My Three Dads

Three Men and a Baby

Director: Leonard Nimoy

Cast: Tom Selleck, Ted Danson, Steve Guttenberg, Margaret Colin, Nancy Travis, and two babies! 

Released: November 25, 1987

Three Men and a Little Lady

Director: Emile Ardolino

Cast: Tom Selleck, Ted Danson, Steve Guttenberg, Nancy Travis, Fiona Shaw

Released: November 21, 1990

These are both movies I haven't seen in a long, long time, probably not since the early '90s when I was a kid, so when I watched them recently, it was almost like I was watching them for the first time. I'm pretty sure I saw the sequel in theaters and that was the last time I saw it. 

The first movie is just ludicrous. I don't know if there's a better word to describe it. I have so many questions and I feel like many of my questions don't get answered. 

My first question that never gets answered is why do these three grown-ass men all live together in this fancy penthouse in New York? Yes, it's a penthouse and there's plenty of room, but we never really learn how they all came to live together or why. The place belongs to Peter (Tom Selleck), who is an architect. He either must have his own company that's doing well (he does mention he has built many buildings) or maybe he built the apartment he lives in and as the architect, he was able to live in the penthouse? I don't know how it works! But he is raking in the money! Maybe I wasn't aware that architects make millions of dollars. This penthouse has (at least) four bedrooms and a pool table, jukebox, media room, and a little outside courtyard. I don't think it's his roommates that are making the money. Jack (Ted Danson) is an actor, but he seems to do mostly commercials and TV movies where he's not the lead. And last but not least, Michael (Steve Guttenberg) is a cartoonist. He has a comic or something he draws for the paper. IDK, but it's honestly not that important. They never tell us how old any of them are; the closest they get is when the movie starts with a birthday party (where there's at least 200 people in attendance) for Peter and Michael jokes that he's either in his late 30s or early 40s. If we're going by that, Jack is also in the same age range, but Michael is at least ten years younger. I looked up the actors' ages in real life when they did this movie and found out Selleck was 42, Danson was 40, and Guttenberg was a mere 29! If they had Peter and Michael be brothers, it would make a lot more sense. Maybe Michael is struggling financially and Peter lets him stay at his extravagant home. Then you can just have Jack as his friend who mooches off of him or something. At least then we get an explanation of why they all live together. But they explain nada about how they became friend or roommates. 

Like I mentioned, the movie begins with a huge party for Peter and we get some exposition. We learn that Peter has been in an open relationship for the last five years with a woman named Rebecca. She is played by Margaret Colin who looked really familiar to me, so I looked her up on IMDb and realized I knew her from playing Jeff Goldblu's ex in Independence Day and Blair's mom in Gossip Girl 

We also find out Jack will be leaving the next morning to go to Turkey for ten weeks where he will be filming a movie. A friend of his, who's directed him in a few commercials, asks him for a favor. He says he's having a package delivered tomorrow, but he will be shooting a commercial tomorrow in San Francisco and asks Jack if he can have the package delivered here instead and two guys will pick it up on Thursday. He also calls it a "delicate matter" and tells him not to tell anyone. If someone wants a package that's a "delicate matter" delivered to you, say no. But Jack tells him that's fine. 

At the airport, he realizes he forgot to tell his roommates (well, he just did have a wild party the night before!) and calls them from the airport, leaving a message about it. We see Peter listening to the message and Jack ends it by saying, "Just put it aside, and don't worry about it."

So I'm sure by now you can see we're about to have one big misunderstanding! It's obvious that this package contains drugs or something illegal of that nature. And it just so happens it's going to be delivered on the same day that they're going to find a baby outside their door. Peter goes out jogging and comes back with the newspaper. He's so busy looking at it that he doesn't even notice the baby in the bassinet that's near his door (which I call bulls*t!). But once he's inside the apartment, he does a double take and checks outside the door, and sure enough, he sees a sleeping baby. He calls Michael to take a look at the baby and Michael finds a note on the baby which reads "Dear Jack, here is our baby. I can't handle this. I don't know where to turn. Someday I hope you can both forgive me. Her name is Mary. Love, Sylvia." 

Neither of then know who Sylvia is because "you need a secretary to keep track of all [Jack's] women." So this movie came out when Cheers was in its sixth season and I guess they thought they had to make Ted Danson's character in this just like Sam Malone. 

Peter assume this must be the package that he talked about in the message. He tells Michael, "He said to put it away and not to worry about it" to which Michael astoundingly replies, "He said that about a baby!" It's a little odd that they refer to the baby as an "it" when they know it's a girl, but I guess that's part of the joke since the actual package that Jack and his director friend were referring to is an "it". 

I feel like if a situation happened like this in real life and you couldn't get a hold of either of the baby's guardians, wouldn't you call CPS or the police or some authority figure? Obviously, this is what I would do if some random baby was just outside my doorstep, but if it were a friend's baby, (a friend who didn't know about said baby!) and I wasn't able to get in contact with this friend, then I guess that would be a lot trickier. Luckily, this has never happened to me. *knocks on wood* 

Fortunately, this baby has been dropped off at the lavish home of a millionaire, so Peter is able to buy a lot of supplies for the baby. While he's out picking up formula, bottles, food, diapers, and other baby necessities, Michael watches the baby who won't stop crying. Keep in mind neither of these guys have had any experience with babies! I will say that they cast a really cute baby. Or, I should say, babies, as little Mary is played by twins. The character of Mary is seven months old, but I did some research online and found that the twins were four months old when they filmed it. Ha, I wonder if they even remember anything? (Just joking, I know there's no way they can remember being in this movie!) The baby is crying so loud that it does get a little uncomfortable watching it, especially since you know the baby isn't "acting". 

The doorbell rings and it's their landlady, Mrs. Hathaway. She's holding a small, rectangular-shaped package. Hmm, could this be the actual package that they were expecting? Mrs. Hathaway, who loves babies, is delighted when she sees Mary and is asking all kinds of questions and Michael tells her the baby is Jack's. She says the baby needs to be changed and offers to help, but Michael refuses. At first I was confused because you think he'd want help with something he's never done before, but then I realized they didn't have the diapers or other necessities for changing a baby, so he probably didn't want Mrs. Hathaway to know about that. Before she leaves, she gives him the package, and he just absent-mindedly tosses it onto the couch. As far as I know, Michael never heard the message from Jack so he has no idea that this is the actual package that he was talking about. He is also a little distracted with a crying baby to wonder about this package. 

While Michael is unsuccessfully trying to stop Mary crying, Peter isn't having much of his own luck at the store when he's buying formula. He interacts with an employee who knows an awful lot about babies and baby food and formula. She's either very dedicated to her job or maybe she's a mother. When she asks Peter how old his baby is, he says "About that old" and uses his hands to show her. That should send up red flags to the clerk that this man doesn't know how old his own baby is, but she's just aghast more than anything. 

Once Peter returns with all the items, the put her on the couch and change her. Peter insists that since he's an architect and has built fifty-story skyscrapers, he can put on a diaper. He bought these huge diapers that are "ultra absorbers", but once they change her and pick her up, the diaper falls off and she pees on the couch. Obviously, they end up changing many, many diapers and we'll later get a funny scene when the baby needs to be changed (once again) and Peter tells Michael, that he'll give him one thousand dollars if he'll do it and you know he's not joking. Later, there's an amusing moment when the baby is sleeping and they hear a siren, so they quickly get up to close the windows, but why would they have the windows open in the first place? 

Peter calls Rebecca, asking her to come over because there's a "big emergency". When she arrives, she's with a date because they're about to go to a concert (that's gotta be awkward bringing a date to the home of the man you're in an open relationship with!) and is not happy that Peter thinks she should help him with Jack's baby just because she's a woman and should automatically know about these things. Yeah, I agree, that's a little sexist on his part. As she tells him, "That doesn't mean I know about babies." He asks her to stay (in front of her date, mind you) and help take care of the baby, but of course she's not going to stay. 

It's Thursday and just as Jack's director friend told him, two guys are there to pick up the package. Their names are Vince and Satch and it's clear that they aren't the most moral or respectable of citizens. Vince is played by Paul Guilfoyle who played Detective Jim Brass on CSI: and Satch is played by Earl Hindman who played Wilson on Home Improvement. It was weird seeing his face! At first, Vince does all the talking and I thought maybe Satch doesn't speak at all, but he later does have a few lines. Peter says, "I love the way everyone calls it a package." Well, maybe that's because they are expecting to pick up an actual package, and, not, you know, a baby! 

