one of them. 

She places the phone face down on the table and it beeps again and she picks it up just in case it's her sister. This time it and she she's sent a cute photo of her son eating ice cream. As she's holding the phone, another digiDrop appears (this guy is a relentless (and yes, I'm going to presume its a guy!)). So when she gets these drops, there are memes and this one in particular has her name on it. I'm not really into meme culture so none of these meant anything to me. I think there was only one meme I was familiar with and it's probably the one you're thinking of. 

This makes her very concerned, but Henry isn't concerned at all. He explains to her (and the audience) how the digiDrop works: erveryone who has the app (wait, it's an app?) can see her name and photo (as well as the names and photos of the other people who have the app. Is it me or does this app seem kinda intrusive? Like, what kind of f***ed up app is this? Why would I want why my name and photo out there for everyone to see? I would never download this (fictional) app. He thinks you have to be within fifty feet to send a digiDrop so he uses his phone to record how far away fifty feet is and discovers the lobby and kitchen are out of range, so it's coming form somebody in the dining room. Thanks, Sherlock! 

While the waiter is going on about the specials, Violet receives a message from this Lets_Play character, but this time he wants to send a message, not a photo. And this time she accepts it. So why is she accepting messages, but not photos? Perhaps if he had started with a message in the first place, he wouldn't have to send her 15 unanswered digiDrops! The message tells her to check her home security cameras, which she does and she sees a masked man with a gun in her kitchen looking at the camera. She scrolls through the other cameras and sees her sister reading a book to Toby in his bedroom. I've never seen someone with so many security cameras; she must have ten around the house! Something tells me when her son gets older, he's going to ask his mother to take away the camera in his room! I get that this is done for the plot of the movie, but that seems like an extreme breach of your child's privacy, but since he's only five, we'll let it slide for now. 

Needless to say, she looks visibly upset and Henry asks her if she's okay and before she can say anything, she gets another message from Lets_Play which says, "Keep your mouth shut." 

Okay, the first time she received the message, it appeared as "Lets_Play sent you a message" and she could either click accept or decline, like she did with the photos. But with the "Keep your moth shut" message, she can can read it on the screen and didn't have to accept it. Maybe since she accepted the first message, she now has unlocked all incoming messages from him? IDK? And yes, this is the stupid stuff I ponder about. 

I watched this scene about three or four times to try to make sense of how this app worked (I don't know why I was so obsessed with figuring out how a stupid fictional app worked!) and while the waiter is talking about the specials you're so focused on Violet who is focused on her phone that you're probably not really supposed to be listening to the waiter, like she is, but after watching this four times, I caught it the fourth time and what he said made me laugh. He's telling them about the "lemon oyster soup" and I laughed when he says, "it sounds weird...and it is! But it's good!" 

Violet tells Henry she needs to call home and gets up. While she's walking away from the table, she has dialed 911, but before she connects the call, she gets a message saying her phone has been cloned and "I can see everything." This mystery person tells her if she calls the cops, leaves the restaurant, or tells anyone, then her son will die. At that moment she runs into the same guy from earlier before and I'm more convinced than ever that he is a red herring. He is just too obvious. 

She goes into the bathroom where some of the high schools girls are putting on makeup. Before she can say anything to them, she gets a warning text not to tell them anything. She asks one for eyeliner and tries to write "Call 911" on her palm, but the girl is confused because the writing is all smudged and she thinks it says "Cal". She gets another warning text. After the girls leave, Violet discovers there was a small camera behind a decorative vase. When she comes back to the table, she tells Henry she's emotional because she hasn't been out "like this" since her son was born. She notices a small camera at the end of the table, much similar to the one she found in the bathroom. Whoever's doing this has sure gone to a lot of trouble! 

She makes up a story, telling Henry that her son can't find his stuffed animal and acts like she just realized where it is. She starts texting, pretending it's to her sister, but she texts her new friend, asking, "Who are you?" and he tells her he could be anyone. Helpful, but of course he's not going to reveal himself to her. 

Violet tells Henry she would like to move tables because heights make her nervous. The waiter secures them a different table and as they're following him, she gets a couple messages: "Do not switch tables", followed by "Toby's dead in one minute if you don't go back." Of course she insists their old table was fine and she wants to go back. She says they they came for the view and she's going to get over her fear. The waiter is a little annoyed, but tries his best to remain polite. 

Once they're settled back at their original table, the hostess comes over to make sure everything is okay with the table and reminds Henry that he specifically reserved this one. He says he didn't so we know the person behind this called the restaurant and used his name. 

