Showing posts sorted by relevance for query harry and the hendersons. Sort by date Show all posts
Showing posts sorted by relevance for query harry and the hendersons. Sort by date Show all posts

Tuesday, July 10, 2018

Sasquatch Sighting

Harry and the Hendersons
Director: William Dear
Cast: John Lithgow, Melinda Dillon, Don Ameche, Lainie Kazan, David Suchet
Released: June 5, 1987

Oscar nominations:
Best Make-up (won)


My knowledge of Bigfoot/Sasquatch stems from this movie and an episode of The X-Files, so that means pretty much none. I know there are (were?) shows about tracking down Bigfoot, but I don't watch those. That has to be a boring show because you know they're never going to find him! I am not a Bigfoot believer. You should go to the Bigfoot Wikipedia page and read the paragraphs under "hoaxes" - it's very interesting. I also thought "Bigfoot" was two words, but it appears to be one.

This is a movie I've only seen once, maybe twice, before so I really don't have any sentimental attachment to it. The Hendersons, a family who live in the Seattle suburbs, go camping and on their way home, the patriarch, George Henderson (John Lithgow), stops suddenly when he sees something big and hairy in the road and hits it and it tumbles to the side of the road. His wife, Nancy (Melinda Dillon aka the mom from A Christmas Story) tells him he needs to check on the animal to make sure it's not suffering if it's still alive. To them it just looks like a giant ball of fur and they can't tell what it is. George gets his rifle from the back of the station wagon (understandable) and goes closer to the animal. Nancy thinks it might be a gorilla, but George tells her that gorillas don't "usually get this big around here." Huh, I had no idea gorillas could be found in the Pacific Northwest! That's an unusual habitat for them! 

While George is inspecting the dead (so he thinks) animal, his young son, Ernie, screams out the window, "SHOOT IT!" to which his dad tells him that it's already dead and Ernie screams, "SHOOT IT AGAIN!" Here is a good time to tell you how much I hate the kids in this movie. First of all, their son, who is about ten years old, is a little blood thirsty. He just wants to kill and shoot things! It's a little disturbing. He tones down his bloodlust as the movie progresses so he's just a normal kid, however, his older sister, Sarah, oh my God, she is THE WORST! Ugh, I couldn't stand her! She is your typical sullen teenager and she is that way throughout the entire movie. 

When George sees the large ape-like paw, he realizes they must have stumbled across Bigfoot and that a museum will want him, so they need to take him home. Um, why doesn't he just call somebody? Why does he need to take this (seemingly) dead animal home with him? But he has his family help hoist the Bigfoot on top of the station wagon and they begin driving again until a few moments later, the creature, who is clearly very not dead, surprises them by peeking down at the windshield. George slams on his breaks and sends the creature hurtling off the car. Again, he checks on the animal and determines that this time, it is indeed dead. As he tells his wife, "Nancy, I'm no doctor, but it has no pulse, it's not breathing, and it's cold as a popsicle." Bigfoot must have some kind of ability to appear dead when it's really not...because he's not dead here either! They continue to take him home and it's really funny when they pull into their driveway and you see these two huge feet sticking out of the tarp that covers the rest of the Bigfoot's body. 

While all this is going on, we see a Bigfoot trekker named Jacques LaFleur (David Suchet) who finds the bent license plate that fell off when the Hendersons hit the Bigfoot and hairs he cannot identify (and licks them for some reason...gross). 

At 5:30 in the morning George hears something and goes out to the garage where he notices there's not a big lump under the tarp on the top of his car anymore. He hears crashing coming from his house and in his kitchen he sees Bigfoot drinking milk out of the fridge which he has knocked over. Bigfoot growls at him and comes toward George who shields himself with a table, then a chair, but Bigfoot only knocks him it out of the way. I liked the shots from Bigfoot's perspective when he's looking down at George so you can see just how much taller he is than George (and at 6'4", John Lithgow is very tall! The actor who was in the Harry costume (and how hot did that have to be, wearing that costume?), Kevin Peter Hall, was 7'2" and also played the predator in...wait for it...Predator).  It isn't until George starts screaming for help that his family wakes up. Did they not hear all the racket when tables and chairs were being thrown across the room or what about when the fridge tipped over on its side?

