Showing posts with label John Candy. Show all posts
Showing posts with label John Candy. Show all posts

Wednesday, November 26, 2025

Travel Companions

Planes, Trains and Automobiles
Director: John Hughes
Cast: Steve Martin, John Candy, Laila Robbins, Dylan Baker, Michael McKean, Kevin Bacon
Released: November 25, 1987


This is a movie I've always wanted to review around Thanksgiving. It seems like there aren't that many Thanksgiving movies out there. I know there's Home for the Holidays with Jodie Foster and Claire Danes and I'm pretty sure I remember one that starred Patricia Clarkson and Katie Holmes. It's called Pieces of April. I had to look that up; I would have never remembered that. Oh, and I double checked Home for the Holidays and Holly Hunter starred in it; Jodie Foster directed it. Wikipedia has a whole list of Thanksgiving movies, but most of them are movies that contain a Thanksgiving scene. Like, I remember the Thanksgiving scene in Brokeback Mountain, but I certainly wouldn't call it a Thanksgiving movie. Now there is actually no Thanksgiving feast scene in Planes, Trains and Automobiles, but the plot revolves around Neal Page (Steve Martin) trying to get home in time for Thanksgiving, so I would say that this is a Thanksgiving movie. 

It's two days before Thanksgiving and Neal, who works in advertising, is in New York for a meeting. His client is very indecisive and can't decide which print ad he likes best for his cosmetic company and just keeps mulling over the ads. Neal keeps looking at his watch impatiently. He discreetly takes out a plane ticket and we see why he's so antsy. He's scheduled to take a six o'clock flight to Chicago. I swear the ticket says he's supposed to land at 6:45, but there's no way that can be right. It probably says 8:45 as he told his wife that he would be home by 9. (Though there's no way you would get home in fifteen minutes after landing!) Now they linger on the ticket for a good while so the viewer can read it, but yet they felt the need to highlight the part about what time the flight left. 

When he and his colleague finally get out of the meeting, his colleague tells him he's going to take the eight o'clock flight home because there's no way he'd make the six o'clock flight. Neal is going to look back at this moment and just wished he had taken this flight. All he has to do is call his wife and tell her he's going to be a little later than expected. Now that flight was probably cancelled because of the weather, but he wouldn't have been in the predicament he will soon find himself in! 

In the bustling streets of Manhattan, Neal is in a long line of people waiting for a cab, but he gets out of line and tries to find one on his own. We see a man on the opposite side of the street who is also trying to hail a taxi and they both spot one at the same time. It's a little down the street and they both start running, on opposite sides of the street. It looks like Neal is going to get there first, but just as he's about to reach it, he trips over this huge clunky trunk and the other man gets there first and salutes Neal as he gets in. The man is played by Kevin Bacon and I thought for sure he was going to appear again in some capacity, but he never does. I watched this on Paramount Plus and he's the third name listed. True, it's probably because after Steve Martin and John Candy, he's the next biggest name (with all due respect to Dylan Baker and Michael McKean), but it's just so weird to see him in this role without any lines. I wouldn't even call it a cameo. The only thing that would have made it work for me is if he was playing himself (because that would have been hilarious), but I didn't get that sense. 

Neal runs up to a businessman who's just hailed a cab and pleads if he could have it because he's "desperately" late for his flight and was "wondering if I could appeal to your good nature to ask you to let me have it." The man replies, "I don't have a good nature." Neal offers him ten dollars and even that made me scoff. Like, seriously? That seems low even for 1987. And we know he can afford more because he lives in a house that looks a lot like the Home Alone house (but with no circular driveway). They bargain and eventually the price is raised to $75 (due to the other guy conning him; Neal had settled on $50 and the guy told him anyone who would pay $50, would pay $75 which makes no sense to me except for the fact that he knew he could take advantage of a desperate man). While they're barraging, we see the same trunk Neal tripped over earlier being lifted up and put into the trunk of the cab with the help of the taxi driver. We don't see the person but we all know it's John Candy's character. (Who else would it be?) This is happening right next to Neal and I don't know how he doesn't notice this. Does he not see this in his peripheral vision? The taxi screeches off right after he has given the other man the money. He picks up his briefcase and luggage and starts running after the cab and I'm impressed he's actually able to catch up to it when it stops at a red light. He tells the passenger (who is indeed the character played by John Candy) that this is his cab and to get out. The passenger looks startled, but the light turns green and the taxi speeds off. 

Neal ends up taking the bus and at 5:58, he is rushing towards the gate. I know this was before 9/11, but even that is cutting it close! There's no way they would let a person on a plane with only two minutes! Right? Right?! Well, it turns out the flight is delayed so he's not getting on the six o'clock anyway. He looks really disappointed and I'm thinking, he should be glad because there's no way they would have let him on the original flight anyway! He calls his wife to tell her about the delay. He has three young kids; the middle one is played by a pre-Mrs. Doubtfire and Boy Meets World Matthew Lawrence. His oldest child (she's probably nine or ten) is super annoying. When Neal calls, she keeps demanding her mom to tell her who's on the phone and keeps repeating, "Who IS IT?" STFU, little girl. 

While waiting for the flight, Neal looks across and sees a guy reading a book called "The Canadian Mounted" and instantly recognizes him as the man who took his cab. He calls him out on it and the man apologizes and wants to make it up to him. He offers to get Neal a hot dog and beer, but Neal tells him no thanks. Then he start spouting a bunch of other food and drinks (mostly drinks as he mentions coffee, tea, milk, and a slurpee) he could offer, but Neal says no. 

When boarding the plane, Neal is told he will be seating in coach. He's pretty angry because he bought his first class ticket a month ago. The flight attendant is pretty short with him; she's not very professional at all which seems to be a running theme in this movie. I can't blame him; I'd be pretty ticked off too if I didn't get the seat I paid for. She does tell him he'll be refunded. I think he just needs to cut his losses and accept his fate. He'll get his money back and the flight will only be less two hours (well that's what the intended flight should be!). To make matters worse for Neal, he's sitting next to the man he just met. The man introduces himself as Del Griffith and tells him he sells shower curtain rings. That's an object you use, but something you never think about. Don't most shower rings come with the shower curtain? Unless he's selling them to shower curtain companies...I dunno, but it's just amusing that's what he sells. 

Instantly, you know that Del is one of those people who constantly runs his mouth. Neal tells him politely that he's not much of a conversationalist and would like to read his magazine. Del tells him he understand. But I don't think he does: "The last thing I want to be remembered as is an annoying blabbermouth....you know, nothing grinds my gear worse than some chowder-head who doesn't know when to keep his big trap shut...You catch me running off at the mouth, just give me a poke in the chops." Neal is clearly becoming annoyed. Del takes off his shoes and makes a big scene of how relieved he feels. Then, even worse, he takes off his socks and is making loud groaning sounds about how it feels good to let his feet breathe and he starts waving is socks around near Neal's face. Del is what you would call self-unaware. 

Because of the bad weather, they end up landing in Wichita, Kansas. He calls his wife to let her know. She is so dumb: "I don't understand what Wichita has to do with a snowstorm in Chicago." Duh, they had to be rerouted because they couldn't land. Neal has to explain this to his idiotic wife.

There's no flights out of Wichita and Neal tries to call hotels looking for a room, but nothing is available. When Del tells him he booked a rom at the Braidwood Inn and tells him he'll make sure Neal gets a room because he (Del) knows the manager if Neal will pick up the cab fare. Neal is hesitant at first, but then agrees when he sees a guy sleeping by a trash receptacle. 

The motel is clearly in a seedy part of town. During the time they're checking in, they both give the manager, Gus, their Diners Club cards. There's a mix up and somehow they end up with each other's cards which nobody notice because Del is chatting with Gus. There are no names on the cards (which is odd) which is why they don't realize they have the wrong cards. This will come back later.

They are told there is only one room left, which means they'll be sharing a room with one (small!) bed. It's a little awkward when they enter the small room and see the single bed, but they don't mention anything about it.

While Neal is in the bathroom taking a shower, Del starts taking stuff out of his trunk including a framed photo of a woman who is his wife which he places on the bedside table next to him. Carrying around framed photos is just odd to me...even in 1987. I know people didn't have smart phones with pictures back then, but they could put a small photo in their wallet. 

