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Tuesday, December 30, 2025

Yuppie Yuletide

All I Want For Christmas
Director: Robert Lieberman
Cast: Ethan Randall, Thora Birch, Harley Jane Kozak, Jamey Sheridan, Lauren Bacall, Leslie Nielsen, Kevin Nealon
Released: November 8, 1991 



I tried to get this review up by Christmas, but on Christmas Eve and Christmas Day I was sick with a sore throat and was miserable. I tried to write a little on Christmas Eve, but, as you can see, wasn't able to get the review out until now. At least it's still December and it's not like I'm posting a Christmas movie review in January.

This is a movie about a brother and sister trying to get their divorced parents back together. Ethan (played by Ethan Embry, though he is billed as Ethan Randall) and Hallie (played by Thora Birch) are the siblings; Ethan is about thirteen and Hallie is around seven or eight. 
 
This is the first Christmas since their dad moved out, so I guess their parents have been divorced for nearly a year. Apparently they divorced because their dad, Michael (played by Jamey Sheridan), quit some high-paying job to open a diner, which has always been a dream of his. Their mother, Catherine (played by Harley Jane Kozak, resented him for it because he was so busy with the diner because there's a lot of hard work involved in running one and she was never consulted about it. Honestly, this seems like something they could easily work through. At first I thought they were just separated, because it's mentioned the dad moved out, but no, they are divorced. 

It seems like this family is mooching off of Catherine's very rich mother, Lillian Brooks (played by Lauren Bacall), because they live in her very nice Manhattan townhouse complete with two housekeepers. One of them is a French woman named Olivia and she's pregnant. Just keep that in mind. Lillian is supposed to be some super famous actress and is referred to as "the second lady of the American theater", whatever that means. She's also a super snob. Later in the movie, the paramedics will arrive when Olivia goes in labor and when one of them asks her if she's Lillian Brooks, she replies, Yes, I am the Lillian Brooks." Like, get over yourself, lady. 

Catherine has started dating a man named Tony (played by Kevin Nealon) who works on Wall Street. I don't know how long they've been dating, but it seems to be moving awfully quick because later on in the movie it is revealed they plan to get married. 

Michael is supposed to take the kids to visit the Natural History Museum to see the dinosaurs, but Ethan suggests they visit the diner instead. The kids love the diner and they love helping out there. This is one of my favorite scenes: we see a montage set to the '50s song "Yakkity Yak" (you know, that song that goes, "Take out the papers and the trash or you don't get no spending cash...") while Hallie and Ethan are helping their dad, wait staff, and cooks. Now Hallie is doing very easy tasks like adding sprinkles to a sundae or taking two slices of cherry pie to a table. She's wearing a uniform complete with an apron and a paper hat, so it's all very cute, but if I were one of those patrons receiving pie from a seven-year-old, I'd be a little concerned. Ethan is behind the line, grabbing tickets and calling out orders like he's been doing this all his life. It looks like they're having a lot of fun while they're working and singing and dancing along with the other waitstaff and customers to the music. I guess it's a good thing these very well-to-do trust fund children are eager and willing to work at their father's diner, but something tells me OSHA wouldn't be too happy if they walked in and saw two underage children as part of the staff. 

Their dad lives in this HUGE loft on the top floor of the building where his diner is located. It was hinted that he had a good paying job before the diner gig, so I'm guessing that's how he's able to afford it, because no way he could pay for that otherwise. Don't these kids know that if they kept their parents divorced, they'd get twice the presents at Christmas and their birthdays? I kid, I kid. They'd probably get the same amount of presents regardless.

While they're playing pinball (because of course their dad has a pinball machine) while their dad is closing up the diner, Hallie tells Ethan she thinks their parents are getting along better. He asks her what makes her think this and she replies, "Cause I'm going to ask Santa to get them back together again so we can have us back together again." The hell? THAT DID NOT ANSWER HIS QUESTION! By the way, I don't know why she says that because she herself saw her parents arguing when their dad picked them up and he was late because something had come up at the diner. Their mom makes a comment about how the diner always comes first with him.  Ethan tells her she can't ask Santa for that and when she asks why not, he tells her he's "not a marriage counselor." 

When their dad reappears, Hallie asks him if he can take her to see Santa the next day since her mom is     busy. He has to work at the diner all day, so Hallie asks Ethan if he can take her which Michael thinks is a great idea. Ethan is making the biggest f***ing deal about it: "No. Uh-huh, don't even think about it. No." Dude, just take your little sister to see Santa. 

The next day they go to Macy's (in an earlier scene Hallie mentions that the Santa who works at Macy's is the real deal while all the other department store Santas are frauds) to see Santa. While they're waiting in line, Ethan tells her she can ask for toys or hair care products, but shouldn't ask him to get their parents back together and tells her, "You may not ask anything to do with interpersonal relationships, got it?" I think he is being a good older brother here, not telling her the reason why Santa won't be able to grant this particular request. 

Ethan sees some classmates from his private school and freaks out. He quickly gets out of the line, but remind his sister he's watching her before he does. While he's waiting for his sister, he's making a big show of looking at model airplanes when the boys from his school come over to taunt him. One of them tells him they saw him standing in line to see Santa. All he has to do is say the truth: that he's taking his little sister to see Santa. 

When it's Hallie's turn to see Santa (played by Leslie Nielsen) he asks her what her name is and she tells him, 'Hallie O'Fallon." He repeats it and adds, "There's a lot of L's in there" which made me laugh. Hallie gets straight to the point as she sits on Santa's lap: "Now here's the deal, Santa. My brother's watching, so whatever I say, just smile and nod." I should add that at this point, Ethan wasn't watching because he was interacting with his classmates. Hallie starts whispering in Santa's ear presumably telling him about her Christmas wish. He says that her request is "a tall order" and that "I usually specialize in stuff you can wrap." We get this odd moment where Hallie shushes him, then gets up to leave to end the scene.  

A party is being held at their Nana's house. It's pretty much held for her to light Christmas tree in front of everyone. It's a nice tree (though I have some issues with it), but like she even says, it's not the tree in Rockerfeller Center and why is she having a party just to have everyone ooh and aah when she plugs in some lights? If you're wondering, my issue with the tree is that there only seem to be green baubles on it. Maybe some red or gold ones would make it pop a bit more. There's just a lot of green. 

I guess there is a point to the party: it's to introduce us to a very pointless character who we really don't need in the movie. Catherine has invited one of her friends (I think they work together), Susan, and she has invited her daughter, Stephanie, who is visiting from Boston where she lives with her father and stepmom. According to Susan, "[Stephanie's] father and his really delightful fourth wife decided that they could trust me with her for a few days." Now there's a storyline that sounds way more interesting than these two yuppie kids trying to get their parents back together! This guy is on his fourth wife? Why don't they trust his ex with Stephanie? Anyway, Ethan has a crush on Stephanie and she's just there to pad out the movie and add a few extra scenes. She really doesn't add anything to advance the plot forward. 