It was funny when Ernie, who comes down first, says, "All right! I knew you weren't dead!" and his dad replies, "Not yet, I'm not," and his son says, "Not you, him!" Nancy is able to lead the creature away by spaying a bottle of Glade and they are all able to get away from him, except for the daughter who is a complete moron. When she sees Bigfoot eating her 15th birthday corsage (who gets a corsage for their birthday? I have never heard of that), the one she saved for 6 months, she gets all indignant and starts reprimanding him like a dog. ("That was a bad thing you did! Do you hear me?") Girl, what the hell are you doing? Look, we all know this is a family movie and Bigfoot will turn into a friend of the Hendersons named Harry and they'll all come to love him, but right now...they don't know that! Let's not anger this huge creature that could squash you like a bug! Not a good idea, Sarah!

The Hendersons go outside and watch as their new visitor wreck havoc on their house because of his sheer size. We soon learn where Ernie got his bloodlust from because there are a lot of dead animal heads mounted on the walls. Harry sees one of a deer and punches through the wall to try to find the rest of the body. They see him go outside to bury Helen's mother's mink stole. George quickly realizes he has to hide all his taxidermy animal heads in a closet and this is when we see just how many kills he's done in the past. There is a moment when George climbs up to the second floor with his rifle and has a chance to shoot Harry, but he sees humanity in the creature's eyes and can't go through with it. Instead, he calls the police who don't believe him and just start laughing at him.

Their nosy neighbor, Irene (Lainie Kazan), who has been watching their dog while they were away, comes over to return him. They know that if Irene finds out that a Bigfoot is at their house, then the whole world will know. They shut curtains as Irene walks across the yard, trying to peer in and Ernie takes Harry down the basement. He tells him he'll like it because it's like a cave. As Harry descends down the stairs, the first step he takes, the entire staircase crumbles.

It is established that Harry stinks to high heaven, so when they answer the door, Irene takes a big whiff (why? In fact, she keeps sniffing! Don't sniff if the smell is so bad!) and asks what that smell is. George, Nancy, and Sarah are all blocking her, but she can still peer around them and see all the carnage from the mess Harry made. When asked about the tipped over fridge, Nancy replies, "We decided to defrost the fridge", which you would have to be an idiot to buy that line. I'm beginning to think Irene is one because George starts moving up because Harry's head has lifted the floor where he's standing and Irene doesn't even look down to notice that something is coming out of the floor and believes George when he tells her he's exercising. And right when she's about to leave, she sees a huge paw come through the laundry chute, but doesn't even question it. The Hendersons tells her it's Ernie's new pet for a science experiment; that it's like a gerbil, "only bigger!" (Yeah, much, much, MUCH bigger!) I feel like if I were Irene in this scenario, I would have a lot more questions!

There's a cute moment where Harry lifts Ernie up to the main floor and smiles at George. He and Ernie want to keep Harry and charge people to see him so they can get rich, but Nancy is against that idea. She thinks Harry might be some kind of human as he has many human characteristics which include sitting on lazy-boys and laughing during a sitcom while dipping plant leaves in dip. She mentions that they don't even know if it's a male or female and Sarah says, "It's definitely male". Nancy asks, "How can you tell...don't answer that." They don't show anything graphic, but you have to wonder....where does this thing go to the bathroom? You know what? Don't answer that! Maybe that's why their neighbor's pool gets the color it does (which is a murky brown).

There's a funny moment where George has taught Harry to sit by giving him a sugar cube and every time he sits down (and he takes a huge jump before he does), he breaks something - the couch, a table, a stool. He's ruining everything in their house and Nancy tells George that they can't keep him and they need to send him back to where he came from because it's the right thing to do for him and they can't be selfish and think of ways to get rich off of their new discovery.