In the shower, the water shuts off while Neal is shampooing his his hair and he gets shampoo in his eyes. (As you can probably imagine, this is a crappy motel.) It does turn back on and when he's done with his shower, he opens the sliding door to see a huge mess. There are wet towels strewn across the floor (along with a wet newspaper) and the countertop has toiletries scattered about everywhere. There's only one single small washcloth on the rack that Neal uses to dry off with. This scene confused me so much because it couldn't have happened before Neal took a shower or otherwise he would have for sure said something. Did Del come in while Neal was in the shower? I don't think Neal would have liked that very much! But if Del came in, why didn't they show that? There's no way Neal wouldn't have heard him. But if he's using all the towels, that would have implied that he showered first and Neal should have seen this mess BEFORE he took a shower. I am so confused! I guess there was a deleted scene of Del messing up the bathroom while Neal was in the shower. Still doesn't make any sense to me. Anyway, I would have been livid if somebody just made a big mess like that and used ALL the towels. Not cool, dude.

As they're getting settled in (the very small!) bed, we find out the Neal's side of the bed is damp with beer because the cans had exploded when Del opened them because they had been sitting on the bed which had been vibrating. (What is the deal with vibrating beds anyway? I feel like they're alway in '80s movie, more specifially John Hughes movies because there was one in National Lampoon's Family Vacation.) 

As Neal tries to sleep, Del is doing his (what I assume) sleeping ritual. This includes cracking his knuckles, itching some part of his body (I can only imagine what), then most annoyingly, starts doing some weird snorting noises with his throat. Neal can't take it anymore and jumps out of bed in a heap of rage and Del explains to him that if he doesn't clear his sinuses, he'll snore all night. He couldn't do that in that bathroom? Neal just explodes and tells Del he's been "under [his] skin since New York, starting with ripping off [his]  cab." He goes on a tirade about how Del talks too much and has nothing interesting to stay. He goes a little beneath the belt, but I can understand why he's annoyed with him.

Then sad, inspirational music comes on as Del agrees that he talks too much, but says he's not changing because, as he says, "I like me. My wife likes me. My customers like me 'cause I'm the real article. What you see is what you get."

I think Neal should have focused more on Del's inconsiderate habits (like taking and using all the clean towels in a hotel room or smoking in the room) rather than make it super personal. Here he's just downright cruel to Del and the audience is meant to feel bad for him, but I would find him annoying as well. If somebody just left me with a washcloth to dry off with, that person is dead to me. Getting out of a shower and not having a towel to dry off would make me very cranky. 

Neal doesn't say anything, but he looks a little guilty. They both get in bed and during the night we see someone breaking in and stealing their money from their wallets. Apparently, there was a deleted scene where they order pizza and they gave the pizza guy a terrible tip and he broke in and robbed them. They need to keep this scene in because they will soon discover their money is gone.

In the morning, we see a bunch of crap on Del's side of the bed, including beer cans and an empty Cracker Jacks box. It looks like most of the caramel popcorn got on the bed and spread on his pillow and pajamas...gross! 

The camera pans to show that a sleeping Del is spooning against a sleeping Neal and kisses his ear as Neal smiles. Seriously, he can't tell that's not his wife? Something tells me Del's breath doesn't smell like his wife's breath! His arm is draped over Neal who is holding his hand. Neal wakes up, realizing what just happened and we get this hilarious exchange:

"Del, why did you kiss my ear?" 

"Why are you holding my hand?" 

"Where's your other hand?"

"Between two pillows." 

"Those aren't pillows!"

They both quickly jump out of bed and start talking about the Bears so they seem manly.

Neal goes into the bathroom only to see Dels dirty socks in the sinks. Even worse, he reaches for something to dry his face with after washing it, but we all know there are no towels left and he grabs Del's underwear. He doesn't realize until after he's used it what it is...ewww! I can only hope it was clean underwear, but who are we kidding. Blergh!    

They have breakfast at a diner where Neal tells Del he called the airport who said everything is booked solid, but he has "a good chance of getting on stand by." Del says there's no way either of them will be getting on a flight, but he has a friend who works for the railroad and suggests taking a train. They get the check which Neal says he'll pay for. He says he doesn't mind as long as Del can get him on that train. He opens his wallet to see his money is gone. He thinks Del took his money and when he glares at Del and Del says, "What?", I love how Neal replies, "You know goddamn well what." He had $700 cash in there! Who carries around that much cash? Del gives him his wallet and tells him the exact amount he has and to go ahead and count it, but when Neal opens it, it's also empty. 

Del looks at the positive side (he did have $200 that was stolen, but at least it wasn't $700!) and says since the thief didn't take their credit cards, they can just charge their way home. That honestly seemed like the no duh answer to me that I looked up to see what people used their credit cards for in the '80s and discovered that people really used them for big purchases or emergencies. I guess I would count this as an emergency! Neal asks what cards Del has and he has a Visa and a gasoline card. Del has a card for "Chalmer's Big and Tall Men's Shop" which is a chain in the Pacific Northwest. I love how he adds, "Unfortunately, it does us no good here." Like, even if that store was in the Midwest, it's not going to help with their travels!    

They are picked up by Gus's (the manger of the motel) son who has arrived in a huge pickup truck. Both Neal and Del are a little weary when they meet Owen (Dylan Baker) who keeps snorting and spitting. Right after introducing himself and before shaking Neal's hand, he spits in his mouth and Neal is just grimacing as he touches his hand. Ewwww. I think in this instance, you can refuse to shake a hand, right? The face Steve Martin makes everytime Owen snorts is so funny. 

Del and Neal grab Del's trunk, but Owen tells them his wife will get it and that she's stronger than she looks. She's sitting in the car with a toddler and a baby, but the two guys quickly say they'll get the trunk. They ride in the back with a dog. It's vey cold and the ride to the train station is "no more than forty-five miles". By the time they arrive, they are covered in frost. 

Their seat tickets for the train aren't together. Del is a little upset, but you can can tell Neal is trying to hide his glee that he won't have to sit next to his traveling mate and that he's finally gotten to get rid of him. He explains the train being full because of the holidays, which is true. Del asks if he wants to meet later and get a drink at the bar car, but Neal says he plans to sleep and tells him, "It's been interesting." As Neal walks away, Del calls after him saying he needs his address so he can send him money for the ticket, but Neal says it's a gift. I assume he's feeling quite generous since he will never have to see this man again (so he thinks!). 

Of course, we know it can't be that easy and the train breaks down somewhere near Jefferson City. Everyone is told if they walk a mile to the highway, the trucks will take them to the bus station. Neal sees Del struggling with his trunk and helps him carry it.

Now they (and everybody else) are on a bus traveling from Missouri's capital to St. Louis. This has to be their worst form of transportation. It's so terrible it's not even mentioned in the title! (Though I'm assuming a bus counts as an automobile.) The bus is full and cramped, there's a kid running up and down the aisle, a couple sitting across from them is getting hot and heavy, then they start smoking. I know it was used as a joke, but I would be LIVID if someone on a bus started smoking! This is something I noticed about this movie: that people are always smoking. Del, especially. We already saw him smoking in the motel room and in diners. 

At the bus stop in St. Louis, Del starts conning people by selling them shower rings and telling them they're earrings or rings (that's a big ass ring!) autographed by people like Diane Sawyer or Darryl Strawberry or Walter Cronkite. At one point he says the earring were "handcrafted by the grand wizard of China in the fourth century." He admits these aren't the originals, "but they are very good replicas." 

The two travel companions are eating at a diner when Neal starts to say, "You know, I've been thinking that when we put our heads together, you know, we really..." As he's saying this, Del starts to smile, thinking Neal is going to say how good they are together, but Neal finishes the sentence with, "we've really gotten nowhere and I think I'm holding you up." Del's smile falls but reluctantly agrees to part ways. 

Neal is dropped off by the bus in a parking lot of rental cars. He goes to the marked spot where his car is supposed to be but it is empty. Rightly, he is upset. He is very upset. He calls after the bus that dropped him off, but it's too far away and he's not going to make it. He has to make the long trek back to the building where the rental car agency is. This includes walking along a busy highway and across a busy airport and sliding down a steep embankment where he nearly gets hit by a bus. This probably has to be the worst thing that happens to him during the entire jaunt. 

When an irate Neal gets to the counter, the car rental agent (Edie McClurg) is talking on the phone, but it's obviously a personal call because she's talking about Thanksgiving plans with a family member. I feel like they have this in here for the audience to be annoyed at her so that maybe Neal's rant at her will be justified. I think it would have been just as effective if she was professional, but had the super chirpy annoying personlity which is part of the reason Neal lashes out at her. This woman has a LONG LINE of customers. Why is she taking a personal call?  