We know he likes her because he gets embarrassed after making oinking sounds and sees her looking at him (though she's smiling). Why is oinking? Because Hallie had gone over to him with some hors d'oeuvres, but before she gave him any, she requested that he "make the pig sound." This scene is stupid for three reasons:

1. He tells her he will, but only once. He proceeded to oink for quite a while!

2. A better movie would have established he makes a pig sound that delights his sister before this scene.

3. Why is he even indulging her? Just get your own snacks! 

The party-goes are treated to a delightful duet of Baby it's Cold Outside between Hallie and her Nana. Now you think it would be a choice to have a grandmother and granddaughter singing this, and yeah, it is, but the audience loves it and is ahh-ing. Yes, Hallie has quite the voice for someone so young, but I tell you, if I were in that audience, I'd be rolling my eyes. The whole thing is just too cutesy and made me want to gag. 

The next day, Ethan has gone to an art museum (because he overheard that Stephanie would be there). He sees her in one of the rooms and in another room (with patrons roaming around) he starts having a monologue about what he's going to say to her. I guess the other patrons are used to being around weirdos in New York that it doesn't bother them this kid is talking to himself. He and Stephanie spend some time at the museum, then get lunch (at a department store of all places).

While Ethan is having his sort of date with Stephanie, Hallie is at home and overhears her mom tell her Nana (that would be Hallie's Nana, not Catherine's Nana; it would be Catherine's mother) that she's going to marry Tony. What the hell? That came up awfully fast. We never even saw Tony propose or even heard them discussing it. The only reason this is happening is for the sake of the plot. You see, little Hallie thinks this is her fault because when she told Santa she wanted her parents to remarry, she forgot to specify that she wanted them to remarry each other. Silly girl! 

When Ethan returns, Hallie confesses to him that she did ask Santa for "Mom and Dad to get married again", then tells him her little snafu with her wording and tells him about their mom marrying Tony. 

At this point, we had only met Tony when he came to pick up Catherine for a date, but now he's taking Catherine and Hallie to see a performance of The Nutcracker. They drop off Ethan at Michael's and Ethan convinces his mom to come in and see the diner (she's seriously hasn't seen it?), then she goes upstairs to check out his loft. While she's up there she tells him she's getting remarried and you can tell he's sad about it. If I were him, I'd be a little concerned that she's marrying someone who she probably just met. Unless did she just start dating Tony right after her divorce? 

During the intermission, Tony grabs three ginger ales. While he's gone, Catherine asks her daughter, who's been a little dismissive of Tony, if she could try to be friends with him because it's important to her (Catherine). Hallie says something about how Tony always expects her to be cute or do something cute or say something cute, which I didn't think was true at all. If anything, it's the movie that expects her to do those things. We've seen Tony ask her questions about The Nutcracker, asking her if she knows the composer (she does) and asking her if she wants to learn the rest of the words to "Have Yourself a Merry Little Christmas" when she keeps repeating the title over and over again (and not even singing the melody right). We even see him correct her when she uses the wrong word (she tells her mom she feels nauseous  and he tells her the word is "nauseated"). I never got the impression that Tony expected Hallie to be "cute" all the time. Hallie asks her, "Mommy, do you really like him, like a whole lot?"

Tony returns with the ginger ales and tells Hallie he put a cherry in hers, "so it an official Shirley Temple." Uh, no it's not. You need the grenadine. Hallie tells her mom she feels sick (this is when we get the nauseous/nauseated moment) and her mom feels her forehead, commenting she does feel warm and takes her to the bathroom. I swear, there's about four of five times in this movie that Hallie is sick of feigns sickness. I did laugh when Tony takes the cherry from her drink and eats it while they're gone. 

The next day Hallie heads out to see Santa in a red coat with black toggles (I swear, this girl wears about four different coats in this movie...I don't even own that many winter coats!) with white tights, white gloves (this outfit needed black or red glove), and I sh*t you not, a muff. Yes, a f*cking muff. Does this girl thinks she's Samantha Parkington circa 1904? Her mom and Nana have already gone out for the day and she tells Stella, one of the maids, that she's "got to go fix a problem." Stella sees she's dressed to go outside so you think she would be concerned who is taking this seven-year-old out to do her errand, but she does't seem to care. 

As she walks down the city streets, she greets passerbys with "Merry Christmas, Happy Hanukkah." She did this in an earlier scene when Ethan was walking her home from ballet class and explained to him, "My teacher says you should always say both things in New York because people are really sensitive." Why not just say "Happy Holidays". That way you're covering everything and it's fewer syllables.

Ethan is looking for Hallie and Stella tells him she went out ten minutes ago to "fix a mistake." He knows what that means and starts running towards Macy's. By the time he gets there, Hallie has already visited with Santa again. Like the first time, we don't hear the actual conversation. Santa reminds her "it's awfully late in the season for such a big order"...which is pretty much what he told her the first time.

Ethan is firm with his young sister and tells her she cannot go off alone in the city. Of course he's right, but Hallie starts turning on the waterworks and whines, "I had to see him! This is special! Not all moms and dads should get back together, but ours should...I just had to see him, I just had to." I just love the entitlement. There's no way Ethan is buying this, but he consoles her with a hug, pretty much telling her what she did was okay because she was doing it for their parents. Ugh, this movie. 

Now we get to the part of the movie where Ethan and Hallie (well, probably mainly Ethan) have devised a plan to get their parents back together. Ethan tells Stephanie his idea and that's how she becomes involved (but she's really not needed). He admits it might not get them back together so he hopes that at the very least he can get them to spend Christmas Eve together. 

The audience will learn the parts of the plan as the movie proceeds. I have to say, this so-called plan seems a bit convoluted at times and needs to have everything timed just right. 

Step 1 involves the O'Fallon siblings buying a bunch of little white mice at a pet shop. When I first watched this, I was confused by what they were going to do with all these mice, but then I realized that they had some pretty dark intentions for these mice. Now these mice are the kind you buy to feeds snakes, but that's all part of the circle of life. No, what these kids had in mind (at least Ethan, maybe little Hallie didn't exactly realize what all this meant) was to release these mice (there was about a dozen of them) in their Nana's home. They needed their mom out of the house and if they needed to exterminate the house, nobody would be able to stay overnight. It's a little messed up these kids bought mice just to have them exterminated! I think even the movie realized that was pretty dark, so when they release the mice and try to shoo them into a room where their mom and Nana are talking to a wedding planner (already?), they end up going outside when Stella opens the door. Not only does Stella not even see any of these mice that are scurrying around her feet, but she is lucky not to accidentally step on one of them. The mice scurry outside and the siblings follow them, but are unable to catch them. Now these mice will probably freeze to death, but at least now they have more of a chance than just being exterminated.  

