Showing posts with label period piece. Show all posts
Showing posts with label period piece. Show all posts

Wednesday, November 5, 2025

Strength and Honor

Gladiator
Director: Ridley Scott
Cast: Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Dijimon Hounsou, Richard Harris, Derek Jacobi, Spencer Treat Clark
Released: May 5, 2000

Oscar nominations

Best Picture (won)
Best Director - Ridley Scott (lost to Steven Soderbergh for Traffic)
Best Actor - Russell Crowe (won)
Best Supporting Actor - Joaquin Phoenix (lost to Benicio Del Toro for Traffic)
Best Original Screenplay - David Franzoni, Josh Logan, and William Nicholson (lost to Cameron Crowe for Almost Famous)
Best Art Direction -Set Decoration (lost to Crouching Tiger, Hidden Dragon)
Best Cinematography (lost to Crouching Tiger, Hidden Dragon)
Best Costume Design (won)
Best Visual Effects (won)
Best Editing (lost to Traffic)
Best Original Score - Hans Zimmer (lost to Dun Tan for Crouching Tiger, Hidden Dragon)
Best Sound (won)


Oh, man, this movie has so many great quotes:

"Are you not entertained? Are. You. Not. Entertained?"

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"My name is Maximus Decimus Meridius, commander of the armies of the North. General of the Felix Legions. Loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next." 

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"What would you have me do, Ceasar?"

"I want you to become the Protector of Rome after I die. I will empower you to one end alone. To give power BACK to the people of Rome and end the corruption that has crippled it. Will you accept this great honor that I have offered?"

"With all my heart, no."

"Maximus! That is why it MUST be YOU!"

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"You won your freedom?"

"A long time ago, the Emperor presented me with a rudius. It's just a wooden sword. The symbol of your freedom. He touched me on the shoulder, and I was free."

"Ha, ha, ha. You knew Marcus Aurelius?"

"I did not say I knew him! I said he touched me on the shoulder once!"  

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"I knew a man once who said, 'Death smiles at us all. All a man can do is smile back.'"

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"Today I saw a slave become more powerful than the Emperor of Rome." 

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 "The General who became a slave. The slave who became a gladiator. The gladiator who defied an emperor. Striking Story! But now, the people want to know how the story ends. Only a famous death will do. And what could be more glorious than to challenge the Emperor himself in the great arena?

"You would fight me?"

 "Why not? Do you think I am afraid?"

"I think you've been afraid all your life." 

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"Now we are free. I will see you again...but not yet...not yet!"

This was only the third time I've seen this movie and it had been quite a long time since I last saw it, but I could still quote many lines from the movie. This is because I owned Gladiator: More Music from the Motion Picture (as well as the original soundtrack!) and there are lines of dialogue over some of the score. I have listened to the soundtrack so many times that I could hum every note of pretty much each scored scene. 

The film opens with a quick history lesson, telling the audience that the Roman Empire "was vast, stretching from the deserts of Africa to the borders of Northern England" and that "over one quarter of the world's population lived and died under the rule of the Caesars." It is 180 AD (so a looooong time ago) and Marcus Aurelius (Richard Harris) is the Emperor. 

Maximus (Russell Crowe) is a general who has just lead the Roman army to victory in a battle. When Marcus Aurelius asks how he can award him, Maximus just wants to go home to see his wife and young son who he hasn't seen in almost three years. But Marcus Aurelius has other plans for him and tells him, "There is one more duty I ask of you before you go home...I want you to become the protector of Rome after I die." He wants him to "give power back to the people of Rome" and "end the corruption that has crippled it." Maximus thinks this should go to somebody who understands Rome's politics and Marcus Aurelius wants it to be Maximus because he "has not been corrupted by politics." When he asks about Marcus Aurelius's own son, Commodus (Joaquin Phoenix), he is told, "Commodus is not a moral man." Marcus Aurelius is adamant that he "must not rule." (Ruh-roh, we all know that this is not going to end well!) He tells Maximus, "You are the son I should have had." Ouch! Good thing Commodus didn't hear that! He also adds that Commodus will accept his decision because "he knows that [Maximus] commands the loyalty of the army." 

Well, guess who isn't too happy when he is told he will not be the emperor? I'll give you zero guesses because you should know this. Maximus is "to hold in trust until the Senate is ready to rule" and that "Rome is to be a Republic again." Because Commodus doesn't take too kindly to this news, he ends up killing his father by suffocating him. Surprise! Guess who's now the new Emperor? Again, I'll give you zero guesses. When Commodus informs Maximus that his father is dead, Maximus asks how he died and Commodus tells him he died in his sleep. Uh-huh. I guess back then, they didn't really have the means to conduct autopsies. Plus, nobody was listening to true crime podcasts so nobody was quick to question this "sudden death" or be suspicious about it. Though, to be fair to Commodus, his father was a frail, old man, so him dying in his sleep probably wouldn't be that far-fetched. However, to also be fair to Maximus, he was way ahead of his time because he wants to talk to the council because he believes Marcus Aurelius was slain! Maximus knows what's up! Quintus, a Roman military officer and commander of the Praetorian guard, tells him, "The Emperor died of natural causes." It's clear who's side he's on (and, yes, I had to look up his info on the Gladiator movie Wikipedia page)!  

Because Maximus won't allege his loyalty to the new Emperor, the guards have been ordered to take him and "ride until dawn, then execute him." Why they need to ride until dawn, I'm not sure, but I suppose if they had just killed him on the spot, the movie would have been only forty minutes instead of two hours and thirty-five minutes.

When he asks for his family to be taken care of, he is told that they will meet him in the afterlife. Maximus is able to thwart his executioners and kill most of the guards before grabbing a horse and galloping off to make the long journey to his home. Maximus is referred as "the Spaniard" throughout the movie, so I'm guessing his home is in Spain? (Did Spain exist way back then? I mean, was it called that? I dunno.) Unfortunately, he is too late and his wife and son have already been brutally killed. He is so overcome by exhaustion and grief that he collapses and the next thing he knows, he is being carried on a stretcher-like thing (I'm sure that's not what they called it in 180 AD!) through the desert along with many men and animals. He has been found by slave traders and he is taken and sold in Zuccabar to a a gladiator trainer named Proximo (Oliver Reed). He needs "good stock" for his next fight and likes the looks of Maximus and a slave named Juba (Dijmon Hounsou) who will become Maximus's closest confidant. Proximo tells his gladiators in training, "I did not pay good money for you for your company. I paid it so that I could profit from your death." I would have thought they make money if their gladiator wins? 

Before their first fight, Coach Proximo gives them a "pep" talk: "Some of you are thinking, you won't fight. Some that you can't fight. They'll say that, until they're out there." He tells them to listen to the crowd chanting, "Kill, kill, kill." We'll soon learn this is the crowd's favorite word to chant during these fights. 

The whole concept of pitting men (and sometimes women as we'll see later) to fight against each other to the death is all kinds of messed up. I know we sometimes use the phrase, "That was a different time", but in this case, it really was a different time. It was a totally different era! 

The music right before they go into the arena is EPIC! Too bad they didn't have speakers in the Colosseum, or they could pump it through the arena and get the audience all pumped. Right before they run out, we see a big beefy guy clad in armor and waving around a chain with a spiked ball attached to it. Two seconds later a guy is bludgeoned with it. I was like, oh, okay, that's how we're gonna start things. Let's just say, this movie earned it's R rating!

This fight seems highly unfair as the big beefy guys are protected by armor and the slaves are only wearing rags. The slaves are partnered with someone and chained together, with maybe about two feet of leeway (I dunno, I could be totally wrong there). Maximus and Juba are partners and they work very well together; if these two were born in our time, they would have been great on The Amazing Race together! They run towards a big beefy guy, attaching him with the chain which they trip him with. We get the epic 360 camera shot of them as they look up and around the arena of the cheering audience. 

Between the first battle and the next one, we see the Emperor arriving in a very CGI Ancient Rome (complete with a fully built Colosseum!). Commodus tells his sister, Lucilla (Connie Nielsen), "I'll give the people a vision of Rome and they'll love me for it." 