This is probably the most famous scene of the movie and the scene you remember the most if you've only seen it a couple times. When she asks Neal if she can help him, he tells her, "You can give me a f'ing automobile." After she tells him, "I really don't care for the way you're talking to me", he starts in on his tirade: "And I really don't care how your f'ing company left me in the middle of f'ing nowhere with f'ing keys to a f'ing car that isn't f'ing there. And I really didn't care to walk down a f'ing highway and across a f'ing runway to get back here to have you smile in my f'ing face. I want a f'ing car right f'ing now." All these f***s pay off because after the agent asks to see his rental agreement and he says he threw them away, she tells him, "You're f***ed." But seriously, I want to know what happened to his rental car. Why wasn't it there? 

He tries to get a taxi to take him all the way to Chicago (how much would THAT cost, I wonder?), but ends up meeting up with Del where he will share a ride with him. Del tells him, "You know, I had a feeling that when we parted ways, somehow, someday our paths would cross again." (Yeah, they would cross again literally the same day!)

When Neal takes his turn at the wheel, it's dark outside. Del is trying to get adjusted to his seat, but can't seem to get comfortable and keeps messing around with it. When they switch, there's a funny payoff when the passenger seat launches Neal forward so his nose is pressed up agains the windshield. While Neal is sleeping, Del is driving and lip syncing along to "Mess Around" by Ray Charles. He's mimicking all the instruments in the song like the piano and saxophone. At one point when he's playing the "piano", both his hands are off the steering wheel and he's closing his eyes to emulate Ray Charles. Probably not the best thing to do when you're driving! This causes the car to start to veer off the road a couple times. I don't know how this or the loud music doesn't wake up Neal, but he only stirs a couple of times. Once again Del is smoking in the car, which seems very inconsiderate, but I know they are only doing this for plot purposes because he throws the cigarette out the window, but it flies back into the back window and lands on the back seat. 

Del is wearing his heavy blue parka and decides to take it off. I understand it's late November, but he's also wearing a sweater under his coat, so I don't know how he wasn't roasting well before now! If I'm driving a long ways in cold weather, I always take my coat off. I just let my car's heater do its thing. I would rather be cold at first and eventually warm up rather than be uncomfortable and roasting in my winter coat. He starts to take off one sleeve of the coat, but it gets caught in the seatbelt mechanism so now his arm is caught in the sleeve. While he's trying to get free, the car starts careening all over the highway. He's lucky this isn't a busy highway. Somehow Neal doesn't wake during this...he must be a heavy sleeper. Del tries to take his coat off at the other arm but it also gets tangled in some other mechanism and now both his arms are caught up in his coat and he has no hands to drive with so he uses his knees. Guess what? Driving with your knees? Not very effective! At this point I'm wondering he's not waking up Neal to help him out. He's not even calling his name. It would be one thing if he shouted his name and Neal was so out of it he didn't hear him, but it's not like he's even trying to ask for help. 

He ends up driving across the road and onto the opposite one. The car spins around and this wakes up Neal who asks, "What's happening?" and Del tells him they almost hit a deer. 

Already, them driving in the car is the most memorable of the transportations they take and it's about to get even crazier. I mentioned earlier there are few cars on the road and this is probably a good thing as they are now going the wrong way. Neither of them seem to realize this, not even when a couple in a car going parallel with them across the median screams at them, "You're going the wrong way!" Del just honks back, thinking the guy wants to race, but he's making motions at Del to turn around. You would think Del or Neal would wonder why the car on the opposite side of the road was going in the same direction as them. When Neal tells Del the guy is telling them they're going the wrong way, Del asks, "How would he know where we're going?" He assumes the guy is drunk (which is probably what the guy is thinking about them!) and mimes drinking from a bottle. I just don't understand how neither of them could figure this out! The guy tries to clear is up by shouting, "You're going in the wrong direction!" Finally, Neal seems to figure it out, but now two semis have appeared, side by side. There's no time to do anything and they end up driving between the trucks with the outer parts of the car being scraped off. I'm sorry, but there's no way that a car could fit (even snugly) between two semi trucks. That car would have been totaled. 

After the trucks have passed by them, Del slams on the brake and their luggage goes flying over the car onto the street. The trunk had been propped open to fit Del's large piece of luggage which is how everything went flying out. I'm honestly surprised the trunk (Del's luggage, not the back of the car) didn't pop open when it was catupulted onto the asphalt. 

After turning the car around so they're facing the correct way, they both get out and Del inspects the damage and claims "it doesn't look too bad" which I agree with since in real life it would have been much, much worse. They get their luggage off the road and pull it to the side. They sit down on Del's trunk with the car behind them. It isn't long before the unmistakable sound of a fire starting is heard and they both look behind them to see the car is on fire and they just start laughing because that's all they can do. 

Remember the scene at the motel when their Diners Club cards were switched by accident? It turns out Del rented the car with Neal's card, but he put it back in Neal's wallet. There was a scene earlier where Neal had put his wallet in the pocket of the side door and asked Del to remind him not to forget about it. Right away I knew he was gong to forget it or something was going to happen. And it did: it caught on fire. 

They drive to a motel in the burned car. There's no way that thing would be cool enough to touch, let alone sit in even when all the flames have gone out! A joke will be made about the car being so hot to sit in that Del is sure there are grill marks on his behind. There's a funny moment when Neal is trying to get a room at the motel and gives the manager his credit cards which have all been burnt to a crisp. He ends up getting a room by giving the guy $17 in cash plus his watch. Del has nothing to offer but two dollars and a Cassio watch (it's funny when he tries to model it over his wrist) and ends up outside in the car bundled in his parka.  Neal feels bad when he sees him sitting in the cold so he invites him in. Luckily, this room has two separate beds. 

Oh, yeah, before Neal invites Del into his room, he tries to call his wife with the room's rotary phone, but the phone is locked so you can't dial the numbers all the way. WTF? Why would they have that locked? I guess it's to serve the tension of the movie for the wife to wonder why her husband has barely been able to keep in touch with her. 

Also, before Del is invited inside, he starts speaking aloud to his wife as he's sitting in his car: "Well, Marie, once again, my dear you were right as rain. I am, without a doubt, the biggest pain in the butt that ever came down the pike." Right away I knew his wife was dead. It also explained the framed photo of his wife being carried with him everywhere. That had a very posthumous feel. 

In the hotel room, Neal is laying in his bed and Del is sitting in a chair. Both are talking and joking and eating snacks with little bottles of liquor. Neal likes his combination of Doritos and tequila. Before he goes to bed, he tells Del, "as much trouble as I've had on this little journey, I'm sure one day I'm gonna look back and laugh." At least he's able to laugh about it now. 

Their car had been backed into a parking space in front of the room they were staying in. When they leave, Del accidentally reverses the car and it backs into the front of their room, just demolishing the wall. That was a laugh out loud moment for me. They hightail it out of there before anyone sees (more likely catches) them. I love that Del uses his arm when he's signaling.  

On their (nearly) last leg of the trip, they are stopped by a police officer (played by Michael McKean) for going too fast, but let's be honest, they'd be stopped just for driving that death trap. The officer asks Del if he knows how fast he was going and Del replies, "Our speedometer's melted, and as a result, it's very hard to say with any degree of accuracy exactly how fast we were going." The officer asks, "Do you feel this vehicle is safe for highway travel?" I love Del's genuine reply: "Yes, I do. Yes, I really do." 

The officer stars to tick off all the problems: No outside mirror, no functioning gauges (including the speedometer!), but Del informs him the radio still works, somehow. The officer tells them the vehicle is not safe to drive and it will be impounded. It's honestly a miracle it wasn't impounded earlier.

Del has found a semi truck driver to take them the rest of the way to Chicago (maybe not all the way home but at least to the L train station), however they need to sit in the trailer which is refrigerated since it's carrying boxes of cheese. They aren't allowed to sit in the cab with the driver because he doesn't like people sitting next to him. Del tells Neal he's going to be in Chicago "in less than three hours." 

Before they part at the train station, Neal tells Del he appreciates him helping him get home. They have a nice, sincere exchange and even hug before Neal gets on the train. He's now only a few miles away from his house and seeing his wife and kids and enjoying a Thanksgiving dinner with his family. He starts thinking about what's waiting for him at home until he starts thinking about all the crazy things that happened to him in the last forty-eight hours and starts smiling and shaking his head, as if he's thinking, What a crazy story I'll have to tell my children and my eventual grandchildren! You know he's pulling this story out at family gatherings for decades to come! 

Then the music starts to turn somber as he thinks about the times Del mentioned his wife and when he told Neal he hadn't been home in years and comes to the realization that maybe Del doesn't have anywhere or  anyone to go home to for Thanksgiving. He returns back the station where Del is sitting on a bench. He tells Neal he doesn't have a home and that Marie's "been dead for eight years." 