There was one particular mouse that Hallie took a liking to, claiming he was "the cutest" (they literally all look the same) and named him Snowball. Snowball was the only one to make it to the living room and without anyone noticing him, he gets up on the coffee table and gets on a dessert plate where a piece of the guest's cake is. The guest picks up the plate, not noticing the extra weight of having a mouse on it. Still talking to the other ladies, she takes her fork and presses the back of the tines on the mouse. There is no reaction. I'm sorry, but if you pressed the back of your fork against a mouse, you would KNOW that something isn't right. It's only when she sees the mouse, she starts screaming and this causes Lillian to call the exterminators. She calls the Carlyle Hotel for her and the maids to stay. Because it is Christmas Eve, there are no rooms available, but because she is THE Lillians Brooks, she is able to snag a suite for over night.

Catherine has a date with Tony that night (they're going to a party) and decides she'll get ready for it at Susan's place (remember, she's the mother of Stephanie). After she calls her, we get a stupid scene where Stephanie is in the kitchen, overhearing her mom's conversation. Her mom (who's in a different room), tells her, "Catherine has mice." She says, "Oh, really?", then in an overly exaggerated move, she pumps her arm and hisses "yes!" It's so cringey. 

Step 2 involves Ethan calling a tow truck company to tell them a black BMW (the car Tony drives) has been parked in front of his dad's diner for three days. The guy tells him he can be there in an hour. This is lucky for Ethan because if the guy could be there right away, the plan wouldn't work! 

Step 3 involves Ethan calling his friend Marshall, then asking him to call him back. When he does, Ethan makes this big show of running down the stairs and yelling, "It's for me, it's for me! At least I assume it is." Even if someone else answered the phone, his friend would have just asked for him. When he's done having his fake conversation, he asks his mom if he can spend the night at Marshall's house. What the hell? It's Christmas Eve. He's doing this because he needs a cover for not being at his dad's place. He just plans to hang out at the diner. His mom asks him why he doesn't want to spend Christmas Eve with his dada he makes up some stupid story about how it will be too sad. If I were her, I would tell him he's not interrupting somebody else's Christmas Eve. Tony (who's shown up at the house to pick up Catherine) is the one to convince Catherine to let her kids do what they want after she suggests that they just skip the party and they (her and Tony) can take the kids out. Hallie feigns a cough so they quickly put the kibosh on that. So I had assumed Tony was there to pick up Catherine, but then Ethan suggests that Tony can drop him off at Marshalls and Catherine says if he does that, she can go over to Susan's and change. I'm so confused. Are her clothes at her house? Is she going to be driving her own car to Susan's? We'll soon find out that Tony won't be dropping her off there. Tony also adds that he can take Hallie's to her dad's. I did laugh when Tony says, "This is working out perfectly" and Ethan adds, "So far" because he knows what's in store for Tony. 

Somehow, Hallie was able to retrieve Snowball after the little critter caused a panic at her Nana's. She brings him along in the car and asks Tony if he would like to meet Snowball, "a friend of [hers]." Tony assumes she's talking about an imaginary friend and asks if she's the only one who can see Snowball, but she tells him, "Oh, no, you can see him too. Here." Then she shoves him right in Tony's face. Even though Tony doesn't love having the mouse right up in his face, he does take it pretty well. He doesn't smack the mouse out of Halie's hand or anything. After Hallie is satisfied when he says hello to Snowball and tells the mouse that he loves him, Hallie puts the critter back in her pocket. This scene is only here so Tony knows about Snowball because the kids have a plan.

When they get to their dad's, Ethan tells Tony he can take Hallie up to the loft which takes us to Step 4 which involves Hallie releasing Snowball. She will start shrieking and Tony will get out of the car to see what the commotion is all about. I thought Ethan was being a dick when he makes Hallie release the mouse. She has obviously become attached to Snowball and doesn't want to part with him. He tells her, "Look, Hallie, Snowball is a mouse. I know you love him, but he's a mouse." He adds that if she lets him go, he'll buy her "a million mice." Dude, that's not the point! Also, why does she even need to release it? I know they want to make it look real, but when Tony gets out of the car, he doesn't see Snowball anyway, so what was the point of releasing him? She could have just kept the mouse in her pocket. I don't fault Hallie for this because she's only seven, but seriously, Ethan didn't think of this? When Tony gets out of the car after Hallie is screaming, they tell him Snowball got loose and Ethan says it just went inside the back of a Ben and Jerry's ice cream truck (the door was open). I don't know how a mouse could climb up the back of the truck. The door is about three feet off the ground. Tony gets in the truck and the kids close the door and lock it. That's so f***ed up! To make it even more sadistic, the kids start laughing at him. The driver of the truck is nearly deaf and when he comes out, the kids distract him so he doesn't see (or hear) Tony banging on the back of the window. I find it a tad ridiculous that the driver didn't even hear him yelling or banging on the door later when he's driving. He's singing along loudly to a Christmas song, but you would think he would hear the vibration of Tony knocking. Tony will end up in New Jersey before he's able to make his way back. 

With Tony out of the way, Ethan tells Hallie to go upstairs and tell their dad that Tony dropped her off. After she heads on up, he sees the tow truck arrive to take away Tony's car. What perfect timing! 

Up at the loft, Hallie tells her dad that Ethan is at his friend's. Michael doesn't seem that concerned or hurt that his son doesn't want to spend Christmas Eve with him. Hallie has found a suit in her dad's closet and asks him to put it on. She says she'll put on a party dress and they "can pretend they're at a really nice restaurant on Pluto." (Pluto is her favorite planet; remember, this was 1991.) Michael agrees because he can't say no to her. 

Step 5 involves Hallie feigning sickness (once again). As Catherine is getting ready at Susan's house, she gets a call from Michael who tells her that Hallie "has been in the bathroom for half an hour." We see Hallie, in a dress, sitting on the toilet (lid closed just in case you were wondering!), reading a book. When her dad knocks on the door and asks how she's doing, she tells him, "Terrible." She gets up and takes a glass from the counter that she already filled with water and, while groaning, pours it down the toilet. Was that supposed to sound like she was throwing up? Because that is not the sound one makes when vomiting! You wretch when you throw up, you don't groan (maybe after the fact...okay, I'll stop talking about this). She asks him if "mommy" is coming and he confirms she is. We see a big smile on her face. 

Remember when Hallie asked her dad to wear a suit? Well, it's so he can look handsome when he answers the door to his ex who's wearing a sparkly red dress for the party she's supposed to attend with Tony. Michael is surprised when Catherine tells him that Tony isn't with her. They both comment about how attractive the other look. They both check on Hallie, now in her bedroom, pretending to be asleep. She actually opens her eyes a tiny bit at one point when she knows her parents aren't out of the room yet which is pretty ballsy on her part. And she does it in a way that's so obvious she wasn't sleeping; it's like, girl, you need to act like you're slowly waking up like you've been alseep for while.