While he goes to retrieve the baby in her bassinet, Michael tells them, "Tell Sylvia she's got a lot of nerve dumping her problems in our laps." Of course they have no idea who Sylvia is and ask him who she is. Michael ignores their question and goes on to say, "When it first got here, we considered calling the cops." They look a little concerned about that, ha! Also, I understand for the sake of the misunderstanding, they call the baby an "it" because it would be weird if he referred to the drugs (yes, there are drugs in that package, are you that surprised?) as a "she", but it's still really weird that Michael and Peter have been taking care of Mary for four days and refer to her as an "it". Michael continues to tell them that they haven't been able to work or sleep and there's shit everywhere (heh). They look thoroughly confused at that! They take this to mean that the package "busted". Peter returns and hands a befuddled Vince the baby in her bassinet and tells him she'll be ready for her next bottle in forty-five minutes. When he tells him that he forgot the powdered milk and goes to retrieve this, Vince assumes that this must be what he's actually there for cuz he's all like, "Oh, yeah, powdered milk, can't forget that." Once the powdered milk has been placed in the bassinet, Vince realizes that they want him to take the baby and they tell him that was the arrangement. Okay, so obviously, Peter and Michael are very clueless about what's going on, but you would think Vince and Satch would know something was up or at least be warned if a baby was involved (and you'd have to be a very special kind of f**ked up person to have a baby involved with drug dealings!). Like, what are they planning on doing with this baby? I doubt they're calling the cops! 

Before they leave, Peter gives them some tips, then adds that maybe they should leave their phone number in case they need advice, but Vince tells him he'll call him if he needs to. 

Now you may be thinking, aren't Peter and Michael a bit concerned about what they just did? Why are they handing over this baby to two strange men who don't give off the best vibe? And yes, they are concerned. Well, at least Peter is. Michael is enjoying the peace and quiet, but Peter tells him he has a "funny feeling" that "something screwy is going on." Yes, Peter, your instincts are right! Michael tells him that he's been tense for the last five days and it it's "just [his] nerves unwinding" and Peter agrees that's probably what it is. After Michael gets up from the couch, Peter leans back and he retrieves the package that Michael had thrown on the couch earlier (you know, the one with the drugs in it; the real package that was to be picked up by Vince and Satch). He asks Michael what it is and he says it's a package that Mrs. Hathaway delivered to him on Sunday and it soon clicks that they made a huge mistake and Peter runs downstairs to try to catch them before they leave. 

The two hoodlums are driving a convertible, a car this is most definitely not equipped for carrying a baby. Satch suggest that Vince put the baby in the trunk (WTF?) and Vince is about to go through with this, but realizes he can't put a baby in the trunk. Peter comes running out of the elevator and trips on a rug in the lobby, making him drop the package and it rips a little and he can sees packets of heroin. (Look, I'm no drug expert, but aren't drugs packaged a little more covertly?) I guess this scene is there so the audience (and the protagonists) knows that there are indeed drugs in that package. He puts the package in his pocket and tells Vince that he made a terrible mistake and that he gave him the wrong package. He tries to get the baby back, but for some reason, Vince won't let go of the bassinet. I guess he thinks the drugs are still with the baby, but why not just take the powdered milk and let Peter have the baby? That is what he will do in the end, but it's still a little weird that he wanted to take the baby. Satch, who's sitting in the driver's seat, reaches for a gun that's in the glove compartment, but quickly puts it away when a policeman on horseback comes riding up and asks Vince if he was about to put the baby in the trunk, which he strongly denies. 

The policeman tells Vince he's double parked and wants to see his driver's license and registration. Vince gives Peter the baby in her bassinet, but takes the powered milk. He tells the officer he'll be right back, but as soon as he gets in the car they speeds away. The officer then wants to see Peter's identification, but he doesn't have it with him, so he invites him up to his apartment. The officer wants to search him, but Peter can't let him do that because of the drugs. He tells him he's an architect and he's not going to "spread them" because he has a baby with him. The officer accepts his invitation to go up to his apartment so Peter can show him his ID. Once they get to the front door, Peter invites him in for a cup of coffee, but the officer tells him he's gonna wait by the front door. I'm surprised he didn't insist on following him to be sure there was no funny business (which there will be!). Peter hands over the baby and drugs to Michael, telling him to hide the drugs. which he will do by using an X-acto knife to cut into one of Mary's (clean) diapers and hiding them in there. He then proceeds to put the diaper on Mary who needed to be changed. This will be later used as comedy, but it makes no sense that he would put a drug-laden diaper on a baby.

Before Peter had gone downstairs to get Mary back, the audience is shown an older man in a car, who seems to be keeping an eye on Vince and Satch. Obviously he is aware of their nefarious ways. He has come up to the apartment and tells the policeman he can leave. He introduces himself to Peter as Detective Sergeant Melkowitz (played by Philip Bosco) in Narcotics. He has a few questions for Peter. He asks him about the baby and Peter tells him she belongs to his roommate. He asks him about the two guys he saw talking downstairs and he says they are friends of the mother's and that they were going to take the baby for a ride, but they couldn't because the car had no baby seat. This is a terrible (and obvious) lie. What kind of idiot would take a baby for a ride, but not have a car seat? Also, who is going to let these two take their baby "for a ride"? (And, yes, I realize that Peter and Michael almost let them do that exact thing!) I did wonder why he just didn't tell the Detective the truth, that there had been a misunderstanding, but by that time they were too far in, hiding the drugs and all. They also probably didn't want Jack to get in trouble. Plus we need more plot for the movie! 

Melkowitz asks if he can see the baby, but Peter tells him she's sleeping and as soon as he says that, we hear Mary babbling behind the closed door. He tries to tell him that she doesn't like strangers, but the detective opens the door and luckily the drugs are hidden by that time! In fact, Mary is wearing them. Melkowitz picks her up and calls her "a heavy little girl." This is supposed to be played as a comedic scene because the narcotics officer is literally holding a lot of illegal drugs...but he doesn't even know it! Also, while Mary is a healthy-looking baby, she clearly isn't a chubby baby, so you think he would put two and two together and realize why she was so heavy. He notices the diaper is a bit lumpy and tells them she needs to be changed. Surely people can't be this stupid. Michael quickly takes her and goes back into the room to "change" her, closing the door. 

Melkowitz asks Peter if he knows where Jack is at the moment and he tells him he's "on location doing a TV movie", but lies about telling him he doesn't know where. I feel like that would send up a red flag to me: your friend is doing a TV movie, but they didn't tell you where they would be? That seems fishy! The detective shows him a picture of Jack's director (and druggie, apparently) friend and tells him his name is Paul Milner and that he directs TV commercials and "on the side, he dabbles in heroin smuggling." 

The phone rings then and Peter lets the answering machine get it, but once he hears Jack's voice on the machine, he runs to answer the phone in another room. Now, for some reason, the detective hears the entire conversation. Even though Peter has answered the phone, I guess the detective can still hear the conversation on the answering machine. I would think that once you pick up the phone and answer the call, the machine would stop recording? IDK. I'm sure I've used answering machines before, but I honestly  don't remember the mechanics of them. Thank God those days are over! Anyway, Melkowitz hears this entire conversation which consists of Jack telling Peter he got a message that they've been been trying to reach him. Peter tells him now is not a good time to chat, but Jack doesn't want to call back because it took him an hour to get through. He then proceeds to tell him how he found all this great "stuff" in Turkey and that he may have to "smuggle" it back. He's just joking, but it sure doesn't sound good to the narcotics detective! 

Melkowitz finally does leave and Peter and Michael do wonder if it's possible that Jack is involved with these drug dealers. Michael has moved the drugs to the garbage, under all the dirty diapers because no one will look there. (The sad thing is, there are probably some druggies out there who would still use those drugs even if they've been sitting under a pile of literal sh*t!) 

