If the Shoe Fits

Cinderella (1950)

Directors: Wilfred Jackson, Hamilton Luske, and Clyde Geronimi

Voice Talent:  Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, Lucille Bliss, James MacDonald

Released: April 27, 1950

Oscar nominations:

Best Song - "Bibbidi-Bobbidi-Boo" (lost to "Mona Lisa" from Captian Carey, U.S.A. - what the heck is that?!))

Best Score - Oliver Wallace and Paul J. Smith (lost to Adolph Deutsch (yikes on the name, but to be fair, he was born in 1897) and Roger Edens for Annie Get Your Gun)

Best Sound Recording (lost to All About Eve)

Cinderella (2015)

Director: Kenneth Branagh

Cast: Lily James, Cate Blanchett, Richard Madden, Helena Bonham-Carter, Stellan Skarsgard

Released: March 13, 2015

The 2015 live-action version of Cinderella was one of the first one to kickstart all the live-action Disney remakes. Yeah, I know there was 101 Dalmatians with Glenn Close, but that came out in 1996 so that's nearly a twenty year gap. Right after 2015 Cinderella, there was The Jungle Book, Beauty and the Beast, Aladdin, The Lion King, Mulan, The Little Mermaid, Snow White, Lilo and Stitch, and I'm sure they'll be making live-action Moana and Frozen, but I want to see live-action The Black Cauldron! 

Even though I haven't seen all the remakes, I believe that Cinderella is the best. For one thing, with all due respect to the animated 1950 movie, there was much to improve on, which they did, while also keeping the essence of the original. 

Of all the early era Disney Princesses, Cinderella is my favorite. Aurora just sleeps through the majority of the movie (yes, I know it is called SLEEPING Beauty) and I recently re-read my review of Snow White and thought her to be "very condescending" and "a little bit dumb" (remember when she opened the door to that scary old woman the Queen was disguised as?). Plus I couldn't stand her shrill singing voice. At least Cinderella didn't annoy me and even though the music wasn't my cup of tea, she did have a very beautiful singing voice. Maybe the sound quality vastly improved from 1937 to 1950 or maybe Ilene Woods (voice of Cinderella) was a better singer than Adriana Caselotti (voice of Snow White). Or maybe both are true. 

For this review, since I'm pretty sure everyone is familiar with this story, specifically the Disney version (tis a tad different that the Grim version!), I'm just going to go through some main plot points and compare and contrast the two movies. How fun! 

The beginning/Cinderella's backstory: The animated film, being much shorter than the live version, is quick to get to the story. We get a yada-yadda'd Cliff Notes version of her life before her stepmother and stepsisters entered into it. After her mother dies, we are told that Cinderella's father "gave his beloved child every luxury and comfort, still he felt that she needed a mother's care." This seems to be the main reason he married again, "a woman of good family" (whatever that means). 

In the 2015 movie, we see Ella (oh, yeah, her name is Ella, the Cinderella name will come later ) as a young girl, growing up with her loving parents in a beautiful chateau with many farm animals. It is quickly established she loves animals and believes the mice she has befriended can understand her. 

Cinderella - In the prologue of the animated movie, we are told that even though her stepmother was "cold, cruel, and bitterly jealous of Cinderella's beauty", even though the "family fortunes were squandered upon by the vain and selfish stepsisters", even though the chateau she grew up in was falling apart, even though she was "forced to become a servant in her own house", even though she lived in a tall turret that's pretty much isolated from the rest of the house, and even with all this abuse and humiliation, she remained "gentle and kind...with each new dawn, she found new hope that someday her dreams of happiness would come true." 

Much like her animated counterpart, our 2015 Cinderella (played by Lily James) is also an optimist despite her dire situation. Before her mother dies, she instills some words of wisdom upon her: "Have courage and be kind." This will be her mantra for the rest of the movie (and, really, for the rest of her life). This Cinderella will be a little more bold than the 1950 Cinderella, at one point she will pointedly ask her stepmother, "Why are you so cruel?" While animated Cinderella seems a little more passive, there is a scene where her stepmother and sisters are enjoying that she won't be able to attend the ball and being totally smug about it. While Lady Tremaine is pretending to be sympathetic, telling her there will be other balls, Cinderella just says "yes" and walks away, not letting them get any more satisfaction. 

Cinderella's father: We basically don't know anything about him in the animated film. I was asking myself why he would marry such a bitch, but Lady Tremaine doesn't become truly awful to Cinderella 'til after he dies. We're never told how she treated her while he was alive and it seemed he married Lady Tremaine when Cinderella was still a young girl. In the 2015 movie, Ella is older when her father tells her he thinks it's time "to begin a new chapter" and tells her how the Master of the Mercer's Guild, a man he met on his travels once, had died recently and left behind his widow, "an honorable woman still in the prime of her life." Ella knows he is asking for her blessing and wants him to be happy. 

We are never told what Cinderella's father does in the '50 movie even though they live in a beautiful chateau and Cinderella has a horse, but in the remake he is a merchant who often travels abroad. He's in the movie for about half an hour. He tells Ella he'll be traveling for work and will be back in a few months. He asks her what she would like to bring him back (because he always comes back with a gift for her) and she replies, "Bring me the first branch your shoulder brushes on your journey." Her stepsisters have asked for lace and a parasol, so this proves that she isn't materialistic. 

Because this is Cinderella, I knew he wouldn't be surviving this journey. I thought he might die in an accident, but he fell ill and died. The scene where his driver returns to the chateau and has to tell Ella what happened is so sad, especially when he hands her a leafy branch.

Lady Tremaine - So there are specific scenes involving this wicked woman that I will talk about separately just because they're iconic scenes. She is voiced by Eleanor Audley (fun fact: she also voiced Maleficent in Sleeping Beauty) and is played by Cate Blanchett. I don't know how old she is supposed to be, but Blanchett's Tremaine comes across much younger. She was around 45 when she filmed it and has reddish blonde hair and wears many fabulous outfits where she's always covered up, but still shows off her figure. The animated Lady Tremaine has gray hair, walks with a cane, and wears a very matronly red dress with a high ruffled purple collar. Her eyes are these really piercing green and she loves to wear jewelry to match her eyes: she has an emerald ring, emerald earrings, and an emerald brooch. The 2015 pays homage to it with Lady Tremaine wearing many outfits that have green in them. 

Obviously, we get many more scenes and more character development of the live action Tremaine. We see her take advantage of her stepdaughter's kindness when she tells her how her daughters have always shared a room, but "they're finding the sleeping quarters rather confining." (While she's talking to Ella, the two sisters are fighting with each other.) Ella, who has the biggest room aside from her father's and stepmother's, offers it up. She starts to say where she can stay, but her stepmother cuts her off and says she can stay in the attic and adds that it will only be temporarily while she has "all the other rooms redecorated" and gives her a sewing kit she can take up with her. I like that they show us how this materialized instead of her already living up in the turret like she does in the animated version.

Both Lady Tremaines care about their status, but we see it a little more in the 2015 movie as she likes to throw lavish parties. 

In the '50 film, Lady Tremaine seems to be jealous of her stepdaughter's beauty which is a little weird because Cinderella can't be any older than ten when her stepmother comes into her life. At least in the remake, we see that Lady Tremaine is jealous of Ella's relationship with her (Ella's) father and is quite aware that her new husband is still harboring feelings for his deceased wife. We see her eavesdropping on her new husband and Ella when he's telling his daughter to be good to her stepmother and sisters even though they "may be trying at times" and comments how her mother is always here, that "she's the heart of this place."

When Ella receives the news of her father's passing, Lady Tremaine is in the background, listening to the conversation and when Ella is told about her father, "To the end, he spoke only of you and your mother," she looks hurt hearing this. She announces they are ruined and questions how will they live. Because of their financial woes, she dismisses the household (they had maids, cook, and people who helped with the farm). This is how Ella morphs into their servant (and her name will morph into Cinderella), doing all their work, Lady Tremaine tells her it will help her distract from her grief. 

Anastasia and Drizella - So I have to be honest, I can never remember who is who, but Drizella (I always thought her name was Drusilla) is the older of the two with dark hair and wears green and Anastasia has red hair and wears purple. They're only probably supposed to be a few years older than Cinderella, but the way they're drawn, they look decades older. Man, they look rough!

At the end of the movie when the Grand Duke has come to their house to try the glass slipper on the sisters, I laughed at his reaction when Lady Tremaine introduces his daughters to him. He physically winces because they're so unbecoming. 