Step 6 is Stephanie's turn to shine! I feel like this movie wanted to justify her having in this movie, telling us, See! She's important to the plot! They needed her for this part of the plan! But I would argue, no. Let me tell you what she did and then I'll explain why I still think she's super unnecessary. She calls Michael's number (obviously she got the number from Ethan) and asks for "Mrs. O'Fallon" and tells her she got a call for Mr. Boer. (That would be Tony.) I did laugh when she calls him "Mr. Bore" and Catherine corrects here. (Though they do sound very similar.) She tells her that he "had an emergency come up" and to still go to the Plaza. Is is me or would it have been better for Catherine not to get a message (albeit fake) from Tony. The fact that they're telling her he had an emergency, gives him some leeway. If they had just left it where he never called or anything, then that makes him even worse. Yes, this girl was really not needed. You know, in terms of dynamics, this movie reminds me of Hocus Pocus with the younger sister (played by Thora Birch in both movies), her older brother, and the brother's crush. At least in Hocus Pocus, the crush was established early and her role in the movie makes sense. In this movie, it just seems like they needed more scenes and that's why they added her and the movie would have been fine without her. 

Okay, wait, you guys. I may have spoken too quickly. I forgot that Catherine tells Stephanie that she's going to head back to her mom's place (Stephanie's mom's place, just so we're clear). This is not part of the plan! If it weren't for Stephanie coming over when the cab for Catherine arrives (I have no idea how far she lives away, but she seems to conveniently arrive a minute after the cab arrives) and pretending to be Catherine and telling the driver that something has come up and cancelling the cab, then Catherine wouldn't have a ride! She's totally useful, you guys! 

I should mention that during this whole time, since Hallie went up to their dad's loft, Ethan has just been hanging out outside the diner, which is closed and locked up. It's cold and snowy and he's all bundled up and trying to keep warm and whining about how their plan better work because he's outside freezing his ass off. (Okay, he didn't say that, but he was whining about how cold it was. Like in the museum, this was another instance where he was just talking to himself.) After Stephanie shows up and shoos the cab away, we get this really stupid scene where she asks if they can go inside the diner and he holds up a key. Barely a few minutes ago he was complaining about waiting in the cold and the whole time he had a key to go inside the diner? Are you flipping kidding me? What was with all the "Oh, poor me" brouhaha? 

Catherine has found out her taxi has bailed on her and starts to get a new one, but then Michael, looking out the window at the snow, starts reminiscing about the blizzard the happened when she was pregnant with Hallie. Or maybe it happened when she gave birth to her, I don't remember. Hallie is peering outside the door (if her parents turned around, they would have seen her obviously spying on them) making pitiful noises as her mother says she isn't sure if she'll stay. She starts whimpering, "Please, please, please", then, as if somehow hearing her daughters pleads, Catherine decides she's going to stay...but she'll sleep with Hallie in her room. 

Michael lends her one of his shirts to wear and when she gets into the bed with Hallie, her daughter, pretending to be asleep, slaps her arm across her mom. After she does this a couple more times, Catherine gets up and goes to the couch where her ex is now sleeping. She puts a blanket over him and curls up next to him and shares the blanket. The second she puts her head down, Hallie speaks out of her bedroom and across the room to the door where she closes it with a loud click. There is no way Catherine is already asleep. People don't fall asleep the second their heads hit the pillow. I think that's only happened to me once and it was after a really long day where I woke up early, drove a few hours with a friend to visit an amusement park in another state, then drove back the same day, so yeah, I was exhausted when I got home. Catherine definitely would have heard her daughter sneaking out. 

Hallie goes down to the diner where Ethan and Stephanie have been eating burgers and fries and tells her brother that her parents are sleeping on the same couch. Ethan is ecstatic and exclaims that "they did it", they got their parents back together, WTF? Just because their parents are sleeping on the same couch? I'm not gonna lie; I was rooting for the parents not to get back together because the kids are so damn entitled. I know, I know, I'm a total Grooge. (You like my portmanteau of Grinch and Scrooge? I couldn't decide which one I was being, so why not combine the two? Although Scrinch is good too.)

The kids have fallen asleep in the diner (after going outside and playing and shouting in the snow). They wake up when they hear their parents outside. They are worried because Hallie wasn't in her room and they had called Marshall to talk to Ethan and Marshall confessed everything, telling them Ethan never slept over and he was told to say that he did. Busted! Now you would think the parents would check the diner first because they're literally standing right outside it, but instead they hail a cab to take to the Nana's house.  

The kids realize they're in trouble and they head to Nana's house. Do you remember Olivia, the French pregnant maid that we're introduced to at the beginning of the movie and never hear from her again? We might seer her in the background, but she doesn't have any purpose to the plot. Well, Nana Lillian is back at her house on Christmas morning and while she's on the phone, Olivia goes into labor. Paramedics are called and so when the kids reach their house, they see an ambulance outside the house. Ethan thinks they're there for them (the kids), but why would they think they needed to call am ambulance for them? If the parents thought their kids were missing, they'd call the police. Or does he think something bad happened to one of his parents or Nana because they were freaked out about them missing? Also, we're given one line about Olivia having her baby, then that's it. There was absolutely no reason for this plot line. I think this movie was written in a week. 

When Catherine and Michael come running in the house, asking Lillian if she's seen the kids, I laughed at Lauren Bacall's face when she asks, "Are they missing?" I laughed because the expression on her face says, "That wouldn't be a terrible thing." I read this as being Lauren Bacall's reaction because she probably knows this movie is crap and how entitled those kids are and that it wouldn't be such a bad thing. Or maybe that's just me. 

The kids come home and there's a lot of hugging. Now Tony has arrived and storms into the house. I understand he's a little irked (that's an understatement!), but he goes about it all wrong. Instead of telling Catherine what devious act her kids did to him, he calls them brats and tells her once they're married, the kids will be shipped off to boarding school. THEN he tells her what they did. Of course, Catherine doesn't like what he's saying and basically tells him, No dice, Tony, we're not getting married. I want to know how he got his car back.

After he leaves, Ethan stands in front of the Christmas tree and gives a saccharine speech about how he didn't realize "how much I missed us." I will say the background is beautiful with the
Christmas tree and the snow falling outside the large windows. He explains how they put their plan in action. Catherine and Michael embrace and kiss and tell each other they're in love with the other.  I guess they're back together. Who didn't see that coming.

The movie ends with the Macy's Santa Claus (who we are to presume is the real Santa) arriving at their house. He has Snowball with him and returns him to Hallie. To be honest, I had totally forgotten about the mouse.