The next day, both Peter and Michael have places they need to be, so they hire Mrs. Hathaway to baby-sit Mary. When Peter comes back later, the apartment has been completely ransacked and their landlady has been tied up to a chair. Of course, Peter's first concern is Mary, but Mrs. H. doesn't know where she is. After tearing through his huge apartment, he's relieved when he finally finds her in a small closet. There's a note attached to her saying that she'll be taken next time. So it's obvious to the audience (and Peter and Michael) that this was Vince and Satch, looking for the drugs. But Mrs. Hathaway doesn't know this. She doesn't seem to have any questions. She doesn't call the police. You think being their landlady, she would have a lot more questions! They just kind of pretend that she forgot about this whole incident. It was odd. We never do see Mrs. Hathaway in the movie again. 

One night, after everyone has gone to bed, Peter sees someone sneaking into the apartment and it's so obvious it's Jack. Thinking it's one of the drug mules, he attacks the intruder and that's when he realizes it's Jack who tells him his part was cut and that's why he's back early. After he asks what's going on, he hears a baby cry. Peter and Michael explain everything to him. Jack remembers meeting Sylvia a year and a half ago when he was in Stratford and they were both performing The Taming of The Shrew. His roommates tell him it's his turn to take care of the baby since they've been doing it for however long how much time has passed. While Jack is trying to figure out how to change her, Peter and Michael are playing pool and ignore his pleas for help, but after half an hour, they help him. Well, they're probably doing it mostly for Mary's benefit. 

I will give Jack credit that he does bond with his daughter and is very attentive to her for someone who just found out he had a kid. Not soon long after he returns home, Peter and Michael are going to a play with their dates and Jack will be left alone with Mary for the first time. It's pretty cute how Peter and Michael act like concerned parents, giving Jack, who they're treating like the baby-sitter, the number where they can be reached if he needs them and that an usher will get then if he needs them to come home. 

So Jack bonds with his daughter and while he's bathing her in the shower, Peter and Michael are at the intermission of their play with the second act about to start in a few minutes. Peter is already worried and decides to call Jack to check up on him and see how things are going. When Jack doesn't answer (because the water is running so he doesn't hear anything), both he and Michael come to the conclusion that he either fell asleep or hit his head and that he's "probably unconscious". They tell their dates there's an emergency and they need to go. They rush home to find that Jack and Mary are both okay. Jack asks them why they're back so soon and Michael tells him they think that they may have left the stove on. Jack says to Mary, "I think that Unlce Peter and Uncle Michael are having a nervous breakdown."

After Peter admits he called him and Jack says he didn't hear the phone in the shower, the next day we get a scene of a guy installing a phone in the shower and asking Michael if he gets many calls in there and Michael replies, "a steady stream." Something tell me that they probably never use that phone. 

Peter checks his mail and finds a newspaper with a headline that reads "Commercial Director Hospitalized After Mugging". Attached is a note that reads "Don't let this happen to you. Be at the phone booth at the corner of 81st and Columbus at 8 tonight." The three men (and a baby!) go to that phone booth and Peter answers it when the bad guys call to tell them their plan on getting the drugs back. Peter tells them that since they are in possession of the drugs, they're going to do it their way or he'll flush their stash down the toilet. We never learn how the bad guys wanted to get their drugs back, but Peter tells them to meet at a construction site (the one he's working at, obviously, but they don't know that). They have worked out a plan where Jack will call Melkowitz from a pay phone while Michael will be hiding with a camcorder so he can record the conversation that Peter will have with the drug dealers. For some reason, they decide they need to take Mary with them. They can't find a baby-sitter while they're out on a drug bust? I get that maybe Mrs. Hathaway might not want to baby-sit again, but can't Rebecca or one of the many women they know baby-sit? While most of the time, these guys are pretty protective of Mary, they really drop the ball with her well-being here! 

So while Jack is right outside the construction site near the car where Mary is, Michael is hiding and ready to record the conversation Peter has with Vince and Satch. He tells them the package is in the elevator, behind the control panel, adding that they had nothing to do with it and they had no idea what was in the package. Like, he's making it so obvious that I'm surprised they didn't realize what he was doing and that this conversation was being recorded. Vince even confirms that Peter had no idea what was going on by saying, "No kidding. I could've figured that out in four seconds." 

Satch retrieves the package from the elevator panel and they are about to leave (the next step would be for Jack to stop the elevator with some controllers he was nearby, then call the police), but things go awry when Michael accidentally reveals himself and they see him with the camcorder. Vince accuses Peter of "abusing his trust." Peter manipulates a bunch of lead pipes to fall on the bad guys and he and Michael jump into an elevator. The bad guys manage to get into a second elevator. Instead of stopping the elevator the bad guys are in, Jack stops the one with his friends. They yell down at him to hit the button on the left. He doesn't hear them, but finally is able to stop the right elevator. The cops arrive and this storyline has concluded at the one hour and fifteen minute mark. Guess the movie's over! Uh, not quite! 

We next see a montage of the three men (and a baby!) at the park with two of them playing with a Frisbee while one of them is holding the baby (they alternate holding the baby). Whoever is holding the baby at the moment has SWARMS of women coming up to him and cooing over the baby. She is a literal chick magnet. Look, Mary is a cute baby, but God, these women look so pathetic. Also, if I saw a man with a baby, I would figure he's probably married or at least already in a relationship. This montage continues with Peter bringing her to the construction site and she's wearing a little pink hardhat which is really cute, but is a construction site the best place to bring a baby? And we see Jack auditioning for a play and when he turns around, it is revealed that Mary is strapped to his back. 

One of the most well-known scenes from this movie, at least one that I even remember is when Mary is crying and can't get to sleep, so they all sing "Goodnight, Sweetheart" to her. 

We get the last act of the movie when Sylvia (Nancy Travis) comes to pick up her daughter the next morning. I'm sorry, but this woman just leaves her baby by a front door and now thinks she can come back and reclaim her? Also, I had no idea she was supposed to be English as Nancy Travis has a terrible English accent and was wondering why she was pronouncing "mommy" as "mummy". (When she sees Mary, she tells her, "Mummy's back!") Why didn't they just cast an English actress? Duh. 

Sylvia talks to Jack and tells him he's taken very good care of Mary and she apologizes, saying she shouldn't have left the way she did and hopes she didn't cause too much trouble. Oh, no, you just abandoned your baby, but luckily her father and two honorary uncles bonded with her and now you're just going to take her away from them and go live in another country across the ocean. You're not causing any trouble at all, Sylvia! Yes, that's right, Sylvia is taking her daughter and going back to London where she plans to move in with her parents so they can help her take care of Mary because she won't be able to work and take care of her on her own. She's leaving that night so she's taking Mary away at the last minute. 

So Sylvia leaves with Mary and the guys are sad. Jack says he feels bad and he has an ache "right here" (he pats his heart). He tells his friends that he misses Mary and wishes there was something he could do. They decide there IS something they can do. They decide to head to the airport to stop them from getting on the flight. When they get to the gate (ah, yes, remember when you didn't need a ticket to go to a gate), the flight has already left. I thought for sure that Sylvia didn't get on the plane and we would see her stepping out of the restroom with Mary, but that doesn't happen. Three rejected men head on home...where they see Sylvia and Mary waiting for them. So they went to the airport for nothing! 

They all go inside and Sylvia tells Jack that she couldn't go because she would be making a mistake if she went to London. To be honest, I'm not really sure why she thought it was a mistake, but obviously they needed some excuse for her to stay in New York. She tells them she wants to work in New York, but there's no way she can work and take care of Mary by herself. It's all too hectic for her and Peter tells her they know how hard it is and Michael tells her, "The three of us could barely manage." She tells them that she needs help and Michael and Jack are more than happy to help and tell her they can leave Mary with them anytime she needs to. Sylvia replies with, "I was hoping you would say that." Why didn't she just ask for their help in the first place? She knows they all love Mary so they would be more than happy to help with her. I don't know, the way Sylvia goes about this, it just seems very manipulative. 

However, Peter doesn't like this idea. He feels like they're just being treated as Mary's baby-sitters and he wants them to be able to see Mary all the time. He then invites Sylvia and Mary to move into the penthouse without even asking his roommates' permission. Of course, they think it's a great idea and Sylvia is more thrilled to move in. Of course she is; she gets to live in a NYC penthouse (and probably doesn't have to pay rent!) with her baby daddy and two extra people to help take care of her daughter. This is the most ludicrous living arrangement ever. Yes, Jack and Sylvia have a baby together, but it's not like they even had that much of a relationship besides being in a play together and sleeping together once. So now it's three men and a baby and the baby's mom (mum?).