The next scene is of them walking up the street to Neal's house with each of them carrying a handle of Del's trunk while an instrumental version of Everytime You Go Away plays. Neal is reunited with his family and Del meets Neal's wife and kids and parents and parents-in-law and everyone is happy. 

I am a little confused as how they got to Neal's house from the train station because if they had taken a cab, it would have stopped right in front of the house and let them out, but we don't see that, plus they wouldn't have any money to take one. Did they walk from the train station to Neal's house in the suburbs? There's no way they would have walked all that way lugging that heavy trunk, plus Neal's own luggage. I feel like we missed an important part of the puzzle on the very last leg of the trip. 

The movie ends on a freeze frame of Del's face looking happy and thankful to be celebrating Thanksgiving with a family who has invited him in. Makes you wonder how long Neal let him stay at his house.

Tuesday, January 9, 2024

Mermaid in Manhattan

Splash
Director: Ron Howard
Cast: Tom Hanks, Daryl Hannah, Eugene Levy, John Candy
Released: March 9, 1984

One of the first things I noticed about this movie is just how skinny Tom Hanks is. And it's not like he's ever been overweight, but when you watch this movie, you just can't help but notice how skinny he looks! Of course, he was pretty young in this...28, although I would have guessed even younger! This was his first big starring movie as well as the first big movie directed by Ron Howard. 

The movie starts with a flashback twenty years ago where we see young Alan Bauer (Tom Hank's character) as a child on a boat with his family on Cape Cod. (I've been there! My favorite place I visited was Chatham!) Alan, about eight years old is looking down in the water and suddenly just jumps in! Of course, his parents and everyone else start freaking out. Alan definitely saw something because he's underwater with a young blonde girl about his age. We don't see that she's a mermaid (but we know she is one!) until he's back on the boat and dried off. Not too far off, she's just bobbing in the water and he sees her, but nobody else on the boat notices that a young girl is just bobbing in the water! And it's not like she's trying to hide herself or anything! She then dives back into the water and that's when we see she has a tail fin. Gasp! She's a mermaid! 

We're now twenty years later in New York City where Alan and his older brother, Freddie (John Candy), have a produce business. It seems totally random. Alan has a girlfriend he lives with named Victoria, but we never meet her. In fact, she breaks up with him within the first five minutes of the audience meeting him as an adult because he never told her he loved her. This happens the same day he and his brother are ushers at a fellow friend's wedding and everyone keeps asking where Victoria is and he lies and tells them she's sick until he just screams at one guy (who didn't even ask about her) that she left him and how she broke his heart. It sounded like he did have feelings for her because he keeps going on how how "brilliant" and "beautiful" she was. Not really sure why he never told her he loved her, I guess he had commitment issues or something. Though if they were already living together, that was a big step anyway. Well, it doesn't really matter. I guess they just wanted to show us that he was in a relationship, but now he's not and he's sad because now he thinks he'll never find anyone. 

After the ceremony, Alan is feeling down and he tells Freddie he's going to Cape Cod because he likes it there and it makes him better better: "I look out at the water and I feel closer to something." Still wearing his tux from the wedding, he hails a cab to take him to Cape Cod. I have so many questions: why is he going right now? Why didn't he at least go home to change, or, I don't know pack a suitcase? I don't know how long he plans to stay on Cape Cod, but you'd think he'd want a change of clothes and some toiletries! This seems very spontaneous and probably the result of drinking too much. 

It's 300 miles to Cape Cod and the sun is just starting to come up when he gets there. We see him walking along the beach, coming up to a scientist named Walter Kornbluth (Eugene Levy) and his two bumbling idiot assistants unloading a box containing some equipment for a diving expedition. Alan walks up to them and tells them he was "dropped off on the wrong side of the beach" and asks if he could take him over to the island. I would love to know what part of Cape Cod they're on, but we are never told. Walter tells him they can't get him a lift on their boat because they're not heading that way, so Alan tries his luck with someone else. Walter thinks that he must be a spy. 

Alan gets a ride in a very small boat from a random guy. He tells the guy he can't swim and the guy, being a jerk, starts rocking the boat to scare Alan. This causes the boat to end up stalling and the guy can't get the motor to start so he just jumps into the water, telling him he'll go back for the other boat. He says the shore is only a few miles away, but I don't see any land anywhere nearby! And there are sharks in these waters! I know because when I visited Cape Cod, I saw signs warning about sharks! He says he'll bring back the smaller boat and Alan is aghast by this because the boat they're already in is so teeny-tiny. 

On the boat with the scientist and his assistants, Walter uses his binoculars to spot Alan sitting alone in the small boat and assumes he's spying on them. Alan tries to start the engine himself, but ends up falling into the water. On the bright side, he actually got the boat to start (so that guy swam to shore for nothing), but the boat seems to have a mind of its own and it knocks Alan on the head and he starts to sink. His wallet falls out and hits the sea floor, but, luckily, before he can hit the sea floor, he is saved by somebody "mysterious" (let's be honest, we all know who saves him!) and he ends up on a beach with clear blue waters and a white sandy beach. Wow, the mermaid must have swam a long, long way with Alan (try 1200 miles, the distance from Cape Cod to Nassau) because that is most definitely NOT Cape Cod! I'm pretty sure they're in the Caribbean (I looked it up and some scenes were filmed in the Bahamas). The fact that they're trying to pass this for Cape Cod is just hilarious. 

Alan isn't unconscious for too long and when he gets up he sees a beautiful blonde woman crouching in the flora staring at him. Except for a beaded necklace adorned with seashells and her long hair covering certain body parts, she is completely naked. She walks up to him, kisses him (and not just a peck on the lips, it lasts for quite a few seconds), then jumps into the ocean and swims away. He calls for her to come back, then bemoans the fact that he never learned how to swim. When he turns his back to start walking away from the water, we see her jump into the air like a dolphin. I can only imagine his reaction if he had seen that!

We see her swimming underwater. This is not the 2023 version of The Little Mermaid where they are using special effects to make it look like Daryl Hannah is underwater; no, she is actually swimming around underwater. There are many cuts so either she came up for air or was given a tube to breathe in before they shot again. 

The audience sees Walter in his scuba gear before she does. They are both surprised when they see each other. Walter tells her to "Wait a minute" so he can grab his camera to take a photo of her. This made me laugh because a) she doesn't understand what he's saying. Even if she did understand English, his voice is very muffled; and, b) she's not going to wait just so he can retrieve his camera and take a picture of her! 

She has found Alan's wallet on the sea floor and takes it to a wrecked ship nearby where she finds an old timey map of New York. It's apparent that she's very familiar with this ship and what's on it. She's able to find out Alan lives in New York from his driver's license and uses the map of New York to figure out where it is, I guess. I'm not really sure how she does this without knowing any English. I would assume she also doesn't know the Latin alphabet either. 

During a group tour of the Statue of Liberty, everyone is shocked when they see a completely nude woman walk towards them. They all start pointing their cameras at her and taking photos. While I'm sure this is the furthest from home she's ever been, we know she's seen humans (like on the boat when she was a young mermaid) so she has to know they wear clothes. You would think she would find something to cover up with. We next see her wearing a t-shirt and she's on a boat with the Coast Guard. Two guys are trying to figure out who she is and where she came from, but they soon realize she doesn't understand English. We get a funny exchange where one guys states, "She don't speak no English" and the other guy replies, "And you do?" Ha! Nice zinger. That would totally be my reply too.

They find the wallet she was carrying and she points to the picture of Alan, so they call him. He's at work when he gets the call and he practically sprints to the police station. He even double parks in front of two police cars...I'm sure the cops loved that! The blonde woman greets Alan with a long kiss and he takes her back to his apartment.

Okay, a couple things before I continue. First of all, I know it's annoying I keep referring to MADISON as "the blonde woman" or "the beautiful blonde", but this is because she hasn't received her name yet and I feel like it's not right to call her Madison (even though we all know that's her name!). So just bear with me...we're almost to that part of the movie and I can refer to her as Madison for the rest of the review, yay! Second of all, if this movie was made today, there would be a lot more depth to Alan and Madison's, excuse me, the beautiful blonde's relationship. Let's be honest: Alan only likes her because she's gorgeous and she keeps making out with him, right? It must be mermaid mating season because she cannot keep her hands off of him. It just seems to be a physical attraction (especially on Alan's end!) and if this movie was made today, they would, you know, actually have our two main characters get to know each other. Hell, they already kind of remade this movie with the 2023 version of The Little Mermaid, if you think about it! 