 

The live action stepsisters look much more youthful and I like that it's their personalities (and their questionable taste in fashion) that make them ugly, not their physical appearances. I feel like the 1950 movie is trying to tell people that if you're ugly on the outside, then you're a terrible person, which of course, is a horrible message. 

We get the sense that Anastasia and Drisella are silly vain girls when Ella is helping them get ready for the dance and when she asks them, What do you think he'll be like?" (referring to the Prince) and one of them (sorry, I really do not know who is who!) replies, "What does it matter what he's like? He's rich beyond reason." When Ella asks wouldn't they like to know a little about him if one of them was to marry him, the other replies, "Certainly not. It might change my mind." Ha! 

Her sisters are the ones to give Ella her new name. Ella has been sleeping by the hearth because it's too cold in the attic. Because of this, she gets soot all over her face. The sisters are making fun of her and one of them exclaims, "That's what we'll call you! Cinderella!" Her mother laughs and says, "Oh, girls, you're too clever." 

Lucifer and the mice: - Justice for Lucifer! Haha, that sounds a bit odd without any context. Lucifer is Lady Tremaine's fluffy gray mean-spirited cat and I think he gets a bad rap in the animated film. The only times I think Lucifer is a true a**hole is when he takes a swipe at Bruno, Cinderella's dog (they don't talk about Bruno in the remake because he's not in it) and when he gets in the dustpan and trots his dirty paws all over the floor Cinderella has just cleaned. However, we're supposed to think he's evil because he keeps chasing and trying to eat the mice who just so happen to be Cinderella's friends. Um, hello! He's a cat! That's his job to chase and catch mice! It's his natural instinct! Why are we trying to villainize him for that? Okay, I will admit he was being a jerk when he was trying to keep the mice from delivering the key to Cinderella. 

Cinderella's only friends are the mice who live in the chateau (and she's friendly with the birds too). She names the mice and makes clothes for them. The only mice that seem to have names are Jaq and Gus. The mice speak English, but it's hard to understand them sometimes because they speak in squeaky voices and speak in cutesy dialogue where they repeat words or have their own words for things. A part of me wonders if Cinderella is having these conversations in her head with these mice because she has nobody else to talk to (aside from her stepmother and stepsisters, but it's not like they're having conversations with her) and she's just pretending these mice are her friends and she's so far gone that she's even made outfits
for them. But this is an animated Disney Princess movie, so of course they're her friends and can communicate with her. 

There are so many antics with Lucifer and the mice, it's ridiculous! Twenty-six minutes (out of a one hour and sixteen minute movie) are dedicated to these animals. The prince is only in it for a little over three minutes! (BTW, I Googled these times!) I guess back in those days, it was easier to animate animals than humans, but still...

One of Cinderella's chores is to feed Lucifer first thing in the morning. This entails her having to open her stepmother's door (because Lucifer sleeps in her room in his own little cat canopy bed) at the crack ass of dawn and whispering to Lucifer to come downstairs so she can feed him. This is really stupid of Lady Tremaine because you would think this would wake her up. It doesn't, so she must be a heavy sleeper. Also, Lucifer is nothing like my cat because he just wants to go back to sleep and seems grumpy to be woken up. My cat is always ready for his food at five a.m. (and depending on the day, I'm not up for another one to four hours!) and makes sure I know it! 

Also, animated Lucifer totally dies. When he jumps up on the windowsill to escape from Bruno (who was kind of a dopey dog; I was kind of surprised Lucifer couldn't take him!) and ends up falling out the window from that HIGH, there's no way he would have survived. Yes, I know cats can land on their feet, but that was way too high. He's still falling as we move to the next shot, so we're never told his fate, but I believed it was not a good one. I guess he is in the direct to DVD sequel, but that came out in 2002 and I'm guessing nobody who worked on the 1950 movie worked on the sequel (or was even still alive) and I believe their intention was to kill off Lucifer. 

On the other side of the coin, Lucifer (an adorable gray Persian) is shown a few times in the 2015 movie. Lady Tremaine has him on a leash when she and her daughters move into the chateau. He snarls at the four (CGI) mice and Ella picks him up and scolds/coos at him not to bother the mice. No cat falls out of a high tower in this movie. 

Ella has known the mice since she was a young girl and believes that they can understand her. They don't speak gibberish English (or sing!) like they do in the animated version, but they do nod and seem to understand what she's saying. She also doesn't make little outfits for them...because that would be weird, even on CGI mice! 

The Prince - It probably won't shock you to know that the Prince in the remake has more screen time than the mice and cat! He even has a name and meets Ella before the ball. Hurray for character development! Ella is out riding her horse to get away from her horrible stepmother and sisters. It never occurred to me that she was able to leave her house, because she never does in the '50 film (save for the ball), but that one takes place in one day which is insane when you think about it. 

She first sees a stag and hears voices so she knows there are men nearby who are trying to hunt it. She urges it to run away. As the men grow nearer, her horse starts running really fast. A noble young man sees she's in trouble and heads after her on his horse, asking if she's all right. She is able to slow down the horse and tell him she is. Of course, this is the Prince, but she does not know this. She adds that he "nearly frightened the life out of him" and he is amused when she clarifies she's talking about the stag, telling her, "I must confess I've never met him before." They have a cute little exchange and he is totally charmed by her. He asks her, "What do they call you?" Interesting that he words it like that instead of asking what her name is as this is right after she's been dubbed Cinderella and she doesn't want to admit that to him, replying, "Never mind what they call me." He is surprised when she asks him, "What do they call you?", then realizes she truly does not know that he is the Prince. He tells her that his father (the King, heh) calls him Kit, which is true, but he is the only person who calls him that. He also tells her that he lives at the palace and his father (the King!) is "teaching [him] his trade". Ella takes that to mean he's an apprentice. He is very smitten with her and before he leaves, he tells her, "I hope to see you again."

He is played by Richard Madden, best known for playing Robb Stark in Game of Thrones, and let's just say he gets a much happier ending in this movie! 

There is a fun callback to the animated film when we see Kit having his portrait painted. In the original, we see many portraits of the Prince, each one bigger than the last. 

We don't meet the Prince until near the end of the 1950 film. (Remember, he's only in the movie for three minutes!) The stepsisters are being presented to him when Cinderella enters and he sees her and is enchanted by her beauty and walks over to her, totally dismissing Anastasia and Drizella, which was hilarious. They waltz to "So This is Love" and seem to be in love after that exchange. It seems the Prince is only interested in her for her beauty, and doesn't get to know her on a deeper level like he does in the 2015 movie. 

The King - The prince's father in both movies wants his son to marry, but for different reasons. The animated (in more ways than one!) King is discussing his son (who is out of town at the moment, I guess) with the Grand Duke, saying how "it's high time he married and settled down." He adds that he (the King) isn't getting any younger and wants to spend time with any grandchildren before he goes and that he's lonely and "wants to hear the pitter-patter of little feet again." So he's pretty much trying to marry off his son for his own selfish gain.

In the remake, the King is sick and doesn't have long to live, so he wants to ensure that his son will be set up for success and (at first) wants him to marry for advantage. But the King will have a change of heart when he realizes that his son is in love with a country girl and on his deathbed will tell him to marry for love and to "find that girl." 

The planning of the ball/the invitations - In the '50 film, the King wants to have a ball to celebrate his son's return home from wherever the hell he's been. All the eligible maidens in the kingdom will be invited and the King is certain he's "bound to show interest in one of them." Huh...was this animated Disney character from a 1950 movie the first person to come up with the idea for The Bachelor? Because isn't that what this is? The Prince will be home that day and they'll be having the ball that very night. Like, WTF? Who has an extravagant dance the same day they come up with the idea to have one? 

In the '15 film, the portrait of the Prince will be sent abroad "to induce the high and mighty to attend the ball" where he will choose a bride. By this time, he has already met Ella and wants the invitations to "go to everyone, not just nobility," so at least they address how commoners were invited to the ball. I was also under the impression the King had been thinking about having this ball for awhile and didn't just come up with it on a whim.

In the animated film, the invitation to the ball is delivered by a messenger. While Cinderella answers the door, one of her stepsisters is (awfully) playing the flute and the other is (awfully) singing "Sing Sweet Nightingale." She sees that the letter is marked "urgent" (I'll bet it's "urgent" because the ball is that night!) and there's a funny moment when she tells the mice, "Maybe I should interrupt the, uh, music lesson." You can just hear her putting quotes around "music lesson". This is one of those little moments that made this Cinderella have a bit of a personality. 