The mystery digiDropper sends Violet his first demand: "Get the SD card from this camera." He doesn't even offer her a few hints of how she can do this; he just expects her to figure it out on her own. While Henry is ordering (I swear they already ordered in a previous scene?), Violet discreetly slips off her watch (please, what kind of thirty year old still wears a watch in this day and age?) and puts it in her purse (which is under the table). After their waiter leaves, she "realizes" her watch is missing and says it must have fallen off because of a faulty clasp. She knows for sure she had it on when she entered the restaurant because the hostess had complimented it. She asks Henry if he would mind asking the hostess if anyone has seen it or brought it to her. While Henry is doing that (and remember, he has to walk through the tunnel to get to the hostess stand), she gets the SD card from his camera. I gotta be honest, I would have no idea how to do that. I would have to Google "How to retrieve SD card from a camera" and I would 100% get caught because I would be taking too long to do it. It gets pretty tight, but she manages to get it before he gets back. 

She gets a text for her to go to the restroom. She tells Henry that she's going to look for her watch there. When she gets to the ladies' room, she gets another message telling her to smash the card and flush it down the toilet, which she does. 

She thinks this is all she has to do (HA!), but she she gets another message to open the towel dispenser and when she does, she finds a vial of what is presumably poison and is told to "pour it in Henry's drink and that will be "quick. (Spoiler alert...it won't be that quick!) 

When the hostess stand is empty, she goes behind the counter to use those computers. Now I've never been a hostess at a restaurant, but I didn't think you can get online on those computers.  Don't they just have a program set up to take reservations and times and table numbers, like I doubt you can search the web for a domestic abuse hotline like she does. She enters the chat and starts typing about how her son is being held hostage. Before she can push enter, she gets a message telling her she better not send it. Before

Violet suggest to Henry that they take a shot and at first he's hesitant because he has to work the next day and she apologetically says she was trying to lighten the mood and he relents, replying, "A shot never killed anybody" to which she just laughs nervously. 

They both agree on tequila (Hey! I had a shot of tequila a couple months ago!) and she insists on going to the bar to get them. While she's getting up to leave, her foot catches on her purse and her watch spills out. You would think this would mean the end of the date, but it doesn't. If anything, it will almost bring them closer together. Also, I don't know why she just didn't "find" her watch when she went to the restroom to "look" for it. I suppose she was just too distracted to think about that since she had just been told to kill her date. 

While ordering the tequila, the bartender she had talked to earlier asks if she's okay because she seem "kind of on edge" (that's an understatement!), but Violet tells her it's just "first date jitters". She takes the vial out which seems like a stupid thing to do. You're in a crowded room and taking out a vial. Surely she's not going to pour it in the drink right there! That would make her look totally sus. But before she can do anything, she gets a text telling her to "do it at the table." Ha, even the deranged psycho knows that's a stupid move. Plus, I guess he needs to see her do it, but if he's texting her to do it at the table, doesn't that mean he saw her take the vial out? I don't know...there's a lot of things about this movie that don't make much sense as you already can tell. Violet is about to take the drinks back to the table and when the bartender asks if she wants some limes, she hesitates for a minute before saying, "No thanks." Aren't limes a necessity when taking a tequila shot? But she has a plan! 

Back at the table, Henry hands her the watch and she tries to play dumb (girl, please!) asking him where he found it and he tells her it spilled out of her purse. You would think this would be a dealbreaker, but it isn't. He tells her that she's distracted and he knows something's happening because she keeps looking around and texting. Yeah, even the bartender across the room knows something is going on with her. She's making it pretty obvious. This is when they have a heart to heart conversation and he tells her he messaged her because she seemed like a genuine person. As a viewer, you like these two together and you hope that she doesn't actually kill him, even though her son's life is in danger if she doesn't. Plus them having a connection is just going to make it all the more difficult for her to kill him. 

Of course she deliberately forgot the limes so she could ask him to grab them. While he's gone, she takes out the vial and allegedly pours the liquid in his drink. I say allegedly because how the scene is set up, the camera tilts up so you can't really see the drink in the shot. She sees the red herring guy sitting at a table and glares at him.  

Henry returns to the table with the limes and they toast to hope. Violet watches him as he brings the drink closer to his lips, then right before he takes a sip, she spills her glass of wine, getting all over his shirt. As he goes to clean up, she gets a message: "That wasn't smart." 

Okay, I'm about to go into spoiler territory so if you don't want to know who's been sending her the drops, don't read any further.  Spoilers ahoy! 