Harry is a little reluctant to go (you think he'd want to return to his home since he has a Bigfoot family waiting for him!) and George tosses a fish sandwich (they know he's a pescatarian because he ate one of their goldfish), fries, and a chocolate shake (with the lid tightly on!) into the backseat of the car to entice Harry to get in. Oh, and while all this is going out, little Ernie is crying his eyes out, telling Harry how much he's going to miss him. And this is from the same kid who wanted his dad to shoot his new friend twice! Your crocodile tears don't fool me, kid! This is the moment when Harry gets his name. George tells Ernie that they should say goodbye to their "hairy friend" and Ernie says, "Harry? Since when does he have a name?" and his dad replies, "Since right now." When they go check on the car after hearing a loud noise, they see that Harry has escaped (do they think a locked car is going to stop him? All he has to do is rip off a door!) I'm not really sure why he escaped. Doesn't he want to go back to his family? Does he want to stay with the Hendersons? Not really sure what's going on here except to advance the plot.

I'm not sure how long Harry is gone from this moment until he's reunited with George, but there are suddenly an outpour of Bigfoot sightings in Seattle and George starts keeping tabs on the areas where people mention they've seen him. George works at a place called Shoot N Stuff (hilariously stupid name) that sells rifles and other hunting equipment. His father is the manager and he wants George, who we learn loves to sketch and has a talent for it, to create a Bigfoot cutout that they can display at the front of the store with a map of the area and keep track of all the places where people have spotted Harry. He wants him to draw the Bigfoot with long sharp teeth and claws and as scary as he possibly can, but as George tells his wife, it's like he's drawing a wanted poster of his best friend and ends up drawing the Bigfoot to look exactly like Harry: calm and gentle. When he sees the drawing, his father tells him it looks like "a giant gerbil".

Jacques LaFleur gets the Henderson's address by getting the DMV to run their license plate number (by the way, are they not aware they're missing a plate?) He tells the woman at the DMV that he saw an old army buddy from forty years ago and took down his license number because he couldn't remember his name. Something tells me that this kind of thing wouldn't fly in this day and age! He pays a visit to their home where he tells Nancy he's with the U.S. Forest Service and they're investigating about a large animal that was either maimed or killed. Nancy plays dumb and tells him it all happened so fast, they didn't see what kind of animal it was, but that it was okay because it "walked" back into the forest. LaFleur questions her choice of the word and she quickly chooses other words such as "crawled, scampered, scurried, waddled, and creeped." This woman is like a walking thesaurus!

He next goes to Shoot N Stuff where he buys "some pretty serious ammo", according to George. He asks LaFleur if he's going on safari, but LaFleur just replies he's only going hunting in "his own backyard" which concerns George greatly. George's father tells him that LaFleur always shows up when a Bigfoot sighting is reported and that he is the one who caught and killed "Claws" the huge taxidermy grizzly bear in their store. George checks out a bunch of books about Bigfoot at the library and when he and his family are at home reading them (well, except for Sarah who's on the phone), there's a photo of LaFleur and Nancy realized she was duped by him earlier. All the books make the Bigfoot creatures into man-eating killers except for one by a Dr. Wallace Wrightwood (Don Ameche) who is an expert on Bigfoot and works at the North American Museum of Anthropology (which is just a rundown shack in the middle of nowhere) where George pays him a visit.

Meanwhile, we see Harry looking forlornly across eight lanes of traffic at the mountains where his home and family is. There's also a weird scene where Harry is looking into the window (and not even attempting to hide himself at all) of a home where he sees a woman put a whole raw chicken into a pot of boiling water. While this is going on, he also sees a couple getting into a hot tub, also bubbling. This concerns him because I guess he thinks the people are cooking themselves. It's hilarious, but a little dark!

With the last known location of Harry, George is able to find him in the one part of Seattle that doesn't have any traffic or people. (I know, I know, it was a movie lot with a fuzzy Space Needle slapped into the background). He's in the bin of a garbage truck, but LaFleur finds him first and Harry jumps up and surprises him (and anyone watching, I'm sure!) and flings him into the bin with him. George hears all the growling and commotion and this is how he finds him. Some garbage man is getting fired the next day because George is able to drive the truck because somebody left the keys in the ignition. While George is driving the truck, LaFleur points a gun at Harry, but he knocks it out of his hand and proceeds to the point the gun at himself between the eyes. A bit intense for a family movie! LaFleur reaches to pull the trigger, but at that moment, George slams on the break to avoid hitting a homeless man and the bin goes flying, then skids across the street. And when I say flying, I mean flying. Nobody (or living thing!) would get out of that unscathed...but of course both Harry and LaFleur are perfectly fine. I laughed when Harry gets into George's car by tearing the other back door he hadn't torn off previously and getting in and George just shrugs. His head also stretches the roof of the car to accommodate his height.