Lady Tremaine reads the invitation and she and her daughters become super excited when she reads, "by royal command, every eligible maiden is to attend." Cinderella points out she can go to because it did say "by royal command." I don't know, if I were ordered to attend a dance, I would be pretty annoyed. I feel like this should be optional. Lady Tremaine tells her, "I see no reason why you can't go if you get all your work done...and if you can find something suitable to wear." Cinderella is too happy to realize there's probably a catch and promises her stepmother that she will. After she leaves the room, Anastasia and Drizella are aghast that Cinderella could possibly attend the ball and their mother cackles and says, "I said, 'If'".   

Of course, Cinderella will be given so many chores on top of the already many chores she has to do. Jaq is indignant because he knows Cinderella won't have time to work on her dress with all the domestic work her stepmother and stepsisters are ordering her to do. Cinderella has a dress that she wants to wear to the ball that used to belong to her mother. The bodice is pink with capped sleeves with white ruffles and the skirt is white with a light pink sash around the waist and a light pink ribbon at the hem. All the female mice are there when she takes it out and shows them and one of them comments, "It's pretty, but it looks old." Heh. Who does she think she is, Tim Gunn? But as we'll see, these mice will show their dress designing skills and could be valid contestants for Project Runway! Cinderella is looking through a pattern book and decides she's going to give the dress a whole new look. She'll "have to shorten the sleeves, [she'll] need a sash, ruffles, something for the collar..." One of the mice even comments, "It'll be easy." Seriously? It's not like she's adding more ruffles, it looks like a completely different dress! Anyway, the other mice agree with Jaq and one of the female mice says they can fix the dress for her. These mice are definitely a product of the 1950s because when one of the male mice offered to sew, she tells him, "Leave the sewing to the women!" 

There's more shenanigans with the cat when Jaq and Gus see that the sisters are complaining about their "old rags" to the mother, one dropping a sash and the other dropping a necklace. The mice decide they'll be perfect for Cinderella's ball look, but Lucifer makes it difficult for them to acquire, but after ten minutes (I may be slightly exaggerating, but not by much) they finally have the items. 

We see the mice (with some help from the birds) doing all this time consuming work on the dress, which, of course, will be all for naught. Like, their hard work will be ruined in minutes by a few petty bitches. 

But before I go any further, let me go back to the live action remake. Cinderella is in town when it is announced the ball will be in two weeks (NOT that night!) and the prince will choose a bride and every eligible women is invited. Notice that nobody is commanded to go! I think it actually makes more sense how they deliver the invitations to every house in the animated film, because at least you know everyone will be getting one. Maybe the guy making the announcement is just hoping that everyone who is in the town square will past the word along. I do understand why they do it this way, though. Cinderella runs home to tell her stepmother and sisters the news. She is excited mostly because she'll see Kit the apprentice (remember, he lives at the palace!). I love Cate Blanchett's reaction. She literally jumps out of her chair (and Lucifer has to quickly hop off her lap!) and runs to her girls, telling them, "One of you must win the heart of the prince." Because they are in a lot of depth, it will help quite a great deal if they can marry into some money. She sees Cinderella is still standing there and tells her to run into town (which she literally just returned from) and ask the seamstress to make them "three fine ball gowns." Cinderella thinks she is talking about her and her stepsisters, but nope, Lady Tremaine means for herself and her daughters. Unlike in the animated movie, she never tells Cinderella she can go to the dance as long as she finishes all her chores, but she never says she can't go either. 

Like her animated counterpart, this Cinderella also has a pink dress that used to belong to her mother. She thinks if she provides her own dress, she will be able to attend the ball. She works on fixing the dress, though it doesn't go through a complete transformation like the other pink dress. Even though she's the one to mainly work on the dress, we do a get a shoutout to the original with the mice under the table rolling spools of thread or tying a ribbon to a shoe. 

Before they leave for the ball, Lady Tremaine gushes over her daughters (in their super garish dresses), saying one of them is bound to snare the prince and how happy she is she has "two horses in the race." She must be a little bit delusional if she actually thinks one of her daughter has a chance with him. Cinderella comes downstairs wearing her dress, telling them it cost nothing and she doesn't even want to meet the Prince. She wants to go to see Kit, she has no interest in the Prince! Because Lady Tremaine didn't have to pay for an extra dress and because she's taking herself off the table as an option for the Prince, she thinks they will allow her to attend the ball with them. Wrong! Her stepmother tells her she won't meet him because she's not going and that it would "be an insult to the royal personage to take [her] to the palace dresses in these old rags." After Cinderella tells her it belonged to her mother, she disparages her mother's taste in fashion and tells her the dress is "old-fashioned and practically falling apart" and reaches over and rips off one of her sleeves, then tears at the dress a couple more times. Cinderella asks, "How could you?" and she replies, "How could I otherwise? I will not have anyone associate my daughters with you...[it will] ruin their prospects to be seen arriving with a ragged servant girl. Which is what you are and what you will always be." She acts as though she is embarrassed by Cinderella, but I think she is jealous because she knows she would catch the prince's eye and she doesn't want her there as competition. 

The animated version of this scene is the same, but different. Cinderella sees that the carriage has arrived to take her stepmother and sisters to the palace. She informs Lady Tremaine of this and when her stepmother comments that she's (Cinderella) not ready, Cinderella informs her she's not going. This is because she thinks she doesn't have anything to wear because she's been too busy with chores. You know, being that the ball was THAT VERY NIGHT, I find it hard to believe she would be able to finish her dress even without all the chores. Good thing she has all her mice and bird friends. They really should be on Project Runway, seeing they finished that dress in a couple of hours! She goes back to her room and looks out the window where she can see the palace and insist to herself that the ball w
ould be "frightfully dull and boring" (and who is she kidding?) "and completely wonderful." Her mice friends surprise her with the dress and this is the cutest scene in the entire movie. I love how they're all, "Surprise! Surprise! Surprise!" in their squeaky little mice voices and Gus, being a little slow, tells her, "Happy birthday!" 

When she comes down twirling in her new dress and announcing she can attend the ball, her stepsisters aren't happy to se
e her all dressed up. Lady Tremaine notices the necklace she's wearing is the same that Drizella discarded earlier, and, knowing Drizella will get a rise out of Cinderella wearing it, comments how they give the dress a nice touch. Drizella indeed notices that it's her discarded necklace and calls her a thief. Anastasia notices she's using her sash and soon the two sisters are ripping apart Cinderella's dress. It gets way more trashed then the live action dress, which is mainly just a sleeve was torn off. 

The Fairy Godmother scene - So whenever I think of Cinderella, this is the scene that always comes to mind first. Both versions are pretty similar during this scene, with a few differences. Our protagonist in both movies runs outside, upset about what has just happened. The animated Cinderella is crying at a bench and her Fairy Godmother just materializes out of thin air. There's no explanation of who she is or how she got there and once she's talking about her magic wand, Cinderella figures out it's her Fairy Godmother. Honestly, if I were her, I'd be asking why she hasn't shown up a lot earlier!

The 2015 Fairy Godmother (played by Helena Bonham Carter) first appears as an old lady who hobbles over to her and asks her for milk which the kind Cinderella fetches for her. This seems to be a test that Ella has passed with flying colors. The old woman turns into a much younger woman with blonde hair and wearing quite the dress that even lights up. Fairy Godmothers had been established earlier in the movie when Ella's mother tells her young daughter that they are the ones "who look after us." 

Both Fairy Godmothers turn a pumpkin into a carriage and four mice into horses. In the '50 film, Bruno the dog is turned into the footman and her horse is turned into the coachman while in the '15 film, two lizards are turned into footmen and one of the many goose who live on the property is transformed into the coachman. Both girls are told they must leave before midnight because that is when the spell will be broken and everything will go back to the way it was. 

The dress and glass slippers - I figured these needed their own separate category being so iconic and all. I always thought original Disney Cinderella had a blue dress because that's the color I usually associate her with, so I was a little surprised when the Fairy Godmother transformed her tattered dress into the ball gown and it's more of a silver color. It's seemed to change into blue over the years; look at 2015 Cinderella, after all! Now that dress has to be one of the best to grace the screen in recent years. It just moves so fluidly with her and the way the skirt twirls, it just looks like so much fun. The only thing I wasn't too keen on was the little butterflies attached to the top. It just felt very early 2000s to me. Before her Fairy Godmother transforms the dress, Cinderella tells her she wants to keep it because it's her mother's and her Fairy Godmother says she'll just tweak it a little, but to me it's a completely different dress! Maybe the bodice is the same? I don't know, I'm not really fashion savvy so I can't really tell. Before she gets into the carriage, her Fairy Godmother wants to change her shoes because "they're really quite hideous" and gives her the glass slippers, telling her they're comfortable even though they're made out of freaking glass which I appreciated because wearing shoes made out of glass can NOT be comfortable. Plus, putting all your weight on glass shoes just seems like a bad idea to me! 