The bartender comes over and tells her she's been acting skittish all night and thinks Violet doesn't feel safe with her date and offers to help her get out of there. Violet tells her that's not the case here. The subject turns to Richard, the guy with the blind date that left in a huff, and the bartender tells Violet she doesn't blame his date for leaving because "he's been staring at you all night." Aha! Violet walks over to him with the two tequila shots. She offers him a drink, telling him she thought he could use it. He calls her by her name and says, "One drink is my limit for the night." She says she doesn't remember telling him her name and knowing he's been caught, he snarls, "Sit." My question: did he call her by her name on purpose? 

Okay, so I left some information out when Violet and the audience are first introduced to Richard when he first asks Violet if she's Diane, his blind date. He tells her that his date didn't have social media and thus he didn't know what she looked like. I can maybe believe this if his date is around his age, which is probably mid 60s. But why would he think his date is a woman in his thirties? Of course, he knew all along who Violet was and that probably should have been my first clue that this guy was sus. 

Once she's seated, he tells her to pick a shot and drink it and she does. This guy isn't even going to try to pretend he's not the one sending her the drops. He tells her he picked this table to watch her from because "it's the only one in the blind spot of the camera." 

So why has Richard gone through all this trouble to threaten Violet's son and sister, to place cameras all around the restaurant (how did he even do that without being noticed?), to call the restaurant as Henry and reserve that special table (well, that was the easiest task he had to do), to poison the piano player and somehow sneak back into the kitchen and place the twenty dollar bill under her food (how DID he do that?)...why has he done all of that just for the hassle to have Violet kill her date? 

Well, turns out Richard works for the mayor who's corrupt and Henry had some information on his camera that could hurt the mayor if it ever got out in public (I don't remember what it was...some scandal), hence why Richard had Violet destroy the SIM card. Henry had received a call from the FBI asking him to meet them tonight and hand over the SIM card. But if it's already been destroyed....why does he want Violet to kill him? That seems a bit extreme. I understand he's an informant for the FBI, but if he doesn't have any evidence, how is he going to help? Maybe I missed something. 

When she tells him she's going to tell the police about the drops, he reminds her that they're untraceable and there's no way one can detect who they came from. He tells her he chose her because she killed her husband. But she didn't. The real story is that he shot himself. But, honestly, would anyone blame her if she did kill him? He had just beaten her and at one point, threatened their baby with the gun. If she did shoot him, I would call it self defense. 

His waiter comes by with his panna cotta which he raves about. He tells her that the camera above her table recorded her spike the shot with "Sertraline laced with a little fentanyl" and that he chose that because he knows she prescribes Sertraline sometimes to her patients so it would look like it came from her. He boasts about how he's playing chess and that he's two steps ahead of her. In fact, she's not even in the same league as he is because, according to him, she's playing a totally different game. She's playing Yahtzee. It was at this moment, that I knew she was going to somehow poison his dessert. I knew this because 1) he was making such a big fuss over the dessert and how beautiful and delicious it look, and b) he kept bragging about how he was "winning". 

Richard tells Violet the only way to save her son is to have Henry drink the shot and that it will be her "last chance." When Henry walks over to him, Richard tells him that he and Violet are "old pals." Violet gives Henry the shot and Richard is looking at him gleefully as he watches him drink it. Violet asks him to give her a few more minutes and once he's out of earshot, she tells Richard to call the intruder at her house and call off the hit since she did what he asked her to. He calls the guy and tells him, "It's done." He doesn't quite tell him to leave. The guy replies that he'll wait for confirmation. Isn't "it's done" the confirmation? Richard tells Violet he's going to eat his dessert while he waits for Henry to "keel over." 

As he's eating his dessert, she tells him about the time she went out to dinner with her late husband and he was eating panna cotta and she would "pretend everything was fine" like "tonight when I pretended to poison that shot." He looks very alarmed as he looks down at his half-eaten dessert. We get a flashback from two minutes ago when she poisons his dessert because he's looking gleefully and intently at Henry. Like, dude. C'mon. What an idiot. 