Here are a few things you should know about, Lucilla: She has an eight-year-old son named Lucius Veras ("after his father"), she has been recently widowed, and Maximus if a former lover of hers. Oh, and Commodus has some icky incestuous feelings towards her which she definitely does not reciprocate. At one point, he wants her to "stay the night" with him, but she tells him she won't. He asks her to kiss him and she kisses him on the forehead, probably not what he had in mind! 

Now it's time for the second battle in the arena! Maximus is already a big hit with the crowd. As they're waiting for the fight, the crowd is yelling, "Spaniard! Spaniard!", which is what they call Maximus (before they learn his name). Maximus enters the arena and starts slicing and dicing some big beefy boys' metal shields and metal hats. He slices one guy at the waist and another guy in the chest, then sticks two swords in one guy's chest, then takes both of them out and decapitates him (keep in mind he's at least two feet taller than Maximus). If I were in that crowd, I definitely would be covering my eyes! Eugghghg! 

He throws one sword at the VIP tent (well, the equivalent of what it would be called today) and this is when we get the famous scene where he yells to his captivated audience, "Are you not entertained? Are. You. Not. Entertained? Is this not why you're here?" He throws down the other sword in disgust and the crowd just cheers and chants, "Spaniard! Spaniard!" They are very much entertained! 

Proximo sends for Maximum and tells him while he's good, he could "be magnificent." Maximus replies," I am required to kill, so I kill. That is good enough." Proximo tells him that is not enough for Rome (where they will be taking the show next) and that "the young emperor has arranged a series of spectacles to commemorate his father, Marcus Aurelius." He finds that amusing since it was Marcus Aurelius who closed them down. With a glint in his eye, he says they are "going back to the place where we belong", of course referring to the Colosseum. "Fifty thousand Romans watching every movement of your sword, willing you to make that killer blow." From the way he is talking, Maximus surmises that he was a gladiator and Proximo confirms it. Maximus asks if he won his freedom and Proximo tells him, "A long time ago, the Emperor presented me with a radius. It's just a wooden sword. The symbol of your freedom. He touched me on the shoulder and I was free." He gets haughty when Maximus starts laughing and asks him, "You knew Marcus Aurelius", to which he responds, "I did not say I knew him. I said he touched me on the shoulder once." 

Maximus says he also wants to stand in front of the Emperor as Proximo did and his mentor advises him, "Then listen to me. Learn from me." He says he wasn't the best because he "killed quickly", but because "the crowd loved me...win the crowd and you'll win your freedom." Maximus says, "I will win the crowd. I will give them something they've never seen before." 

Now it's time to take a roadtrip to Rome! Roam if you want to, indeed! Actually a journey from what I assume is probably modern day Morocco to Rome would SUCK. I can't ride a horse for more than two horses without my butt and legs getting sore. I can't imagine the horrendous trek that would be! I looked up the distance and it takes 32 hours to DRIVE that distance! With a modern car! Can you imagine if you had to walk it or go on horseback? I would be dead after the third hour! Luckily, we just get a ten second clip of them on their journey. 

When they reach the Colosseum, Maximus, Juba, and the others are looking at it in awe. Even though I know this particular Colosseum is CGI, it is pretty spectacular. The actual, real Colosseum in Rome today is quite impressive. How about some Colosseum fun facts? 

*It was built during 69-79 AD and completed in 80 AD. I have no idea how this is known, but there must be some record.

*It could hold 50,000 - 80,000 spectators, thus making it the largest standing amphitheater in the world.

*It was used for public events including executions, re-enactments of famous battles, dramas based on Roman mythology, and, of course, gladiatorial contests.

*It was ruined by earthquakes and stone robbers. The latter made me chuckle. 

*There were 80 entrances on ground level.

Okay, I think that's enough fun facts for now. There's a whole Wikipedia article you can read about it. Actually, I'm also sure there are more reputable sources about it! 

Before his first battle in the Colosseum, Lucilla's young son, Lucius (Spencer Treat Clark), is outside the gate where Maximus and the others are waiting and beckons him to come closer and asks if he's the one they call the Spaniard and Maximus confirms this. Lucius tells him he will be cheering for him and Maximus is surprised that this young boy is allowed to watch the games (so am I, Max, so am I!). Lucius tells him he's allowed to watched because "my uncle says it makes me strong." When asked about what his father thinks, Lucius tells him his father is dead. Are we sure about that? (Wink, wink.)

Before they enter the arena, they are given instructions to raise their weapons and salute the Emperor when he enters. They are NOT to turn their backs on him as it is a huge sign of disrespect. He tells them, "Go, and die with honor." 

A man named Cassius is the one who announces who will be fighting that day. He wears a wig with red curls and has these crazy eyebrows that slope up. He introduces Proximo's gladiator slaves as "the barbarian horde". In the arena, they are all facing forward as they were instructed, and Maximus, in the front, asks the group if anybody has ever served in the army and someone next to him says he served with him and Maximus tells him he can help: "Whatever comes out of these gates, we've got a better chance of survival if we work together...if we stay together we survive." Earlier when they were still in the...whatever the equivalent of locker rooms were called back then....., you could hear growling noises and was sure some wild cat would be coming through the gates. But no, that will be for another show! 

Several gates open around the Colosseum and a bunch of chariots being pulled by horses come rushing out. In each chariot are two people: one in front holding the reins and the other in back, wielding a weapon. In this case, there were many bows and arrows. I was quite shocked to see a woman (who gets a pretty nasty death when she's cut in half at the waist) in the arena, but I guess it happened. One particular guy in the crowd is getting a little into it and chanting, "Kill, kill, kill!" Like, settle down, dude! If he were living in this day and age he'd be the obnoxious guy at sporting events, standing up and yelling every three seconds. The woman is shooting arrows at her opponents and Maximus instructs everyone to stay close and they use their shield to protect themselves. 

At one point, I'm not sure exactly how it happened (because everything is moving so fast), they're able to tip one of the chariots over. This causes the other chariots to start crashing into each other and soon there's lots of carnage and many of the chariot riders are getting killed. Maximus gets on a horse that has escaped from one of the crashed chariots and uses a spear (which I believe he retrieved from one of the dead opposition) to throw at one of his enemies. There's a cool shot where he's coming around the arena and Juba shouts his name and throws a sword at Maximus which he catches and uses to cut any b*tch who gets in his way. 

Throughout this battle, we get some shots of Commodus who has some choice reactions. At one point he's sticking his tongue out and another time he's going "ooooh" in a sarcastic manner. 

There's lots of cheering from the crowd when everyone from the other side has died. I get the impression the crowd doesn't really care who wins/looses. They just want people to die and they'll cheer for the people who live (or, really, the people who killed off the other side). Commodus asks Cassius shouldn't have the barbarians lost this battle since that was the plan for them to die. He asks about the Spaniard and says he wants to meet him. Because Maximus is wearing an armored helmet that covers most of his face, Commodus has no idea who he is. 

The gladiators are told to drop their weapons, then Commodus comes out, flanked by a bunch of bodyguards. Maximus sees an arrow laying on the ground and discreetly picks it up, but then he sees that Lucius has ran up alongside Commodus and knows he can't do anything if a kid is there. (Though even if the kid wasn't there, would he really try anything with all those men with swords surrounding them, their duty being to protect Commodus?)

When Commodus asks him if he has a name, Maximus simply replies, "My name is Gladiator." The turns around and walks back toward the other men. This does not make Commodus happy: "How dare you show your back to me." He orders him to remove his helmet and tell him his name. With his back still turned toward him, Maximus removes his helmet, the turns to face him. This is when we get the "My name is Maximus Decimus Meridius" quote. When he finishes with "I will have my vengeance, in this life or the next", Commodus is speechless and his main guard quickly orders the other men to surround him. He shouts, "Arms!" and they pull out their weapons. People in the crowd chant "Live! Live Live!" This is literally the only time when they're not shouting "Kill! Kill! Kill!" I'm honestly shocked, usually the crowd is blood thirsty. Commodus puts his arm out with his hand in a fist and everyone is waiting to see if he's going to give the thumbs up (that means you get to live) or the thumbs down (that means you die). Lucky for Maximus, he's given the thumbs up. Hmmm, that makes me think of something. Gimme a sec....haha, okay, it's a good thing Roger Ebert wasn't around during the Roman Empire or else Maximus would have died! Because he gave it thumbs down! I mean the movie, you know what I mean. 

