Showing posts with label Billy Crystal. Show all posts
Showing posts with label Billy Crystal. Show all posts

Wednesday, August 10, 2022

More Than Friends

When Harry Met Sally
Director: Rob Reiner
Cast: Billy Crystal, Meg Ryan, Carrie Fisher, Bruno Kirby
Released: July 21, 1989

Oscar nominations:

Best Original Screenplay - Nora Ephron (lost to Tom Schulman for Dead Poet's Society


This is a movie I've always known about but have never seen until now. I didn't love it as much as I expected to, but I also didn't hate it as much as I thought I would. Yep, I know I totally contradicted myself! I thought there were charming parts of the movie, but there were also parts that just made me internally groan. Billy Crystal and Meg Ryan as the titular Harry and Sally are very good together and have a good chemistry. The very first scene is when they meet; how perfect! It is 1977 and we're at the University of Chicago where Harry and Sally are graduating and off to New York for a new life. We don't really get too much other than Sally is friends with Amanda, who is Harry's girlfriend. Apparently Amanda found out that both her friend and boyfriend are going to New York so she suggested they car pool together. I don't know. I'm just speculating. I have no idea how they both ended up driving together to New York. All I know is I would never drive halfway across the country with anyone I was just meeting for the first time; I don't care if we have a mutual friend. Eff that! I do find it weird that Sally has never met her friend's boyfriend before. Why is this the first time they're meeting? (I know, I know, it's for the plot of the movie). They never tell us how close Sally and Amanda are (not very, apparently). Are they best friends? Did they have a couple classes together and just know each other that way? My guess is the latter is more on the right track. Still, it's just weird that Sally would agree to drive 788 miles (I Googled the distance) with a guy she's just met. 

The way they style Billy Crystal (who was 40) and Meg Ryan (who was 27; I didn't realize there was such a big age gap between the actors!) to look like college students in their early twenties is hilarious. They give Billy Crystal a hairpiece to hide his receding hairline and they dress him in a hoodie and jeans. At least he's wearing something that a young college person would wear; what they give Meg Ryan to wear is super bizarre even though she can pull off a young twenty-something much better since she is much closer to the actual age. She is wearing khaki shorts, knee high socks, and a blue cardigan over a yellow collared shirt. No college girl would ever wear this. What is this? Was this some kind of trend in the mid '70s? Or are they just trying to tell us she's an academic by the way she dresses? 

Once they get started on their road trip, we immediately see how different they are. Sally is very structured and tells him she thinks they should take turns driving in three hour shifts. Meanwhile, he's not paying attention to her and rifling through the backseat for his grapes (this happens seconds after they start driving, so why didn't he just keep the grapes with him in the first place?), pops one in his mouth, then spits out the seeds which splat onto the car window. I guess he thought it was rolled down? Who spits out grape seeds? Is this a thing? Also, he just sheepishly rolls down the window (without cleaning the nasty grape spit!) and continues to eat the grapes and spit the seeds out of the open window. If I had been driving that car, I would slam on my break so fast and tell him to "get the f*ck outta my car!" That would drive me bat-sh*t crazy! They've only known each other for less than two minutes and already I would want to murder him. 

He asks her why she's going to New York an she replies she's going to journalism school to become a reporter (and even though later we do learn that she did become a reporter for a newspaper (or maybe it was a TV program; I'm not really sure...or perhaps it was a magazine) called The News, nothing else about her career is ever mentioned in the movie). He replies with, "So you can write things that happen to other people" and says it like it's a bad thing. What does he care if she wants to become a journalist and what's so bad about that? He then proceeds to tell her (and keep in mind they've probably only known each other for an hour when he says this), "Suppose nothing happens to you. Suppose you live there your whole life and nothing happens, you never meet anybody, you never become anything and finally you die one of those New York deaths." Wha-what? 

Sally comments that Amanda told her he had a "dark side" and he agrees, telling her he reads the last page of whatever book he's reading just in case he dies before he's done reading it. I don't know; I don't think that means you have a dark side. I think it just means if the book is worth continuing to read! They get into this (one-sided) stupid competition about who thinks about death the most. He tells her he "spends hours, days thinking about it and that for her, it's probably just a "fleeting thought that drifts in and out of the transom of [her] mind." 

So at this point, I'm fine with Sally and I feel sorry for her having to deal with Harry (at one point he accuses her of never having "great sex" and I firmly believe Sally would be justified in smacking the sh*t out of him), but then they stop at a diner for dinner and this is what she orders: 

"I'd like the chef's salad, please, with the oil and vinegar on the side. And the apple pie a la mode. But I'd like the pie heated and I don't want the ice cream on the top, I want it on the side. And I'd like strawberry instead of vanilla if you have it. If not, then no ice cream just whipped cream, but only if it's real, if it's out of a can, then nothing."

Oh my God. I can't even. If I was the waitress, I would have told Sally to f*ck off. Let's dissect her order, shall we? I have no problem with her asking for the oil and vinegar on the side for her salad. That is very reasonable. It's the dessert order that is insane and over the top. Having the pie heated doesn't seem like an odd request; in fact, don't most places heat up pie? I don't know; I guess I haven't ordered pie that much to really know. But ordering strawberry ice cream instead of vanilla? What kind of monster is eating apple pie with strawberry ice cream? That is some whack thinking right there. If I were the waitress, I would tell her we don't have strawberry ice cream and I would have told her you can have vanilla ice cream of whipped cream or just plain. None of this fancy special stuff. If you want this so bad, go buy an apple pie at the store with strawberry ice cream. Ugh, I hate people who order like this...it's like just order what's on the menu and shut the f*ck up. Apparently this is how Nora Ephron ordered so she wrote from experience. I'll tell you what, I feel sorry for all the people who have ever had to take her order at restaurants! Yeah, the whole thing just comes off very privileged. 