The ball - Before our Cinderellas arrive, the single ladies are being introduced to the Prince at the ball. In the animated film, they are coming up to him after being announced as his father and the Grand Duke are watching from a balcony. The King isn't happy because his son isn't "cooperating". He looks pretty bored and at one point, even yawns (well, I can't really blame him because he just got back that day from traveling and the ball is that night...I would be tired too!). The only moment we get a glint of personality from him is when he is introduced to Anastasia and Drizella and his reaction to them is an eye roll because they're acting like buffoons. 

In the remake, Kit is sitting in the balcony with his father, watching as all the princesses and non-royalty single ladies are being announced. The King knows his son invited the commoner because he knows Kit is trying to look for the girl he recently met. When he reminds him he's only met the girl once, Kit replies that he's supposed to marry a girl he'll be meeting for the first time tonight. His dad tells him it's different because he'll by marrying a princess. 

Just as it is announced that the Prince will choose his partner for the first dance, Cinderella enters just a few moments later and he walks towards her as she's gliding down the stairs. I think we know who he's choosing to dance with! I just loved it when she twirled in that dress; it was so hypnotic! 

Animated Cinderella immediately catches the Prince's eyes when she enters, so much so that he walks over to her, dismissing her stepsisters who are being introduced to him at the time. Cinderella definitely stand out because of her dress. For one thing, it's the only one that sparkles and it's also the only dress that doesn't have a weird part that poufs out in the back, making everyone's butt look huge. (I'm sorry, but that's how it looks!) When the King sees his son taking interest in a woman, he is beyond excited and prompts the conduct to play a waltz for them to dance to. While they dance, he decides he's going to go to bed and tells the Duke to stay where he is to make sure his son and the girl aren't disturbed and to notify him immediately when his son proposes. WTF? He's been going on all day about how he wants his son to find a wife and he's not going to stay up for the rest of the ball to make sure that happens? Also, it's just so weird and random that the King, the one who is throwing the ball, decides he's just going to go to bed while the ball is still going on. This King is really stupid, I'm sorry. Also, he thinks his son is going to propose that night? I was thinking maybe he thought his son would meet a nice girl, wine and dine her, and then propose. 

One little detail that I appreciate them addressing in the remake is the fact that Lady Tremaine and her daughters may recognize Cinderella at the ball, so the Fairy Godmother puts a spell on her ensuring she won't be recognized by them. In the '50 film, when Cinderella is dancing with the Prince, her stepmother and sisters are wondering who she is. They don't seem to recognize her. I guess since she's wearing a fancy dress and her hair is up, she looks completely different. Lady Tremaine admits, "There is something
familiar about her." Gee, lady, why don't you put two and two together? 

In the '15 movie, when they see the Prince dancing with this beautiful girl, Lady Tremaine tells her daughters, "This does not bode well" and that they "must turn the prince's head." 

Another big difference between the two movies is that in the remake, Cinderella realizes he's the Prince and he tells her he didn't tell her when they first met because he thought she might treat him differently. When they're having this discussion, they're in a room with a bunch of portraits and we see one of Kit on horse, which is a nice homage to the animated movie. They go outside and he shows her a secret garden with a swing. He tells her that he is "expected to marry for advantage" and that his father and the Duke will be choosing the princess they think is best suited for him. We, along with Lady Tremaine, learn that the prince has been promised to marry Princess Chelina of Zaragosa.

In the animated movie, Cinderella has no clue he's the Prince. When she has to run off because she hears the clock striking midnight, she tells him she has to go because she hasn't met the Prince yet. He's about to tell her he's the Prince, but she runs off. 

In both movies, our heroine runs off, leaving one glass slipper behind. In the remake, while the carriage is being turned back into a pumpkin, I like that we see her sitting inside a large pumpkin with seeds surrounding her. As she's walking home, she lets the four mice sit in the glass slipper she's carrying. Why did I find that so adorable? 

Lady Tremaine becomes suspicious - The Duke in the animated film has to inform the King "that the young lady has disappeared, leaving behind only this glass slipper." There's a funny reveal that he was talking to an empty chair and that he was practicing his speech because he knows the King will be irate. And he is. The King is dreaming of playing with his (not yet existing) grandchildren when he hears the Duke knocking on his door and thinks this must mean that his son has already proposed. His face turns beet red when he is told the girl has gotten away. He seems to calm down a bit when the Duke informs him that the Prince loves her and is determined to find her because he wants to marry her. He must have had a conversation with the Prince off screen. The fact that the Prince "loves" this girl he's just met and only danced with and barely talked to is ludicrous. Yes, I think the remake did the right thing with developing their relationship a lot more! He also tells the King about the glass slipper and the King declares that he wants him to try it on every maiden in the Kingdom "and if the shoe fits...bring her in." 

The next morning, Lady Tremaine has heard the news and urgently tells her daughters to wake up. While Cinderella is coming up with their breakfast (apparently they eat their breakfast in bed every morning), she overhears her stepmom telling Anastasia and Drizella how the Grand Duke is coming to the house because he is searching for "the girl who lost her slipper at the ball last night." Cinderella knows she is talking about her and when she hears it was the Prince she danced with last night and how he's "madly in love with her", she drops the breakfast tray. 

Anastasia and Drizella don't know why they should even bother getting up if the Prince is in love with another girl but their mothers tells them, "There's still a chance one of you can get him" and proceeds to tell them about the glass slipper and how he doesn't even know who this girl is. I mean, yeah, he doesn't know her name, but I'm sure he would recognize her and realize one of these ugly stepsisters certainly wasn't her! I guess that makes sense why he's not the one to visit the house to try the shoes on the sisters. He would take one glance at them and wouldn't even let them try on the shoe because he would know neither of them were the girl he danced with! 

Lady Tremaine is telling her stepdaughter what she needs her to do for the day and she gets suspicious when Cinderella has a lovestruck look on her face and walks away singing, "So This Is Love", the same song she danced to with the prince last night. Lady Tremaine suddenly realizes that the girl from last night was Cinderella and follows her upstairs to her room where she locks her in. 

In the 2015 version, Cinderella arrive home minutes before her stepmother and stepsisters and the sisters tell her all about the ball. They start talking about the mystery girl and Lady Tremaine becomes suspicious about how lovey-dovey her stepdaughter is acting.

We see that she has hidden the shoe in a box that she keeps under one of her floorboards. 

The next morning, a proclamation is sent out and it is announced the new King (Kit's father has passed away so he is now the King) has proclaimed his love for "the mysterious princess" who wore glass slippers and "requests that she present herself at the palace" and if she is willing, he will marry her. 

Ella is in town when this is announced (she always seems to be in the Town Square for all the announcements!) and I thought for sure she was just going to head to the Palace because surely Kit would recognize her, but instead she heads home to retrieve her glass slipper only to find it isn't in her keepsake box anymore. It's revealed that her stepmother is sitting in a corner, holding the shoe. She tells Ella about how she was once "a beautiful young girl who married for love...[and] one day, her husband, the light of her life, died." The next time she married (to Ella's father) was for the sake of her daughters, but after that man was taken from her too, she was "doomed to look every day upon his beloved child." She asks Cinderella if she stole the shoe and when Ella tells her it was given to her, she scoffs, "Nothing is ever given. For everything you must pay." Cinderella replies, "That's not true. Kindness if free. Love is free." Lady Tremaine has her own ideas of what she wants to happen. Unlike her animated counterpart, she knows there's no chance anymore with one of her daughters with the new King so she has some demands for Cinderella: "When you are married, you will make me the head of the royal household. Anastasia and Drusilla will pair off with wealthy lords." She says Cinderella will not know how to rule a kingdom and this way they will all get what they want. Cinderella tells her no dice, and is especially not happy when her stepmother says she "shall manage that boy." In retaliation, Lady Tremaine smashes the shoe against the door. When Ella asks her, "Why are you so cruel?", she replies, "Because you are young and innocent and good. And I..." she leaves and locks her in the attic. You get the idea that she was once like Ella, but then became cynical after these terrible things happened to her. 

Lady Tremaine pays a visit to the Duke to show him the remnants of the shoe, telling him that "the mystery princess is a commoner." He tells her that she's "spared the kingdom a great deal of embarrassment" and when she tells him she "would like to keep it that way," he asks if she's threatening him and she simply replies, "Yes." He agrees to her terms of her becoming a countess and "advantageous marriages for [her] two daughters." 