LaFleur is arrested for being in possession of a firearm and there's a funny scene where he's locked in a jail cell with several other inmates and every time he paces, all the other inmates go on the opposite side since he reeks so bad from being in a trash bin and being in close proximity with the pungent Bigfoot. LaFleur does not smell like his surname!

When they return home, everyone is happy to see Harry, even a reluctant Sarah. Ernie accidentally opens the door to the closet where George had stored all his taxidermy animals and Harry is outraged. They bury all of them and have a funeral and this seems to appease Harry. They give him a bath and it must have completely extinguished all the odor because they invite Dr. Wrightwood over for dinner (and they all dress up as if the President of the United States were having dinner with them) and while they're eating dinner, Harry comes up right behind the anthropologist, but he seems to neither smell nor sense Harry until the very last second when he realizes something is behind him. Can I just say that Don Ameche is the most adorable old man? His sheer joy at seeing that a Bigfoot exists is wonderful, even though his "YAHOO!" cry is a bit corny. There's little time for celebration because LaFleur is out of jail and they need to get Harry to his home, pronto. They get stuck in Seattle traffic, but after seeing cars part way for a cop car to get through, Harry sticks his head out the window (which nobody apparently notices with all that traffic around them) and imitates the siren sound, thus letting their car get through all the traffic.

LaFleur is still on their tail and the family only has a short amount of time to say goodbye to Harry. To get him to leave, George tells him that he's not wanted anymore, to go back to where he came from, and slaps him (a bit harsh!), you know, the old troupe of trying to get an animal to leave for its own safety. Why don't they just tell him he needs to leave so he doesn't get killed? When they realize that LaFleur can easily just follow the footprints, the Hendersons and Dr. Wrightwood strap on fake Bigfoot feet (not sure where those came from or how he had enough for everybody) and scatter around to make footprints to confuse LaFleur.

In the end, LaFleur comes around and sees Harry as a human being as George did. When Harry is about to go back to his home, George tells him, "You take care of yourself now, okay?" and Harry replies, "Okay." This is when we see his Bigfoot family (including a little Bigfoot) who were hiding in plain sight all this time.

Like I said, this is the only movie I've seen which features Bigfoot, but I have a feeling it's the only one where they make him into a gentle giant. 

Tuesday, September 4, 2018

Adventures in Baby-Sitting

Uncle Buck
Director: John Hughes
Cast: John Candy, Macaulay Culkin, Jean Louisa Kelly, Gaby Hoffmann, Amy Madigan, Laurie Metcalf
Released: August 16, 1989


This is a movie I haven't seen since I was a kid and I've probably only seen it a couple times which is probably why I have no nostalgic attachment to it. I know a lot of people who were kids/teens when it came out love it, but despite a couple of funny scenes, I wasn't overly fond of it. I did not find the titular Uncle Buck (John Candy) to be charming at all. This movie, which was directed and written by John Hughes, is probably best known for giving him the inspiration to write Home Alone and have Macaulay Culkin (who plays Buck's nephew) star in it. Probably one of the more well-known scenes in this movie is when Macaulay is asking John Candy a bunch of questions, rapid fire. We learn that thirty-eight is his record for most consecutive questions asked. 

Uncle Buck is called upon to watch his brother's and sister-in-law's kids when his sister-in-law's dad has a heart attack and they need to go to Indianapolis to see him. Buck is their last option because their neighbors are out of town. The Russell family recently moved from there to a suburb of Chicago and fifteen-year-old Tia (Jean Louisa Kelly) is not happy about it. She is a surly teen, the typical teen girl from every '80s movies. (Harry and the Hendersons is another good example of this). She is really nasty to her young siblings, Miles (Culkin) and Maizy (Gaby Hoffmann). I mean, she almost makes Buzz McCallister look like an upstanding older brother! She also doesn't take too kindly to her Uncle Buck.