The very last scene of the movie is the four adults walking out of the apartment with Mary in her stroller and they extend the handle so they can all push it at the same time. :::Groan:::

This movie is based on a 1985 French comedy called Trois Hommes et un Couffin which translates to "Three Men and a Cradle." 

Before I start discussing Three Men and a Little Lady, let's take a minute to talk about the infamous urban legend scene that you may or may not know about. I first heard about this probably in the mid-2000s and it was probably on some film message board like Fametracker, heh. I did not familiarize myself with the so-called urban legend before I watched the movie because I wanted to see if I could catch it on my own. So from what I thought I remembered, apparently there's a scene in the movie where you can see a dead body because somebody had killed themselves or accidentally died on set. (I know, very morbid and disturbing. Also, a little insane that they would keep filming if someone had died!) So I watch the movie and I'm glad to report no dead bodies were seen, but I did sort of a double take when I think I see a random person in the background when two people are talking in the living room, but it turns out it's just a cardboard cutout of Ted Danson dressed in a tuxedo and a top hat, most likely a prop his character kept because of a commercial he was in. He keeps it in his room and his door is open and you can see into his room when I was watching this particular scene (which I don't even remember who was in it).

So after I watched the movie, I looked up the urban legend to see exactly what it is and it's pretty absurd! First of all, I was mixing up "dead person" with "ghost". Oops, my bad! It's a GHOST we see, heh. Apparently, way back in 1990 (I had no idea this even exited back then!) there was a rumor going on that you can see the GHOST of a young boy who lived in the same apartment where they filmed the movie and he had shot himself (suicide) and haunted the set. Who the f**k started this rumor? First of all, this was filmed on a set, so nobody used to live there because it would be impossible. There's a scene in the movie where Jack is talking to his mother who comes to visit and this is when you see the alleged ghost of a boy standing by the window and I guess it looks like there's a rifle next to him? This is the effing cardboard cutout of Ted Danson in a tuxedo and top hat. Remember, this is before the time of HD, so it makes total sense that people would mistake that for an effing ghost. :::rolls eyes::: I would really love to know how this rumor got started; it has to be one of the stupidest and absurd things I've ever heard about movie lore. Look, I will admit that it sort of surprised me when I see that cutout out of the corner of my eye because you're not expecting it, so I guess people's imaginations just run wild. 

Okay, time to talk about Three Men and a Little Lady, the unnecessary sequel. Even though it came out three years later than the first one, it's set six years later because Mary is now six. I probably don't need to tell you that she isn't played by the twins who portrayed her as babies; instead it's just one little girl who was pretty much only in this and a couple of other things I've never heard of. 

The movie starts with a montage of them moving into a townhouse or some larger living area because apparently that huge penthouse wasn't big enough to accommodate five people. This is around when Mary is probably a year old and the montage progresses as she grows older until she's six. It's also stated that Sylvia has become a pretty big Broadway actor, so not really sure why she's still living with Peter, Jack, and Michael. I guess it's nice to have three built-in baby-sitters. 

At one point, Mary calls Jack by his first name and I was wondering if she even knows that he's her biological dad, but she does. I would think that she would refer to Peter and Michael as her Uncles, but she calls them her "honorary daddies".

Rebecca is no longer in the picture which is disappointing because I liked her and Peter together and was hoping they would become exclusive. Instead, the sequel seems to be pointing towards a romantic subplot involving Peter and Sylvia, because, why not. When Sylvia is looking for Jack because she needs him to help her rehearse a scene for the play Rainmaker, he's not home so Peter offers to read his part. They read the scene and at the end, she kisses him and he asks her why she did that and she says it's in the script. He looks at the script and tells her his character is supposed to kiss her and suggests they do the scene again. Gee, like Sylvia didn't know that. It's so obvious she's into him, but he can't seem to take a clue. Well, he does like her, but we'll learn later on in the movie why he's not making a move when she's practically throwing herself at him. So they do the scene again and he kisses her this time, but then he stops and tells her he's not an actor and that he's not believable, but she tells him he was very believable. 

Sylvia also has a somewhat relationship with her director, Edward (who is also British), but they're not involved anymore. I guess he's asked her to marry him before, but she said no. He's been asked to direct A Midsummer Night's Dream at the National Theatre in London and he wants Sylvia to play Helena. She tells him that she would love to do it, but Mary's starting school soon and that she needs to consider her daughter's needs. He asks her, "What about your needs?" and she tells him she'll think about it. 

One evening when Mary is acting up and not going to bed, Sylvia is the one to get her to settle down, then she has a chat with the guys and tells them that she thinks they are "getting a taste of things to come" and asks them how long they think they'll be able to live the way they are in their unorthodox arrangement. She thinks that Mary needs "a more normal environment" and tells them she would like to be married someday and have more kids, but this living arrangement isn't going to cut it. 

Sylvia must really want to get married because when Edward asks her to marry him again, this time she says yes. This means that she and Mary will able be moving to England since Edward will be working there now. This all seems a bit fast. This guy has asked her to marry him in the past and she said no, but now she's saying yes and moving her daughter to a completely different country away from the only home and people she's ever known. Seems a bit extreme, Sylvia. Of course, none of the three men are happy about this arrangement and they don't plan on attending the wedding. After the girls have left, Peter suggest to his two friends that they have a party like the ones they used to throw and it will be "their return to bachelorhood." They have the party and there are some funny moments such as when Jack asks a woman to dance, but tells her she'll have to keep up with him because he's "one hell of a dancer", but she turns out to be a much better dance and he sprains his leg trying to keep up with her. Also, Peter goes to change the music but accidentally puts in a tape that's Ernie singing "Rubber Duckie". Instead of stopping it immediately, he lets it play for at least a good minute. 

The guys realize they shouldn't even be at their own party and Michael says that when he spoke to Mary on the phone, she didn't sound happy. He thinks they need to be at the wedding for Mary, so he and Peter go to England, but Jack has a movie he's shooting in Brazil and he will come later. 

Edward's family is very wealthy and they're having their wedding at his family's huge estate (or maybe it was HIS estate, hell I don't know, I don't think we ever meet his parents). For some reason, they have a butler who's pushing 90 and he can barely walk. He's also a bit senile because after he takes Peter and Michael to their room, he goes to show them the water closet and goes in himself, then starts to use it without closing the door (Michael quickly closes it when Mary comes into the room), then walks out without any pants. 

Edward introduces Peter to Elspeth Lomax (Fiona Shaw, who I know best as Mrs. Dursley), who is the headmistress of the girls' school, the Pileforth Academy. According to her, they've "been turning out England's finest young ladies since the 18th century." Edward tells her that Peter likes her and that he asked to meet her. He tells her she needs to make it clear that she's attracted to him, but she can't come on too strongly. Obviously he's doing this because he knows that Peter and Sylvia have feelings for each other and he doesn't want them acting on those feelings, though dumping a woman on him that Peter clearly isn't interested in isn't going to work either. 

Elspeth had told Peter that Mary will eventually be attending her school when she's eleven or twelve and Peter wasn't crazy about that, but when he and Michael find out that Mary was being measured for a uniform, they know that Edward plans on sending her much, much sooner. Peter tells Sylvia his concerns, but Edward overhears this and tells them that Mary felt like she was being left out of the wedding preparations so she was being measured for a blazer. Huh? That makes no sense. She's not even going to wear a blazer at the wedding and it's not like a blazer fitted for her would fit anyone else. Of course, Sylvia believes this bulls*t story because she's an idiot. It's moment like these when I really miss Rebecca. Rebecca was an intelligent, attractive, independent woman without a stupid faux accent. 

Privately, Peter tells Sylvia she can't marry Edward and when Sylvia asks him why not, he tells her he can't marry him for Mary's sake. This does not please her because obviously she wants him to tell her that he loves her. If you think about it, she's just marrying Edward to spite Peter. 

By this time, Jack has arrived and he tells Peter that he knows how he feels about Sylvia and he needs to tell her that he does her and the only reason she's marrying Edward is because Peter didn't ask her first. The reason Peter has never acted on his feelings is because he feels weird about it since Sylvia and Jack have a child together, but Jack assures him they're just friends and they don't have any romantic feelings toward each other and he just wants Peter to be happy and encourages Peter to act on his feelings for Sylvia and blah, blah, blah. 