If the Shoe Fits - So in the remake we get a montage of the shoe touring the village and women trying it on. We even see a long line of women at the palace waiting to try on the shoe. There are some comical moments, such as one woman greasing her foot and a woman with feet that stink so bad that when she takes off her shoe, everyone around her faints. 

We don't get a scene like this in the '50 film; we're just told that all the single ladies will be trying on the shoe. The Duke and some small random dude (I didn't catch his name or title, but he's part of the royal parsonage who is there to assist the Duke, I guess) stop at the chateau so they can try the slipper on Anastasia and Drizella. While he is reading from the royal proclamation, Jaq and Gus are trying to sneak the key out of Lady Tremaine's pocket. This will involve more hi-jinx with the mice and cat which will last fifteen minutes (again, I'm exaggerating, but probably not by much). 

They manage to obtain the key and now the two mice have to lug this heavy key all the way upstairs. It seems to take them forever, but before they can get to the door, Lucifer is ready to pounce and this is the scene where he will eventually fall out the window. 

While all this was going on, the sisters are claiming the glass slipper belongs to them. Anastasia is the first to try on the slipper and she has freakishly long feet and the shoe obviously doesn't fit. The dumb little guy attempts to pound the shoe so it will fit her. Okay, A) he's going to break it because it's made of glass and 2) Does he not see how large her foot is? It's like Jeff Probst says during puzzle challenges on Survivor: "If you have to force it, it won't fit!" 

Drizella doesn't have much luck either. She tries to "make it fit", but of course that doesn't work. 

Apparently the sisters were struggling with the shoe for a long time because just as the Duke and the little man are leaving, Cinderella comes running down the stairs. Lady Tremaine is dismissive of her, but the Duke says he has orders. Remember how in the remake it was the shoe that Cinderella already had that was destroyed? Well, in this one it's the shoe that she lost and the Duke has been trying on everyone that is destroyed. When the little man is walking over to present the show on a pillow, Lady Tremaine trips him with her cane and it shatters. But it's okay because Cinderella pulls out the other shoe, because of course she had it! Her stepmother really didn't think that through, did she? The expression on her face when Cinderella pulls out the shoe is hilarious...both her eyes and mouth are wide open. But again, why is she so shocked? She already had the suspicion that Cinderella was the mystery girl and she was right. 

Cinderella will just leave without saying anything and marries the Prince.

The 2015 movie does this scene a little differently. The Grand Duke and the Captain, who is very close with the Prince-turned-King, are the ones to enter the chateau, but they have seemed to brought the whole royal entourage because outside the house is a row of horses holding uniformed guards (or something, I don't know what their title would be). Anastasia and Drisella are super excited to see them because it's "now [their] chance." Anastasia is the first to try the shoe on and she claim that "it shrunk" when it doesn't' fit her. Drisella is straining as she's trying to fit her foot into the shoe. I laughed when the Captain says, "Bad luck, miss."

They're about to leave, but Lady Tremaine isn't worried that the shoe didn't fit her daughters because she knows they're good with the deal she made with the Duke. She tells her girls, "But fate may yet be kind to us, girls."

Meanwhile, Ella is upstairs, singing, having no clue who is downstairs. The mice know because they work together to open the window so everyone downstairs can hear her singing. Of course, the Duke knows who it is and insists they leave. The Captain asks Lady Tremaine if another girl lives in the house and she assures him there is nobody else. He quips, "Perhaps your cat has learned to sing?"and she just laughs nervously. 

One of the men on one of the horses takes off his hat and it's King Kit. Both the Captain and the Duke look surprised so they must not have known he was among them. He asks the Captain to investigate and the Captain is happy to oblige. Lady Tremaine has an "oh, sh*t" look on her face because she knows she can't not take him up to the attic. When she does, she just points at Cinderella and tells him, "I told you it was no one of any importance." Cinderella gets mixed messages when the Captain tells her she is "requested and required to present [herself] to [her] King", then her stepmother tells her, "I forbid you to do this" and the Captain tells Lady Tremaine, "And I forbid you to forbid her!" When he asks her who she think she is, she gestures to Cinderella and says she is her mother. Cinderella tells her, "You have never been and you never will be my mother." I like that this Cinderella gets to tell off her stepmother.

Kit is waiting downstairs with the shoe in his hand and he recognizes her when he sees her and when he asks who she is, she replies, "I am Cinderella," calling herself by that name for the first time.  

Before she leaves,  being the kind and courageous person she is, she tells her stepmother, who is coming down the stairs, "I forgive you." It also shows us that Cinderella is the bigger person.

The movie ends with Cinderella and Kit's wedding and the whole kingdom below them is cheering as they share a kiss on a balcony overlooking their people. We are told that her stepmother and sisters left with the Duke. I'm not sure if this was voluntary or forced! I do wish we had seen her mice friends at the wedding, I thought that would have been a cute touch. After all I assume (in both versions!) that the mice moved to the palace with there. The mice in the animated movie are so talented, that they can make all her gowns! 

As much as I prefer the remake (and even though I haven't seen all the live action remakes, I feel pretty confident saying it's probably theist) to the animated film, you have to give the 1950 film some credit. They didn't have many well-known movies in the '40s, mostly due to the war and when this one came along in 1950 it jump-started their beloved animated movies again and it was a huge box off success, being the fifth highest grossing movie of 1950. Also, Cinderella is just iconic. It's her castle that you see at Disney World and her story has been told countless times. 

I found this print advertisement for the 1950 movie on its Wikipedia page. I just found this really fascinating because I've never seen so many words on a movie poster! Usually they just have the title, the big name actors, the date it will be released, and a tag line to give you an idea of the movie. Walt really wanted the people to see this movie and was selling it big time. "6 years in the making making!" "Even the birds will be singing!" (That one made me laugh because bird seem like the most obvious ones to sing!) "...ready to thrill the world as no picture ever has!" It's a good thing this movie was so successful otherwise this poster would've looked embarrassing in hindsight! 

The (super)Natural

Field of Dreams

Director: Phil Alden Robinson

Cast: Kevin Costner, Amy Madigan, James Earl Jones, Ray Liotta, Timothy Busfield, Gaby Hoffmann

Released: May 5, 1989

Oscar nominations:

Best Picture (lost to Driving Miss Daisy)

Best Original Score - James Horner (lost to Alen Menken for The Little Mermaid)

Best Adapted Screenplay - Phil Alden Robinson (lost to Alfred Uhry for Driving Miss Daisy)

Field of Dreams is a movie I watched many times when I was younger because it was a favorite of my family's. Both of my parents (and many of my relatives) are from Iowa, so you can probably see why it was such a staple for me growing up! This is just such a quintessential American movie; it's got baseball and takes place in the nation's heartland. As someone who has been to Iowa many times, I can confirm that it definitely captured the state.

An interesting side note about the movie's title: as you may already know, Field of Dreams is an adaptation of W.P. Kinsella's novel, Shoeless Joe (which I read when I was a freshman in high school, but don't remember anything about it), but the studio didn't want the movie to be the same title because they thought that the audience would think it's about a homeless guy or that Costner is supposed to be the title character. Somebody suggested Field of Dreams, but the director didn't like it (not sure why!). He talked to the author to tell him that although the screening was well received, they had to give it a different title. Kinsella told him the he didn't come up with the book's title and said he wanted to call it Field of Dreams instead, so the director took that as a sign and thus that's how the film became Field of Dreams. I'm guessing whoever suggested the movie be called that in the first place already knew Kinsella wanted that as the original title of his book or maybe it was just a huge coincidence. 

It's been almost fifteen years since I've seen the movie so there were a few things I forgot. One of those is the movie gets going really quickly. It takes less than five minutes before Ray Kinsella (Kevin Costner) hears the voice.

We get some quick backstory about Ray. Actually, we first start with some quick backstory about his father, John Kinsella. He was born in North Dakota in 1896, was in the war, settled in Chicago and became a fan of the White Sox and a lover of baseball. He played in the minors for a year or two, "but nothing ever came of it." He moved to Brooklyn where he married his wife and Ray was born in 1952. As he was going through the timeline, I mentally did the math in my head and was thinking his father was pretty old when Ray was born. He would have turned 56 in 1952. Ray does admit his father was "already an old man" when he was born, and yes, he certainly was! His mother (no idea how old she was) died when he was three so he was raised by a man old enough to be his grandfather. He grew up knowing about Babe Ruth, Lou Gehrig, and "the great Shoeless Joe Jackson." He and his dad fought a lot and when it was time for him to go to college, he "picked the farthest one from home" which turned out to be Berkeley. There he met his future wife Annie (Amy Madigan) and one of the things they had in common was that "she came from Iowa, and [he] had once heard of Iowa." After graduation, they moved there and got married in June of 1974 and his dad died the following fall. According to him, "a few years later" their daughter, Karin, was born. This does not track because Karin is played by a very young Gaby Hoffmann who was born in 1982. The movie takes place in 1988 and she can't be no older than six so saying she was born "a few years" after 1974 isn't quite correct. To me, a few years is maybe 3-5. But I suppose it's all semantics. 