While Sally is figuring out the tip, Harry stares at her and tells her, "You're a very attractive person" and how Amanda never said how attractive she was. (Why would she? What does that have to do with anything?) Sally thinks he is coming on to her (which I don't think is unreasonable for her to think) and reminds him that Amanda is her friend and he's dating Amanda. Harry claims he wasn't coming on to her and asks, "Can't a man say a woman is attractive without it being a come on?" Oh, boy, this guy is gonna find himself in a lot of sexual harassment lawsuits! I can just see him using that line to get out of them, too. He tells her he takes back the comment, but she says he can't do that "because it's already out there" and to "just let it lie." He asks her if she wants to spend the night at a motel (he is half-joking), then makes a joke about how he didn't "let it lie." She firmly tells him, "We are just going to be friends, okay?" The way Harry is acting, I almost forgive Sally for her obnoxious ordering. Almost. 

Harry tells her that they can never be friends. He has a theory that men and women can't be friends "because the sex part always gets in the way." Sally tells him she has "a number of men friends and there is no sex involved." He tells her, without ever having met any of these male friends of hers, that they all want to have sex with her and that "no man can be friends with a woman that he finds attractive" because he just wants to have sex with her. Sally replies, "So you're saying that a man can be friends with a woman he finds unattractive." Harry replies that they "pretty much wanna nail them, too" which made me laugh but also made me wonder if they threw that line in so they wouldn't offend any "non-attractive" women watching this. I don't know; just a theory. 

She drops him off at Washington Square Park and they say good-bye with a handshake and tell each other to have a nice life. This is such a weird place to drop someone off. Harry walks toward the park with his bags like he's going to camp out there. Doesn't he have an apartment he's staying at that she could have dropped him off in front of? 

This version of Harry is the worst Harry we see and it's pretty clear why Sally doesn't like him. Honestly, I'm surprised she even offered to be friends with him, although maybe she's just saying that and doesn't really mean it, not knowing she will later run into him in a few years. 

And that time comes five years later when we see Sally at an airport, kissing her boyfriend, Joe. Fun fact: Joe is played by Steven Ford who is the son of Gerald Ford. At first I was like, if they're going to cast an ex-POTUS's son as the love interest for Sally, why not JFK Jr? But then I looked up Steven Ford and apparently he is an actor (or was; he hasn't been in anything since 2007) and has had bit parts in a handful of movies (some I've even heard of!) 

As they're kissing, Harry walks past, sees them, and backtracks his steps. It turns out he knows Joe as they used to live in the same building (I feel like the chances of that are very astronomical). I really thought it was Sally that he had recognized, but it's Joe who he says hello to. It's also super weird that he's waiting patiently for this couple to stop making out before he says anything. I don't know what is more weird: a couple making out in the middle of a very public place (a quick kiss is fine, but full on making out in the airport? C'mon, people.) or someone waiting for a couple to stop making out. As soon as Joe says his name (he says something like, "Hey, Harry Burns, how are you doing?" which is really weird because who ever calls someone by their first and last name like that?), she immediately knows who he is and is trying to avoid eye contact. 

So I'm a little confused as to whether Harry had recognized Sally or not. When Joe introduces him to Sally, he seems to recognize her name, but doesn't say anything about knowing her. But then, as soon as Harry leaves to catch his plane, Sally says to Joe, "Thank God he couldn't place me. I drove from college to New York with him five years ago and it was the longest night of my life." This is such a weird line to have in the movie. As an audience, we know this because it just happened minutes ago in the movie! I guess it's for the benefit for Joe to ask what happened and for her to tell him Harry made a pass at her...I don't know. Or maybe it's a reason for Joe to tell Sally that he loves her, seemingly for the first time. (They've only been together for a month). Also, the airport is a weird place to say that for the first time. 

So guess who else is on the plane that Harry boarded? That's right, it's Sally and she's sitting in the row right in front of Harry. Here's her eye-rolling drink order:

"Here's what I want. Regular tomato juice. Fill it up about three quarters then add a splash of Bloody Mary mix, just a splash and a little piece of lime, but on the side."

Arrgh. Does she not realize there are probably over 100 people on this flight that also want drinks? Just order a simple drink and stop being so extra extra. The movie implies that this is when Harry recognizes Sally (because of her obnoxious ordering) because he leans over and asks if they knew each other at the University of Chicago. Now, I could have sworn he recognized her when Joe introduced him to her, but maybe he just thought he recognized her name and this is when he definitely remembers her, who knows. But he must not have remembered her that well because he asks her if they ever slept together (without actually saying it, but he implies it). You think he would remember sleeping with an attractive woman like Sally if he did. How can he not remember making the big spiel about men and women not being able to be friends because sex gets in the way...surely he remembers that he did not sleep with her! 

The guy sitting next to Sally offers to switch places with Harry so the two of them can catch up. This is when we learn that Sally has become a journalist and this is pretty much the only scene in the movie that mentions her job. (I must admit I did laugh when he says to her, "You were gonna be a gymnast" (LOL, what?) and she replies, "A journalist.", and he says, "Right. That's what I said."). In fairness, this is also the only scene we really learn about Harry's job; he works with a small firm that does political consulting. (Yawn!)  

Harry asks about Joe and wants to know if they're getting married (kinda presumptuous to assume just because somebody is a couple they're going to get married), but she tells him they've only known each other for a month and neither are looking to get married at the moment. To her surprise, Harry tells her he's getting married. She tells him it's optimistic of him and he replies, "You get to a certain point where you get tired of the whole-life-as-a-single-guy thing." (And by the way, he's not getting married to Amanda, his college girlfriend; it turns out neither of them still keep in touch with her). 

When they land (not even sure where they are), Harry asks her to have dinner with him, just as friends. When she says she thought men and women can't be friends, he tells her, "They can't be friends unless both of them are involved with other people, then they can." (It feels like he's just making up the rules as the movie goes along). Sally tells him goodbye and they don't have dinner. 