Ethan gets a peck on the cheek from Stephanie before she leaves with her mom (who had also arrived at Nana's house that morning). So is she moving to New York to live with her mom or are they gonna have a long distance relationship? Who knows? Who cares. 

Then the movie ends with the truly horrendous original theme song sung by Stephen Bishop (yeah, I don't know him either). We had heard it earlier in the movie when Ethan is at his dad's house, watching a video of his parents' wedding and other home videos. This song could join the song from the end of Teen Wolf and the song from the end of Splash in terms of their awfulness. I just need another awful song and then I'll have my Mount Rushmore of movie theme songs so schmaltzy, saccharine, sappy, and so-cheesy-you-can-practically-see the-Velveeta-dripping-off-of-them.

Let me share the lyrics so you can see what I'm talking about. I should add the melody of the song isn't even that catchy so this song has nothing going for it: 

"All I want is what I had back then

when time was my friend

and love didn't end. 

All I want is what I had with you

Is it too much to ask?

Can dreams still come true?

Don't look down on me

with compromise you can see the world from my point of view

it's all up to you.

All I want is the promise that you'll stay.

All I want is one more yesterday.

I don't mean to oversimplify,

but I cross my heard and hope to die

Seriously, what is this dreck? Truly awful.

Go watch The Parent Trap (Hayley or Lindsay) if you want a movie about kids getting their divorced parents back together. 

Thursday, April 11, 2024

An Unrealistic Fairy Tale

Pretty Woman
Director: Garry Marshall
Cast: Julia Roberts, Richard Gere, Hector Elizondo, Jason Alexander
Released: March 23, 1990

Oscar nominations:
Best Actress - Julia Roberts (lost to Kathy Bates for Misery


This movie is just like Cinderella....but with a hooker! I can't take credit for that joke; it was said by a comedian on VH1's I Love the '90s (1990 edition). The more "family friendly" version of this movie would be Maid in Manhattan.  (Because she's a maid (in Manhattan!) and not a prostitute! Actually, the first sentence of that review is about that movie being the PG version of Pretty Woman.

One thing I want to know is how the hell did Vivian Ward (Julia Roberts) become a prostitute in the first place? Is it because her roommate/"friend" (you'll soon learn why I'm putting friend in quote marks), Kit, is one and she got her into the "business"? Now I don't know any prostitutes in real life, but I'm guessing, most, if any, don't look like Julia Roberts - because if you looked like Julia Roberts, you wouldn't need to be one! Seriously, she's in L.A. and she can't get work as a print model or on a game show modeling the prizes for the contestants or an acting gig on a soap opera? Everyone knows you don't need to be a good actor on a soap; you just need to be attractive! 

What we do know is that Vivian does want to "get out of here" and I don't blame her. She lives in a seedy apartment with her roommate and she has to avoid going out the front door or otherwise her landlord will stop her and demand the rent money which they do not have. She keeps her cash in a plastic box in the toilet tank and it looks like she barley has five bucks. She goes to a club called the Blue Banana (after getting dressed in her hooker attire) and confronts Kit who spent all their rent money on drugs. Not only that, but she still owes $200! Kit sucks! Why are they even friends? 

Meanwhile, at a business party, we meet Edward Lewis (Richard Gere) who is in town for business (and pleasure as we'll (and he'll!) soon find out!). He lives and works in New York City where he buys companies, then sells parts of them off. Later, Vivian will compare it to stealing cars and selling the parts and he agrees, but says what he does is legal. Wikipedia says he is a corporate raider. While Edward does have investors and banks give him money to help buy the companies, it is clear he has beaucoup d'argent. 

He leaves the party to go back to his hotel in Beverly Hills (not sure where the party was located) and he ends up taking his friend/lawyer's car because the limo he came in is buried behind other cars. His friend's name is Phillip, but let's be honest, most people would probably call him George because he's played by Jason Alexander aka George Costanza from Seinfeld. So Seinfeld premiered in 1989, but I feel like most people didn't start watching it until '92 or '93 so I doubt most people would know who he was if they saw this movie in the theater, but if they watched it much later, they would definitely be like, "Hey, it's George Costanza...and he plays a character that may be way more unlikable than he is in Seinfeld!" 

So the car Edward drives is a Lotus Esprit, which I admit, I've never heard of (eh, but I'm guessing most people have never heard of it). They wanted to use a Porsche or a Ferrari but they didn't give the film permission because they didn't want their cars associated with picking up prostitues....which I can't really blame them, but I'm sure they're kicking themselves after the fact, but I feel like they're fine. It's not like they needed the publicity and I'm sure it helped the Lotus Esprit with sales! He stops a couple of times asking people for directions. How the hell did we ever live in a society without GPS? He stops along the side of Hollywood Boulevard where Vivian and Kit are working. Right away they can tell it's a guy with a lot of money because of the car. Kit tells Vivian she "should go for him" because she "looks hot" and she shouldn't "take less than 100." Less than $100? WTF? She should be charging WAY more than that! That seems really cheap! There will be other monetary head scratchers that I'll mention later. I guess 1990 was so long ago that the money seems like a lot, but today, it just seems like it's barely nothing. 

So she struts up to his car and asks if he's looking for a date and he tells her he needs directions. She charges five dollars at first, but then ups it to twenty when she gets in the car to personally be his navigator. He's staying at the Regent Beverly Wilshire, a posh hotel. 

When they reach the hotel, Vivian tells him she's going to take a cab back with her twenty bucks. She had told him earlier she charged $100 an hour and he asks her to accompany him into the hotel. Now I don't know if he felt bad that he made her wait outside for the bus (she told him she was going to take a cab back, then a minute later, she tells him she prefers the bus...this is very confusing) or if he was just horny. Could be both. I mean, it's not like they go at it once they get up to the penthouse where they're staying. He wants them to talk a little first. Before they enter the hotel, he gives Vivian his coat so she can cover herself up. Keep in mind she's wearing her hooker attire which consists of a short skirt and thigh high black leather boots that just scream STREET WALKER. They also looks seriously uncomfortable and look like a pain in the ass to put on and remove. 

They enter the hotel and instead of keeping the jacket cinched around her (yes, the unfortunate boots are still visible), she keeps it open, purposely showing off her outfit. Of course, people are staring at her and this prompts her to be especially uncouth in front of a conservative elderly couple and she pretty much flashes them. Honestly, at this point, she's being rude just for the sake of being rude and Edward should have told her to leave. 