Annie talked Ray into buying a farm and at 36, he tells us "Until I heard the voice, I'd never done a crazy thing in my whole life." 

So, yeah, all that backstory takes less than five minutes to tell. I assume it's much more fleshed out in the book. Like, I bet W.P. Kinsella devoted more than a paragraph to that! Probably even more than a chapter!

Of course, the voice he's talking about is the one that says, "If you build it, he will come." He's out in the cornfield when he hears it and his wife and daughter are sitting on the porch swing. When he asks Annie if they heard anything she says they didn't. When they're back inside, he tells Annie what the voice said and she seems to take it all in stride. She asks, "If you build what, who will come?" which is a good question. She even jokes about it the next day (he heard the voice again laying in bed) when he takes Karin to school and asks him, "What if the voice calls while you're gone?" He jokes back and tells her to "take a message."  

He hears the voice again and this time he sees a quick image of a baseball field, then he sees an image of Shoeless Joe Jackson. This seems to come out of nowhere and it makes me wonder how this was done in the book. Like, was he given more context clues? At dinner (where the family is eating freshly picked corn on the cob - yum!) he tells Annie he thinks he knows what the voice meant and if he builds a baseball field out there, then "Shoeless Joe Jackson will get to come back and play ball again." She replies, "You're kidding" and laughs. Even though she tells him that it's "the craziest thing I've ever heard", she's very supportive of him. Oh, did I mention that Shoeless Joe Jackson died in 1951? She asks him if he's actually thinking of doing this and he replies, "I can't think of one good reason why I should", then tells her he's scared of "turning into [his] father" and that he never "forgave him for getting old." The main reason he wants to build this baseball field is because his father never did one spontaneous thing and he's "afraid of that happening to [him]" and "something tells [him] that this may be [his] last chance to do something about it." As we already know, Annie thinks he's crazy, but she's very supportive. Perhaps a little too supportive. She tells him, "If you  really feel you should do this, then you should do it." I don't think most wives would be that encouraging and let their husbands just randomly build a baseball field (complete with stadium lights)!

We next get a montage of him building the field. A few people have come by in their cars to gawk and take pictures. I was wondering how he got the money for everything (especially the stadium lights; where did he get those anyway?), but we'll find out later that he used most of their savings to build this baseball field. I wonder how long it took for them to build this because it seems Ray and Annie are the only ones working on it! While he's plowing the cornfield, he tells his daughter (and the audience if they weren't privy) how Shoeless Joe got his nickname: "When he was still in the minors, he'd bought a new pairs of spikes and they hurt his feet. So, about the sixth inning, he took them off and played the rest of the game in just his socks. The other players kidded him and called him "Shoeless Joe" and the name stuck." 

He continues his exposition about the baseball legend when he tells Karin about how Jackson's team (the White Sox) threw the World Series in 1919. According to the Wikipedia article I read about this, "Jackson and seven other White Sox players were accused of accepting $5,000 each (equivalent to $88,000 in 2023) to throw the World Series." Ray says that he did take the money, but nobody could prove that "he did a single thing to lose those games." 

You know, this reminds me of on Survivor when some tribes purposely lose because they want to go to Tribal Council to get rid of dead weight or a teammate who is toxic or isn't contributing anything. I mean, I know it's not exactly the same thing because nobody's being bribed on Survivor and it's not, you know, illegal to throw a challenge (but some people think it's a terrible idea), but you usually need everybody who's in on it to throw the challenge. Perhaps Shoeless Joe played as best as he could because he knew his other teammates were going to really stink it up. The commissioner of baseball (I had no idea there was such a thing!) suspended the eight players for life and they were never allowed to play professional baseball again. 

Later, when the baseball field is complete, he and Annie are laying out on the grass and he tells her that his father claims he saw Joe years later "playing under a made-up name in some 10th-rate league in Carolina." He looks around smiling as he says, "I have created something totally illogical." He is very lucky to have such a supportive wife! I love this scene because you can feel the ambience of Iowa...a muggy summer night with the crickets chirping and perhaps the waft of cow manure in the distance (hopefully very far in the distance!). 

Annie gets up in the middle of the night to see Ray sitting by the window, just looking out at the field. Obviously, he's waiting for something to happen now that his field is complete. The next thing we know, there's snow on the ground and the house is decorated for Christmas. While he has family over, he's still looking out the window, but still, nothing has happened. This seems to be the only instance of time passing. I feel like there should have been more because the next scene is when he and Annie are discussing their finances (and how they spent most of their savings building the field) and Karin tells him, "There's a man out there on your lawn." Karin forgot to mention the important detail that the man in question is wearing a baseball uniform! 

So we have an interesting dialect scene when Annie tells Ray "I'll put up some coffee." Most people (if not all!) would say "I'll put on some coffee" (or they would just simply say "I'll make some coffee"). I would had just assumed this was an Iowa/Midwest thing, but most of my relatives are from Iowa and I've lived in the Midwest my whole life and I have NEVER heard anyone say it that way. It doesn't sound natural to me. I even listened to it again to make sure the subtitles weren't wrong, but she definitely says "up".

Ray turns on the stadium lights and starts swinging the ball to the ghost of Shoeless Joe Jackson (Ray Liotta) with the bat. At first, Joe doesn't say a word until he jogs up to Ray and after Ray says hi and introduces himself, he tells Ray that his name is Joe Jackson. He asks Ray if he (Ray) can pitch so he can swing the bat. 

After a few hits, Joe talks about how much he loves this game and even myself, who doesn't really care for baseball, starts to get nostalgic and sentimental for what he's talking about. And just wait until the James Earl Jones speech! He asks about the lights and Ray tells him that all the stadiums have them. He agrees with Joe that they "make them harder to see the ball", but tells him that "owners found that more people could attend night games." 

 

Annie and Karin have come out and head in their direction so they can meet Joe, but when he walks towards them and reaches the edge of the field, he stops. In a later scene, we will find out why he can't go any further. Karin, being a six-year-old, asks him if he's a ghost. He asks her, "What do you think?" and she replies, "You look real to me." Annie invites him inside (probably for that coffee!), but he says he doesn't think he can. He turns to go back towards the cornfield, but then turns back and asks Ray if he can come back again and Ray tells him yes, that he built this for him. Joe tells him there are others, meaning the other eight players that were also suspended and that "it would really mean a lot to them." Ray tells him they'll all welcome. Joe has one more question for Ray, probably one of the better known lines in a movie filled with famous quotes: "Is this heaven?" Ray replies, "No, it's Iowa." My aunt (who lives in Iowa) loves this line and often quotes it. 

Has that ever been a tourism slogan for Iowa? If not, it should be! You know when you enter a new state and you see the welcome sign with the state's name and then some slogan (usually some pun or something the state is known for)? Well, I went to look up the signs for each state and Iowa's says 

The People of Iowa Welcome You

Iowa

Fields of Opportunities

First of all, I feel like these are two different welcomes and they should have gone with just one. Obviously the "Fields of Opportunities" is a play on of Field of Dreams. I will give them credit for that, but honestly, they really missed the mark with not going with

Is this Heaven?

No, it's

IOWA!

C'mon, Iowa Tourism Board! 

The next morning, Annie's mother, brother, Mark (Timothy Busfield), and Mark's wife are at the house. Mark is telling Ray he's going to lose the farm and the baseball field is going to bankrupt him and if he sells the farm now, he can get a fair price. Karin comes in to tell her dad that "the baseball game is on" and Mark thinks there's one on TV even though Ray and Karin go outside. 

They sit on the bleachers, Karin with her popcorn (nothing seemingly to drink, though) as the eight players emerge from the cornfield and start to play ball. A few minutes later, Annie comes out with Mark and the others as they're getting ready to leave. We quickly learn that Mark, his wife, and his and Annie's mother cannot see the eight men out on the field. When Karin tell him they're watching "the baseball men", he turns around, looking confused. I'm honestly surprised that they didn't show a shot of an empty field so we could see it from Mark's perspective. During this whole scene, the ball players are always in the background. Both Ray and Annie are surprised Mark and the two women can't see anything, but should they really be that surprised? These are ghost, for a lack of a better word, out there. 