Another five years goes by and now it's 1987 so we're very close to the movie's "present day" 1989. Sally is having lunch with two of her girlfriends, Marie (Carrie Fisher) and someone else whose name I don't remember because she's really not that important. Marie has been seeing a married man for two years and lamenting about how he's never going to leave his wife. Nonchalantly, Sally tells them that she and Joe broke up three days ago. Her friends are shocked since they were together for five years and seemed to have this perfect relationship. Marie's kind of a terrible friend because she asks, "Joe's available?" like she's ready to pounce. Both of her friends can't believe she waited three days to tell them about this, but Sally tells them she's not upset about it; that they've "been growing apart for quite awhile." Marie takes that as a sign that she's "ready" and proceeds to pull out a ROLODEX (I am not joking) that has the names and numbers of single men she knows. I understand this is 1989 and smart phones are not a thing yet, but they had those little black books where people wrote down numbers and addresses. A small leather book seems way more plausible for a woman to carry around in her purse than a clunky freakin' rolodex! Sally tells her even though she's over Joe, she's not ready to date yet. (Yeah, it's only been three days; give the woman some room to breathe!) Marie tells her not to wait too long or the man she's meant to be with could be scooped up by another woman. 

We transition over to Harry who's at a baseball game with his friend, Jess (Bruno Kirby) and telling him that his wife recently left him and he found out she's in love with someone else and she moved in with that guy. A few days later, Sally and Marie are in a bookshop where Harry also happens to be and Marie notices that he keeps glancing at Sally and tells her some guy is checking her out. Sally recognizes him instantly and tells Marie he's obnoxious and that he probably doesn't even remember her anyway and that's when he comes over and says her name so he obviously does remember her. This scene is basically here to have them reunite and for Harry to find out that Sally broke up with Joe and for Sally to find out that Harry's getting a divorce.

They go out to dinner (as friends, of course) and Sally tells him when she and Joe first started dating, they wanted the same thing: to live together, but not get married because "every time anyone [they] knew got married, it ruined the relationship." But that's not true, it seems the real culprit was that having children is what seemed to ruin their friends' relationships. She talks about how they all have kids and can never have sex because they're too exhausted to have it. Okay, two things:
1. You don't need to be married to have kids and you don't have to have kids if you're married. The two do not go hand in hand.
2. It seems like sex is the number one priority for Sally in a relationship. Like, if you don't want to have kids, that's fine, but not wanting them because you'll never be able to have sex seems odds. 

Sally realized that even though they don't have kids, they aren't very spontaneous when they could be. They have the luxury to be able to go anywhere they want without worrying about kids. She then realized she DID want to get married and have kids and when she had a talk with him about it, he said he didn't want those things, so they decided it was over. She tells him she's fine about the decision and that she's over him, a statement she will keep reiterating throughout the movie.

Around this time, Harry and Sally become friends (and they're both single!) We hear a phone conversation between the two of them while we see a montage of them doing things by themselves or having dinner together. Harry talks about how he misses his ex and Sally says she doesn't miss hers at all (see, again, we get another example of this...makes me wonder if this is going to be a big factor later on in there movie...hmmm!). 

They're both in their own beds, on the phone with each other as they're watching the end of Casablanca and Harry comments how Ingrid Bergman is "low maintenance" and goes on to say, "There are two kinds of women: high maintenance and low maintenance." It's a very generalized, sexist statement, but in a way, he is right. He's just treading in some dangerous territory with it, especially when Sally asks which kind she is. Because she is his friend, he replies with the truth (I don't think he tells her this if they are dating!): "You're the worst kind. You're high maintenance, but you think you're low maintenance." Ha! He is so right. Of course, Sally disagrees. He mocks her ordering habits and says "on the side" is a very big thing. Personally, I don't have a problem with Sally ordering things "on the side"; it's just the minute stupid nitpick-y details of her ordering that really grates on me. Her very privileged response is, "Well, I just want it the way I want it." Ugh, shut up. Or go to Burger King and "have it your way." (Is that even still their slogan?) They continue to watch the movie and Harry remarks that, "I think this is the beginning of a beautiful friendship" as the best last line of a movie. 

Later, Harry asks her to go to the movies, but she tells him she has a date. She didn't want to tell him about it because she "felt strange about it" since they've "been spending so much time together" (this makes no sense) and tells him that he should "get out there too", but he claims he's not ready. 

However, it turns out he did go on a date because in the next scene we see Harry and Sally together, they are telling each other about their first dates after splitting with their exes. They are in Sally's ridiculously huge apartment unrolling a Persian rug that is the size of an Olympic swimming pool (seriously, how does she afford this on a journalist's salary, especially when she's never at work??) and she tells him that after she and her date finished dinner, the guy reached over, pulled a hair out of her head and began flossing!? What the actual f*ck? That seems like something a serial killer would do. This scenario seems a little far-fetched; I feel like they could have come up with something a little more realistic, but still make the guy look like a loser, like maybe he conveniently left his wallet at home and made Sally pay or even have him pay and maybe have him leave a terrible tip. 

Harry says he had a "massive anxiety attack" because he found out his date went to Michigan State and it reminded him of him ex, even though she went to Northwestern and justifies it by saying, "They're both Big Ten schools." His anxiety attack must not have been as big a deal as he thought, because he admits to Sally that he slept with his date. I can't imagine any woman sleeping with someone on the first date if her date is freaking out over something stupid like where they went to school. I did wonder if he was lying to Sally but we never get any confirmation about it. 

Then we get the famous scene in the deli that everyone knows even if they've never seen the movie. In a scene previous to this, Harry was telling Jess how he can talk to Sally about the women he's dating and get a female perspective on things. At the deli with Sally, she tells him, "most women at one time or another have faked it" and he is very sure that's never happened with him. Sally asks, "How do you know?" and he replies, "Because I know" which isn't answering her question at all. That's when she fakes an orgasm right there at the booth in the middle of the deli with a bunch of people just staring at her like she's crazy. I do have a hard time believing somebody like Sally, who is more on the conservative side, would do that in a very public place, but at the same time, she loves to prove Harry wrong and has a smug look on her face when Harry realizes how easy it is for a woman to fake one. Then, of course, we have the line of the movie, delivered by Rob Reiner's mom as one of the customers in the deli, "I'll have what she's having." 