After spending some "quality time" with his new "friend", Alan goes back to work in a cheerful mood, singing "Zippity Do Dah" and everyone is like "Wha-?" because it wasn't that long ago he was being a Debbie Downer. 

He has left his mysterious new friend at his apartment with the TV on. Look, I understand he likes this girl. I get it: she's pretty and she enjoys kissing him and being with him. However, I am shocked he just leaves a stranger alone in his apartment while he's gone! Isn't he worried that he might get robbed? Well, I guess he's too love struck to even think about that! But leaving someone you just met alone in your place, not a good idea. Anyway, the human mermaid gets inspired when she sees a commercial for the Ann Klein collection at Bloomingdales. The collection is fugly if you ask me, but it was 1984. Daryl Hannah wears a lot of extremely ugly outfits when her character is trying to fit in the world of New York. 1984 was a terrible year for fashion. But you know what she does look good in? One of Alan's suits. She goes outside wearing one of his suits (or his only one, probably) and she pulls it off quite well. She says "Bloomingdales" to the doorman and he hails a cab to take her there. When she gets out of the cab, the driver holds out his hand and she just hands him Alan's wallet. I'm not sure why she still has it. The driver just takes money out of it and hands it back. I wonder how much he took? Probably more than he should have, but at least he gave the wallet back!  

After buying a bunch of ugly clothes (I realize they're not supposed to be ugly, but to my modern eye, they are!), she makes a stop at the antiquated technology department and starts watching all the shows that are on the TVs on display.

When Alan returns home after work, he realizes she's not there and he runs downstairs and asks the doorman if he's seen her and hurries to Bloomingdales. (I've been there!) By the time he gets there, the store is getting ready to close, but he convinces them to let him in. He runs all over the store and finds her in the electronics department, dancing to a Richard Simmons exercise video. The manger tells Alan that she's been there for six hours! He also tells him that he told her it was closing time, but she didn't seem to understand and Alan tells him it's because she doesn't speak English. Right after he says that, she says, "Hello, Alan. How was you day?" in very clear English, then thanks the Boomingdale's employee for letting her use the televisions and that it "was very educational." 

Now that she can communicate, Alan finally gets to ask her what her name is, but she tells him it's hard to say in English. We soon figure out why this is when she starts screeching like a dolphin and all the TV screens break. Uh...I hope he doesn't have to pay for all of those! Surely the store has insurance! 

They walk back to Alan's apartment with Alan carrying her merchandise in two "big brown bags" and three huge boxes. He doesn't seem to mind that she purchased all of this with his money. He asks her why she hasn't said anything to him until now and she tells him because she didn't know English. Duh, Alan. But to be fair to him, he doesn't understand how she suddenly is fluent in it now. She tells him she learned it in the six hours when she was watching TV. Mermaids must learn at a much faster rate than normal humans because there is no way you could learn a language fluently in six hours! 

It was hilarious when she kept running around to the stoplights or people singing on the corner or a place making pizza going, "What's that? What's that?" I was getting Buddy the Elf vibes from her. There is a moment earlier in the movie that reminded me of Buddy when she goes through a revolving door, but keeps spinning around and around. Alan is especially shocked that she doesn't know what music is (hmm, I guess she's not from the same part of the ocean as Ariel and her singing sisters and Sebastian!). He asks her if she's American and she replies she's not...in her American accent. Okay, to be fair to the movie, it does make sense that she has an American accent since she's been watching American TV. He asks her how long she's gong to be in town and she tells him six days then the moon will be full and if she stays longer, she "can't ever go back." Hmmm, are we to believe that when the moon becomes full it will permanently make her a human? Alan just assumes it's some sort of "immigration problem." 

Finally, finally, about 45 minutes into the movie, our human mermaid is given her name. Well, her pronounceable name! Alan tells her she needs a name and gives her a list of very common women's names. As they're coming up on Madison Avenue, he wonders out loud where they are and says "Madison" as he's reading the street sign. His female companion tells him she likes "Madison" and wants that to be her name. He sort of laughs her off and tells her it's not a name. Well, guess what, Alan, the joke's on you because it certainly is now! This is from the Splash Wikipedia article:

Steven Levitt and Stephen Dubner's book Freakonomics (2006) credits the film with popularizing the name Madison for girls, as does Steven Pinker's The Stuff of Thought (2007). In the film, Hannah's character takes her name from Madison Avenue (itself named after President James Madison) after walking past a road sign. Hanks' character comments that it is not a real name as, at the time, it was a rather unusual name for a woman. However, in the years since the film was released in theaters and re-released on VHS and then DVD, the name's popularity has skyrocketed.[35]

According to the Social Security Administration, the name Madison was the 216th most popular name in the United States for girls in 1990, the 29th most popular name for girls in 1995, and the third most popular name for girls in 2000.[36] In 2005, the name cracked the top 50 most popular girls' names in the United Kingdom, and articles in British newspapers credit the film for the popularization

The third most popular name for girls born in the U.S. in the year 2000! I can believe that too! I remember this name being VERY popular around that time. If this movie gave us anything, it was the popularization of the name "Madison". So Madison is born and Alan makes a joke that it was a good thing they weren't on 149th Street.

In the middle of the night, Madison gets up and fills the tub, adding salt to it. She gets in and transforms to her mermaid form. I have to say, for the time, her fish tail and scales are very impressive. It's this beautiful red/orange color and looks very realistic. I love when she unfurls her tail at the end of the bathtub. Apparently it took five hours for Daryl Hannah to get into the tail which sounds like absolute hell. Five hours just to put the thing on, then who knows how long they film for! She had to be glued into the tail which is why it took so long. 

Alan wakes up and hears the water running in the bathroom. He knocks on the door (which is locked) and asks her what she's doing and she tells him she's taking a bath. He asks if he can come in and she tells him no, then starts to panic and gets out of the tub, but since she doesn't have legs she falls to the floor with a thud. He gets concerned and tries to open the door, but she tells him everything is fine. She's frantically trying to dry her tail so her legs will reappear. Alan is still insisting that he needs to get in there; he tells her something is wrong and she needs to open the door. I don't like Alan in this scene. Yes, I realize he is worried for her well-being, but she is obviously fine as she's talking to him so it's not like she's unconscious. He breaks the door open and finds her laying on a rug, covered in towels. We see her spin around and it is revealed she has legs. She gets up and tells him she wouldn't let him in because she was shy. He is baffled by this because she wasn't shy in the car, elevator, bedroom, or on top of the fridge. Good Lord those two sure do move fast! And they haven't even known each other for 24 hours! I'm surprised that Alan didn't notice the box of salt that was sitting on the edge of the tub. 

We return to Walter and his two moron assistants on the boat and he sees that one of them is reading The Star Confidential and the cover story is titled "Beauty Bares All at Statue of Liberty." He recognizes the woman as the mermaid he saw and demands to be taken back to shore. 

Alan brings home a gift for Madison, a baby blue Tiffany box with a white ribbon. She thinks the box is the gift and tells him it's beautiful and that she loves it, ha! He explains to her that the gift is inside so she opens it and finds two dancing figurines in a glass case. It is very twee. That's the only word I can think of to describe it. That evening the two of them are walking around and they come across a large fountain with a statue of a mermaid on a clam shell. Madison asks Alan if he likes it and he tells her he does, that it's always appealed to him. She asks him if he likes the sea and he replies no, then tells her about the accident he had on the boat when he was eight and fell overboard. (Uh, pretty sure he jumped intentionally!) She tells him "I remember", then when he gets confused by this, blames it on forgetting the word and she really meant to say "I understand." He almost tells her that when he was underwater he saw a mermaid but he doesn't admit it to her. So I guess we are to believe he's never shared his secret with anyone, though, let's be honest, nobody would believe him anyway. 