I did think it was funny when Buck, who lives in Chicago, is driving to their house and going over the kids. He thinks Tia is probably nine or ten by now and can't remember the "other ones'" names,  thinking they're either Larry and Betsy or Larry and Jennifer. This makes it very obvious he hasn't seen his brother in awhile. Mrs. Russell has never been fond of Buck because he almost burned their house down. In a later scene, Buck will find a wedding photo of them with the photo folded and he discovers it has been folded to hide him. I almost feel bad for him, but at the same time, I don't blame Mrs. Russell for doing that because if I had a brother-in-law like Buck, he would probably irritate the s**t out of me!

Buck's brother asks him to come as soon as he can, so he arrives in the middle of the night and the parents just leave without even saying goodbye to their kids, which is really weird. I mean, at least the McCallisters honestly just forgot about Macaulay, but in this movie, his parents knowingly leave him and his siblings without saying good-bye! Since they left so urgently, you would think Mrs. Russell's father was on his death bed, but I think he was okay at the end of the movie. I was surprised that she gave Buck a blank check, instead of just giving him a set amount in cash. Yes, maybe she didn't have enough money on her, but still... you would think a guy with no job and who likes to gamble would take advantage of that blank check, but it actually doesn't go anywhere. I don't think he accepts it anyway, just tells her he'll use his own money.

One of the best gags of the movie is when Buck has arrived at the house and is looking around the living room. He accidentally knocks a plate off a mantle, but it doesn't break. He thinks it's an unbreakable dish and smashes it against the piano to prove his point, I guess, but of course it smashes into a million pieces.

You would think that since Buck was the last person the Russells wanted to baby-sit their kids, he would be terrible with the kids, but he's actually very responsible with them...for the most part! He makes sure they get to school on time, bush their teeth, etc. He's not great at packing school lunches, though, because he gives Miles a cucumber, a pickled egg, sardines, and a jar of milk in his sack lunch. He sure doesn't know how to take care of dogs, though, because he feeds the Russells' dog four or five times a day and gives it beer to drink!

The two younger kids take a liking to him, but he and Tia butt heads right away. When Buck drives all the kids to school, she is embarrassed to be seen in his car which is a hunk of junk that leaves a trail of smoke wherever it goes and backfires everytime it stops, making everyone think that a gun has gone off. He asks Tia what time he should pick her up and she tells him she'll get a ride with a friend. He doesn't accept this, tells her he can call the school and find out when she gets out. He says that if she's not there then he'll drive her to school tomorrow in his pajamas and robe and walk her to her first class. See, if I were him, I would have let her get a ride from a friend and if she wasn't home by four, then I would pick her up from school from then on. I know Tia is awful and is rude towards her uncle, but I don't think Buck is helping with things either. His goofing off and childish charm may work for the younger kids, but it's not doing any favors for him with Tia. He treats her like a little kid. Things don't go any better when he picks her up and sees her kissing her boyfriend, Bug. Now Bug is a total douche (with a name like that, you would have to be!), but he overreacts when he sees them kissing. John Hughes must have thought teens love kissing their boyfriends/girlfriends in front of their parents (or any other relative) because this also happens in The Breakfast Club when Molly Ringwald kisses her charming new beau (yes, that was sarcasm) in front of her dad. Tia is kissing Bug because she knows it pisses off Buck, and she'll do this again in a later scene.   

One thing I don't understand about Buck is that he has no problem giving Tia ultimatums (he tells her she can go bowling with them or get her head shaved), but can't seem to discipline the younger kids. When they both want to sleep in the same bed with him, he lets them, letting them take up all the space so he had to sleep on the floor. For Miles' birthday, he makes a stack of pancakes the size of garbage lids. (He has to use a shovel to flip them over, for god's sake!) At first I thought he was making a giant pizza. When he is called to the school to talk to the principal because Maizy said a bad word, he defends her and pretty much tells the principal, who's a horrible old lady who has a stick up her butt (and a huge wart on her chin) to pretty much go f**k herself. Actually, that may have been better than what he actually said which was, "Take this quarter, go downtown, and have a rat gnaw that thing off your face!" I mean, I know the old lady was terrible, but I think he may have crossed the line there.