It's soon New Year's Eve and since neither of them have date, they attend a party together as friends. We see a little spark as they're dancing (as each one faces the camera, we see a look of forlorn longing on their faces). When the countdown begins, they go outside to get some fresh air and they watch as all the couples are kissing each other and they just look at each other, then give a peck on the lips and hug each other. It's a nice, friendly moment. They both agree that if they're both single at this time next year, they'll be each other's date for whatever New Year's party they'll attend. Well, a lot can certainly happen in one year! 

Sally wants to set up her best girl friend, Marie (remember her? She's the one seeing a married man) with her best guy friend, Harry. Likewise, Harry wants to set up Sally with his friend, Jess. I can sort of understand why Sally wants to set up her two friends: Marie did see Harry in the bookstore that one day (and was briefly introduced to him) and did admit to Sally she thought he was cute, plus Sally wants her to stop seeing a married man, especially one that's never going to leave his wife. The Sally and Jess pairing doesn't make any sense and seems to be done because they're both single. 

The four of them all go out on a double date which seems like a terrible idea. Who goes out on a double date for their first date? I don't know, maybe that's more common than I think. The only reason they go on a double date is to serve the plot of the movie. 

They're eating dinner at a restaurant and the couples are sitting next to each other, talking to each other. You can tell it's not going well for either of them as they have nothing in common. Everyone looks bored and annoyed to be there. Sally tells Marie and Harry that they're both from New Jersey and they're interested in that fact for two seconds, and then it doesn't go anywhere. 

Right before they order, Jess says, "I think restaurants have become too important" (what does that even mean?) and Marie agrees and says she read a line she loved in a magazine, "Restaurants are to people in the '80s what theater was to people in the '60s." This is the most pretentious thing I've ever heard (okay, not really, but pretty close). Jess (who is a writer) tells her he wrote that line in New York Magazine and there's an instant connection between him and Marie. Harry sees this and interjects that Sally also wrote for them. (I suppose that's one reason why Harry thought Sally and Jess would connect; they're both writers). I laughed when Jess looks at Sally for one second, then turns back to Marie and they continue their conversation. 

After dinner, as they're walking home, Marie takes Sally aside and asks her if she had any intentions of going out with Jess and tells her she likes him. Meanwhile, Jess is having the same conversation with Harry about Marie. In the end, Jess and Marie take a cab home together. I kind of love that they end up getting together and threw a wrench in Harry and Sally's plans. 

It goes so well for Jess and Marie that they get engaged four months later (that seems awfully quick!). Harry and Sally are at Sharper Image trying to find a wedding gift. Okay, seriously, who the hell registers at freakin' Sharper Image? Crate and Barrel? Sure. Williams-Sonoma? Of course. Pottery Barn? Your basic wedding registry store. Look, I understand this is the '80s when Sharper Image was a big thing and they do have a lot of fun things, but nothing you really need. I remember going into their stores at the mall when I was a kid and loving it. But, really, they just sell a bunch of crap. You're lucky if you get a year's use out of their products. A few years back I ordered a clock radio with different ambient noises (I need some kind of background noise when I'm sleeping...ironically, dead silence keeps me awake!) and that thing lasted a year before it went to sh*t. Now I have an Alexa that serves the purpose of an alarm clock and plays any ambient noise I wish (I'm pretty boring though, I usually just go for white noise). Anyway, while they're there, they run into Harry's ex-wife, Helen (this is the first time we see her) and her new beau. After they exchange some awkward polite banter,  Harry says to Sally, "She looked really weird, didn't she?" and Sally replies, "I've never seen her before." That exchange made me chuckle. Like Sally, I had never seen her before either, but I have to agree with Harry. She has A LOT of hair. That's the only thing I could think of when I saw her: just SO MUCH hair.

When Harry and Sally are over at Jess and Marie's new place, Harry is still reeling from seeing his ex. He tells them right now everything is great and everyone's in love, but "sooner or later they're gonna be screaming at each other" over who's gonna get what in their inevitable divorce. Yikes! He storms outside and Sally follows him and tells him, "You're gonna have to try to find a way of not expressing every feeling that you have every moment that you have them. There are times and places for things." Heh, I can't believe this came from a woman who faked an orgasm in a public place. 

Harry is annoyed that she is giving him advice because nothing bothers her and she never gets upset about anything. He gives the example of her never getting upset over Joe (you know, if you made a drinking game out of this movie, you could drink every time it's pointed out how Sally is "fine" with her breakup with Joe). They get into a spat, but then Harry apologizes and they hug and they're friends again. 

Some time goes by and both Harry and Sally are dating (different people, not each other). They have both brought their dates to Jess and Marie's place to play Pictionary. We see Sally and her date kiss as Harry looks at them sadly; we see Harry and his date kiss as Sally looks at them sadly. It's almost like the movie is trying to tell us something! Both Harry and Sally gossip about each other's dates to their same-sex friends. Harry asks Jess if he thinks Sally's date seems "a little stuffy" to him and Sally comments to Marie that she thinks Harry's date is a "little young" for him. While talking with Jess, Harry admits that she is young. He tells him he asked her where she was when Kennedy got shot and she thought he meant Ted Kennedy. I did some quick arithmetic in my head and Harry would have been around seven when JFK was assassinated. I suppose a seven-year-old could be old enough to remember a national tragedy like that. Though it is weird for him to ask her that since if she is younger (not sure how much younger), then she probably wasn't born yet. That would be like me asking a teenager where they were when 9/11 happened. 

Okay, remember how Sally keeps reiterating to Harry how she's fine with having broke up with Joe and she's over him and all that? Well, all that has been building up for the scene we get when Harry gets a call in the evening from a very upset Sally. She tells him that Joe is getting married and asks Harry if he can come over, which he does. She tells him that Joe had called her earlier that day and asked her how she was, then told her he was getting married to a paralegal who works in his office. She tells Harry, "All this time I've been saying that he didn't wanna get married, but the truth is he didn't wanna marry me." I do feel for Sally in this moment because that has to be painful that your ex tells you he doesn't want to get married, but ends up engaged to somebody else (even those Joe seemed very bland and boring, so she was most definitely better off without him!) 