The next day, when Alan comes home from the gym, Madison has a surprise for him. He sees a couple of guys with tools and a moving trolley leaving his apartment as he's coming back. Madison covers his eyes and leads him to his bedroom and it is revealed the huge mermaid statue is at the foot of his bed. His room must be huge if there's enough room between the foot of his bed and the wall to fit this massive statue. Granted, there's not much room anymore since this huge-ass statue is taking up all the space now! Alan agrees with me since his reply is "That's big! This is very...big! It's just so big!" (Ha! Do you think Tom Hanks was sending us a subliminal message?) She tells him they were gonna tear it down so she bought it to give to him. One of my first questions of how did she pay for it is answered when he notices her necklace is missing and we learn that she traded it for the statue. Dang, that necklace must have been very valuable. But of course it's valuable; it probably has precious stones and gems from the sea that nobody has ever discovered. I bet her necklace is much more valuable than this statue and she got majorly gypped. It was pretty dumb and naive of her to trade her extremely rare necklace for a fountain that doesn't belong in a NYC apartment. (Or anywhere inside for that matter). Another question I have (one that didn't get answered) is how did she fit it through the front door of the apartment then though his bedroom door? I can assume there was a service door to the apartment building and a service elevator that she was able to get the statue to the floor his apartment's on, but after that, how the hell did it even make it into his room? Did they have to take it apart? How long did that take and then to put it together? How did they fill it back with all that water? This whole thing just seems like a huge hassle that's not worth it. But I guess it was worth it to her because she tells him she traded her necklace for the fountain because she knows how much the fountain means to him and that she loves him. I don't know whether to "aww" or roll my eyes. Also, while he may like the fountain, I don't think he likes it THAT much! He tells her, "Madison, I love...this present." At first I thought he was going to say "Madison, I love you", but something was holding him back from saying that as we know he never said it to his last girlfriend and just in the previous scene he and his brother were having this very conversation, but then, like three seconds later he tells her he loves her. It was very anti-climatic. 

Walter has come to the American Museum of Natural History (I've been there!) to tell them about the mermaid. None of them believe him and are angry that he wasted their time. He decides he's going to prove to all of them that the girl in the paper is a mermaid. He's on a mission to soak Madison with water so everyone will see that he's right. He must have figured out where she was because he's waiting for them in his car outside Alan's apartment and when he sees them leave and walk down the sidewalk, he gets out of the car and retrieves two large buckets full of water from the backseat. The fact that he was driving around with two large buckets full of water is just amusing to me. He hurries after them, running through crowds of people, water sloshing from the buckets. It looked like he was doing a challenge from Survivor. He sees a blonde woman in a turquoise coat (the same color Madison is wearing) looking at a window display and throws the water on her. Of course, it's not Madison and he gets slugged by the woman's husband. 

Alan and Madison have gone to have dinner at a fancy restaurant. Alan is playing with his silverware and he accidentally sends the spoon flying to a nearby table. It reminded me of something out of Big. He tells Madison that she doesn't need to leave the country, that he could give her a job at the market or she could "marry, like, an American." It's adorable how awkward he is in this scened. I believe there's a word for this: adorkable. They each have a huge lobster and Madison just picks hers up and starts eating it, shell and all. Um, I'm pretty sure at a fancy restaurant like this they would leave the lobster in the shell, but crack the shell for you so you wouldn't have to do that. But Madison is just biting into the shell and eating it (ugh!) and everyone, including the piano piano, who stops playing for a few seconds, is staring at her. 

After dinner, they go ice skating at Rockefeller Center (that ice rink looks so dinky!) and when they take a break, he tells her he wants to talk about what happened at the restaurant and she tells him that's how they eat lobster where she comes from. But he tells her that he wasn't talking about that, that earlier he was trying to ask her something, but "did it very badly". He wanted to know if she wanted to get married. Yes, he did a pretty poor job of asking her that. He then proposes to her and she looks very distraught and tells him "No." He asks "No? Just no? You don't wanna think about it? You don't wanna kick it around?" I mean, to be fair to Madison, they've only known each other for three days. It's a terrible idea for them to get married. She tells him she can't marry him and she can't tell him why. That has to be frustrating for Alan. He tells her that he knows she has "some big secret that you think you can't tell me, but you can." She replies she has three days left and wants to "make them wonderful." I get why Alan is frustrated, but he's being pretty pouty. They see an older, happy couple skating and she comments how happy they look and he replies they should be happy because they get to spend their lives together. He ends up upsetting her and she runs off.

It starts raining and he's looking everywhere for her. She's hiding in an alley, trying to keep dry. (Yep, that would be pretty awkward if she got caught in the rain!) She comes back to him the next day and simply tells him "Yes", then adds that before they get married, she needs to tell him everything, but she's not ready to tell him today. 

They go back to his building and get on the elevator to head up to his apartment. In the lobby, we see a guy mopping. We don't see his face, but I knew it was going to be Walter. (I was right, though the cast he was wearing on his arm probably gave it away. That guy really did a number on him.) I thought he was going to dump the dirty mop water on Madison, but I guess even he thought that was too extreme. After Madison and Alan get on the elevator he races up the stairs to their floor. He gets there before the elevator and grabs his camera which he had hiding behind a large potted plot and breaks the glass containing the firehose. He has it aimed at the elevator doors and when they open he sprays the occupants inside it. Those two people just so happen to be the same woman and her husband from earlier. What are the odds of that in a huge city like New York? Once again, the man pummels Walter.

Where are Alan and Madison, you ask? They have come back down to the lobby because Alan decides that they're going to get hitched in Maryland because you don't need a blood test there like you do in New York to get married. So this greatly confused me because why would you need a blood test to get married? Is it to make sure you're not related to your potential spouse? I looked this up and apparently it was to "prevent people with STDs from obtaining marriage licenses and passing the disease to a spouse or children of the marriage." Uh, do they realize you don't need to be married to pass it on? This is no longer the case, but it was only in 2019 when all 50 states abolished this rule. Look at that! I learned something from a forty-year-old Tom Hanks movie! 

Alan suddenly remembers that they're supposed to go to a political dinner with the POTUS as a speaker, but he says they can go after. Don't ask me why he was invited to some big fancy dinner with the President as the Guest of Honor. I'm sure it was explained, but I just forgot. But it is part of the plot, so that's why it's in here. 

At the banquet, we see Walter in the kitchen, posing as a waiter in a red coat. He tells the head chef that the union sent him. I'm not sure that's exactly how it works. Don't they need to vet these people first to make sure they're not a danger to the President? Not only that, but as the head chef, I would be concerned that one of my waiters has a broken arm, a neck brace, and one of the lenses in his glasses are shattered. Somehow, Walter has managed to sneak a hose attached to two canisters which he has hiding under his waiter's jacket and it's so obvious he's got something hiding under there. How did he even get past security with this stuff? I know it was 1984, but sheesh! Unless it was already there? I think I'm asking questions I'm not supposed to be asking. So obviously Walter is attempting to spray Madison with the hose (don't even ask me how he knew they were gonna be here; he must have just followed them), but I thought he was accidentally going to spray the President instead. (No, that one couple was not in attendance.) But the secret service are doing their job. When Walter is carrying a bowl of rolls towards Madison, one of them sees him with this huge hump under his coat and talks into his earpiece, telling the others, "Table five. Intercept busboy with suspicious hump." Just as they see him reaching for the hose that's inside his jacket, they quickly and quietly surround him and escort him out as he's telling them what he's doing has "nothing to do with the president." Ha! Like they believe that. 

During the president's speech, Madison tells Alan that it's time for her to tell him. He's surprised she wants to do it now, and frankly, so am I. She doesn't want to do it in the dining room with all these people (good call), so they get up to leave. Walter is outside with the secret service team and the press when they walk out. Alan sees him and tells Madison that he knows that guy. He remembers seeing him on the beach on Cape Cod. Walter sees them and he grabs the hose to spray Madison. Guess the secret service didn't do a good job of restraining him! I was a little confused why she didn't run away when she saw him reaching for it, then figured she probably didn't know what it was until he started spraying her. She falls and all the cameras are flashing. It makes sense now why they have this random banquet with the President; they needed the media there to capture this. Everyone is looking at her with shocked expressions and the camera pans back to reveal she has transferred to a mermaid. She's calling for Alan to help her, but he can only stare in shock at her. The secret service take her to a research facility at the Natural History Museum that is heavily guarded. 

They must have also taken Alan (whether he went willingly or they had to force him, we never see) because the next scene shows him in a tank of water. He is standing, completely naked, covering his groin with his hands. There are wires to monitor him. I guess since he was with Madison they think he might be a merman. It's hilarious when he yells, "I am not a fish!" We soon find out he's been in that tank for TWELVE HOURS so I can't blame him for being more than a little agitated. The scientists bring in Madison because they want to see some "interaction". It soon becomes clear to them that Alan is just a mere man (not a merman!) and the next thing he knows, he's being let out of a van, blindfolded, at his apartment building. He is surrounded by reporters ready to pounce and ask him about the mermaid, but he is saved by Freddie who pulls up in his car and drives them to their business. Everyone there is staring at him and Freddie says "What are you looking at? You've never seen a guy who slept with a fish before?" I mean, when you say it like that, ew. Also, I don't think mermaids would appreciate being called fish and she was technically a human when she was with him as she had legs and other parts of the right anatomy, I assume. So she was 100% a human when he was with her; he never "slept with a fish". 

Alan is upset he met a woman that he really liked, but she isn't even (truly) a human. Freddie tells him he's lucky that he even met someone to make him feel that way and not everyone is as lucky as he is. 