There's a couple of sexual innuendos that went right over my head as a kid. One of them is when the neighbor, Marcy (played by Laurie Metcalf aka Aunt Jackie from Roseanne) comes over while Buck is in the laundry room with the door closed. He's trying to get the washing machine lid to open, but all she hears is a bunch of banging and him saying things like, "Open up for daddy" and "I'm gonna shove my load into you whether you like it or not!" Yeah.... Then, there's another scene where Buck is talking to his girlfriend, Chanice (Amy Madigan) on the phone and he starts mentioning how he gave names to certain parts of her body, like the dimples on her butt are named "Lyndon" and "Johnson" and her breasts were named "Mickey" and "Minnie" after they spent some time in Disney World. I don't even want to know that story, but it actually gets worse. He proceeds to say, "And Felix was what we called your-" It then goes to another scene where we see a cat meowing. Ugh, movie! Did you really go there? And why would you give a male name to a female part of the body? Never mind, let's move on. This is disturbing.

I don't mean to sound mean, but I was surprised Buck had a girlfriend. He obviously doesn't take care of himself, he doesn't have a job, his personality is grating, he's been with her for eight years and won't commit to her. She wants marriage and kids, but he's not into that. I really don't understand why she's still with him. When Tia finds out that Buck has a girlfriend she take advantage of this information and uses it to get back at him when Chanice calls and Tia tells her he's with Marcy and they usually stay out late. 

When we first meet Marcy, she is wearing the most hideous outfit that any movie character in movie history has ever worn: brown boots, brown stockings, brown leather skirt (obviously fake leather), gold and brown blouse, brown leather vest made out of the same material as the skirt, and a brown and gold headband. I mean, this outfit is HIDEOUS! I did love when she introduced herself to Buck: "Marcy Dahlgren-Frost...Frost is my married name. I'm single again, but I never bothered to lose the Frost." She is very rigid and formal when she says it, so it's a great play-on words. However, in the next scene we see her in, she's coming on to Buck and dancing with him, so what the hell happened to her being cold and aloof? Of course, when they're dancing, Chanice chooses that moment to come over and sees them and accuses Buck of cheating on her. He soon realizes that Tia had something to do with it when she tells him, "It hurts when someone screws with your life, doesn't it?" Not cool, Tia!

Tia does come around to her Uncle Buck when she realizes he was right about Bug only wanting one thing. When he finds out that she snuck out of a house to attend a party, he goes to get her while asking Chanice to watch the kids. This is after their fight, but Chanice only agrees to do it because there are kids involved. Buck finds the house the party is at where the teens are listening to the current hit (in 1989!) "Bust a Move". He finds a locked bedroom where he believes his niece and Bug are in and gets in by drilling through the doorknob. It is revealed that the girl Bug is with is NOT Tia, so Bug is a huger douche, cheating on his girlfriend. Although, they had probably broken up after Tia wouldn't have sex with him, so he just went after the first girl he saw. They trick the audience by showing Bug making out with a girl on the bed with curly hair, but you never see her face until she sits up in bed (luckily she wasn't naked!) when Buck enters. I was wondering why she was passively whispering, "Stop it, please" and "I don't want to do this" as she lay there like a ragdoll as she lets Bug take off her pants. It now makes sense since it was a different girl so they had her whisper so the voice wouldn't give it away she wasn't Tia. If it had been Tia, she would have been much more assertive and probably would have kneed him in the balls. Nothing happens between Bug and the girl, but this doesn't stop Buck from kidnapping him and throwing him in the trunk of the car (we never do see how this happens!) Buck really hated Bug. Not only did he threaten to murder him (or, you know, castrate him with a hatchet), after he lets him out of the car, he hits him twice with a golfball. It's surprising that he didn't suffer a concussion or die!

Tia confesses to Chanice about the lie she told her and Buck and Chanice get back together. The parents come home the next day and everyone is happy and Tia has a new favorite uncle.

Just think: Macaulay Culkin can thank this movie (or John Hughes, really) for letting him retire at the ripe old age of 14! (Yeah, I know he did a few movies when he was older, but you know what I mean!)