Everyone in the crowd is cheering and Maximus puts his arm up in triumph and he knows he has the crowd's adulation as he looks around the arena at all his cheering fans. Now that people know his name, it's being shouted as he leaves the arena. 

I need to do a quick fashion corner before I resume. There's a couple times where Lucilla wears a dress with a ribbon (for a lack of a better word) that is wrapped around her stomach, goes under her breasts, and is weaved around low on her hips and around her arms. It's just so odd. It also looks like an annoyance to put on/wear. I tried Googling this look, but couldn't find anything. Who knows how accurate it is. 

Commodus asks his sister why Maximus is still alive and she tells him she doesn't know. He says one of my favorite lines in the movie (but not as iconic as many other lines) which is, "It vexes me. I am terribly vexed." This is a quote I may have used once or twice in my real life. Commodus is also not very happy as he was told that Maximus had died when he was taken to Germania to be executed and this means he was lied to!

Lucilla goes to visit Maximus in the prison where he's being held when he's not entertaining crowds and tells him that Commodus controls everything. He has enemies, most of them are in the Senate. While people follow him, "no one would dare stand up to him until [Maximus came along]." She asks him if he will meet a man who has dedicated his life to Rome if she can arrange a meeting with him. Maximus reminds her he is only a slave and may die in their prison or in the arena tomorrow and what difference can he make. He basically tells her to get the hell out and forget about him. 

Now it's the second time in the Colosseum. That Cassius sure likes to blow a lot of smoke before the show starts because he's just keeps talking and talking and talking. He tells the audience that they are celebrating the 64th day of the games on this particular day. He adds, "The Emperor has deigned this day to favor the people of Rome with an historical final match." There is a special guest today! Returning to the Colosseum after fives years in retirement, "the only undefeated champion in Roman history, the legendary Tigris of Gual!" Some guy in a chariot led by four horses with red plumes comes charging out. Everyone cheers wildly so I guess they're familiar with him. This is just proof that the audience will cheer for anyone. They were going gaga over Maximus the last time they saw him and now they're cheering for this dude. 

Now you may have noticed that Cassius says "historical final match." In their equivalent of a VIP box, Commodus admits to his sister that Maximus will be gone soon because "it's been arranged." Ha! Joke's on you, Commie! 

This battle will be a one-on-one fight between Maximus and the undefeated guy who came out of retirement. Oh, did I mention he looks like he's built like The Mountain from Game of Thrones? He looks like he could squash Maximus like a bug. 

This may be a one-on-one battle between the two men, but they aren't the only ones out in the arena. After Tigris kicks sand in Maximus's face (someone likes to play dirty!), Maximus falls back and a wall right behind him opens to reveal a tiger, attached to a chain, run out and swipe at Maximus before he is able to roll away. There are men controlling the tigers with the chains and decide how much leeway they get. Another tiger comes from under the floor, then another jumps on Maximus's back, but the men controlling the wild animal are able to pull him back. Hmm, I wonder if they put tigers in the arena because Tigris was fighting that day. Like, that can't be a coincidence! 

A tiger leaps up on Maximus, but he's able to spear it in the belly with his sword. The tiger falls on top of him and while he's under the tiger's corpse, he's trying to shield himself from Tigris who's stabbing at him. From his position on the ground, Maximus is able to take Tigris's axe and stab him in the foot with it. This causes Tigris to fall on the ground and now that he does't have anyone trying to stab him anymore, Maximus is able to get up. The audience is (of course) chanting, "Kill, kill, kill!" Maximus takes his sword and removes the mask from Tigris's face with it. One guy in the crowd is particularly enthusiastic and shouts,"Yeah!" Commodus turns his thumb down, signifying for Maximus to kill his opponent. 

Maximus lifts the axe up, but instead of striking the (no longer undefeated) (ex) champion with it, he throws it to the side. Someone shouts, "Maximus the Merciful!" and now the crowd is chanting and cheering, "Maximus! Maximus!" It's like, pick a lane, audience, only a few seconds ago you were cheering for him to kill the other dude. 

Commodus is not too happy since he thought Maximus was supposed to die. He comes down to the arena with all his guards and says some pretty terrible and despicable things about Maximus's son's and wife's last moments before they died. He is just being a prick and egging him on him. Maximus simply tells him, 'The time for honoring yourself will soon come to an end." Later, Commodus will whine about how the crowd now loves Maximus for his mercy: "So I can't just kill him or it will make me look more unmerciful." Commodus is a whiny little bitch. 

Before the battle, we saw a man with a scar on his face in the crowd. This is Cicero who is a loyal servant to Maximus. While Maximus is walking through the crowd after the battle, Cicero is able to walk near him and tell him his legion still remain loyal to him and would be ready to fight tomorrow. Maximus tells him he needs to do something for him. A few moments later, we see Cicero get close to the carriage that Lucilla is in. It's one of those modes of transports without wheels and men are carrying it. When he mentions Maximus's name, she beckons him to come closer and he tells her that Maximus will meet with the politician she wanted him to talk to. 

When Maximus meets with Senator Gracchus (Derek Jacobi), he asks him if he can buy his freedom and smuggle him out of Rome. He wants to get out of the city walls with horses ready for him to take to Ostia where his army is. He will return by nightfall the second day with five thousand men. Lucilla informs him that the legions have new commanders who are loyal to Commodus, but he says when his men see him alive, their loyalties will lie with him. 

When Gracchus asks him why he will give the city of Rome back to the people, he tells him, "Because that was the last wish of a dying man." He says he will kill Commodus and leave the fate of Rome to Gracchus. 

Their plan doesn't quite work out because Commodus gets a whiff of what's going on (thanks to Lucius unknowingly spilling the beans) and has Gracchus arrested. Lucilla tells Maximus that they "must leave tonight" and that Cicero will be at the gate waiting with horses. 

Commodus doesn't like it when little Lucius is cos-playing, not only pretending that he a gladiator, but that he is Maximus, "the savior or Rome!" Commodus tells Lucius a story about "Mark Antony and his adventures in Egypt" that parallels what is going on right now and it's clear to Lucilla (who's nearby, listening) that Commodus knows that she and Maximus are up to something. He informs her that if she does't fess us, he will do something terrible to her son. She has no choice but to tell him everything, which is how they know where Maximus is meeting Cicero and are able to capture him. Both Cicero and Proximo end up dead trying to protect Maximus. 

Senator Falco (or someone...there's so many ancillary characters) tells Commodus that it's been done and Commodus asks him what should happen to his sister and nephew and should he "be merciful"?  He says that Lucius will stay with him now and "if his mother so much as looks at me in a manner that displeases me, he will die."
After he says this, the camera pans to show that Lucilla is sitting nearby. He adds that if she takes her own life, her son will also die. He tells Lucilla that she will love him, as he loved her. Eww. But wait, it gets worse! He says to her, "You will provide me with an heir of pure blood, so that Commodus and his progeny will rule for 1000 years." That fact that he refers to himself in the third person is almsot as bad that he wants his sister to have babies. I know this was back in three digit years so maybe this wasn't seen as taboo (and gross!), but ughghghg! But then it gets even worse when he starts caressing her cheek and runs her fingers over her lips. It would be pretty icky even if she wasn't related to him. She's crying and she can't recoil from his touch for the sake of her son's safety.  

There is one final battle in the Colosseum and this time it's between Commodus and Maximus. Everyone is shouting Maximus's name which I'm sure Commodus loves. Maximus is chained to the wall and Commodus tells him that since Maximus loved his father like he did (are we sure about that, Commie, you know, since you killed your father), he declares they are brothers. He hugs him, but it's only a pretense so he can stab him in the chest with a little dagger. He tells one of the guards to strap on Maximus's armor so it will conceal the wound. They are lifted up by chains from under group up to the arena. Someone in the crowd yells, "Off with his head, Maximus!" This battle is a little bit different as all the guards are in a circle around the two men battling. 