When it's time for the ball players to go back to where they came from, they walk into the cornfield and visual effects are used to show them vanishing. I think this would have been more effective if they kept on walking until we couldn't see them anymore because eventually they would have disappeared into the cornfield! 

As Ray is heading back inside, he hears the voice again and this time it says, "Ease his pain." He has no idea what that means and doesn't get any more instructions or details when he asks, "Whose pain?" When he tells his wife he heard the voice again, she makes a joke, asking him if he has to build a football field this time. 

That evening, there is a PTA meeting scheduled to talk about book banning which really has Annie irked. While there, a future Trump voter holds up a book called The Boat Rocker by Terrance Mann claiming that "smut and filth like this has no place in our school." I laughed when Annie leans over to Ray and whispers, "Fascist. I'd like to ease her pain." She'll have a couple more zingers for this woman before the evening is over! 

One of the school administrators who's running the meeting tells the woman, "That book is hardly smut" and is "considered by many to be the classic novel about the 1960s." Unfortunately, many of the attendees agree with Ms. Fascist. The administrator reminds them that the author is a Pulitzer Prize winner and "is widely regarded as the finest satirist of his time." Ms. Fascist continues her rant, saying the books of Mr. Mann "endorse promiscuity, godlessness, the mongrelization of the races..." Annie is getting very angry and her eyebrows are raised and she mouths "wow" in disbelief when the woman says that. 

 

During all this, Ray has been writing "ease his pain" over and over on the itinerary they were given for the meeting and has an epiphany that it may be referring to Terrance Mann. Annie stands up to confront Ms. Fascist (we actually do learn her name but I forgot what it was and it's more fun/accurate to call her that) and tells her and the rest of the attendees that Terrance Mann coined the phrase "make love, not war." She tells the woman that if she had experienced the '60s, she would think the same way too. The woman haughtily informs her that she "experienced the '60s" and Annie replies, "No, I think you had two '50s and moved right into the '70s" and sits down. Ooh, burn, Annie! The woman retorts by telling her, "Well, your husband plowed under his corn and built a baseball field." After telling Ray that she'll "be cool", Annie stands back up and replies, "At least he is not a book burner, you Nazi cow." Yeah, pretty sure Annie won with that one, but the woman still snaps back with "At least I'm not married to the biggest horses' ass in three counties." Yeah, no, Annie still won. She takes over the meeting when she wants to "put it to a vote" and asks the audience "Who's for Eva Braun here?" Sadly, at first, it seems she doesn't have any supporters, even after she asks them "Who wants to spit on the Constitution of the United States of America? " But when she asks "Who thinks freedom is a good thing?", they start raising their hands. There's a funny moment when Ray is still deep in thought and she smacks him on the shoulder and he raises his hand. 

As they're leaving, Annie is super excited that everyone is on her side now. Ray tells her he knows whose pain he's supposed to ease: Terrance Mann's. Annie asks how does he know that and he replies, "I don't know I just know. I was right about building the field wasn't I?" Hmmm, sorry, movie, but I'm not buying it. Seems like a bit of a lame answer. Here's a fun fact: in the book, it's J.D. Salinger whose pain he has to ease. Annie asks him, "What's Terrance Mann got to do with baseball?" He doesn't know that either and so we get a montage of him going to the library and looking up articles about Mann on the microfiche (the children of today would be horrified that Google or Wikipedia didn't exist back then!) and reading his works. Ray tells Annie that Mann stopped writing in the '70s and now "writes software for interactive children's videos" (does he mean computer games?). He found a short story Mann published in a magazine in 1962 called "This Is Not a Kite" where the hero of the story is named John Kinsella; Ray's father's name. The last interview he ever gave was in 1973 where he says his dream as a child "was to play at Ebbets Field with Jackie Robinson and the Brooklyn Dodgers." Ray says Mann was "a baseball fanatic" and in order to "ease his pain", he needs to take him to a game at Fenway Park. (Mann lives in Boston.) This time, Annie isn't too sure about this. Building a field on their farm? Totally fine! Traveling to Boston? Big no-no! She doesn't want him to travel all that way because they are having financial problems and he needs to stay at the farm. They have a bit of a dispute and Ray tells her he strongly thinks there's a reason he needs to go and he thinks "something is gonna happen at the game." Annie admits that she had a dream of Ray and Terrance Mann watching a game together at Fenway Park, and what do you know Ray had the exact same dream, so it must be a sign! Ray now has Annie's blessing to go to Boston.

I looked up how long it is from Dyersville, Iowa (that's the actual town where the baseball field is) to Boston and it's a little over 19 hours to drive there without any stops. Too bad Terrance didn't live a little closer, like Chicago or Minneapolis. 

When Ray arrives in Boston, he finds out where Terrance Mann (James Earl Jones) lives (surprisingly this reclusive writer wasn't in the phone book!), but when he knocks on his apartment door, Mann isn't too happy to see him and tells him he wants to be left alone after slamming the door in Ray's face. You could say that Mann is a bit of a grumpy old man. Ray tries again and asks him if he can have one minute of his time so Terrance agrees. Ray tells him, "You once wrote, 'There comes a time when all the cosmic tumblers have clicked into place and the universe opens itself up for a few seconds to show you what's possible.'" Terrance doesn't have time for this and pushes Ray out of his apartment. He notices that when Mann slammed the door, the door didn't quite latch, so he's able to go back inside. He puts one of his hands in his coat pocket and pretend it's a gun. Mann doesn't buy it at all and grabs a crowbar, telling Ray he's going to beat him until he leaves. Ray is able to evade the weapon when he tells Terrance he's a pacifist and the writer stops short of taking a swing at him. 

Ray tells him he has to take him to a baseball game later that evening and that "something is supposed to happen there tonight." When he brings up the interview Terrance gave years ago about him wanting to play baseball, Mann denies ever saying any of those things. Ray tells him if he comes to the game with him, he promises he'll never bother him again. 

Here are two fun facts when they go to watch the game at Fenway Park:

-We find out that two hot dogs and two beers cost $7 in 1988. What a deal! 

-Apparently, Ben Affleck and Matt Damon were extras during this scene. Makes sense since they are from Boston. They would have been about fifteen or sixteen at this time. I tried looking for them, but yeah, I did't see them. 

While watching the game, Ray hears the voice again and it has a new message for him: "Go the distance." At first, I was thinking that was the most vague message, but we'll quickly find out what the disembodied voice means when Ray sees a message on the Jumbotron. It says "Archibald 'Moonlight' Graham" and lists some stats about him including that he's from Chisholm, Minnesota and played for the New York Giants in 1922. So I'm guessing that "go the distance" means he's supposed to drive to Chisholm and find this guy. 

He asks Terrance if he heard or saw anything, but Mann doesn't know what he's referring to. Ray tells him that he didn't need to come after all and they can leave now. When he drops him off outside of his apartment, Mann asks Ray if he got another message. Ray doesn't want to take up too much more of his time, so he says the message was "The man's already done enough, leave him alone" and shakes Terrance's hand. As he turns the car around, he has to stop quickly because Terrance is standing right in front of him in the street. He says "Moonlight Graham" and Ray knows that Terrance heard the voice and saw the stats about Graham on the screen. 

Apparently Ray didn't know what "go the distance" meant (gee, I thought it was pretty obvious - the most obvious of all the messages the voice says to him!) so Terrance has to explain to him that they need to find Moonlight Graham in Minnesota. He hops back into the van without even packing first! Dude, you're literally right in front of your apartment! Go upstairs and pack a suitcase! 

They travel 1,539 miles from Boston to Chisholm (which is a little over 200 miles north of Minneapolis; I Google mapped their route). When they reach the small northern town, they try looking up Archibald Graham in the phone book, but can't find anything. They go to the office of the Chisholm Tribune Press where an old lady who's probably been working there for over fifty years recognizes the name as Dr. Graham or "Doc" Graham as he was known. He had given up his baseball career to become a doctor. She has to break the news to the two men that he died in 1972. Terrane wonders what made them travel all this way to try to find a man sixteen years after he died. They interview some old guys at a bar who knew Dr. Graham. One of them tells them he "wore an overcoat, had white hair, and always carried an umbrella." In a few short minutes, we'll see why this scene is here. Though, I have to ask, don't most old people have white hair? We get another little detail that Doc's wife always wore blue and that the shops in town stocked blue hats because they kew he would buy one. Now you know this is a small town if everyone knows that! And just how many blue hats does one woman need? How many hats does one woman need? I looked up the population of Chisholm and 4,711 people lived there in 2022. I imagine it was half that or even lower in 1922! (Although back in the '90s, they were up to over 5,000!) 