Before they get on the elevator, Edwards stops at the front desk to request champagne and strawberries be sent up to his room (what a cliche!) and I have to give the concierge a lot of credit for keeping her business face on because she can clearly see Vivian in her hooker attire standing against a post. Like, she knows what's up. Then later, the man who delivers the stuff sees her. I can only imagine the gossip among the staff at this posh hotel. When you think of hookers, you think of seedy motels. I've seen CSI:; that's where they always find the bodies of prostitutes. Speaking of which, that has to be the best way to get yourself murdered. The clientele for prostitues has to be pretty unsavory. This is why I don't understand why Vivian isn't behaving a little more ladylike. Edward is a good-looking rich guy who hasn't given any indication that he's going to murder her, so she's on the right path so far! He's not even married or seeing anyone! We know she knows this because she asks him if he has a wife or a girlfriend and he tells her he has both, but that's not true because they're both his exes. He should have told her he used to be married and that he just broke up with his girlfriend (which is the first scene of the movie). 

He asks her how much it would cost if she spent the entire night and she tells him that he couldn't afford it, then tells him it would cost $300. Huh? The math isn't mathing. First of all, he's staying the week in a penthouse of a posh hotel. I think he can part with a measly $300. Also, if she says her hourly rate is $100/hr, why would she charge him only $300 for the whole night? It makes no sense. 

There's a scene where she's in the bathroom and when he comes in, she quickly hides something behind her back. He thinks it's drugs and tells her to get out, but when he reaches behind her to grab her hand, it's just dental floss that she was using because she was trying to get the strawberry seeds stuck in her teeth. Aside from having the scene to think she was using drugs, I'm not sure why she was hiding floss behind her back. Was it his dental floss and she didn't want him to know she was using it? I'm sure he was confused too because why didn't she just tell him it was dental floss when he was accusing her of using drugs? 

The next morning it is revealed that the blonde bob Vivian was sporting was just a wig and she has a whole mass of curly red hair...how the hell did she pile all of her hair under that wig? She asks Edward if she can use his tub before she leaves and he lets her. He's getting ready for his day of meetings and is on the phone with Phillip who has set up a dinner meeting for Edward with Mr. Morse, the owner of Morse Industries which Edward is planning on buying. He'll be bringing his grandson, David, who will eventually take over the company. Philip doesn't think Edward should attend the meeting alone and he should bring a date and "keep it social." I would understand this if Mr. Morse had brought his wife, but obviously this is only in here so Edward can ask Vivian to accompany him. 

He goes in the bathroom where she's taking a bubble bath and has her eyes closed and is singing along to Prince with headphones on. She seems unaware that he's in the room for a good couple of minutes which I find hard to believe. He tells her he has "a business proposition" for her. He will be in town until Sunday and wants her to spend the week with him. They start negotiating a price. She wants $4000 for the full six days and nights. He goes down to $2000 and when she says $3000, that price is agreed on. Huh? Again, this seems really cheap. I guess $3000 was a lot in 1990 because she seems ecstatic about it. She could have easily gotten $10,000. That was terribly negotiating on her part, especially when she tells him later she would have stayed for $2000. He tells her he would have paid $4000. Before he leaves for the day, she tells him, "I'm gonna treat you so nice, you're never gonna want to let me go." He says he will let her go and her face drops. But don't worry, they haven't properly fallen in love yet! 

After he leaves, she calls Kit to tell her what's going on. She tells her she's already got $300 from last night and is going to leave it at the front desk for Kit to come and pick up. Why the hell is she leaving money for this woman? The same woman who spent their rent money on drugs? 

Edward has left some money for Vivian to buy some clothes. Now we all know what happens next: she goes into a very chic shop on Rodeo Drive wearing her hooker attire because that's the only outfit she has. The shopkeepers are rude to her and tell her she needs to leave because she's "obviously in the wrong spot." Yes, they were being snotty as all hell, but I don't know why Vivian thought it was appropriate to wear a short skirt, a top where a bunch of skin is showing and her hooker boots to a very luxurious Beverly Hills shop. Let's workshop how she could have done this better:

-She could have worn her red coat over her outfit. (I don't know if I mentioned this earlier, but she does have her own coat.) Sure, it would look like she wasn't wearing any pants, but at least she would be a bit more covered up. Though there is still the problem of her hooker boots. 

-She could have worn one of Edward's white button down shirts. That's actually what she does when they go shopping the day after and by then she will have more appropriate heels, but she would still have those damn ugly boots. 

I actually 100% blame Edward for this. Even if Vivian did cover herself up with her jacket or one of his shirts, she'd still have the boots which are by far the sleaziest part of her outfit. I'm sorry, but they are just so cheap looking! It turns out that if he had asked the hotel's manger, Bernard Thompson (Hector Elizondo), he would have been able to get the right ensemble for Vivian. That's what happens when Vivian comes back to the hotel after her failed shopping excursion. Bernard stops her and asks to have a chat with her. He tells her that "things that go on at other hotels don't happen at the Regent Beverly Wilshire", but since Mr. Lewis is "a very special customer", they're willing to overlook the fact that he hasn't signed her in. He prompts her to say that she's a relative of his (Edward's) and she agrees, saying that she's his niece. He confirms that he won't see her again once Mr. Lewis leaves and assumes she has no other uncles here and she just rolls her eyes. When he encourages her to "dress more appropriately", she tells him she tried, and this is when he gets on the phone and asks for women's clothing. Now I wasn't sure if this was part of the hotel because when we see her getting the dress, it looks like she's in a hotel, but when Bernard calls, he introduces himself as being from the Beverly Wilshire. She ends up getting a cocktail dress and heels that she wears to dinner that night with Edward.

The next day she will go with Edward to continue shopping, but this time she's wearing a white shirt over her hooker attire (which has to stink; this is the third day she's worn it!), but this time she's wearing heels so at least the look doesn't scream STREET WALKER. They go to a store and this is when we get the "Pretty Woman" montage with Vivian trying on all the clothes she will buy. Of course, this is when we get the famous scene where she's all dolled up in her white dress and black hat looking gorgeous and she goes back to the snooty store and asks them if they remember her. Of course they don't recognized her, so she reminds them she was in there yesterday and they wouldn't wait on her. When she asks if they work on commission and they confirm, she holds up her many shopping bags and tells them, "Big mistake. Big. Huge." It's probably the most famous scene in the movie so I get why they plotted it that way.

When she returns to the hotel in her sophisticated new look, Bernard looks like a proud dad. Before she went to the fancy dinner with Edward and Mr. Morse and his grandson, Bernard had taught her what fork to use for what item and how to behave like a lady. Isn't this what he does for Mia Thermopolis before she becomes the Princess of Genova? They should have had Hector Elizondo play the same character in The Princess Diaries! Maybe Bernard gets promoted to being an assistant for Queen Julie Andrews! Missed opportunity there! 

So at the fancy dinner, Edwards orders food for Vivian while she's in the ladies' room and when she comes back, she finds a plate of escargots. Now I've had escargots a couple times at a French restaurant (they were good!), but they were much smaller and weren't in the shell like they are here. She has to use some kind of tool to crack the shell and ends up sending the snail flying. You would think at a fancy restaurant, they would have the escargots all prepared; it seems like a pain trying to crack the shell, and honestly, it didn't look that appetizing either. 