They begin fighting with their swords and everyone cheers when Maximus gives Commodus a huge slash across the back. This causes him to drop his sword and he asks Quintus to give him his sword. I was kind of confused by this because was he able to retrieve his own sword? Did Maximus take it? Also, it seems like cheating asking for a sword from one of your guards (which seems like it's cheating having them there!). However, Quintus, who had earlier betrayed Maximus to ally with Commodus is now betraying Commodus as he not only obliges to give him his swords, but he orders the other guards to "sheathe your swords" after Commodus starts to panic and yells at anyone to give him a sword. 

Maximus turns into Russell Crowe and uses his elbow to knock Commodus in the face, then he just uses his fists to punch him in the face. The funny thing is, I'd probably still use the Russell Crowe joke even if another actor played Maximus. Hey, at least he's being fair not using his sword since Commodus didn't have one. (I still don't understand why he couldn't retrieve it!) But I probably spoke too soon because now Maximus has Commodus in a headlock and has pulled out a dagger that he's pointing towards Commodus's face and the young tyrant is straining to get away from it. Maximus jabs him in the throat and Commodus falls to the ground. Maximus stays on his feet fora few seconds, but also ends up falling on the ground. He starts to have visions of his idyllic home but before it is time to be ruined with his family in the afterlife, he has a few more tasks to take care of. He tells Quintus to free his men and that Senator Gracchus is to be reinstated. He says these are the wishes of Marcus Aurelius. Right away, Quintus orders for the prisoners to be freed. Maximus falls (quite dramatically) backwards onto the dirt and Lucilla runs toward him. He tells her that Lucius is safe and she nods. She tells him, "Go to them", giving him permission to die and return to his family. 

In a fierce voice, she tells Senator Gracchus and the others surrounding her to honor Maximus because he was a soldier of Rome. Gracchus asks who will help him carry him and Maximus's fellow gladiators flock to help the Senator lift the deceased soldier above their heads and carry him out of the arena. In the last scene, Juba tells his friend, "Now were are free. I will see you again. But not yet, not yet."

If you haven't seen Gladiator 2 and don't want to be spoiled, stop reading this now! You have been warned! 

Okay, I saw Gladiator 2 a couple months ago and while I'm not going to review it (at least not right now), I will say the first movie is still better. We find out that Lucius is actually Maximus's son, which makes sense. If they were hinting at it in the first movie, they don't flat out say he's the father, but I'm sure the audience is to think it could be a possibility. If you thought the first movie was a bit gory, wait until you see the sequel. The battles in the arena are just ridiculous, especially one when they put water in the arena and everyone is on ships and there's sharks in the water. Like, how are they even transporting sharks to the arena? 

Wednesday, October 3, 2018

Tribal Lines

Dances With Wolves
Director: Kevin Costner
Cast: Kevin Costner, Mary McDonnell, Graham Greene, Rodney A.  Grant
Released: November 21, 1990

Oscar nominations:

Best Picture (won)
Best Director - Kevin Costner (won)
Best Actor - Kevin Costner (lost to Jeremy Irons for Reversal of Fortune)
Best Supporting Actor - Graham Greene (lost to Joe Pesci for Goodfellas)
Best Supporting Actress - Mary McDonnell (lost to Whoopi Goldberg for Ghost)
Best Art Direction-Set Direction (lost to Dick Tracy)
Best Cinematography (won)
Best Costume Design (lost to Cyrano de Bergerac)
Best Editing (won)
Best Score - John Barry (won)


This is one of my mom's favorite movies, if not her favorite. I don't know what her favorite movie is currently, but at the time of its release, Dances With Wolves was definitely a favorite of hers. In fact, I made her guess what my next film review would be, telling her it was one of her favorite movies. Dances With Wolves was her second guess, after Legends of the Fall, which I didn't even know was one of her favorite movies!

I think my dad bought the VHS (which was on two tapes since it is a three house movie!) for my brother and me to give our mom for Mother's Day or her birthday. And even though, I swear, she was always watching it (though it may have seemed that way to me because it was so long), I had never seen this movie in full, only bits and pieces. My mom claims she had no idea Kevin Costner directed this movie, though I think she probably just forgot because she did admit it's been awhile since she last saw it. She's seen it several times and, as I told her, it says "Directed by Kevin Costner" right smack dab in the middle of the screen during the opening credits. It's kind of hard to miss!

If you remember (and you probably don't because this was eight years ago!), I posted my thoughts on seven Best Picture upsets and Dances With Wolves was one of them, winning over Goodfellas. Even though I prefer Goodfellas, I don't mind it losing to Dances With Wolves (unlike, say, Crash winning over Brokeback Mountain, just to give an example!) because it does feel like an Oscar-winning movie: it's a sweeping epic that's three hours long. It does have that feel of an Academy-Award winning movie. However, and I expressed this in the video, I think it is ludicrous that Kevin Costner won Best Director for his first movie (he's only directed two other movies besides this one: The Postman, which I've never seen, and Open Range, which I remember liking) while Martin Scorsese, well already an established director by then wouldn't win an Oscar for Best Director for another sixteen years! Sometimes the Academy is really stupid.

One of the main reasons my mom loves this movie is because she loves the Native American culture and thinks she would have liked living in a teepee and being part of that community. I don't know how she would have fared, though, because when we went camping when I was a kid, it was only for a weekend! But we would sleep in teepees and ride horses, so we got a little bit of the experience. Of course we didn't kill any buffalo (although they did serve buffalo burgers at the lodge!); we cooked our hot dogs over a campfire. Not exactly like living like a Native American, but close enough.

Dances With Wolves takes place during the Civil War in 1863 and Lieutenant John J. Dunbar (Kevin Costner) has badly wounded his leg to the point that it needs to be amputated. He would rather die than lose his foot (I would too; the pain would be less severe!) and tries to commit suicide by riding to the front of enemy lines, but is instead hailed a hero because he is able to distract the enemy (who fail to kill him) and the Union soldiers are able to attack successfully. For his act of bravery, he is given a horse named Cisco and transfer to any station he desires. He chooses Fort Hayes because he wants to see the frontier before it disappears. Before he heads out, he is given medical care and is able to keep his foot. I guess whatever they did to it really worked because it doesn't become a problem again for the rest of the movie. He is then transferred to Fort Sedgewich, which is the furthest outpost. It is located in Colorado before Colorado became a state. I always thought this movie took place in South Dakota (before it became a state), but the majority of it was filmed there. I should note that Fort Sedgewich is very close to the Nebraska border so there being no mountains in the movie is not a problem.

Fort Sedgewich is deserted, but he plans to stay anyway. He keeps a journal and whenever we hear voiceover from Kevin Costner, it's Dunbar reading from his journal. Costner's voiceover in this movie is as good as Demi Moores voiceover in Now and Then, which, is to say, absolutely terrible. He sounds like he's reading from a script (yeah, yeah, I know he's supposed to be reading from a journal, but you know what I mean) and I found it very cringe-worthy. Some actors are very natural doing voiceovers and some...are not.

He has his first encounter with Indians when a few from the Sioux tribe try to steal his horse, but always fail. One of them, who is named Wind in His Hair (Rodney A. Grant) comes all the way up to Dunbar on his horse and announces (in the Sioux language Lakota), "Do you see that I an not afraid of you?" Dunbar decides to pay the Sioux camp a visit to sort everything out which I don't think is the best idea. While they are a peaceful people (unlike the Pawnee who are portrayed as savages, killing and scalping anyone they come across who is not one of their own), they do not trust the white man. On his way to the camp, he comes across a white woman with unruly hair dressed in Native American garb who is bleeding profusely from her wrists. At first I didn't know what was going on, but we later learn that her husband was recently killed so maybe she was trying to kill herself? I was also confused why they cast a white woman (Mary McDonnell) to play a Native American, but she is supposed to be white. We also learn later that her (white) name is Christine and her family was killed by the Pawnee, but she managed to run away and was taken in by the Sioux. Being that she is the only woman in this movie (aside from another (authentic) Native American woman, but she is married), it is pretty obvious there's going to be a romance between her and Dunbar. I'm sure there are other women in the tribe, but we never really see any. They end up getting married. The Sioux believe since they are both white, that's why they ended up together, which is probably true, and probably because she is literally only the single woman in a one thousand mile radius!