But Violet may be a bit of an idiot too. I get that she wanted to get the satisfaction of him knowing that she "won" (and it's really funny when she says "Yahtzee" when he realizes he's been poisoned), but she should have just left him to die because he has plenty of time to call his henchman back to tell him to kill Violet's son and sister. He also has time to take a gun out, but before he can shoot Violet, Henry pushes her out of the way and he gets shot in the arm. The bullet ends up hitting a window and Violet throws a hockey puck (which Henry had given her earlier in the date as a present for her son) at the window and it breaks and Richard ends up flying out of the window like he's being sucked out of an airplane. This poison that Richard told Violet would be "quick" was not quick at all! He was killed from falling out of a building before the poison killed him. Violet is also pulled towards the window, but manages to grab a curtain that's snagged on a nail by a literal thread. Right before she's about to plunge to her death, Henry pulls her back up. 

She uses Henry's car to race to her house and is able to stop the masked man from killing her son. Way earlier in the movie, when she was still at home and getting ready for her date, a guy had knocked on her window and asked her where her meter was, telling her he was here to check it. I had totally forgotten about him and when the intruder's masks comes off, we find out it was the so-called meter man. 

We get a cute scene of Violet visiting Henry at the hospital and they agree to go on a second date after having a laugh over their "hard core first date." Just think of the story they can tell their grandchildren about their first date!

Monday, September 1, 2025

Lohanissance

Freakier Friday
Director: Nisha Ganatra
Cast: Lindsay Lohan, Jamie Lee Curtis, Julia Butters, Sophia Hammons, Manny Jacinto, Chad Michael Murray, Mark Harmon, Vanessa Bayer
Released: August 8, 2025
Viewed in theaters: August 13, 2025


When I reviewed the 1976 Freaky Friday and its 2003 remake almost ten years ago, I said that the 2003 version was far superior and I still stand by that. I really like the 2003 movie with Lindsay Lohan and Jamie Lee Curtis and was excited when I found out there would be a sequel and of course I had to see it. While I did enjoy it, the original (as in the 2003 film, not the '76 movie just so we're clear!) is still better. One thing I didn't know about the 2003 version (or maybe I did know, but just forgot, but it wasn't something I mentioned in my review) is that they asked Jodie Foster to play the mom, but she passed. To be honest, I'm kind of glad she did. For one thing, I can't see anyone as the mom but Jamie Lee Curtis. (Though I also learned that Annette Bening was originally cast as the mom, but had to drop out.) Jodie Foster is a great actress (she's got two Oscars!), but she's not known for her comedic roles. Silence of the Lambs?? Definitely not a comedy! The Accused? Have you seen that? Most definitely not a comedy! I've never seen Contact or Nell (I know, deep cuts there), but I'm guessing those aren't comedies either! It would have been fun if they had done a reverse Panic Room and Jodie Foster had a cameo as someone on the phone...or even as a patient of Tess's. (I call it a reverse Panic Room because Nicole Kidman was supposed to be in that movie, but wasn't able to, so she had a cameo on the phone as Jodie's character's ex's new wife.) So yeah, I'm glad they kept the two Freaky Friday movies separate...as they should be! 

Freakier Friday shares a lot of DNA with its 2003 counterpart. In the first movie, Tess (Jamie Lee Curtis) is getting married and in this movie, Anna (Lindsay Lohan) is getting married! Like, could they at least try to come up with something new? Freakier Friday is a little more convoluted because it involves four people who get body swapped, but it's really not that complicated; it just sometimes doesn't make sense. Having Anna and Tess switch bodies like they did in the first movie, really wouldn't make sense since Anna is in her 30s now. Both women are mothers and are responsible adults with jobs...it would be a bit of a boring movie if they switched again. No, we need to bring in some more teens. Anna has a daughter, Harper (Julia Butters), who she's raising as a single parent, but Tess is helping her co-parent her (I think that's the word she used). I don't remember if they said how old she is, but I'm guessing she's probably supposed to be fifteen, like Anna was in the first movie. There's a new girl at school who Harper can't stand. Lily (Sophie Hammons) is British and she acts like she's better than everyone else and brags about her French model boyfriend (who, spoiler alert, isn't real). The girls get into a fight during a science experiment and ruin the classroom and Anna and Lily's dad, Eric (Manny Jacinto) are both called to the school for their daughter's behavior and it's pretty much love at first sight. It's pretty ridiculous and the movie knows it as the teacher calls a restaurant for them and sets them up on a date. We then get a obligatory montage of them going on dates and falling in love until they're engaged and neither girl is thrilled about this, obviously. I much prefer the original when Tess was already engaged to Ryan. I understand why they did it this way, but it's ridiculous these two people are moving this fast. 