The night before the wedding, Peter decides he's going to sneak into Miss Lomax's office at Pileforth Academy to prove that Mary is being sent there later that year. While he's there, he hears Elspeth coming in, so he has to hide in this huge closet, but she finds him and thinks he has come to profess his love for her or something. She get pretty aggressive and chases him around the office, but he just straight up tells he's not interested in her like that and she easily accepts it. Peter has found proof that Mary will be attending the school soon. The audience already knows that because there was an earlier scene where Edward yells at Mary for goofing around with the butler and yells at her to go to room and adds that she'll learn manners when she's at boarding school.

I can't remember exactly what happens, but Peter isn't able to make it back to Edward's estate that night because his car breaks down and I think he spends the night in his car. The next morning, which is also the day of the wedding, he sees Elspeth in her car (probably on her way to the wedding) and flags her down and she gives him a ride. Wow, she sure takes rejection well! She thinks she knows a short cut, but her car ends up in a mud-filled pond and they end up taking one of those vehicles with a little car attached to it.

During the preparations for the wedding, Michael and Jack are doing everything they can to stall the ceremony until Peter can get there. Michael is distracting the vicar, sending him to the wrong church. 

The night before, before Peter had snuck out to Pileforth, he had told Mary that he loves her mom and Mary tells this to her mother as they're both in a horse-drawn carriage on their way to the wedding. After she says this, Sylvia just pats her head, but wouldn't she have more questions. Isn't this what she's been waiting for Peter to say? 

So their actual vicar may be on a wild goose chase, but that's okay because someone else has stepped in. It is Jack, the actor of the group, in old age make up and fake teeth and an old man voice. It is so obvious that it's Ted Danson in a disguise, but nobody knows it's him (well, except for Michael who's in on the ploy with him), not even Mary or Sylvia, who, also as an actor, would realize what was going on. Also, she's lived with this man for the last six years and doesn't know who it is? Mary, I can kind of understand because she's young. What's Sylvia's excuse? 

So Jack performs the ceremony, stalling at any moment he can, but there's still no sign of Peter. He gets to the moment where he asks if anyone can think of any reason why these two shouldn't be together and thinks he sees a woman in the back raising her hand, but its just the really tall hat she's wearing. Finally, he has to pronounce them husband and wife and Sylvia and Edward kiss, thinking they're both married. 

Now, Peter has arrived and proclaims his love for Sylvia. This movie actually reminded me Made of Honor (which I know came out many years after this one) when Patrick Dempsey is attending Michelle Monaghan's wedding in Scotland and he's in love with her, so he rides a horse to the church to stop the wedding. Heh, I wonder if that movie was inspired by this one. 

So Peter professes his love to Sylvia, but Edward is like, Too late pal, we're already married, and this is when Jack reveals he was the vicar, taking off his wig and old age make up and everyone is just so shocked! And since Jack isn't a real vicar, the marriage isn't official, so Edward and Sylvia are NOT married. Peter also proves that Edward was going to send Mary away to boarding school as soon as possible and Sylvia wants to make sure Peter wants to marry her because he loves her and not for Mary's sake and Peter assures her he loves her. I'm still not sure when this romance bloomed; I guess it was off screen when they were living together for the last five years and we're just supposed to believe they fell in love with each other. 

So then end up together and the movie ends with the song "Waiting For a Star to Fall", which, I'm not gonna lie, I totally love.

I presume that either Peter, Sylvia, and Mary moved out or Peter kicked out Jack and Michael. Heh, I feel just the tiniest bit sorry for Michael because now Jack is Marys' biological father and Peter is her stepfather and he's just...there. 

I heard they were supposed to make this into a trilogy with the third movie being called Three Men and a Bride with Mary getting married, but it never took off. I wonder who would have played Mary in that one since the young actress in this one never really did anything else as a teen or an adult. That was back in 2010 when they were talking about it, so I doubt it's ever going to happen. 

Retirement in Outer Space

Cocoon: The Return

Director: Daniel Petrie 

Cast: Wilford Brimley, Don Ameche, Jessica Tandy, Hume Cronyn, Jack Gilford, Steve Guttenberg, Courteney Cox, Maureen Stapleton, Gwen Verdon, Tahnee Welch, Elaine Stritch

Released: November 23, 1988

When I reviewed Cocoon seven years ago, I briefly mentioned its sequel. I sort of spoiled a major plot point of that movie and I would feel bad about that, except for that fact that a) this movie is over 30 years old, and b) this movie is pretty bad and unnecessary. Don't get me wrong. I love the first movie just for the nostolgia of it, but it absolutely makes no sense there's a sequel. Even Ron Howard, who directed the first movie, thought it was unnecessary and pointless to have a sequel, thus the reason he didn't direct it. 

Sure, it's fun to see the old (literally in this case!) gang back, but other than that, you're left wondering why the hell they're back.

Let's just get on with the review, shall we? First of all, even though this movie came out in 1988, it takes place in 1990. I guess they wanted it set five years after the original. I knew the first movie was set in Florida (heh, I just noticed that I have Jessica Tandy films representing Florida, Georgia, and Alabama and she's originally from England), but in the sequel I learn they're in St. Petersburg. They may have mentioned that in the first movie and I just forgot. It was filmed there as well, and my God, the water is absolutely stunning wherever they filmed a scene where they're at the beach...crystal blue waters that looks so inviting. Obviously the Gulf side is more picturesque than the Atlantic side. 

This movie wants to quickly get to the point of having the senior citizens back on Earth. Just a quick recap of the first film (in case you don't want to read my review): Three elderly couples become friends with aliens who can disguise themselves as humans and they learn they're from a planet called Antarea where one never grows old, never gets sick, and never dies. Rivendell must be their sister city! They live in a retirement community called Sunny Shores and pretty much everyone who lives there ends up going to live in Antarea. I was always a little suspicious of Antarea and voiced it in my Cocoon review: 

Seriously, would you go to another planet? You don't know what you're going to find when you get there. All these old people may be getting scammed! They're too naive! And even if where they were going did provide immortality, who would want to live forever? I feel like that would be more of a curse than a blessing.

Well, luckily they never got scammed, although we never do see a second of Antarea (although it will be described (barely, though!) for us.) At first, I was disappointed, but then I was kinda of relieved, because, let's be honest, it probably would have looked terrible. They didn't really have the technology in the late '80s to create a utopian planet. Anyway, besides David (the grandson of one of the couples) and a few other select people, everyone else thinks they were lost at sea and have been dead all this time. Including David's mom. 

It always irked me that Ben and Mary (Wilford Brimley and Maureen Stapleton) boarded the spaceship because in the first movie it was established they were close with their grandson, David (especially Ben). Now I'm sure the others had family they were leaving behind, but we never really heard about them, so it didn't really both me as much that they left Earth. I just never bought it that Ben and Mary would leave their grandson (or the daughter...I assume David's mom was their kid and not his dad because we don't really see/hear from his dad). 

So like I mentioned earlier, the movie just wants to jump right into the plot. And it does exactly that when we see David (probably 14/15, hell I don't know how old he's supposed to be!) in his room doing his homework while watching TV at the same time. His mom is downstairs and hears the TV and tells him to turn it off. He does, but it keeps coming on even after he keeps clicking it off. He gets up to inspect it and suddenly it turns to static before we see his grandpa telling him they're coming to visit because their friends have "some unfinished business to do there" so he and Grandma are hitching a ride. 

Dear Lord, I have so many questions:

-Is this the first time Ben has communicated with his grandson this way? I honestly couldn't tell. David seemed a little surprised by seeing his grandpa, but not that surprised. I would think if this wasn't the first time, David would realize why the TV was acting up and wouldn't be banging on it and acting so confused. So his grandparents have been gone for five years and they just realized they could communicate with their grandson this way? What the hell have they been doing all this time? You think they would try some way to communicate with him after all this time. Hmm, I guess I only had one question. But you have to admit it was a pretty valid one! 