Later that evening, Ray goes for a stroll and it appears he has been transported to 1972. He sees posters for Nixon, the movie marquee is promoting The Godfather, "one of this year's ten best" and he sees that the year on a license plate is 1972. I totally forgot about this time travel scene. Probably because it only lasts less then a minute, then it's never really talked about ever again. Out of the mist he sees an older gentleman with - get this - white hair and wearing an overcoat and carrying an umbrella. He is indeed Archibald "Moonlight" "Doc" Graham (Burt Lancaster in his final role) and he invites Ray to his office. 

We learn that he only got to play half an inning, but then left to become a doctor because he "couldn't bear another year in the minors." When Ray asks him what his wish is, he tells him it's to play baseball again, more specifically that he would "have liked to bat in the major leagues." When Ray tells him he can make his wish come true, Doc says he believes him, but that he can't go with him because he can't leave this town and that his dream "will have to stay a wish." 

Later, Ray discusses it with Terrance and the writer thinks they were sent to Chisholm to "find out if one inning can change the world" and if Moonlight had "gotten a hit, he might have stayed in baseball." 

 

Ray calls back his wife who had called earlier and she tells him she talked to the bank and they told her that they had just sold the deed on the farm to Mark and his partners and they're going to foreclose. He tells her he'll be home soon, but first he needs to take Mr. Mann back to Boston. Lucky for him, Terrance tells him he's coming with him. Can you imagine how out of the way that would have been for him if he had to drive him back to Boston? He would have had to drive 1,530 miles east, then almost 1,220 miles back to Iowa. Now, since he's already in Minnesota and Terrance wants to go back with him he only has to travel 422 miles south. (Can you tell I like using Google Maps?) 

While driving to Iowa, Ray tells Terrance that not everybody can see the ballpark, but technically that's not true. They can see the field, they just can't see the players. They come across a young hitchhiker and he's carrying all his belongings all bundled up in a cloth with a pole attached to it. It's almost as though he's from another time! The boy tells them he plays baseball and he's looking for a place to play and that he's "heard that all through the Midwest, they have towns with teams." Ray tells him they're going to a place just like that and he hops in the van. After Ray and Terrance introduce themselves, he says his name is Archie Graham. Ooh! The plot thickens! 

While Archie is napping in the backseat, we get some backstory about Ray's relationship with his father as Terrance asks him about it. He tells him his father never made it as a baseball player, so he tried to get him (Ray) "to make it for him" and Ray ended up despising the game and refused to play when he was 14. That's when he read Mann's book The Boat Rocker. There's a funny moment when Terrance gets all indignant and says "It's not my fault that you wouldn't play catch with your father!" Ray continues, saying he said "something awful" to his father and left home at 17. It is implied he never saw his father again because he wanted to return, but didn't know how, but was able to make it for the funeral. The terrible thing he said to his father was that he could never respect a man whose hero was a criminal. He's referring to Shoeless Joe Jackson and when Terrance tells him he wan't a criminal, Ray replies he said it because he was seventeen. He has deep guilt about it and is sad that his father never got to meet Annie or Karin. 

When they return to the farm, there are now more players out on the field so now they will be able to play real games instead of just practices. It is established right away that Terrance can see the players and he is astonished that Shoeless Joe Jackson is there. Archie is amazed by how many players he recognizes (but I sure don't) - Smokey Joe Wood, Mel Ott, and Gil Hodges are the names he utters. Yeah, the only old-school baseball players I know are Babe Ruth, Jackie Robinson, and thanks to this movie, Shoeless Joe Jackson. Oh, and I've also heard of Lou Gehrig, but mostly because of the disease. 

The young Archie gets his older counterpart's dream of swinging the bat. He misses the first couple of times but after getting some advice from Joe, he smacks the ball and gets a home run....I think....I'm not really a sports person, so I really don't know how baseball works. 

The next day, while Ray is watching a game with his family and Terrance, Mark stops by. He walks right in the middle of the field, nearly getting hit by the ball the pitcher throws. It's funny when the players get really angry at him, but I'm not sure why they just didn't wait until he had passed by them. Also, if the ball had hit him, would he have felt it? Terrance quickly realizes that Mark can't see the players and when Mark sees Ray's got company, he asks "Who is this? Elvis?" He doesn't believe Ray when he tells him it's Terrance Mann and introduces himself as the Easter Bunny. Mark tells Ray that he has a deal to offer that will allow him to stay on the land. Karin interrupts them to tell her dad that they don't have to sell the farm; that people will come to watch the game and will pay for a ticket. I laughed when she says that people will decide to come to Iowa City for a vacation, but they'll think it's "really boring" (yeah, who would go there for vacation? And I can say that because I've been to Iowa many times and have relatives (including my parents) who are from/still live in Iowa), so they'll drive to the farm and pay to watch the games. I had to get out the old Google Maps again....Iowa City is about an hour and a half away from Dyersville. 

Mark isn't listening to her, but Terrance is! This is when we get James Earl Jones' "People will come" speech and he waxes poetic about baseball and how "the one constant through all the years has been baseball." As he's giving his speech, the music starts swelling and he walks out on the field and all the players stop what they're doing, but this time they're more in awe and not irritated like they were with Mark. They slowly walk closer to him. I did laugh when he said, "They'll come to Iowa for reasons they can't even fathom." That would be another great welcome sign for Iowa:

Welome to Iowa

You've come here for reasons you can't even fathom

Though the heaven line is much more iconic and synonymous with this movie. At one point he says, "Oh...people will definitely come." When he said "oh", he kinda held it for a few seconds and I thought he was going to break into "Oh, beautiful, for spacious skies..." James Earl Jones would appear as an ex-ballplayer (and the owner of Hercules) four years later in The Sandlot and I have no doubt the director/writer hired him for that role because of this movie. 

Mark tells Ray he'll lose everything and will be evicted, but Ray tells him he's not signing anything. Karin ends up falling off the top of the bleachers and hitting her head. This is because Mark had grabbed her after she tells him there are people out on the field and he accuses Ray of turning his daughter into a "space cadet", but when he puts her down, she ends up falling instead. I think it would have made more sense if she had just accidentally fallen. 

Annie starts running back to the house to call for help, but Ray sees young Archie Graham coming forward and he tells his wife to "wait". Please, like any mother would "wait" for some ghost doctor to help their child. But she does and he does. When he steps off the baseball field, he turns into the old man doctor and is able to save the young girl who was unconscious because she had a hot dog lodged in her throat. Mark is able to see him, so did he just see some random old guy materialize right in front of him? He is also now able to see the other ballplayers and asks when they got there. 

Everyone's had enough excitement for one day, so Joe tells Ray that they'll see him tomorrow, then asks, "Do you wanna come with with us?" Ray thinks he is talking to him, but he is asking Terrance who is standing next to Ray. Ray is a bit upset he wasn't the one invited. He says he built this field and asks, "What's in it for me?" Terrance tells him there's a reason they chose him, "just as there was a reason they chose you and this field." He then admits he did give the interview about Ebbets Field, the one that sent Ray to Boston to find him. He says there's something out there and he'll write about it because that's what he does. 

Terrance disappeared into the corn field and before Joe leaves, he says to Ray, "If you build it, he will come" and nods at the catcher who turns out to be John Kinsella, Rays' dad. I think he does actually have a line earlier in the movie (when the group is playing baseball), but nothing is ever given away about him being Ray's dad and since his face is always covered by a mask, Ray has never noticed until now. 

Ray and John introduce each other and I'm not sure if John knows Ray is his son. (Ray just says his first name.) Ray introduces him to Annie and Karin and almost tells Karin he's her grandfather, but instead introduces him as John. Annie says they're going to let the two of them talk and takes Karin back to the house. John asks Ray, "Is this heaven?" and Ray replies, "It's Iowa." John says, "I could have sworn it was heaven" and when Ray asks if there is a heaven, John tells him there is. They say goodnight and as John walks away, Ray calls out, "Hey Dad, you want to have a catch?" and John replies, "I'd like that." Considering that was his reply, he would have to know that Ray is his son or otherwise he'd be like "What did you call me?" 

The movie ends with a long line of cars lined up as far as the eye can see waiting to see the game. They're not even ready for all those people because they only have one set of bleachers! And what about all the food they're going to need?

I've been to the filming location in Dyerville and I just remember the baseball field being smaller than it looks in the movie. People were playing baseball, but I was more interested in the cornfield!