So throughout about the first third of the movie, it was driving me crazy because I was trying to place who Eric was. I knew I recognized him from some show or movie I had seen him in. Then, it suddenly hit me that he looked an awful lot like Jason from The Good Place and when I got home that was indeed him. I think it took me awhile to place him because this character is so different from his character in The Good Place (and if you've seen that show, you know what I mean!) and he has a British accent (for some reason) in this one. At first, I thought they made him British since maybe the actress who plays his daughter is British in real life, but no, she's American. There is a plot point where the two adults are wondering if they should move to London or stay in Los Angeles. Can't they just make Lily and her dad be from New York? It's still a long way to move. 

So the way the switch happens is when everyone's at Anna's bachelorette party and a palm reader named Madame Jen (played by Vanessa Bayer) is there as a fun little novelty. Well, turns out her powers are stronger than she even knows and after reciting some mantra (which I can't remember because I've only seen this movie once (I usually am able to watch my movies on streaming platforms so I can watch with subtitles!), an earthquake appears that only the four females can feel and Anna and Tess share a look like, I hope that's not what we think it is, then both shake their heads. They both clearly have PTSD from what happened 22 years ago! 

So of course the switch happens at midnight and like I mentioned before, it's a little more convoluted than the first movie, but really not that convoluted. Anna and Harper have switched bodies. This makes sense that Anna, now a mother, has switched bodies with her daughter as she was the daughter who switched bodies with her mother in the first movie. But for some inexplicable reason, Tess and Lily switch places. Okay, I get that they don't want Tess and Anna switching bodies again because it's more fun when a kid is an adults body and vice versa and Anna and Harper make sense switching bodies, so that leaves only Tess and Lily to switch bodies, but yeah, I'm sorry, it makes no f***ing sense. Maybe I need to dig deeper to see if I can find a podcast or review that will make me change my mind about that, but I haven't come across anything so far. 

So now Tess and Anna are in the bodies of the two teenaged girls and while they're trying to remain calm and are discussing that they need to find Madame Jen, in the background we see Harper and Lily, now in the bodies of the two adult women run across the room and smack right into each other. Seeing Jamie Lee Curtis and Lindsay Lohan repeat this scene from the first is a really funny callback to the first movie...BUT it really doesn't make sense. If Harper is in her mom's body, then why would she try to collide with Lily who's in her grandmother's body? Yeah, makes no sense. 

I do think the way this scene was done in the first movie is way better and much funnier. There's also the fact that it was just two people and they were freaking out, but also knew they couldn't tell anybody what had happened. In this movie, Harper and Lily are freaked out, but they don't seem that freaked out to me. In fact, both teen girls in their adult women bodies seem to think this might be a great way for them to get what they want: have their parents break up. 

So the high school girls spend their day trapped in the bodies of older women (one, a woman in her mid-thirties, and another in her late sixties, but knowing high school kids, they probably think anyone over the age of 28 is ancient!) and the two grown ups spend their day as teen girls.

Anna and Tess, trapped in the body of the high school students have some amusing moments, but we're really here to watch Lohan and Curtis, so I'll just quickly try to remember as much as I can from their day: they go to school and are sent to detention and I can't remember why. Something involving a food fight, but I can't remember how it all started. Stephen Tobolowsky is one of many people from the first movie who came back for this movie. Remember, he played Mr. Bates who had a grudge against Anna because he once asked Tess out in high school and she rejected him. That's such a petty thing. Of course the girls recognize him and are surprised he's still teaching there. I would be surprised too because he's in his 70s! 

Other people who are back from the first movie include Mark Harmon as Ryan, Tess's husband, Anna's younger brother makes an appearance at her wedding reception, her old band mates from Pink Slip, and of course, Chad Michael Murray as whatshisface. But we'll get to him in a minute. Even the mother and daughter from the Chinese restaurant where the whole thing started in the first movie make an appearance at Anna's bachelorette party. It's nice to know she doesn't hold a grudge against the mother for what happened a couple decades ago! 

Back to Anna and Tess who are being portrayed by the young actresses. There is a funny moment when they're outside (somehow, the entire detention class convinced Mr. Bates to move detention outside) and they want to try to escape and they look over and see something that will help with their escape. Well, the camera shows a shot of two motorcycles and I was thinking they were going to take those, but in the next scene they're riding scooters. Being that they're two adults trapped in teen bodies, they're being very responsible. The only sign of rebellion is when they go crazy with all the junk food they eat because, hey, why not. This is also a callback to the first movie when Tess, in Anna's body, goes crazy with the fries.