Dunbar brings the wounded woman to their camp, but he is told to get the hell out of there. Of course he doesn't understand what they're saying, but he definitely understands the tone and body language of Wind in His Hair. Later, there is a powwow between the main Indians and the Chief, Ten Bears, sends a group including Wind in His Hair and Kicking Bird (played by Graham Greene) - he's the one married to the only other visible woman, to go to the white man and see what he wants. They don't believe him to be dangerous because he hasn't tried to kill any of them and did bring back one of their own. We see a couple scenes of the Indians trying to communicate with Dunbar and while humorous at times (the scene where Dunbar shows them how he makes coffee is amusing), it is also frustrating because of the language
barrier. I must say, for someone who has never spoken Lakota in his life, Dunbar sure learns it pretty fast cuz he is speaking it fluently by the end of the movie. Hell, he's speaking it fluently by the middle of the movie! I'm not sure the movie's timeline, but it can't be more than a year.

To help with the communication, they decide to bring Dunbar to their camp and ask Christine, whose Indian name is Stands With a Fist to help. She is reluctant to speak the white language, unsure if she is able to remember how. She was probably five or six when she was taken in by the Sioux and never used English again after learning Lakota. I also wonder if she remembers that her birth name is Christine. The audience only knows it because we get that flashback scene. We never see her tell Dunbar that she was once called Christine. She is able to communicate with Dunbar, but her English is broken and her language is stilted. It would have to be challenging to be a native English speaker, but yet playing someone who is fluent in another language and English is difficult for them. When John introduces himself, Kicking Bird thinks he said "Dumb Bear" when he said Dunbar, ha!


Stands With a Fist obtained her name as a young girl. There was an older girl who would call her names and beat her, but one day Christine knocked her down by punching her in the chin. She stood with her fist out and asked if there was anyone else who dared to call her a bad name. She probably acquired her Indian name not long after she joined the tribe, but what did they call her before that day? Did she tell them her name was Christine? Also, what did they call Indians before they received their names or were they all born with their given names? There is a young kid named Smiles A Lot. Did he get that name because he was always smiling as a baby? What happens on days when he's not having a good day and not smiling at all? Am I asking really stupid questions? Probably. My Indian name would be something like Spends Too Much Money on Coffee or Irritable Redhead in the Mornings. Yes, I realize those are both about four words too long for an Indian name. If you didn't already know, Dances with Wolves is the Indian name that is given to Dunbar. They have seen him with a (relatively harmless) wolf who comes around to his camp and has received the nickname Two Socks because of his white forepaws. Now I'm sure you're thinking the same thing I am: Why is it Dances with Wolves and not Dances with Wolf when there's only one wolf? (Yes, there is a different wolf at the end, but we never see Dunbar interact with it). Maybe Dances with Wolves just sounds better or maybe if you dance with one wolf, you dance with all of them? Again, am I asking stupid questions?

Dunbar establishes a good rapport with the Sioux tribe. Like I mentioned earlier, he starts to learn Lakota and pretty much becomes a fluent speaker. Buffalo seems to be scarce lately and the Sioux needs to find some before they starve. Now as we all remember from what we learned at Natural History Museum Day Camp (well, this is what I learned when I attended, and by the way, it wasn't called that even though that's exactly what it was), the Indians used every part of the buffalo. Not only were they used for food, but their hides were used to make their clothes and teepees, the bones were made into tools or weapons, and so on. In the middle of the night, they hear a herd of buffalo go roaring past them, but when they go to find them in the morning, the soldiers have gotten there first, leaving a field of dead buffalo, only having taken their hides and their tongue. I understood why they took the hides, but why the tongues? Is that a delicacy? We know it is soldiers who did this because there are wagon wheel tracks. This angers the Sioux immensely because not only are the buffalo all useless to them now, but it is a huge sign of disrespect in their culture. To them, the buffalo is a sacred animal that provides them with many of their necessities. This is just one of the many times Dunbar feels ashamed of his fellow white man. In one of the saddest scenes of the movie, we see a lone baby buffalo bleating pitifully. If you are an animal lover, this movie will break your heart because this movie is not very kind to four-legged creatures! This includes the Pawnee tribe killing their dogs when they attack the Sioux camp and Cisco, Dunbar's beloved horse being shot and killed by the soldiers when Dunbar goes back to Fort Sedgewick to gather some things, only to find it being swarmed with soldiers. They also kill the wolf just to show the audience that these guys are real pricks. I didn't understand why the wolf didn't run away when it was being shot at, because it did take a few attempts before it was actually hit. I don't think Two Socks was very bright!

They don't have to wait too long before another herd of buffalo come their way. This is probably the best scene of the movie, if not the most memorable. There were 3500 buffalo used in the scene, all of them real. The only fake buffalos were the animatronic ones they used for the ones who went down after being killed by either a bow and arrow or a rifle, Dunbar's contribution to the tribe. One buffalo charges after the young Smiles A Lot and Dunbar aims his gun to shoot it, finally getting it to go down just before it reachers the youngster. I read to make the buffalo charge, they had his favorite treat waiting for him. Speaking of treats (uh, maybe), the Indians celebrate by eating the liver (ugh!) of one of the buffalos and they let Dunbar have a bite of it.


After Dunbar aka Dances With Wolves is caught by the soldiers, then freed by the Sioux who ambush the soldiers and kill them, he decides staying with them would be too dangerous because he is now a wanted man, so he leaves with his new wife, Stands With a Fist who goes where he goes. In a callback to the earlier scene when Wind in His Hair announces he is not afraid of Dunbar, he now rides his horse atop a cliff and proclaims, "Dances with Wolves! I am Wind in His Hair. Do you see that I am your friend?" The film ends with a silhoute of a wolf howling.  

Tuesday, January 30, 2018

Eternal Spring

Tuck Everlasting
Director: Jay Russell
Cast: Alexis Bledel, Jonathan Jackson, Sissy Spacek, William Hurt, Victor Garber, Ben Kingsley, Amy Irving
Released: October 11, 2002
Viewed in theaters: October 12, 2002


Spoilers start right away, so there's your warning! 

Even though I've seen this movie before, I didn't remember anything about it. I just remembered the immortality part. If you had asked me what this movie was about before I re-watched it (and I had totally forgotten this movie existed, but then I saw it was on Hulu), I would have said it's about a boy named Tuck who is an immortal. Well, Tuck is the surname of the boy whose name is Jesse (Jonathan Jackson) and the entire Tuck family is immortal. 

This movie felt more like a made-for-TV movie than a theatrical release. For one thing, it's only an hour and a half, and for another, it's just not that grand of a movie. It gets pretty cheesy in parts. I didn't think the acting by the two young leads was particularly great. I believe this was Alexis Bledel's first feature film and this came out during the third season of Gilmore Girls. Plus the all around premise is a little creepy, but I'll get to that later.

The movie is based on a 1975 novel written by Natalie Babbitt. I haven't read it, but I looked up the summary on Wikipedia to note any differences between the book and film. One of the main differences is that the main character, Winifred (who goes by Winnie), is ten in the book and fifteen in the movie. She is played by Bledel. She comes from a very well-to-do family and would rather be playing with kids her own age and getting dirty than wearing her pristine white dress while she practices piano or knits. While we know this movie is not set in the present day, we will learn later that the year is 1914.

One day she goes off into the woods after her uptight parents (Amy Irving and Victor Garber) have told her they're sending her away to boarding school. There she sees Jesse drinking from a spring. It's clear that Winifred has no people skills because she doesn't even try to be discreet that she's flat-out spying on him. She steps out into the open, watching him as he drinks. When he sees her, he's not angry, but you know he's not thrilled that this girl is out here and obviously shouldn't be. He asks her how long she's been there and she replies with, "Not long" and tells him that her family owns these woods after he tells her she shouldn't be out here. She agrees to leave, but wants a drink of water first. He tells her no, that the water is poisonous, which was pretty stupid since he was just drinking from it. When she heads towards the spring, he grabs her and she screams and runs away, exclaiming she's going to tell her father. She doesn't get very far because Jesse's older brother, Miles, catches her and they take her back to their house and their parents, Mae and Angus Tuck (Sissy Spacek and William Hurt). Of course, Winnie is totally freaked out since she's been basically kidnapped and just wants to go home. Mae is being very sweet and motherly to her, telling her they're not going to hurt her.