To be honest, I didn't quite understand/care about the business parts of this movie (boring!), but all I know is that Edward wants to buy Morse Industries, but Mr. Morse doesn't want to sell and wants his grandson, David to take over. Something like that. 

Edward and Vivian attend a polo game (it's all part of business because David plays in the game) and Phillip and his wife are also in attendance so Edward introduces Vivian to them. After the match, David comes over to say hi to Vivian and shows her his horse. Phillip sees this and is worried Vivian might be a spy working for the other side. He asks Edward how they met and what she does. He replies that he helped him with directions and that she's in "sales". Phillip presses more, but Edward won't tell him what she sells. Phillip asks him, "How do you know she hasn't attached herself to you and is bringing information to Morse?" He thinks she might be "industrial espionage." This is when Edward reveals that she's a hooker and he picked her up on Hollywood Boulevard. That's such a jerk move to do. While he talks to a VIP guest, Philip has a smug look on his face and walks over to Vivian and asks her if she's having a nice time and that it "must be quite a change from Hollywood Boulevard." Her smile quickly disappears and she's clearly uncomfortable. He explains that Edward told him and that her "secret is safe with [him]" and sleazily tells her that maybe they could get together sometime. 

Rightly, Vivian is angry at Edward and lashes out at him when they return to the penthouse. He tells her that he's not happy he told Phillip that, but makes an excuse that he's his lawyer and he's known him for ten years and that he (Phillip) thought she was "an industrial spy" and that he's "paranoid." 

They fight and Vivian tells him she's sorry she met him and that she ever got in his car. She gathers her stuff and asks for her money, but when he throws it on the bed, she doesn't take it. While waiting for the elevator, he apologizes, saying he doesn't want her to go and admits he was jealous when she was talking to David. She stays and tells him he hurt her and not to do it again.

We find out Vivian ended up in L.A. because she followed a guy there, but quickly found herself without any money or friends and it didn't work out with the guy. Before she became a prostitute, she worked at a couple fast food places, but couldn't make the rent and was too ashamed to go home. She met Kit and she made being a hooker "sound so great" (I'm guessing the money), and she started doing it and "got some regulars". I guess she wasn't too ashamed to do that! 

After the shopping montage and revenge line, the scene that's probably tied with it for most famous in the movie is when Vivian is wearing the iconic red dress and Edward shows her the (very expensive) necklace to go with it. When she reaches to touch it, he snaps the box close and she laughs. Everyone knows this scene even if they've never seen this movie. This is when they fly to San Fransisco to attend an opera. They see La Traviata and the main song is one of my favorites and one of the only opera songs I'm familiar with. They sit in balcony seats and after the opera, an elderly woman asks Vivian if she enjoyed it and she replies, "It was so good, I almost peed my pants." The woman is confused and Edward tells her, ""She said she like it better than Pirates of Penzance." Sure, it's a funny moment, but it doesn't make much sense. Usually people "pee their pants" if something scares them, not if they like something a lot. I liked the few seconds where the confused old woman is trying to figure out if that's what she actually said. 

The next day, Vivian suggests Edward take the day off and he agrees since he owns the company. Taking a day off is something Edward hardly does so you know this means that he has feelings for her! We see them eating a picnic in the park as he reads Shakespeare sonnets to her, then they have dinner in a diner. They end their day in bed with some passionate kissing and you know that she has feelings for him because when they first met, she told him she does "everything" except kiss on the mouth. I guess because it's too intimate and that's only reserved for people she has true feelings for. Now you know they are both in love! 

The week is nearly over and Edward tells Vivian that his business is nearly done and he'll be going back to New York. He tells her he would like to see her again and he can arrange for her to have an apartment, a car, and "a wide variety of stores that'll suck up to you anytime you want to go shopping." Vivian does not look thrilled. He asks her what she sees happening between them and she says "I don't know." She tells him about when she was a little girl and her mom used to lock her in the attic when she was bad "which was pretty often." She would pretend to be a princess "trapped in a tower by a wicked queen." A knight on a white horse would climb up the tower to rescue her. Never once when she thought about this fantasy did the knight say to her, "Come on, baby. I'll put you up in a great condo." Before they can discuss anything further, Edward gets a phone call from Phillip and needs to meet with Mr. Morse. He tells Vivian "this is all I'm capable of right now." Vivian replies, "It's a really good offer for a girl like me." She just wants more.

Kit comes to the hotel and they talk at the pool. Kit realizes her friend is in love with Edward, but Vivian denies it, but then pretty much admits it, but knows it won't work out and wants Kit to name someone that something like this has happened to before. Kit has to think, then comes up with Cinderella. (Well, actually she says "Cinder-f***ing-rella"). They just both laugh. 

Edward decides to work with Morse instead of buying his company and this doesn't make Philip happy. While he was being sleazy at the polo game, he physically assaults her and tries to sexually assault her at the penthouse, but Edward comes back in time before anything worse can happen and tells him to get out and to never come back. After making sure Vivian is okay, they talk about his previous offer. She tells him a few months ago, she would have taken it, but things have changed and now she "wants more", she "wants the fairy tale." He basically tells her he can't offer her that. He pays her and gives her his card, telling her that if she ever needs anything, for her to call him. Before she leaves, he asks her to stay the night with him; not because he's paying her, but because he wants her to. She tells him she can't. 

After Vivian says goodbye to Bernard, he insists that he have Darryl (the hotel's designated driver, it seems) drive her wherever she needs to go instead of taking a cab. The next day, back at her crappy apartment with Kit, we find out she plans to move to San Francisco where she'll get a job and finish high school. She gives Kit money and says it's "from the Edward Lewis scholarship fund." I'm not sure how much she gave her, but I'm assuming at least half. Is this really a good idea to give a drug addict all that money? Hmm, probably not. They say goodbye because Vivian's bus will arrive within an hour...gee, I hope that's enough time for a certain somebody to get there before she's gone forever! (Oh, it's not like you know what's going to happen at the end!) 

Back at the Beverly Wilshire, Edward tells Bernard that he'll need a car to the airport and he arranges for Darryl to take him wherever he needs to go. (Question: what if Darryl is driving someone else at that moment? Do they have other drivers on standby?) Edward also requests that the necklace be returned (oh, did I mention he was only borrowing it?). Bernard asks permission to open the box and look at it. He comments, "It must be so difficult to let go of something so beautiful." Subtle, Bernard. And if you didn't think Edward didn't get his point (or if the audience didn't get it), he adds that Darryl drove Vivian home yesterday, thus hinting that Darryl knows where she lives. 