Walter is in the lab where they have Madison in the tank, hooked up to all kinds of machines for testing. He starts to grow a conscious and thinks she looks a little pale. The main scientist, Dr Ross, wants to do a few more tests, than thinks she'll be ready for "the internal examination." Yikes! Walter questions this and Dr. Ross tells him he wants to study her pulmonary system and reproductive organs among other things. Actually, it would be fascinating to know know how a mermaid breathes.

Alan finds Walter who is feeling guilty about what he did. He apologizes and said he did it because he had to prove to people he wasn't crazy. He tells Alan he can help him get into the lab to see her. We next see Alan and Freddie dressed in lab coats, following Walter into the museum. Before they enter the restricted area, Walter tells the posted officer there that he is with "Doctors Jarred and Johannsen from the Stockholm Institute." The guard says he thought they were coming in later with Dr. Ross, but Walter tells him that was just to fool the press. The guard seems content with this answer and is about to let them in, but then he tells the brothers that he just so happens to be half-Swedish (of course he is) and starts talking to them in Swedish. The brothers reply "Ja!" when he asks how their trip was. This sort of raises a bit of suspicion in the guard and in Swedish, he asks, "What are two Swedish scientists doing so far from Sweden?" (What, Swedish scientists can't leave their country to study something they might be experts in? This is a really stupid question, I'm sorry.) Freddie replies, in Swedish, "Hey, baby! I got a twelve inch penis." Uh....for some reason, this explains everything to the guard and he lets them through the secured door. The hell? If anything, that should make him even more suspicious. And in case you're wondering how Freddie knew how to say that in Swedish, it's because it's from a Swedish porno he's seen at least 500 times, so he's memorized certain lines. Freddie is a bit of a pervert. When we first meet him as a child in the flashback on the boat, he's dropping change, then using it as an excuse to look up women's skirts when he's behind down. It's pretty cringe-y when he's a ten-year-old child doing this, but then they show him doing it at the wedding he attends with Alan at the beginning of the movie as a thirty-something man and it's downright pathetic. (Not to mention offensively gross). Also, nobody seems to notice he's doing it and I'm shocked he didn't get bitch slapped. 

There's another guard posted at the door of the room Madison is in and they manage to get through without any questions. Madison and Alan share a passionate kiss and Alan jokingly asks her if the big secret she's been keeping from him is that she's a mermaid or is there something else. She tells him not to feel guilty about not loving her anymore. Uh, he's happy to see you and he ran up to kiss you; obviously he loves you. She realizes that he does love her and this makes her very happy. 

To distract the guard, Walter comes out, all panicky and demands him to stand back. He goes back in and comes out second later with Alan and they are carrying what is clearly Madison, but she' covered in towels and rags. They tell him it's the other doctor and that when he went to examine the mermaid, "these rays came out of her eyes." The guard is about to go in, but they warn him not to or "she'll melt your face right off." Walter also instructs him not to let anyone else in the room and tells him he'll be back with nuclear weapons. I'm surprised the guy didn't notice the difference in weight (the person they were carrying was clearly not an overweight man!) or ask to double check to see who they were carrying out. Once Madison is in the passenger seat of Alan's car, she takes off her disguise. She's also been dried off so she has legs. 

We see Dr. Ross with the two actual Swedish scientists. When the first guard realizes who they are, he tells that that Dr. Kornbluth left with what he thought were the two visiting Swedes not that long ago. They immediately check the room with the tank and Freddie is sitting with his feet in the water and has a fishing pole. (Where did they find a fishing pole?) Once they realize their mermaid is missing, everyone is sent out to find her and bring her back. 

They soon realize they're being pursued and when they're in an alley, Walter tells Alan to stop the car so he can get out and slow them down. As he tells Madison, "I caused all this. Now, I'm gonna finish it." He's let out and Alan and Madison continue driving away. Walter stands in front of an oncoming armored truck and puts his hand out as though he's a traffic cop attempting to stop traffic. The car doesn't show any signs of slowing down or stopping so he has to jump out of the way. 

After a few minutes of being chased, Alan drives near the Hudson River and they get out and embrace. Madison tells him, "I was ready to stay with you forever." He tells her that since they know who she is, they're never going to leave her alone. And you know that everyone in the world knows about her, or will soon know about her. I don't think groundbreaking news like this traveled as fast as it does now than it did in 1984, but the entire world will soon find out about this. He says he wishes he could go with her (do you really, Alan?) and she tells him he can. This is when he finds out that she was the young mermaid he saw in the water when he "fell" overboard. I'm honestly shocked he didn't figure this out already when he found out Madison was a mermaid. Like, duh, of course she was the young blonde mermaid he saw when he was a child! She asks him if he felt safe when he was with her and he says he did and she says this is because he was with her. Uh, he was only in the water for less than thirty seconds. I think going to live underwater permanetly is quite a different thing! You know, Walter really did mess everything up. If it hadn't been for him, Alan and Madison could have been living a happy life together on land. Alan thinks everything will work out though. He can go live with Madison in the depths of the ocean and come back and visit Freddie at Christmas. Just like Hannah Montana, he'll get the best of both worlds! Madison bursts his bubble when she tells him he'll never be able to return. I'm not sure if this is because they'll still be looking for him or he will have adapted to life under the sea ("is better than anything they got up there!") and will physically be unable to come back to land, but I'm guessing it's the former because Madison was able to come to land with no problems. Now Alan isn't so sure anymore and Madison realizes he's not coming with her and she tells him she understands. The trucks and cars and helicopters are getting closer and she dives into the river. 

It takes a few seconds for Alan to realize he does want to be with her and jumps into the river. He still can't swim (great idea going to live with your mermaid girlfriend in the water when you can't swim) and immediately starts sinking. The tac team have now put on their scuba gear and are diving in to retrieve him. Madison swims up to Alan and kisses him and I guess her underwater kiss has granted him the ability to breathe underwater and swim. That's one powerful kiss! They fight off the men and swim away. Apparently the Hudson River is full of coral and tropical fish! As they're swimming, a schmaltzy song starts playing and immediately I was reminded of the schmaltzy song that is played at the end of Teen Wolf. Here are the lyrics that play while Alan and Madison are swimming:

One fine day love came for me. And love was rare as love can be. I saw stars shining in clear blue skies. We flowed together once and forever. Love came for me. One fine night love let us see how far we'll go, how good we'll be. We saw a world no one ever saw before. It was the world love can start with a beat of a heart. Love came for me.

Who wrote that? A five-year-old? That being said, the lyrics to the Teen Wolf song are worse if you can believe it. 

They reach some kind of Atlantis-esque underwater empire and the movie ends. Will Alan ever evolve and get a fish tail or will he be stuck with legs? Also, I have a hard time believing that Madison will be able to protect him if they're attacked by a shark. I realize he may be happy with his decisions because he loves Madison, but, really, what is there to do in the ocean? I feel like he's going to get bored very soon once the thrill of being with Madison wears off. It's not like you can read or watch TV in the ocean! They don't even have music (at least Ariel and her sisters had that to entertain them!). Call my cynical, but this just seems like the worst idea in the history of mankind to follow a woman you've only known for six days. It would be crazy enough if he had only known her for six days and moved to a different country, but she lives in the freaking ocean! Hell, it would be crazy is he had known her for six days and went sailing around the world with her on a boat, but, again, she lives IN the ocean. There's no way he's going to be happy with his decision!
 

Tuesday, September 4, 2018

Adventures in Baby-Sitting

Uncle Buck
Director: John Hughes
Cast: John Candy, Macaulay Culkin, Jean Louisa Kelly, Gaby Hoffmann, Amy Madigan, Laurie Metcalf
Released: August 16, 1989


This is a movie I haven't seen since I was a kid and I've probably only seen it a couple times which is probably why I have no nostalgic attachment to it. I know a lot of people who were kids/teens when it came out love it, but despite a couple of funny scenes, I wasn't overly fond of it. I did not find the titular Uncle Buck (John Candy) to be charming at all. This movie, which was directed and written by John Hughes, is probably best known for giving him the inspiration to write Home Alone and have Macaulay Culkin (who plays Buck's nephew) star in it. Probably one of the more well-known scenes in this movie is when Macaulay is asking John Candy a bunch of questions, rapid fire. We learn that thirty-eight is his record for most consecutive questions asked. 