Ben also tells David that he's going to have to tell his mom the truth which is pretty hilarious. "Uh, Mom, Grandpa and Grandma weren't 'lost at sea'. They actually boarded a spaceship with the other old people you thought were lost at sea and a couple of new aliens friends and flew to a planet called Antarea where they will spend the rest of eternity." I mean, I would be very concerned if I were this boy's mother! Sadly, we never get this scene where he tells her what actually happened, we just get a scene of her telling him that she doesn't believe him and that maybe he should talk to someone (i.e. she thinks he's crazy), but at least we get the rebuttal where David insists that they "really did go to another planet." He sounds so insane that I really don't blame his mom for not believing him. As they're talking, the doorbell rings and you know its gonna be the grandparents. I don't know how long it's been since David received the message from his grandpa, but in movie time, it's only been a few minutes. His mother answers the door and faints when she sees her parents. After this scene, we will never see her again. I didn't even bother to remember her name. I honestly don't even remember how much screen time she had in the first movie, but it had to be more than this! We never see her wake up after fainting and asking her parents question or anything. Is she just unconscious throughout the rest of the movie? 

Well, I assume she must have woken up from fainting and we just never see her again because Ben and Mary don't seem at all concerned about her as the next morning they're making breakfast and dancing while the radio plays, "You Make Me Feel So Young". Also, there's some shameless promoting going on while the camera lingers on the radio which is next to a box of Quaker instant oatmeal. If you're old enough, you might remember Wilford Brimley as the spokesperson for Quaker Oats. Speaking of Wilford Brimley, I learned something that I never knew before. He was only 49 years old when he filmed the first movie. This blew my mind. To put it in perspective, here are the ages of the other actors when the first movie came out:

Don Ameche: 77

Hume Cronyn: 74

Jessica Tandy: 76

Gwen Verdon: 60 (To be fair, that's pretty young for a person to live in an assisted living residence, especially a vivacious one, such as her character, but it's still not 49!)

Maureen Stapleton: 60

Jack Gilford: 77

I assume all the characters are suppose to be around the same age, probably mid-70s. I don't know, if I were 49, I would be a little insulted that I got cast to play a senior citizen in their 70s, ha! I guess this explains why Wilford Brimley was the last of the cast to die in 2020 when all the others passed away in the 90s or early '00s. 

The natural born humans aren't the only ones to return to Earth, they have also come with Kitty (Tahnee Welch) and those two random guys who don't have any lines. Walter (the main alien guy from the first movie played by Brian Dennehy) isn't there, but he'll show up for a few minutes at the end. Remember, Kitty and the two guys are aliens, but they're disguised as humans. It's all very Third Rock From the Sun. Kitty is a very attractive human woman and Jack (Steve Guttenberg) is happy (and a little surprised) to see her at the marina where he works, giving tours on his glass bottom boat. At one point, we see him wear a shirt that says "My grandma saw the Lost Treasure of the Florida Keys and all I got was this stupid t-shirt" that he sells at his gift kiosk. This is about the only scene we see Jack wear a shirt too. It is blatantly hilarious how often we see Steve Guttenberg shirtless in this movie. Or at the very least, he's wearing a shirt, but it's unbuttoned. Yeah, they're in Florida and I could forgive them if he was swimming or something, but he's usually not! 

Kitty tells Jack that they have come back because the cocoons are in danger and "The sensors that [they] left on the bottom of the ocean floor indicate seismic activity" so they have come to take their friends away. To tell you the truth, I don't even know why they have cocoons on another planet. I probably should have rewatched the first movie. I did read my review of the first movie, but didn't find any answers. So apparently this is the "unfinished business" Ben told his grandson about. Why did they even bring the old folks? They have four days to rescue their pod friends. So you're telling me they took a trip from outer space to Earth for only four days? I wouldn't go to Europe for only four days and that only takes, like, eight hours to fly there....not eight months (I'm just speculating how long it takes to fly from Antarea to Earth, but it wouldn't surprise me if that's how long this fictional journey took!). This has to be the worst travel plans ever. 

Now you may remember Bernie (Jack Gilford) as the only person of this old people friend group who did NOT get on the spaceship (smart man, in my opinion!). His wife died in the first movie and he still misses her terribly. Bernie is still at Sunny Shores even though I thought that place had closed down since all the other residents left to go to Antarea. But then again, they're in Florida and there is no shortage of senior citizens in Florida! After we see a scene of Bernie talking to his wife at her gravesite, he's in his room, attempting to hang himself, but it's not working. He hears a knock on his door right before he's going to step off the table and tells whoever is on the side to wait a minute, but once he realizes it's not his day to die, he just gives up with the suicide attempt and answers the door. And it's a good thing his suicide attempt didn't work because he finds his friends who he hasn't seen for the past five years and is thrilled to see them. This includes Art (Don Ameche), Joe (Hume Cronyn), Alma (Jessica Tandy), and Bess (Gwen Verdon). Joe and Alma are married (as were Hume Cronyn and Jessica Tandy were in real life....so cute!) and Art and Bess were a thing in the first movie and must have gotten married while in Antarea....or maybe they got married in the first movie and I don't remember. Who knows. All I know is that they're married now. 

Bernie thinks his friends have come back to Earth for good, but they're not. They don't want to tell him until he's ready to handle the news. I honestly still don't know why they're there. They have nothing to do with helping Kitty and the two other guys retrieve the pods. And I can't blame Bernie for thinking they returned for good.

Joe and Art meet Ruby (Elaine Stritch), a woman who runs the motel they're staying at until they leave. At first I thought Art was gonna have thing for her and cheat on his wife, but then I quickly realize she's gonna be used to be set up with Bernie.

Joe, Art, and Ben stop at Sunny Shores to retrieve Bernie to take him to the beach and as they're leaving, a male nurse tells them to stop and that Bernie's supposed to be in his "rug hooking class." Seriously. Like, why is that mandatory and how would he know where he's supposed to be? Art tells him to take his hands off Bernie and the nurse asks, "Or what?" in a challenging voice and calls him "an old coot". What he doesn't know is that he's messed with the wrong senior citizen! He may be in his 70s, but living in Antarea has rejuvenated him and he is easily able to bodyslam the bigger and younger nurse to the floor. It is hilarious because he literally just assaulted this guy and all the residents around them are applauding. Obviously, nobody likes this bully nurse. 

While at the beach, they see some college girls in bikinis frolicking on the beach and Joe tells the other guys that those girls "need some mature male company." Eww. There's a scene of three of the four old men (guess which one isn't participating?) playing keep away with a beachball while the girls are giggling and acting like airheads. I'm sorry, but there's no way a bunch of college girls would be frolicking and giggling with three senior citizen men...unless they were billionaires or something! 

Meanwhile, Jack has taken Kitty and the two guys on his boat where they are getting ready to scuba dive to retrieve the cocoons. We get a stupid joke where Jack tells Kitty, "You're my favorite martian." If this joke was used today (which it wouldn't be), it would go over everybody's head. At least people of a certain age. I've heard of My Favorite Martian (a TV sitcom from the mid-60s; I had to look that part up), but I've never seen it.

While the others are scuba-diving, Jack sees a boat from the St. Petersburg Oceanographic Institute and they have captured a cocoon. Ruh-row! Now we are introduced to these characters, but the only one you really need to know is Sara (played by a pre-Friends Courteney Cox). Trust me, I wouldn't have remembered her name if it wasn't the same as mine and probably would have just called her Monica! 

At the lab at the Oceanographic Institute, they are taking X-rays of the cocoon and one guy think it's a meteorite, but Sara doesn't think it came from the sky because it doesn't have the markings that would be characteristic of one. In the X-ray, they see a human form. Think a fetus, but an adult version of one. They are literally seeing a human shape in this cocoon and nobody is freaking out. They all seem pretty chill that there's a life form inside this giant rock. Okay, sure. 

Oh, and while all this is happening, Jack, Kitty, and the two random dudes have followed them so they know where their friend has been taken so they'll be able to rescue him later. And if you're wondering how the scientist from the Oceanographic Institute were able to find the cocoon so easily, it was because it was knocked out of its hiding space from an earthquake. It's not like they just left them laying around for people to easily find them. Cuz that would just be stupid. Jack is surprised when the aliens decide they're going to rescue their friend in three days. That will be right before their spaceship is set to arrive and take them back home. He tells them by then that they will have cut the cocoon open and start performing experiments on their friend. Hey, he's not totally wrong. 

They do eventually cut the pod open and Sara is all smiles at the weird and creepy alien being. It's obviously a human dressed up in some weird prosthetic with a glowing aura, so that just adds to the uncanniness. It is the most terrifying thing and I wouldn't be acting like it's some cute puppy that I discovered. Sara finds out she can communicate with the alien they have named "Phil" (no clue why....was that an alien on My Favorite Martian?) when he makes her watch beep. It beeps constantly and it's the most irritating sound. She finds it charming and cute, but I would find it super annoying and grating. She plays a game with him where they give him cards with shapes on it and she has the same cards and he has to guess what she has and he gets them right, so I guess he's clairvoyant? It honestly goes nowhere so it doesn't matter. 