This is where the movie gets a little weird and makes me wonder if the novel comes off the same way. The Tuck family tell that they will let her return to her home as soon as they can trust her, but they never tell her their big secret until much later in the movie and even then, Jesse sort of just lets it slip out. We learn that Winnie has lost track of the days she's been imprisoned, but don't worry, she's having a grand old time as we see her and Jesse in this super cheesy montage where they're running slow-motion through a field of flowers while flailing their arms. Oh, how that made me cringe! I felt really bad for the actors. I can just imagine the director yelling at them, "Jump higher, move your arms more." Meanwhile, we get snippets of her poor parents who are worried sick about their daughter and get the police involved to find her. 

While Winnie and Jesse are spending more time with each other, they begin to fall in love. At one point she asks him how old he is and he tells her he's 104 years old. She tells him to be serious, and he says he's 17. And technically, both answers are right. When Winnie tells him, "I wish this moment could last forever", he tells her about the water that grants not only everlasting life, but also makes one immortal. When he said they were immortal, I just assumed they could never die of old age or get sick, but no, they can not die of anything. If they get shot in the head? Still alive! If they fall off a cliff? Still alive! If they get bit by a rattlesnake? Still alive (even without the antidote!). They literally cannot die. They're just like Claire, the invincible cheerleader from Heroes! Although, even though she could fall off high ledges and walk through fires and not die, I feel like there is a way to kill her since Sylar had a plan to do so, I just forgot how. Something about taking her brain? But with the Tucks, I get the impression they are immune to any type of death.

Jesse tells Winnie the story of the spring, how back in (hang on, let me do some quick math...) 1827, his family found it while traveling and started drinking from it. Everyone, but the cat that is. They quickly realize something is up when their horses are shot at by hunters who mistake them for deer (really?) and they don't die. We also learn that Jesse fell from thirty feet and didn't get one scratch on him and that someone else was bitten by a rattlesnake and was completely fine. Miles's wife left with their two children, saying he "sold his soul to the devil" and called the spring "witch craft" and "black magic". Needless to say, they did not drink from the spring. She ended up in a mental institution because of her ramblings about a spring that grants eternal life. While Jesse seems to embrace his eternal youth and long-lasting life, Miles sees it more as a curse and hates it. He wanted his kids to drink from it too, but that seems pretty cruel as you are permanently stuck at the age you are when you drink from it, and I imagine your brain is permanently stuck at that age too. I don't know how old his kids were, but they looked pretty young in the flashbacks. Can you imagine if you had to be five years old for the rest of your life and could never escape from it? Oh my God, that would be terrible. I'm glad his kids did not get to drink from the water, even though one of them did die when they were a teenager, but the other one lived a full life even if he never saw his dad again. And honestly, being seventeen forever (like Jesse) doesn't sound that great either. Now I realize that when he drank the water he didn't know this was going to happen. I feel like if you were going to be stuck at a permanent age, early thirties is where you want to be. You're old enough where you don't look like a teenager and you don't have to get carded for anything and you can still be an active member of society and you don't need a permission slip for anything, but you're also still young enough to be active and not worry about the psychical downsides of aging. Basically, you're not too young, you're not too old. Actually, this movie reminded me of The Age of Adaline where Blake Lively plays a character who has been stuck at the age of 29 since the early 20th century. Every few years she moves to a different location so she doesn't make anyone suspicious about her non-aging. Because of this, she isn't able to be close to anyone and even her own daughter out-ages her and they tell everyone she is her grandmother. In this film, the Tucks just seem to hang out in a house hidden in the woods and this is why they kidnap Winnie and keep her until they think they can trust her because they do not want her telling anyone about them.

Jesse tells Winnie that she's the first girl he's ever told this to because she's the first girl he's fallen in love with and wants to spend the rest of his life with. He wants her to drink the water. Now, in the book, from what I found out on Wikipedia, Jesse wants Winnie to wait until she is 17 and then drink the water so they will be the same age (remember, she is only ten in the novel!) and then they can get married. I'm not sure if there's a romance in the book like there is in the movie (God, I hope not!), but I guess he just wants someone to spend eternity with.

I don't understand the appeal of wanting to spend ETERNITY with anyone, even yourself. Sure, I understand if you meet your soul mate you want to spend as much time with them as possible and cherish every moment, but think about it - if you and your partner could live forever, then you would take each other for granted, you would be stuck with this person for the rest of your (and your partner's!) life and then you probably wish you could die! Nothing would be special anymore. This is one of the many reasons why I hate Twilight so much. Are we supposed to think it's so romantic that Bella and Edward are going to live forever? I remember one scene in the book where Bella is having a fit because Edward had to leave her for one night, and it's like, relax, you guys are going to spend the rest of eternity together, I think you can handle one lousy day apart, good Lord! There is a really bad line in this movie that could have easily been in a Twilight book - that's how much it made me roll my eyes! When the Tucks are ready to take Winnie home, Jesse tells her, "If I could die tomorrow I would do it just to spend one more night with you!" First of all, let's calm down. The girl is only fifteen. They make this line sound very sexual for a PG Disney family movie! They probably should have changed "night" to "day".

Winnie is seriously considering drinking the water, but after she hears Miles tell his story about how eternal life isn't all it's cracked up to be, she begins to waver. She does like the idea of never dying, but when Angus tells her, "Don't be afraid of death, be afraid of the un-lived life," that is what cements her decision NOT to drink the water.

Ben Kingsley plays a man in a yellow suit who is supposed to be the villain, but he didn't seem very villainous to me. Not until we learn he wants to collect the water and sell it to people "for a price", but Mae hits him in the head with a shovel before he has a chance to. Mae is arrested for murder and is to be hanged, but Winnie and the others know she won't die and then everyone will become suspicious, so they devise a plan to help Mae escape. This is when Winnie has to say her good-byes to the Tucks and can finally return to her family.

The movie ends in "present day" 2002 where we see Jesse on a motorcycle. He looks the same as he did in 1914, only now he's wearing jeans and a leather jacket. We see that he's come to visit Winnie's gravestone which says she lived a good 100 years (1899-1999) and was a wife and mother (and probably grandmother and great-grandmother), so we know she took Angus's advice and lived her life. I was glad the movie went this way and did not have Winnie drinking the water. 

Tuesday, January 23, 2018

Come What May

Moulin Rouge!
Director: Baz Luhrmann 
Cast: Nicole Kidman, Ewan McGregor, Jim Broadbent, Richard Roxburgh, John Leguizamo
Released: June 1, 2001
Viewed in theaters: June 10, 2001

Oscar nominations:

Best Picture (lost to A Beautiful Mind)
Best Actress - Nicole Kidman (lost to Halle Berry for Monster's Ball)
Best Cinematography (lost to The Lord of the Rings: The Fellowship of the Ring)
Best Art Direction-Set Decoration (won)
Best Costume Design (won)
Best Sound (lost to Black Hawk Down)
Best Film Editing (lost to Black Hawk Down)
Best Makeup (lost to The Lord of the Rings: The Fellowship of the Ring)


 There are a lot of things I really like about Moulin Rouge!, but there are also a few things I don't like about it. We'll start with the positives first. It's easy to see why this movie won Best Art Direction-Set Decoration and Best Costume Design because it is a visually stunning film. Every set, every detail, every costume is a feast for the eyes. Even though this movie was filmed in Sydney in 1999/2000, I certainly felt like I was in Paris in 1900. I also really love the music and all the songs (probably because the majority of them were already songs I was already familiar with), which is a good thing since this is a musical! I would also like to personally thank this movie for only having the actors sing the songs and not sing every single line of dialogue, which is done in Les Miserables, a movie I hate and loathe with all my heart. (I wanted to go in liking it, I really did, but we're not here to talk about that movie). I own the soundtrack to this movie and I really like it because I get to hear the full versions of the songs. While a few songs do get fully sung in the movie (especially if they're sung by our star-crossed lovers, Christian and Satine (Ewan McGregor and Nicole Kidman)), there are quite a few we only hear a snippets of here or there, so it's nice to have the soundtrack to listen to the entire songs. There are so many songs in the movie that they made a second soundtrack, but I don't own that one. My favorite song is "Come What May", the love song sung by our two leads. It is so, so, good, the perfect romantic song. Whenever you hear this song, you just want to burst out and sing it. Well, I do anyway. ("Listen to my heart, can you hear it sing? Telling me to give you everything!") I especially love how it builds up in the end with the choir singing in the background and then bam! It just ends. I love that song!  It is the only original song from the movie, although it wasn't nominated for a Best Song Oscar (as you can tell it wasn't from the list above of nominations it received). This is because the song was originally written for Romeo + Juliet, the previous movie Luhrmann had directed, but it was never used. Therefore, it was ineligible, although I don't see what the big deal was. I think it should have been nominated! It would have won! It's kind of ironic that the big musical of that year didn't get any Oscar music nominations.