Meanwhile, Harper and Lily (you know, Lindsay Lohan and Jamie Lee Curtis) decide the best way to split up their parents is to try to get Harper's mom back with her old high school boyfriend, Jake (oh, yeah, that's his name). They find him on Facebook, something "only old people use" according to Harper. (Heh, she's not wrong. I actually remember when you had to have a college e-mail to use it. Also, if you think the Facebook reference is dated, I'm pretty sure they make a MySpace reference in the 2003 movie. Now that's antiquated!) They find out he works at a record shop and there's another joke about listening to a band that only old people like and that band is Coldplay. Lindsay Lohan as Harper is "flirting" with Jake and it's the most awkward, excruciating thing ever. He's very confused because he knows she's engaged and as far as I remember, they don't really keep in touch anymore. Though I don't know if that moment was more awkward then when he sees Tess and is asking her if her husband was still around. You remember how he had a connection with Tess in the first movie, but of course that was because it was actually Anna. It could also be that Jake is into older women. 

Anna is a music producer and on this particular day there is a photoshoot with a singer named Ella. Harper and Lily, in their adult bodies, decide to crash the photoshoot and we get a montage of Lindsay Lohan and Jamie Lee Curtis wearing crazy outfits and posing with the young singer. Earlier, Harper had found a song her mom wrote a few years ago and she assumed it was a love song her mom had written about Jake. 

There's a moment when the girls are in a car with Lily in Tess's body driving  and being that they're teen girls who haven't learned to drive yet, they drive very erratically. At one point they stop next to another car where there's a teen boy in the back seat and Lily starts flirting with him. I guess she forgot she was in the body of a 60-something woman? It reminded me of that scene in 13 Going on 30 when Judy Greer tells Jennifer Garner that this hot guy is checking her out (I think they're at a restaurant, it's been a minute since I've seen that movie) but Jennifer (who started the movie as a thirteen-year-old (you've all seen the movie or go read the review if you don't know what it's about!) thinks she's talking about the teen boy who's sitting nearby and she goes over to flirt with him. It's so cringe! 

Anna and Eric are supposed to have an interview with an immigration officer (oh, is this why they make them British?) and Harper, as her mother, is ready to fail miserably, but then she realizes how much Eric loves her mother because he knows the answer to everything, even obscure questions. She does not sabotage the interview as initially planned. She is coming around to her mom and Eric getting married, but that may be because Eric told her (thinking she's Anna) that it would be best for all of them to stay in Los Angeles. 

Lily is still determined to ruin the wedding and invites Jake to the rehearsal wedding. (Oh, yeah, the wedding is the next day, much like the first movie's "freaky Friday" happened the day before Tess's and Ryan's wedding.) Eric ends up calling off the wedding and to be honest, I can't remember exactly why. I don't think it's only because Jake was there. 

Lily has a heart-to-heart with Tess and realizes that she wants her dad to be happy so she talks to him (as Tess, because remember that's who's body she's in) and convinces him that he shouldn't throw away what he has with Anna.

Meanwhile, Anna has been invited to the concert Ella is performing that night because her old bandmates from Pink Slip are going to perform (maybe they've collaborated with Ella? IDK) so both she and Harper go, because obviously the real Anna is in Harper's body so she's going to need to hide backstage while her daughter performs onstage as herself. You think this is another callback to the first movie when Jamie Lee Curtis, portraying Anna, is backstage playing the electric guitar while Lindsay Lohan, portraying her mother, is onstage pretending to play the electric guitar during the scene when Pink Slip is performing "Take Me Away", that one song that seems to be their only song because they always play it. It's kinda like how The Wonders from That Thing You Do! always performed "That Thing You Do!" Anyway, the movie does NOT do what we were expecting and Harper (as Anna) invites her "daughter" (actually her mother, God, this movie is confusing when you're trying to explain it!) to sing "Baby" with her. Why does she invite her out on stage with her? Because just moments earlier, Harper found out that the song she thought her mom wrote about her former boyfriend was actually about her. The song is called "Baby" so she thought it was being used as a term of affection. (Personally, I've always hated when people call their significant others "baby" because it skeeves me out...the only time I'm willing to let it go if it's used in a song.) But, no, "Baby" is about her literal baby. If this girl had just listened to the lyrics, she probably would have figured it out. 

Anyway, Eric ends up at the concert and he and Anna end up together. By the time they are reunited, everyone has switched back to their rightful bodies. I honestly don't remember anything that happened after that, but everyone is happy and all is good in the world again. At least, in their world. I still think the 2003 movie is better than the 1976 original film and this movie.