Sara finds out they want to give the alien to the government because they believe "there's a genuine national security issue." Not sure what Phil has done to make them believe that. It's not like he's trying to take over the world and destroying mankind like the aliens in Independence Day! These aliens seem pretty peaceful and just want to lay low. 

Kitty and the other aliens know the the cocoon has been opened (I guess they can sense it? IDK! I don't question it!). They think their friend will be okay for a little while (yeah, as long as he doesn't get dissected!), but if he doesn't get an "infusion of life force soon, he'll weaken quickly." 

Ben bonds with his grandson when he sees that David is not very good at baseball (he plays on a a team and his other teammates make fun of him for how much he sucks) and helps him with his batting skills. It's a good thing David has his grandparents to look after him since his mom is God knows where. Ben and Mary discuss how they're getting older on Earth (what the eff? They're only there for four days, so it's not like they're getting that much older! I'm sure four days isn't going to put a dent in the aging process, good Lord!), but they're happy to be back to spend some quality time with their grandson (but apparently not their daughter!). 

Since the senior citizens are only on the planet for a few days, they are keen on getting down to boogie! Maybe they don't have social events like this on Antarea. Who knows. We barely hear anything about this mysterious planet except that you never get sick or age. The three couples are out dancing while Bernie is sitting at a table by himself. Ha, out of all these old people, I'm totally the Bernie of the group. His friends join him and Art tells him, "I see something that will get his juices flowing" and we see that he's looking at Ruby who's sitting at the bar. They must have invited her over because the next thing we see is all the old people sitting around the (extremely tiny!) table talking and joking. Ruby tells them, "You are my kind of group. Most people our age are a pain in the ass." Heh, as somebody who works with senior citizens, no comment! (But many of them are lovely!) I love when Bernie deadpans, "Most people our age are dead" and at first they're shocked, but then they start laughing. Bernie proceeds to do a bunch of impressions including Laurel and Hardy, then does a very specific impression which is of "an eagle who just found out his teenage daughter's pregnant." I have to admit, I didn't really get that one, but, weirdly, he did kind of look like an eagle. I was a bit confused why he was doing a comedy routine because it seemed so out of character for Bernie, but after looking up Jack Gilford's Wikipedia page, it made sense because he started his career doing impressions and I'm sure Laurel and Hardy and an eagle were just some that he did! 

Ruby tells Bernie that he's adorable and gives him a kiss on the lips. Wow, she's certainly forward! Bernie doesn't like that and I can't blame him. He tells her he's a married man and she's confused because his friend had told her that he was single. Let's just say the evening does not end well for either one of them.

While writing this review, it's only now I'm realizing just how much stuff is crammed in this movie and these old people are sure doing a lot in the few days they're visiting Earth! I mean, I get it, they want to try to get as much done as they can before they go back to their home on an entirely different planet and who knows what you can do on Earth that you can't do on Antarea. 

Alma is walking through a park near the beach when she sees a little girl bump her head on the playground equipment. The girl starts crying so Alma goes over to the woman who's trying to comfort the girl (at first I assumed she was the girl's mother, but I think she just ran the playgroup the girl was a part of) and asks if she can help. She then proceeds to cover the girl's head with her hands and a glowing light appears and the girl stops crying. The woman asks Alma to watch the rest of the children while she takes the girl to the first aid station. I love how this woman just leaves the rest of the children with this elderly woman she just met. Yes, Jessica Tandy has the friendliest and kindest face in the world, but she's a 75-year-old woman who probably won't be able to chase after a child if one decides to run away. 

The only time we learn anything remotely about Antarea is when Alma has gathered the children around the swing set and is telling them a "story" about the planet. We learn that they can float there and there are three pale pink moons. Also, apparently there's no ice cream? What kind of hellhole is this? 

Later that day, Alma tells her husband that she's been offered a job by the woman who runs a preschool for foster children. First of all, why is this woman offering a 75-year old a job? And I know the woman doesn't know it, but Alma and Joe are leaving in two days anyway. Joe points this out and Alma replies she wanted the fantasy of getting a job offer to last a little longer. I don't know, but when I'm 75, I doubt I would call getting a job offer a "fantasy". 

So what had Joe been doing earlier that day? Glad you asked cuz now we're about to get to my favorite scene of the movie and it's my favorite scene because it's so hilarious and ridiculous. Actually, now that I think of it, there might be a scene even more hilarious and ridiculous than this one if you can believe it. Joe, Ben, Art, and Bernie are about to eat lunch at a picnic table near a basketball court and a ball bounces over the fence and splatters Bernie with ketchup when it lands on the table. The four young guys (probably in their twenties) who were playing basketball, come over to retrieve their ball and they get in an altercation with the older men when Bernie starts complaining about what happened. Ben bets the younger guys $10 they (the older crew) can make eleven baskets before the young crew can. Why eleven and not ten, don't ask me. Also, ten dollars seems cheap even in 1990 money. 

The game starts and Bernie is just standing there. After one of the older men make their second basket, one of the young guys says, "No more charity, now we're gonna play." Okay, I can see him saying that if the older guys had made five or six baskets, but you're getting scared because they made two baskets? And you're seven baskets ahead of them? Really? In hindsight, I guess they should have been worried, but it seems a little premature to get worried about it now. 

Ben calls a time out after the older guys are beating them nine to two and Joe and Art huddle with him. I love that Bernie is not even involved because he could care less. Ben tells his friends it's time they show them "what they learned" and this is when all play basketball like they're Michael Jordan....why they didn't do this from the beginning, you got me. There's even one ridiculous moment where Joe makes a basket and he's literally floating in the air (due to awful special effects) and none of the younger guys even question this at all. They must have seen it! Somebody other than the Antarean residents must have seen that because a few people have gathered around the court, outside the fence and are cheering the old geezers on. There is this hilarious moment where they two twelve year old on bike give each other a high five and it's so dorky. It was so hilariously bad that I had to share it with you:

Obviously, the older men win and collect their winnings. During the game, Joe writhes in pain, but nobody seems to notice. Unfortunately, we will later learn that this is due to his leukemia coming back, which he was diagnosed with in the first movie, but it disappeared once he started soaking in the pool with the pods. The doctor he sees tells him he doesn't know if he has six months or six years left. I'm confused. He's going back to Antarea in two or three day, right? (At this point, I have no clue how many days are left in their short visit to Earth). So as long as he doesn't drop dead before then, he should be okay....unless I'm not factoring in the four month (presumably) journey back to Antarea. That could pose a problem....unless they have their life forces on the spaceship. Ugh, the problem with this movie is that we don't have enough information about how these life forces work and where they're kept. I mean, it's not the only problem with this movie! 

There's a cute scene of the ladies trying on fancy old-lady clothes at a store, like they're in Pretty Woman. This scene pretty much confirms that Jessica Tandy was the most adorable old lady who ever lived. Bess ends up fainting and we later find out that she is pregnant. WTF? This woman is no younger than sixty, how the hell can she be pregnant? We see a montage of her and Art getting ready for their baby and this includes them shopping for baby clothes. It I were in that store and saw them, I would just think it's an old couple shopping for an upcoming grandchild. We also see them in a lamaze class where the much younger couples are just staring at them. Why are they even bothering with this when, again, they are only on the effing planet for three days and also, how are they not getting on the news for being the oldest couple ever to have a baby? Honestly, I think they just threw this lame plot twist in because they had nothing for Bess to do. 

Also, I have a question that probably is never going to be answered, so I don't know why I'm even bothering to ask it, but how does this age thing work on Antarea? Like, are you always the age you are when you go there or do you stop aging at a certain point? Cuz if it's the former, their baby is going to remain a newborn forever! And that sounds terrible....for everyone! 