She starts named her negative qualities, almost to justify why Joe wouldn't want to marry her, but Harry spins them in a positive way. When she says, "I'm difficult", Harry tells her, "You're challenging." When she says, "I'm too structured and I'm completely closed off", Harry adds, "But in a good way." Then she starts crying (again) and exclaims she's gonna be forty "someday". As Harry tells her, she still has eight years to go. Eh, I'm not a big fan of movies that implicate if you're a woman and not married by a certain age, your life is pretty much worthless and you should just kill yourself, but only if you're a woman! It seems like Harry got married because it was just convenient for him and nothing to do with the fact that society would shame him if he didn't get married by a certain time. 

Harry comforts Sally by hugging her and that turns into them making out which turns into them sleeping together. After the act, their reactions are opposite of what you would expect. Sally is happy and smiling while Harry looks like he's just made a huge mistake. Sally gets up to get some water and when she returns, she cuddles close to him and asks with a smile, "Do you wanna go to sleep?" Clearly she is ready for another round. Harry says, "Okay" and a hurt Sally slides over to her side of the bed. To be fair to Harry, I think he knows that Sally is vulnerable and this is not the best time for her to have sex after hearing her ex is with someone else. He probably thinks he is a coping mechanism for her to get over Joe. 

The next morning, Sally wakes up to see Harry getting dressed and asks where he's going. He tells her he needs to go to work (she couldn't figure that out?), but wants to take her out to dinner later if she's free and then he goes.

The next scene is a great scene of our four main characters having a phone conversation all at the same time. Marie and Jess, both sleeping in their bed, are woken up by their ringing phones. Yes, phones. They each have a phone on their bedside table (and remember, this is the late '80s so it's those huge honking' phones with a cord and receiver; they're not using cell phones!) so that means they both have their own phone line. Um, please tell me, why do you need TWO phones in the bedroom? That is the stupidest thing I've ever heard of. Now if one of them had a phone in a study with their own private line for work (I have no idea what Marie does), then yes, I could get behind that. Yeah, yeah, I know this is done solely for the scene, but this would have made so much more sense in a more modern version where both couples had cell phones laying on their bedside table. 

So Marie's phone rings first and it's Sally, then seconds later, Jess's phone rings and it's Harry. (Both phones sound alike when they ring, so how do they even tell which phone it is?) Sally is calling from her bed and Harry is calling from a payphone. They both tell their friends about what happened and Jess and Marie think it's great until their friends tell them after it was over, they felt awkward and embarrassed. Marie gives Sally some good advice: "You should never go to bed with anyone when you find out your last boyfriend is getting married." 

Both Sally and Harry, who can hear their friends' significant others, also talking, ask if they're also on the phone, but they just reply it's the TV. At the same time, Jess and Marie asks their friends, "Do you wanna come over for breakfast?", then look at each other with uh-oh faces when they realize they said the same thing, but luckily both Harry and Sally decline their friends' invitations. 

When Harry takes Sally out to dinner that night, we get a voiceover from him telling us he hopes Sally realizes last night was a mistake, but he wants her to say it first and we get a voiceover from Sally telling us she hopes she gets to say it first. She does and Harry replies, "I am so relieved that you think so too." 

We see Sally with Marie at her fitting for a wedding dress. This dress is so ugly. It has a weird bodice that's a different shade of white than the rest of the dress. I always feel like when a movie features a wedding dress, nine times out of ten, I hate the dang thing! Probably the best wedding dress I've seen in a movie is the one from Crazy Rich Asians. Sally tells Marie she looks beautiful and she seems sincere. I would be a terrible person to take wedding dress shopping. Not that I would tell someone I hated their dress (even if I did) because I wouldn't want to hurt anyone's feelings if they did like the dress. But if they said they didn't like it first, then I would definitely agree with them! Sally asks her if Harry's bringing anyone to the wedding or if he's seeing anyone, but he's not. 

At the wedding, Sally and Harry, as the Maid of Honor and Best Man, appear to be the only people in the wedding party. Meg Ryan's curls are perfection in this scene. Here's a controversial opinion (IDK, maybe it's not as controversial as I might think): not a big fan of when Meg got her pixie cut. Will probably discuss this more in an upcoming review, *hint hint*. Sally and Harry are looking at each other while the vows are being read. 

During the wedding party, they get into an argument about what happened three weeks ago. She accuses him of acting like what happened didn't mean anything. He asks her, "Why does it have to mean everything?" He says they both agreed it was a mistake and tells her, "I did not go over there that night to make love to you. That is not why I went there." He says that she was asking him to hold her longer and what was he supposed to do? Sally takes this as he was taking pity on her. They are in the kitchen where all the food is being prepared as they're having their argument. I notice this is a troupe used many times in movies...characters finding their way into a kitchen while food is being prepared. There's no way the head chef or anyone working back there would allow two random people to come in and start arguing...they would tell them to get out of there. But we need our two main characters to be out of the area where the reception is because they need to enter it again as Jess and Marie are holding up their champagne glasses, ready to make a toast. Jess says, "I'd like to propose a toast to Harry and Sally. If Marie or I had found either of them remotely attractive, we would not be here today." While this is funny, I don't think it's true. Marie did tell Sally she thought Harry was cute when she first spots him in the bookshop (and thought he was checking out Sally) and it seems that Jess and Sally didn't have anything in common, I never got the impression that he wasn't attracted to her.

This was one of the rare late fall weddings because we see a Christmas montage of Sally carrying a Christmas tree home and Harry keeps calling her, trying to speak and apologize to her, but she won't answer the phone and just screens her calls. Finally, she does answer and he says he's sorry and asks her what she's doing for New Year's and if she's going to Tyler's party (who the heck is Tyler?). He tells her he doesn't have a date and reminds her about the deal they made last year that they would be each other's date if they were both still single, but Sally shuts him down and basically says she's not going with him. 