Uncle Buck is called upon to watch his brother's and sister-in-law's kids when his sister-in-law's dad has a heart attack and they need to go to Indianapolis to see him. Buck is their last option because their neighbors are out of town. The Russell family recently moved from there to a suburb of Chicago and fifteen-year-old Tia (Jean Louisa Kelly) is not happy about it. She is a surly teen, the typical teen girl from every '80s movies. (Harry and the Hendersons is another good example of this). She is really nasty to her young siblings, Miles (Culkin) and Maizy (Gaby Hoffmann). I mean, she almost makes Buzz McCallister look like an upstanding older brother! She also doesn't take too kindly to her Uncle Buck.

I did think it was funny when Buck, who lives in Chicago, is driving to their house and going over the kids. He thinks Tia is probably nine or ten by now and can't remember the "other ones'" names,  thinking they're either Larry and Betsy or Larry and Jennifer. This makes it very obvious he hasn't seen his brother in awhile. Mrs. Russell has never been fond of Buck because he almost burned their house down. In a later scene, Buck will find a wedding photo of them with the photo folded and he discovers it has been folded to hide him. I almost feel bad for him, but at the same time, I don't blame Mrs. Russell for doing that because if I had a brother-in-law like Buck, he would probably irritate the s**t out of me!

Buck's brother asks him to come as soon as he can, so he arrives in the middle of the night and the parents just leave without even saying goodbye to their kids, which is really weird. I mean, at least the McCallisters honestly just forgot about Macaulay, but in this movie, his parents knowingly leave him and his siblings without saying good-bye! Since they left so urgently, you would think Mrs. Russell's father was on his death bed, but I think he was okay at the end of the movie. I was surprised that she gave Buck a blank check, instead of just giving him a set amount in cash. Yes, maybe she didn't have enough money on her, but still... you would think a guy with no job and who likes to gamble would take advantage of that blank check, but it actually doesn't go anywhere. I don't think he accepts it anyway, just tells her he'll use his own money.

One of the best gags of the movie is when Buck has arrived at the house and is looking around the living room. He accidentally knocks a plate off a mantle, but it doesn't break. He thinks it's an unbreakable dish and smashes it against the piano to prove his point, I guess, but of course it smashes into a million pieces.

You would think that since Buck was the last person the Russells wanted to baby-sit their kids, he would be terrible with the kids, but he's actually very responsible with them...for the most part! He makes sure they get to school on time, bush their teeth, etc. He's not great at packing school lunches, though, because he gives Miles a cucumber, a pickled egg, sardines, and a jar of milk in his sack lunch. He sure doesn't know how to take care of dogs, though, because he feeds the Russells' dog four or five times a day and gives it beer to drink!

The two younger kids take a liking to him, but he and Tia butt heads right away. When Buck drives all the kids to school, she is embarrassed to be seen in his car which is a hunk of junk that leaves a trail of smoke wherever it goes and backfires everytime it stops, making everyone think that a gun has gone off. He asks Tia what time he should pick her up and she tells him she'll get a ride with a friend. He doesn't accept this, tells her he can call the school and find out when she gets out. He says that if she's not there then he'll drive her to school tomorrow in his pajamas and robe and walk her to her first class. See, if I were him, I would have let her get a ride from a friend and if she wasn't home by four, then I would pick her up from school from then on. I know Tia is awful and is rude towards her uncle, but I don't think Buck is helping with things either. His goofing off and childish charm may work for the younger kids, but it's not doing any favors for him with Tia. He treats her like a little kid. Things don't go any better when he picks her up and sees her kissing her boyfriend, Bug. Now Bug is a total douche (with a name like that, you would have to be!), but he overreacts when he sees them kissing. John Hughes must have thought teens love kissing their boyfriends/girlfriends in front of their parents (or any other relative) because this also happens in The Breakfast Club when Molly Ringwald kisses her charming new beau (yes, that was sarcasm) in front of her dad. Tia is kissing Bug because she knows it pisses off Buck, and she'll do this again in a later scene.   

One thing I don't understand about Buck is that he has no problem giving Tia ultimatums (he tells her she can go bowling with them or get her head shaved), but can't seem to discipline the younger kids. When they both want to sleep in the same bed with him, he lets them, letting them take up all the space so he had to sleep on the floor. For Miles' birthday, he makes a stack of pancakes the size of garbage lids. (He has to use a shovel to flip them over, for god's sake!) At first I thought he was making a giant pizza. When he is called to the school to talk to the principal because Maizy said a bad word, he defends her and pretty much tells the principal, who's a horrible old lady who has a stick up her butt (and a huge wart on her chin) to pretty much go f**k herself. Actually, that may have been better than what he actually said which was, "Take this quarter, go downtown, and have a rat gnaw that thing off your face!" I mean, I know the old lady was terrible, but I think he may have crossed the line there.

There's a couple of sexual innuendos that went right over my head as a kid. One of them is when the neighbor, Marcy (played by Laurie Metcalf aka Aunt Jackie from Roseanne) comes over while Buck is in the laundry room with the door closed. He's trying to get the washing machine lid to open, but all she hears is a bunch of banging and him saying things like, "Open up for daddy" and "I'm gonna shove my load into you whether you like it or not!" Yeah.... Then, there's another scene where Buck is talking to his girlfriend, Chanice (Amy Madigan) on the phone and he starts mentioning how he gave names to certain parts of her body, like the dimples on her butt are named "Lyndon" and "Johnson" and her breasts were named "Mickey" and "Minnie" after they spent some time in Disney World. I don't even want to know that story, but it actually gets worse. He proceeds to say, "And Felix was what we called your-" It then goes to another scene where we see a cat meowing. Ugh, movie! Did you really go there? And why would you give a male name to a female part of the body? Never mind, let's move on. This is disturbing.

I don't mean to sound mean, but I was surprised Buck had a girlfriend. He obviously doesn't take care of himself, he doesn't have a job, his personality is grating, he's been with her for eight years and won't commit to her. She wants marriage and kids, but he's not into that. I really don't understand why she's still with him. When Tia finds out that Buck has a girlfriend she take advantage of this information and uses it to get back at him when Chanice calls and Tia tells her he's with Marcy and they usually stay out late. 

When we first meet Marcy, she is wearing the most hideous outfit that any movie character in movie history has ever worn: brown boots, brown stockings, brown leather skirt (obviously fake leather), gold and brown blouse, brown leather vest made out of the same material as the skirt, and a brown and gold headband. I mean, this outfit is HIDEOUS! I did love when she introduced herself to Buck: "Marcy Dahlgren-Frost...Frost is my married name. I'm single again, but I never bothered to lose the Frost." She is very rigid and formal when she says it, so it's a great play-on words. However, in the next scene we see her in, she's coming on to Buck and dancing with him, so what the hell happened to her being cold and aloof? Of course, when they're dancing, Chanice chooses that moment to come over and sees them and accuses Buck of cheating on her. He soon realizes that Tia had something to do with it when she tells him, "It hurts when someone screws with your life, doesn't it?" Not cool, Tia!

Tia does come around to her Uncle Buck when she realizes he was right about Bug only wanting one thing. When he finds out that she snuck out of a house to attend a party, he goes to get her while asking Chanice to watch the kids. This is after their fight, but Chanice only agrees to do it because there are kids involved. Buck finds the house the party is at where the teens are listening to the current hit (in 1989!) "Bust a Move". He finds a locked bedroom where he believes his niece and Bug are in and gets in by drilling through the doorknob. It is revealed that the girl Bug is with is NOT Tia, so Bug is a huger douche, cheating on his girlfriend. Although, they had probably broken up after Tia wouldn't have sex with him, so he just went after the first girl he saw. They trick the audience by showing Bug making out with a girl on the bed with curly hair, but you never see her face until she sits up in bed (luckily she wasn't naked!) when Buck enters. I was wondering why she was passively whispering, "Stop it, please" and "I don't want to do this" as she lay there like a ragdoll as she lets Bug take off her pants. It now makes sense since it was a different girl so they had her whisper so the voice wouldn't give it away she wasn't Tia. If it had been Tia, she would have been much more assertive and probably would have kneed him in the balls. Nothing happens between Bug and the girl, but this doesn't stop Buck from kidnapping him and throwing him in the trunk of the car (we never do see how this happens!) Buck really hated Bug. Not only did he threaten to murder him (or, you know, castrate him with a hatchet), after he lets him out of the car, he hits him twice with a golfball. It's surprising that he didn't suffer a concussion or die!

Tia confesses to Chanice about the lie she told her and Buck and Chanice get back together. The parents come home the next day and everyone is happy and Tia has a new favorite uncle.

Just think: Macaulay Culkin can thank this movie (or John Hughes, really) for letting him retire at the ripe old age of 14! (Yeah, I know he did a few movies when he was older, but you know what I mean!)