I think they tried to get all the young MTV audience to see the film with getting five big music stars (Christina Aguliera, Pink, Mya, L'il Kim, and Missy Elliott) to sing Lady Marmalade (and I will admit, at first I had no idea this was a cover of a Patti Labelle song!). The song is actually in the movie for about a minute, if that. It might be longer, but they definitely do not play the entire thing. I remember this video being on MTV all the time when it was released. It's super cringe-worthy if you go back now and watch it. The only good part is Christina's over the top voice and crazy-ass curly blonde wig. I think it was also released as a single on the radio, but don't quote me on that. This song made everyone know what "Voulez-vous coucher avec moi ce soir?" meant even if they didn't know a lick of French.

"Come What May" may be my favorite song, but I also really love the mash-up of love songs Christian and Satine sing to each other called "Elephant Love Medley" (which gets it name since Satine lives in the statue of an elephant.  By the way, have you ever noticed it looks a lot bigger from the inside than it does from the outside?) It begins with the Beatles' "All You Need Is Love" and ends with Whitney Houston's "I Will Always Love You" (I say Houston's version, and not Dolly Parton's because they definitely belt it out ala Whitney) with songs like "Heroes" by David Bowie, "Love Lifts Us Up Where We Belong", by Joe Cocker and "I Was Made For Loving You" by Kiss sprinkled throughout. And of course you have the singing moon serenading them at the end. The moon has to be a homage to Georges Melies (right time, right country), but I am always reminded of Mac Tonight, the singing moon in the McDonald's commercials from the '80s. I know it's totally weird, but that's what I think of when I see a singing moon!

Another song I really love is when Christian sings "Your Song" to Satine. Being as this is a musical, it's a good thing I love so many songs! There's a mix up with him and the Duke (Richard Roxburgh), a man powerful enough to make her a "real actress" and if she seduces and sleeps with him, then her dream will become a reality. However, Christian is not the Duke, but rather just a lowly writer who wants Satine to read his play because she's the star of the show, "The Sparkling Diamond". The thinking is if Satine likes it, then she'll promote it to Harold Zidler (Jim Broadbent), the owner of the Moulin Rouge. Satine is acting like a damn fool in her "seducing", but when Christian starts singing, she immediately stops her barking and writhing on the floor and really takes notice of him for the first time. This clip is a great example of how visually stunning the film is...you see the titular red mill, the set of the elephant room (inside and out), the singing moon, and just the all-around prettiness of the movie.



How can that scene not a put a smile on your face? I'm not the biggest fan of Ewan McGregor, many of his movies I either haven't seen or just didn't care for, but I can't blame Satine for looking so smitten when he starts singing and continues to be enamored with him throughout the song. However, when the song ends and she exclaims that she's in love with a young, handsome, talented Duke, he has to let her down by telling her he's just a writer and she's not interested in him. Here is this super cute guy who just sang her a love song and the music scratches (it does, literally) when he tells her he's not the Duke and suddenly she's not interested anymore. Crazy redhead!

However, don't fret, because Christian does win her heart when they sing the songs in the "Elephant Love Medley" and they fall in love. Just like in Baz Luhrmann's interpretation of  Romeo + Juliet when they fall in love by looking at each other through a fish tank. This makes the Duke, who wants the beautiful Satine for himself, very jealous.

The play Christian has written is the story within the story, but with much more Indian influences. It's the same premise as the movie: a young woman must choose between a poor young sitar player who loves her dearly or the powerful Maharaja. Obviously Christian took the saying "write what you know" to heart. In the play, the character Satine plays chooses the sitar player because she is in love with him, but the Duke is outraged by this and demands that it be changed so she chooses the more powerful man because it rings more true.

Now I will tell you about the things I did not like so much about the movie. If you can get past the first fifteen minutes, then you're home free. I say this because the first fifteen minutes are probably the hardest to get through. We're quickly introduced to Christian and what his story is and why he's come to Paris. It's not that I mind they tell this quickly to get to the meat of the story, I just hate the way it's shot. I swear, they must change shots 100 times in a minute. It's just very quick, quick, quick and it gave me whiplash. It has a very frenetic pace about it and there are certain times where I'm thinking, "What the hell is going on"? This includes Kylie Minogue as a fairy. (Yes, I realize Christian is seeing this because he had just drank some absinthe.) I guess the point is to make like the viewer seem like THEY just drank some absinthe! Once Satine is first introduced, the cameras linger on her for awhile and from then on the film moves as a more manageable pace. It does pick us back in its frenzy state during the "Roxanne" tango scene, but at least that's only a few minutes and makes sense in the context of the movie.

And even though I think Ewan McGregor and Nicole Kidman are great as Christian and Satine and I can't imagine anyone else playing them and I think they're super cute whenever they sing to each other, I just couldn't get invested in their relationship. It may be that I never bought that they fall in love with each other after just singing a song to each other. The movie begins with Christian telling the audience, "The woman I loved....is dead." It literally starts out by telling the audience that one of the main characters will die. Also, the way he says it is soooooo over dramatic that I laugh whenever I hear it. Probably not the emotion they were trying to evoke! You know, I have to wonder if anyone got mad because this movie was "spoiled" for them even though it's the first thing you find out when you watch the movie. That would be hilarious. I can't even remember if I knew Nicole Kidman's character died in this before I saw it. However, I certainly knew the minute the film started! So when Satine DOES die (she had consumption), it never makes me cry. And, if for any reason you may forget that she dies, they definitely remind you throughout the movie what with her either fainting (she falls off of a  swing perched pretty high at one point, but luckily is caught) or coughing up blood every now and then. I have watched this movie a handful of times and not once has it ever made me cry. I think the closest scene where I do tear up is during the big performance when Satine starts singing "Come What May" to Christian.

Zidler tells Satine that she "must hurt him to save him" and that she needs to tell Christian she doesn't love him anymore and for him to leave. Otherwise, the Duke will kill him. She does this and tells Christian that she wants to be with the Duke, but he knows something is up and refuses to leave without learning the truth. He shows up during the big performance and finds Satine behind the curtain getting ready for her next scene. He demands her to tell him that she doesn't love him. Meanwhile, one of the Duke's cronies have found them and is about to shoot Christian, but the curtain opens and they find themselves on stage. Zidler, who is playing the Maharaja, tells the audience that he is not fooled and even though he's changed his disguise and shaved off his beard, he knows it's the penniless sitar player. You have to give him props for coming up with that so fast. The audience seems satisfied with this and is enjoying the show which is not the show anymore, but rather real life being played out before them. It is very amusing watching their reactions. When Christian says to the Duke, "This woman is yours now. I've paid my whore!" and throws some money down, everyone gasps. Christian, who has been hurt by Satine, tells her some pretty harsh words and walks off stage and down the aisle of seats. He's crying, she's crying. One of the main performers (played by John Leguizamo), who is in the rafters, shouts out, "The greatest thing you'll ever learn is just to love and be loved in return!" Satine starts singing "Come What May" and Christian stops and turns around, the starts sining. This is the only scene that really gets me. They're all singing and in love and everything is great and the audience is eating this up. The only one who isn't loving it is the Duke and he sees and grabs the gun and is about to shoot Christian, but his plans are thwarted when Zidler punches him in the face and he ends up tossing the gun which goes through a window and hits the Eiffel Tower with a clink. Everyone is happy, but then, oh yeah, we're reminded Satine isn't long for this world as she dies on stage in his arms while the audience applauds, thinking it's part of the show. Poor Christian. He really did love her until her dying day. Oh my God, I just went to Tumblr to check out what people were writing/posting about Moulin Rouge! and someone wrote, "I would like to die like Satine in Moulin Rouge: being applauded, covered in petals, and in the arms of Ewan McGregor." Haha, that's good, that made me laugh.