While Sally is at the New Year's party (I guess this is Tyler's party...seriously, who is Tyler and when did we meet him during the movie?) with some random guy (probably set up by Jess and Marie who are also at the party), she pretty much tells Marie that she doesn't want to be there. While this is going on, we see Harry walking outside, just moping around. He is obviously sad that he has lost Sally as a friend and something potentially more. But then he seems to get an epiphany and starts running toward the building where the New Year's party is being held. This is just like many movies where one half of a romantic couple will run to the airport to find their other half to proclaim their love. 

When Sally, wearing her strapless party dress, is about to leave, Harry comes in, wearing his street clothes. He tells her he's been doing a lot of thinking and that he loves her and tells her what he loves about her: "I love that you get cold when it's 71 degrees. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you're looking at me like I'm nuts." (Of course the camera cuts to Sally with said crinkle above her nose as he's talking). "I love that after I spend a day with you I can still smell your perfume on my clothes. And I love that you are the last person I wanna talk to before I go to sleep at night. I came here tonight because when you realize you wanna spend the rest of your life with somebody you want the rest of your life to start as soon as possible."

Aww, that's sweet. You know he came up with that speech as he was moping around previously. Or maybe he just came up with it on the fly; that would be very impressive. I liked the examples he gave for reasons he loves her. They were really cute and funny, although too bad we never get an example of her being cold when it's seventy degrees. By the way, is Sally from Florida or something? Only people from warm weather places get "cold" when it's seventy degrees. That is hilarious. For me, it has to be in the lower 50s when I truly get cold (and even lower than that for me to be freezing). I am one of those people who would much rather be cold than hot because it's so much easier to get warmed up by putting on a sweater, but when you're sweating and dying from the heat, it's not fun. I attribute this to my Norwegian heritage, my people are used to the cold, heh. Plus I like winter clothes better than summer clothes. Of course, I absolutely hate snow...I mean, it's fine as long as I don't have to drive in it. Anyway, I'm getting off topic. I just thought it was funny that Sally gets cold when it's seventy degrees! 

Sally replies, "That is just like you, Harry. You say things like that and you make it impossible for me to hate you! And I hate you, Harry." Of course, she doesn't really hate Harry. It's more like he drives her crazy at times. By this time the countdown has started and when they kiss as a new couple, they are ringing in the New Year. 

So throughout the movie, short clips of senior citizen couples talking about how they met have been peppered in. At first, I thought they were real couples telling their stories, but then thought they were way too polished. I found out while the "couples" were actors, they were taken from real stories of how elderly couples met when they were younger. The movie ends with a confessional from Harry and Sally. It's months later and we find out they've gotten married. Harry says the first time they met, they hated each other, but Sally corrects him and says she hated him (ha!) The second time they met, Sally says Harry didn't remember her, but Harry says he didn't forget (I'm with him...I think he knew it was her the entire time). And the third time they reconnected, they became friends and were friends for a long time until they weren't and fell in love and got married. 

The last line of the movie calls back to Harry making fun of her for "on the side" being a thing for her because she's describing the wedding cake they had and says they served the rich chocolate sauce "on the side." That was funny; that made me laugh. 

I do have to wonder if it would have been better if Harry and Sally had just remained friends. After all, it's proving Harry's stance about men and women not being able to be friends because sex gets in the way. Or romance. Or both. But I guess since the entire movie is about both of them, the audience is (probably) rooting for them to get together so I get why they did it. 

Thursday, July 11, 2019

Monster Mash

Monsters, Inc.
Directors: Pete Docter, Lee Unrich, and David Silverman
Voice Talent: Billy Crystal, John Goodman, Steve Buscemi, James Coburn, Jennifer Tilly
Released: November 2, 2001
Viewed in theaters: November 3, 2001

Oscar nominations:

Best Animated Feature (lost to Shrek)
Best Original Song - "If I Didn't Have You" by Randy Newman (won)
Best Score - Randy Newman (lost to Howard Shore for The Lord of the Rings: The Fellowship of the Ring)
Best Sound Editing (lost to Pearl Harbor)



Monsters, Inc. is the reason I see all Pixar (or any other animated) movies at nine in the evening (or, at the very least on a weekday during the school year). Why, you ask? Well, because I did not have a good viewing experience seeing this and it has haunted me to this day that this was only the second time I've seen the movie. When this movie came out I was living in a small town that only had one theater (and not a very comfortable or big one at that). It was literally only one theater where only one movie played. (Some other films I saw at this theater include The Fellowship of the Ring (that was a big gamble for me as I knew it was a long-ass movie and I went in knowing nothing about Tolkien, so if I didn't like it, it was going to be a long and painful experience for me, but luckily I ended up really getting into the movie and was ready for the next installment when it ended!), A Beautiful Mind, I Am Sam, and Panic Room.

 So when this movie came out I saw it because, even though Pixar was quite young at this time (Monsters, Inc. is their fourth movie), I was a fan of the first two Toy Story movies. (I have never seen A Bug's Life). I honestly don't remember how crowded the theater was, but like I said, it was pretty small so even if the whole theater wasn't packed, that still makes a huge difference. I just remember there was some young kid (maybe two) who were talking/crying/ kicking my seat (they were seated behind me)/just basically annoying the sh*t out of me during the movie, hence making it hard to enjoy the movie so I've always associated this movie with negative thoughts and that's why I never revisited it until recently. I vowed to myself that I would never see another animated movie during the weekend or weekday when kids are out of school. Fast forward to two years later when I see Finding Nemo in a huge theater PACKED with screaming kids. Yeah, I'm an idiot who didn't follow my own advice. However, I saw Wall-E at nine in the evening; I saw Up at nine in the evening; I saw Toy Story 3 at nine in the evening; I saw How To Train Your Dragon and its sequel at nine in the evening; I saw Inside Out at nine in the evening; you get the picture.