Well, surprise, surprise, Edward ends up arriving at her apartment in the white limo (not a white horse, but close enough) and climbs up the fire escape. Once he reaches her, he asks, "So what happened after he climbed up the tower and rescued her?" and she replies, "She rescues him right back." They kiss and I roll my eyes. This would be a great time to comment about the trailer because this exchange is in it! What the hell? Why would you show the very last scene in the movie? Also, it seems they're telling the audience that they end up together in the end. The trailer for this movie makes it look like a slapstick comedy. She's a prostitute who doesn't know how to behave in social situations and must learn how to act like a lady! He's the millionaire who can't seem to find love and ends up falling for her! Hijinx ensue! 

Also, we can all agree these two aren't staying together, right? I give it six months, tops. Ironically, it probably would have been better for her to go to San Francisco and finish school there. In New York, she's probably just going to be Edward's trophy girlfriend and just sit around in his nice apartment and go shopping all the time. Sure, it sounds cushy, but what's going to happen once they break up? She'll probably end up on the streets again! 

However, if they do make it and end up together and have children, there's no way they're going to tell their kids how they met, right? They're going to need to come up with a cover story! 

This movie is a bit unrealistic, but it is a '90s classic for sure. 


Wednesday, July 8, 2015

Maid to Order!

Maid in Manhattan
Director: Wayne Wang
Cast: Jennifer Lopez, Ralph Fiennes, Natasha Richardson, Stanley Tucci, Bob Hoskins
Released: December 13, 2002
Viewed in theaters: December 16, 2002


This movie is like a PG-rated version of Pretty Woman, only replace a prostitute with a hotel maid. As for as romantic comedies go, this one is meh. It's not great, but it's not horrible. Jennifer Lopez and Ralph Fiennes are fine in their roles, except they really don't have any chemistry with each other. Lopez is Marissa, a single mother of a ten-year-old boy, Ty. She works as a maid for a fancy New York Hotel where they receive many important guests. This includes Senator Chris (Fiennes) who is staying there with his assistant (Tucci) and dog. All I can tell you about Chris is that he's a Republican...I really don't remember anything else about his politics. Either because it was boring or because there really was nothing else.

The late, great Natasha Richardson plays socialite Caroline who is also staying at the hotel the same time as Chris. She is a bit demanding of Marisa, asking her to do this and do that. This includes taking back a designer outfit to the store that she doesn't want. In one of the stupidest scenes of the movie, while Marissa and a fellow maid friend are in the room with Marissa gathering the garment, her friend eggs her on to try on the outfit. It's white pants, a white sleeveless turtleneck, and a white coat. (Duh, it's the outfit in the above photo!) Marissa says no, she can't do that, but her friend says it's her size and it's going back to the store anyway so it doesn't belong to Caroline so what's the problem? Uh, because you shouldn't try on other people's clothes, you dolt!

Meanwhile, Ty is at the hotel because his dad couldn't pick him up for a trip they were suppose to take so Marissa has to watch him. I don't know why she didn't leave him with her mother, but instead brings him to work. He sneaks off from doing homework and runs into Chris and his assistant and dog in an elevator. Ty knows who he is and Chris is impressed with his knowledge of politics. We had already seen a scene earlier of Ty giving a speech on Richard Nixon, so you'd think the movie was establishing he was into politics, right? No, wrong! He did the speech on Nixon because he's obsessed with the '70s as J-Lo later tells Fiennes. WTF? What kind of kid from 2002 likes the '70s? Nobody likes the '70s! Horrible music, horrible fashion, horrible home furnishings! It's the decade that gave us The Brady Bunch for god's sake! I mean, c'mon!

So Chris tells Ty that he is taking his dog for a walk and Ty asks if he can come and Chris says sure why not. Okay, yeah, just go for a walk with Voldemort! But seriously, it's a little weird that Chris is letting a young boy take a walk with him. Like that's not going to be suspicious to people who see that in the paper. He tells Ty to get permission from his mom so he takes them all up to Caroline's suite (I guess she told him where she would be) and Marisa is wearing the all-white ensemble (and quickly hides the tag). She gives a "be quiet" motion to her son not to blow her cover and pretends to be the Caroline who is staying in the suite. She goes out for a walk with Chris in Central Park wearing that all white outfit. You think something is going to happen, like a rip or a stain, and while there is a moment of horror when a magazine gets stuck to her butt (don't ask), everything is fine and she is able to return the outfit to the closet (she never had time to return it to the store) safe and sound. And not only do they walk around Central Park, but they also go to the zoo. So you're outside for a couple hours and don't even get one little stain on all that white fabric? Uh huh.

Chris is very taken with "Caroline" and wants to meet her again. However, when he sends a note to the suite asking Caroline to meet him for lunch, the note gets to the real Caroline and she is giddy because she had met Chris before once and knew they had "shared a moment". Marisa and the head butler (Bob Hoskins) are there to help out (I don't know why they need two people to help serve two people eating lunch...) and Marissa has to hide herself so Chris doesn't see her. Remember, he doesn't know she's a maid and thinks she's a rich socialite! When Chris sees a white blond woman enter, he is very confused and asks where that hot Latina woman is. Okay, he didn't say that! He actually referred to her as "Mediterranean." Butler Hoskins realizes that it's Marissa he's referring to and lets her leave so she can quit hiding behind flower vases and tea pots.

While driving somewhere, Chris sees Marissa and Ty walking and pulls over to talk to them. He tells them he's going to the Bronx to...I don't remember....and Marissa says "Blah, blah, you can't learn everything from just visiting there once. You didn't grow up there like I did or live there like I do." You think that this is going to be a political movement that will bring them closer together. Maybe Marissa will point out some issues that need to be addressed within her home district and he will bring awareness to it, but no, it never goes there.

He invites her to some ball, and Marissa, still keeping up the charade, gets all dolled up in her Cinderella moment. There she runs into Caroline who recognizes her and outs her in front of Chris and everybody and accuses her of wearing her clothes. Somehow she found out about that...I forgot how. Marissa is fired and Chris is angry she lied to her. Who really cares. They only spent a day walking in a park and then had a one night stand after the Cinderella dance. But then Ty brings them back together and they become one of New York's most high profiled couple! GROAN!

Oh, I forgot to mention another really stupid scene: Marissa needs something, so she goes down to the hotel's gift shop (I'm assuming) and the woman at the register is talking on the phone and it's obvious she's talking with a friend and not helping out a customer and she's just blowing off Marissa and the other people behind her until Marissa finally yells at her and tells her to do her damn job. This scene is only in here to establish that Marissa would make a fine good manager, a job that her friend has applied her for. I have never seen somebody in customer service blatantly ignoring a customer while talking to a friend on the phone. You would have to be PRETTY STUPID to do that!

The more I think about it, the more stupid this movie is!