I was surprised to find out that Baz Luhrmann has only directed five movies in the span of twenty years. I would have guessed a lot more! Before Moulin Rouge! he directed Strictly Ballroom and Romeo + Juliet and after there was Australia and The Great Gatsby. I would rank his movies, but I can't because I've never seen The Great Gatsby and it's been way too long since I've seen Strictly Ballroom and Australia. The only thing I remember about Australia is when Hugh Jackman hosted the Oscars and talked about Robert Downey Jr. being nominated for an Oscar for Tropic Thunder and that he is "an American actor playing an Australian actor playing an African-American character" and then made a joke and said that he is "an Australian playing an Australian in a movie called Australia." Yes, that made me laugh very much. I would say with certainty that Moulin Rouge! is Luhrmann's most known movie (although, I guess some people would argue that R+J is). Moulin Rouge! is an insane movie at times and just never stops, but at least it knows what kind of movie it is and embraces it.

Wednesday, July 4, 2012

The Spirit of 1776

The Patriot
Director: Roland Emmerich
Cast: Mel Gibson, Heath Ledger, Jason Isaacs, Joely Richardson, Chris Cooper, Tom Wilksinson
Released: June 28, 2000
Viewed in theaters: July 14, 2000

Oscar nominations:
Best Cinematography (lost to Crouching Tiger, Hidden Dragon)
Best Sound (lost to Gladiator)
Best Score - John Williams (lost to Tan Dun for Crouching Tiger, Hidden Dragon)



When it comes to movies about celebrating this country of ours, there's only one director you need to turn to for finding that perfect patriotic movie. I'm talking, of course, about Roland Emmerich, the German who gave us Independence Day and the movie I'll be reviewing in honor of Independence Day, and my favorite Emmerich movie, The Patriot. Now I know what you're thinking: Emmerich directs a lot of crap, crazy Mel Gibson is in this movie, this movie isn't the most historically accurate. Yes, it is true that Roland "let's destroy the world" Emmerich is a bit of a one-trick pony (director?) but to be fair, this is one of his few movies where the world isn't being destroyed and it's his highest rated movie on Rotten Tomatoes. Granted it's only 62% fresh, but it's still his highest rated. As for Mel Gibson, well this was before he became a punchline and honestly isn't the fact that both Heath Ledger and Jason Isaacs in this movie enough to make up for that? Plus there's a lot of other really cool people in this movie: (Oscar winner!) Chris Cooper, (Oscar-nominee!) Tom Wilkinson, Rene Auberjonois, Donal Logue (I'm one of the five people who watched Grounded for Life).

When I saw the trailer, I knew I had to see this movie. I'm usually not a big fan of epic war movies that are over two and a half hours, but when it comes to the 18th century and the American Revolution, I am a huge geek. It's my favorite era. If I could go anywhere back in time, I'd choose the 1770s. I think it would be fun! Well, maybe for like a day! The closest I've ever been to that time period is Williamsburg, VA (in 1994!)

Cinematic crush
Now as much as I love this movie as it's the only film about the Revolutionary War besides the one that's a musical starring Mr. Feeney, it does help that Heath Ledger is in it. I would still enjoy the movie even without him, but him being in the movie makes it so much better. I was a bit of a, ahem, Heath fangirl back in the day (and yes, I took his death VERY hard), but his character, who is the oldest child of Benjamin Martin (Gibson) is such a gem....which is actually what his initials are...GEM (Gabriel Edward Martin). He joins the war against his father's wishes and while he's gone, he writes to Ann, the (bland) girl he's courting and he's writing to her in his perfect calligraphy penmanship about how he's thinking of her and how he misses her and signs the letter "Eternally and forever yours." Awwwwww.  There's a lot of cute scenes between him and Ann like when she puts ink in his tea as revenge for when he did it to her when she was 11 and when they get married and he tells his dad that he must dance with her.

Plays an evil guy who hates a family with seven children..
sounds familiar! 
Jason Isaacs plays Colonel Tavington. The good news? No blond wig. The bad news? No pimp cane, although the furry hat makes up for it.  Let's just say Tavington makes Lucius Malfoy look like a kitty cat. When we are first introduced to him he finds out that Benjamin has been caring for wounded Red Coats at his plantation, and, thinking that Gabriel is a spy, demands for his hanging. His father tries to stop them, but he takes him anyway. Thomas, the next oldest Martin child, tries to save Gabriel, but is immediately shot and killed by Tavington who calls him a "Stupid Boy."

If you think just shooting innocent kids is bad enough, it gets worse. Just days after Ann and Gabriel get married, he gathers a bunch of the townspeople into the churching, including Ann and her parents, to hold a conference. After he gets information he needs from some blabber mouth, he demands for all the doors and windows to be shuttered and throws a torch onto the roof thus burning all the people inside. I didn't understand why everyone didn't just pry the pews from the floor and break the windows with them. Have they never seen Titanic? You know that event that happens about 130 years in the future and then a movie was made about it 85 years later? :-) But if Ann hadn't died, then we would have never gotten really hot Gabriel seeking revenge (he is really hot when he's angry!) So, uh, thanks, Tavvie. That's one of my favorite scenes when Gabriel and the others go after Tavington and his brigade after they discover the burned church. I love the scene where the priest (Auberjonois) has been shot and as he's falling in slow motion, he throws up his musket and Gabriel catches it to shoot Tavington with. It's just really cool and badass the way it's shot. It's just too bad that Gabriel had to get personal and stab Tavington himself. It's so obvious he wasn't dead after Gabriel shot him and when he drops the musket, I'm screaming, "What he hell are you doing? Shoot him again! SHOOT HIM AGAIN!"


Even after Tavington kills two of the main character's children and burns a church with a bunch of civilians inside, I still laugh at one of his lines during the final battle scene:
Tavington: "On my command, we charge!"
British solider: "But sir, we haven't been given the order yet!"
Tavington: "CHARGE!"

LOL! Tavington may be an evil SOB, but he sure can bring the funny.

Benjamin's youngest child, Susan, hasn't spoken since her mom died. She starts talking again when her father and oldest brother are out recruiting people to fight in the war. When the audience first hears her speak (along with Gabriel), she tells him that she hates their father and wishes he would go away and never come back. Later, Gabriel tells his father that Susan is talking and saying how much she loves him and misses him and understand why he's gone. That always makes me laugh how he just blatantly lies. When little Susan cries and begs the day after Gabriel's wedding when her father is about to leave again, I cried too! It  is so sad! I remember watching this in the theater and tears were streaming down my face! Did I cry when Thomas died? No. Did I cry when Gabriel died? No. (I was very disappointed though!) Did I cry when Ann and the others were burned alive? No. Did I cry when that one guy found his wife and  little red-headed son had been murdered? Yes, yes I did. But not as much as when Susan kept crying and saying, "Papa! Don't go! I'l say anything! Don't leave me!" OMG, it's sooooo sad! It just broke my heart.

Watching the movie now, there's no doubt that everyone would agree that the most famous Martin child is played by Heath Ledger, but when the movie came out 12 years ago, I would say there was probably someone else who played one of the Martin children who may have been a little more recognizable than Heath, who American audiences may have only known from Ten Things I Hate About You. Of course I'm talking about Gregory Smith, who played Thomas, from Zenon: Girl of the 21st Century. Haha, no I'm just kidding. Third-oldest son Nathan is played by Trevor Morgan who had just come off playing Tommy Tammisimo (perhaps you've seen his cough syrup ads?) in a little movie called The Sixth Sense. Yeah, you may have heard of it. I love that movie even more than I love this movie. I remember watching this in the theater and thinking, "Be careful, Tommy Tammisimo!" when he was hiding under the table from Tavington.

Besides the great cast and the era this movie is set in, I also love the score, the costumes, and the cinematography.

HAPPY FOURTH OF JULY! In the words of another character from another Roland Emmerich movie, "Tonight we celebrate our Independence Day!"