Ruby and Jack go on a second date and everything seems to be going pretty well (he tells her he thinks she's pretty and they kiss) until they're dancing and he thinks he see his wife. Ruby tells him his wife is dead and he's alive and that he's using his wife as "an excuse so [he doesn't] have to go on living." It is a little amusing because Ruby and Jack's first wife, Rose, are just so different. Let me give you a side by side comparison:

Okay, it's not really side by side, but one above the other, but whatever. Rose gives off a grandmotherly vibe who likes to bake cookies and sew while Ruby is more of a Blanche Devereaux type. They just give off totally different vibes. By the way, I was pretty proud of myself because I had no idea Elaine Stritch was in this movie, but when I first saw her in a scene I thought it was Elaine Stritch and I looked it up and I was right! 

It probably won't surprise you that in the end, Jack and Ruby reconcile and things between them at the end are good. 

We get some foreshadowing when Ben and Mary are talking about how much they miss being around their grandson and how they missed his 14th birthday (uh....didn't they miss his previous last five birthdays and won't they miss seeing him grow up?). Mary indeed does point out they they've missed the last five years of David's life and tells her husband that she wants to stay so they can all be together. Yes, Mary! That's what you should have said in the first movie! Ben tells her everyone around them is sick and dying and doesn't want that to happen to her. Okay, is this really true? He doesn't even know that Joe's cancer has returned and besides Bernie's wife, who else do they know that has died in the last few years? I feel like Ben is being a tad hyperbolic here. Mary tells him that people shouldn't outlive their children. She forgot to mention people also shouldn't outlive their grandchildren! 

Now we get the most ridiculous and stupidest scene of the movie when Kitty "shows" Jack his future when he's bemoaning he'll never find anyone to share his life with. And the worst part is that this scene is supposed to be taken seriously! In any other movie, this would have been seen as satirical. Kitty tells Jack to close his eyes and places her hand on his forehead and this allows her to show him his future. Um, okay, this is a new development with these Antarean aliens, but never mind that! Jack's "current self" is walking by a lake and he's either wearing pajamas or leisure wear....I don't know what he's wearing, but his shirt is unbuttoned. He comes across a large house that's painted white (I can't just type "White House" because it literally just capitalizes it....yeah, like that) with black shutters and pillars. He sees two young girls with a maid/nanny in the front yard (where an old fancy car is parked....I don't know my cars, but I'm sure it's expensive). The girls looks like extras from Mary Poppins, dressed in sailor dresses and large brimmed hats with ribbons that tie around their chins. Like, what century are we in? We see a woman dressed in a matching dress and hat come out the front door. You can't see her face because it's hidden by the hat, but it's so obvious it's Courteney Cox. After all, she's the only other woman in the movie that's Jack's age aside from Kitty, but we know Jack can't have a future with Kitty because a) she's an alien, b) she lives on an entirely different planet, and c), she's an alien! The "mystery" woman brushes her hair back and we see she has a birthmark in the shape of a heart on her neck, behind her ear.

I though the outfit Jack is wearing just strolling about is ridiculous, but then the front door opens and he sees his future self (and keep in mind the is probably only a few years in the future) walk out looking absolutely ridiculous in a navy blue suit jacket and yellow tie and white pants and he's smoking a pipe (wonder what's in that pipe?). He hugs the girls, then the woman. It's so obvious that this is his family in the near future. Either Sara makes a good living as a scientist or he got a better job because I don't know how he's affording all these things.

It's the last day of the senior citizen's field trip to Earth and they have found out about Phil, so they tell Kitty that they'll help her get her friend back since the Antareans have given them so much and they want to help. She tells them that the spaceship will meet them at the rendezvous point at midnight and if they have any "unfinished business" today is the day to do it. Duh, Kitty, they only have one last day on Earth. Also, why are they only visiting for four days? This is so stupid. And....I STILL DON'T KNOW WHY THEY CAME BACK IN THE FIRST PLACE! It sure damn well wasn't to rescue their friend because at that point they didn't even know there would be any rescuing to do! This movie literally makes zero sense. They still haven't told Bernie that they're not staying and Art tells the others they need to tell him, but he conveniently overheard everything and now he's mad. 

Apparently Alma took the job at the day care because we see her playing kickball with the kids and the ball goes into the street. (Why are they letting young children play by a busy street?) A stupid young boy chases the ball and Alma runs after him. Of course, she saves the boy from getting hit by a car and she gets hit instead. She's taken to the hospital where the doctor tells Joe that she won't make it through the night. Remember when Alma healed that young girl's bruised head with her glowing powers? Well, Joe uses his powers to heal his wife. I wonder why he couldn't do the same for himself. Maybe it only works on exterior body ailments or he ran out of power. She wakes up and tells him she dreamed something was pulling her further and further away but he wouldn't let her go. Joe is the one that ends up dying because of his cancer. I figured one of our older characters was going to die when they retuned to Earth. 

After Joe has died, Ben and Art are walking on the beach. Art says, "We never should have come back. If we stayed put, this never would have happened." Duh, you think? Also, his line should have been, "We never should have made this movie."! 

Before his grandparents leave, David gifts his grandfather with a baseball that he has written "I love you, Grandpa" on it. Even if I didn't already know that his grandparents would end up staying, I feel pretty confident that I would have correctly predicted it. We get this scene, plus the other scenes where Mary keeps telling her husband how much stuff they're missing by not being on the same planet as their daughter and grandson. I also love that we still haven't seen David's mother since she fainted. I just picture her still being unconscious by the front door. 

So Ben and Art go to the science facility to help Kitty and Jack rescue Phil while the other women are....doing something. I honestly don't remember. I won't bore you with the details, but it consists of Kitty changing into her alien form. Actually, I don't really remember, but the rescue operation is successful and Sara sees them running away with the alien and she yells at them to stop, but Ben tells her that this is their friend and they're taking him home so she just lets them go. This place has the worst security ever. Oh, and David was there to help them because apparently he was able to sneak in the trunk of his grandparents' car without them noticing and this isn't revealed to the audience until we see him get out of the trunk. I love how his grandfather isn't even that surprised when he sees David at the facility, he just tells him to hold the door open for him. 

So now everyone is at the boat which is where the spaceship will pick them up (just like in the first movie). Ben thanks David for his help and tells him after all that, hitting a baseball should be easy? Huh? He literally just held a door open....how is that like hitting a baseball? David tells him he wishes he could be there to see his games and without any fanfare, his grandfather replies, "We will be" and his wife starts crying (from happiness, I hope). Seriously, if I were Mary, I would be a little peeved. She has been telling him all this time that they should stay and he's like no, no, no, but then when he decides they should stay, they stay. What the hell? Actually, I thought Bernie and Ruby might take their place, but it wouldn't be in Bernie's character to go so I'm glad that prediction didn't come true. Alma is also staying so she can continue to work at the day care, but I think she's staying only because her husband died and it would be too painful to live an eternity without him. But that's just my analyzation. 

So this means that Art and Bess are the only humans going back. What is the point of that if all their friends are staying on Earth? (And they'll all be in the same area on Earth!) Yeah, I know they're also friends with the aliens, but it's not the same. Oh, wait, I forgot other residents from Sunny Shores also went on the spaceship in the first movie, so I guess there are other humans there as well. I wonder if this is why they made Bess pregnant so they could have them raise their child on a different planet even though we will never see a second of this. 

This is when we see Walter, the main alien from the first movie, make a quick appearance to say a quick goodbye to everyone who's not coming back. 

It's at this point I'm wondering when are we going to see any interaction between Jack and Sara. After all, they're supposed to end up with each other and so far they haven't had any screen time together. The movie ends with Jack on his boat at night and Sara comes up and asks for some gas. She asks him because his boat was the only light she saw. Jack tells her he can give her a lift to the gas station which is down the way and she agrees. Uh....this is a great way to get murdered! A pretty, young woman accepts a ride from a random stranger in the dark of night. Yep, that's going to end well. (I listen to too many true crime podcasts.) Well, actually it does end well because if Kitty's promotions are right, they end up happily married and rich with two daughters. Or maybe she'll end up in New York, live in an extremely large apartment, change her name to Monica and become a chef and get married to another guy. Haha, a little Friends humor there. Oh, and this is when it's "revealed" to Jack and audience that Sara is the "mystery" woman with the heart-shaped birth mark. What a shock! It sure would have been nice to see those two meet in a previous scene and then we could have seen their relationship form instead of this random scene that felt more like an afterthought.

While the credits roll, we see clips of the first movie. It feels like they're trying to tell us that we just watched this movie because we loved the first movie so much, which is true, but it also reminds me of how much better the first movie is. Do yourself a favor and skip this movie and watch the first one!