Anyway, I'm glad I finally gave Monsters, Inc. a second chance because I really enjoyed it and it's a really cute movie. However, if you really stop to think about it, the basic premise is a little messed up. It's about a society of monsters who get their energy source from the screams of children, so every night they sneak into their rooms via their bedroom closet to scare the young children all over the world, then capture the screams of terrified children, bottling them up into a air-tight container (the screams, not the children!) Yeah, just a little messed up. However, this being a Pixar/Disney movie, it's a very cute and kid-friendly movie. Obviously.

The movie focuses on two monsters named Mike Wazowski (voiced by Billy Crystal) and James P. Sullivan, or, as his friends call him, Sully (voiced by John Goodman) who work at the energy-producing factory, Monsters, Inc. in the town of Monstropolis. The company's motto is "We Scare Because We Care." They work on the scare floor, a huge room that has access to every bedroom closet door of all the children in the world, so, as you can imagine, there are millions upon millions of doors. There is a chart to keep track of where and when they've been and every child has their own "monster" so they always get scared by the same monster because they (the monsters) knows what each child is afraid of. I'm not really sure how they keep track of all the doors and who's been scared, but somehow they manage to keep it all organized. I don't know which is more convoluted: the scare floor in Monsters, Inc. or Riley's head in Inside Out!

Their job is to obtain the screams of children so that Monstropolis is able to function and be the bright and vibrant city that it is. Sully, a large purple and blue fuzzy monster with horns and a long tail is a scarer which means he goes into the bedrooms to scare the children while Mike, his assistant (basically a large green talking eyeball with arms and legs), gives him the stats and numbers he needs. Each scarer has their own assistant and there is a bit of a rivalry between the two top scarers, Sully and a sleazy chameleon-like monster who can blend in with his surroundings, Randall (voiced by Steve Buscemi).

Even though the monsters who are scarers are big and imposing and have sharp teeth/claws/horns, the most amusing part of the movie is that children are considered toxic to the monster world so if something that belongs to them comes back to the monsters' world (or, God forbid, an actual living child being), they treat it as a risk and take it very seriously. When they enter a room, they will hop around, making sure not to touch or come into contact with any toys or clothes laying on the floor and they never physically touch the children, just scare them, capture the screams, and get out of there. We see what happens when one monster has a child's sock stuck to his back after coming back from a job and the CDA (Child Detection Agency) is called and they put everybody into lock down. The monsters who work for the CDA are all wearing haz-mat suits and helmets and carefully dispose of the sock (by blowing it up), then they shave the poor monster who accidentally brought back the sock and scrub him ten times over.  They went through all this trouble for a single sock, just imagine what would happen if an actual child made their way into Monstropolis!

And that is exactly what will happen. When Sully goes to deliver some important paperwork for Mike (he can't because he has a date with his girlfriend, Cecelia (Jennifer Tilly) a Medusa-inspired monster with snakes for her hair; I did love the scene where she tells Mike she's thinking of getting a haircut and all the snakes are very concerned about that), he sees a closet door is out and open. What he doesn't know is that Randall is the one who left the door activated because he is up to no good. He also leaves the door unattended so he doesn't know that Sully has gone through the door to check what's going on. This is where he meets "Boo" (because she likes yelling "Boo!"), a two-year-old child who takes a quick liking to Sully, calling him, "Kitty!"  (Though I don't think Sully looks like a cat...) When she grabs hold of Sully's tail, he quickly untangles herself from him and puts her back in her room and gets tangled in a bunch of her toys as he stumbles out of her room. He quickly disposes of all the objects (which includes a stuffed Nemo toy) by flushing them down a toilet. There is a great reveal when he turns away and the audience sees Boo is on his back.

Sully knows he has to send her back to her world, but Randall has already put away her door and I guess it would raise an alarm if Sully were to re-activate it because he doesn't want anyone (especially the CDA) to know that a toxic child is among them. He gets Mike involved and he starts freaking out and when Boo sneezes in his direction he sprays disinfect on his eye which turns it red and makes him dance around in agony. I admit, I laughed hard at that. It doesn't take long for Sully to realize that children (at least not this one) aren't toxic and they even realize that her laughter is quite strong and that all along they should have been capturing children's laughter instead of their screams.

Sully and Mike are determined to get Boo safely back to her home, which they do, but not without a few obstacles in their way. They have to go through this maze of thousands of doors which is a fun scene. It's very bittersweet when Sully finally has to say goodbye to Boo; they have to destroy her door once she's back in her house because she now knows about the Monster World and they can't have her making any contact with them. Even though we know Randall is the bad guy, there's also another twist of someone conspiring with him, but of course everything works out in the end and Sully even gets to visit Boo one last time after Mike fixed her door.

You think that would be the idea for the sequel; Sully visiting Boo every now and then and maybe getting into some shenanigans in the human world, but they went for a prequel for the second movie. I added Monsters' University to my Netflix queue after I saw the first movie and I think I enjoyed it more than I was expecting. Most people have this at the lower end of their Netflix rankings and while it wouldn't be near the top of mine, I thought it was quite delightful and I had fun watching it. Also,  my monster would be the dean of the university, Dean Hardscrabble who was voiced by Hellen Mirren. The design of that monster was nightmare fuel with her dragon wings and centipede legs...eesh!

Tuesday, April 26, 2016

I Should've Been a Cowboy

City Slickers
Director: Ron Underwood
Cast: Billy Crystal, Daniel Stern, Bruno Kirby, Jack Palance, Patricia Wettig, Helen Slater
Released: June 7, 1991

Oscar nominations:
Best Supporting Actor - Jack Palance (won)


Spoilers for a 25 year old movie! I don't like to take any chances. 

I'm more than halfway done with my 1991 reviews! I figured since this won an Oscar in an acting category, I should rewatch and review it. I have to be honest: as with Father of the Bride, this movie wasn't as good when I saw it the first time as a kid. I am a little surprised that Jack Palance won the Oscar because comedies hardly ever win Oscars for anything. Although, Hollywood loves to give veteran actors the Oscars, especially in the Supporting category. He was nominated for Oscars two times before this, both in the '50s. While I remembered that Curly, the character Palance plays, dies, I forgot that he died with at least an hour of the movie left and he really doesn't show up until half an hour into the movie so we're lucky if we have at least 30 minutes of the best character in the movie. And that's what Curly is: the best character in the movie. I do remember Jack Palance came back in City Slickers 2: The Legend of Curly's Gold to play the twin brother of Curly. I haven't seen that movie in a very long time and I can't imagine I would like it if I wasn't too keen on the original! 

Well, hi there, lil Jake Gyllenhaal!
The movie is about a man named Mitch (Billy Crystal) who just turned 39 and is having a mid-life crisis. He works in radio advertising where he sells time to different companies so they can promote their products on the air. He realizes just how lame his job and life are when he's invited to speak about his job at his son's school and goes on a tirade about how these kids should be grateful for what they have because it's just going to get worse. He then proceeds to describe for them what their next seven decades of life will be like. With each passing decade, everything goes downhill. Playing his son is Jake Gyllenhaal in his film debut. He must have been nine or ten when he filmed this. Interesting his first movie would feature cowboys and horses when he would go on to be in Brokeback Mountain more than a decade later....although he does not partake in any of the roping and riding in this movie. 

At his birthday party (which he wants to cancel, but his wife (Patricia Wettig) insists he have it), Mitch's two friends announce that their gift to him is a two week cattle drive from New Mexico to Colorado. His friends are having their own mid-life crises (is that the right plural form of crisis? IDK!). Phil (Daniel Stern) is married to a woman he clearly does not care for and the feeling is mutual...don't ask me why these two people are married if they can't stand each other! She is very controlling of him and has an icy personality. His father-in-law is a bully and expects him to help him at the grocery store he owns. Ed (Bruno Kirby) has never been able to settle down and get married and seems the older he gets, the younger his girlfriends get. He has recently married a beautiful model, so I'm not understanding how he's having a midlife crisis! Some people are never happy. During the party, a 20-year-old who works at the grocery store with Phil arrives to tell him that she's "late" and this is how Phil's wife finds out he's having an affair. I have no idea how the 20-year-old found out where Phil was that night and even if she did know, why would she announced that to him in a roomful of people, including his wife? I know it's for the benefit of the movie, but it does not make any sense. This is the best thing that could have happened for Phil because his wife divorces him and he's fired from the job he hates. At first, Mitch wasn't thrilled about the cattle drive and told the others he couldn't go because he promised he would go with his wife to Florida to visit her parents, but she tells him to go, that she doesn't want to happen to them what happened with Phil and his ex-wife. 

So the three guys head out to New Mexico where they meet the other people who have also signed up for this adventure: an African-American father and son who are dentists, two Jewish brothers who have their own ice cream line (think Ben and Jerry's), and an attractive woman named Bonnie whose traveling partner bailed on her at the last minute and she's having second thoughts about whether she should stay and everyone implores her to. Before leaving for Colorado they are given riding lessons and learn how to rope calfs. Mitch is the only one who can't seem to, ahem, learn the ropes, if you'll excuse my bad pun. The married couple who own the ranch are not riding with them, instead they tell everyone that they'll see them in Colorado...I guess they got a head start in their car? However, they decide to leave all these "city slickers" with two unruly cowboys who like to get drunk and randomly shoot their guns at empty beer bottles. We first see how slimy they are when they're trying to "help" Bonnie with her roping skills and pretty much implying that she won't be able to do it because she's a woman. Mitch goes over to try to help her, but doesn't have much luck, because, let's face it, Billy Crystal isn't exactly imposing. Instead, he gets showed up by Curly, who may be nearly forty years older than him, but he is a head taller and a lot more imposing for an old man! He throws a very long knife (Crocodile Dundee would be proud of it!) at one of the guys, nearly missing his groin and tells him they better behave. Needless to say, everyone is scared of Curly.

Curly doesn't have much time for Mitch, which I don't blame him, because on the first morning of their cattle drive to Colorado, he decides he's going to make coffee with an electric coffee mixer and ends up scaring all the cattle and they run away and trample over the camp. I would be pretty angry too! Curly wants Mitch to go with him to help him round up the cattle and Mitch and his friends are sure that Curly is going to kill him. There was a funny line where Phil says if Mitch doesn't come back, then he's going after Mitch's wife. Of course Curly does not kill anyone and over a few days he and Mitch bond and he tells Mitch he needs to find that "one thing" that will make him happy and he's the one who needs to figure out what that one thing is. 

In one scene, Mitch has to help Curly deliver a calf and Curly wants Mitch to reach "inside" and pull out the calf while he holds the mother down. I remember this scene because they actually show the calf coming out and it was pretty graphic when I was a kid watching this! After the calf gets cleaned up, he is very cute and Mitch names him Norman. However, the mother cow is dying and Curly shoots her, thus Mitch adopting the calf and feeding him. Not long after, Curly dies while sitting up in some rocks. Mitch thinks he's just "sleeping" while keeping an eye open to watch the cattle, but no, he is indeed dead. I don't know what the husband and wife team were thinking sending them out with an eighty-year-old trail supervisor and two drunk and misogynist cowboys? Because now with Curly out of the picture, the two unruly cowboys can go back to being jackasses and they get drunk one night and start shooting off their guns. After they take Norman with a gun (and this scene made me so nervous as a kid!), Mitch goes out to try to talk to them. However, it is Phil, who hates bullies because of his former father-in-law, who ends up with one of the guns and threatens them. Nobody - humans or animals - were hurt in this little altercation. They finish the rest of the cattle drive and Mitch, Phil, and Ed all go home changed men. Phil even has a glimmer of a romantic start with Bonnie. Mitch brings Norman back with him after hearing the cattle they had all herded were going to be slaughtered and sold as steaks. He plans to put Norman in a petting zoo.