Showing posts with label 1988. Show all posts
Showing posts with label 1988. Show all posts

Wednesday, August 9, 2023

Retirement in Outer Space

Cocoon: The Return
Director: Daniel Petrie 
Cast: Wilford Brimley, Don Ameche, Jessica Tandy, Hume Cronyn, Jack Gilford, Steve Guttenberg, Courteney Cox, Maureen Stapleton, Gwen Verdon, Tahnee Welch, Elaine Stritch
Released: November 23, 1988


When I reviewed Cocoon seven years ago, I briefly mentioned its sequel. I sort of spoiled a major plot point of that movie and I would feel bad about that, except for that fact that a) this movie is over 30 years old, and b) this movie is pretty bad and unnecessary. Don't get me wrong. I love the first movie just for the nostolgia of it, but it absolutely makes no sense there's a sequel. Even Ron Howard, who directed the first movie, thought it was unnecessary and pointless to have a sequel, thus the reason he didn't direct it. 

Sure, it's fun to see the old (literally in this case!) gang back, but other than that, you're left wondering why the hell they're back.

Let's just get on with the review, shall we? First of all, even though this movie came out in 1988, it takes place in 1990. I guess they wanted it set five years after the original. I knew the first movie was set in Florida (heh, I just noticed that I have Jessica Tandy films representing Florida, Georgia, and Alabama and she's originally from England), but in the sequel I learn they're in St. Petersburg. They may have mentioned that in the first movie and I just forgot. It was filmed there as well, and my God, the water is absolutely stunning wherever they filmed a scene where they're at the beach...crystal blue waters that looks so inviting. Obviously the Gulf side is more picturesque than the Atlantic side. 

This movie wants to quickly get to the point of having the senior citizens back on Earth. Just a quick recap of the first film (in case you don't want to read my review): Three elderly couples become friends with aliens who can disguise themselves as humans and they learn they're from a planet called Antarea where one never grows old, never gets sick, and never dies. Rivendell must be their sister city! They live in a retirement community called Sunny Shores and pretty much everyone who lives there ends up going to live in Antarea. I was always a little suspicious of Antarea and voiced it in my Cocoon review: 

Seriously, would you go to another planet? You don't know what you're going to find when you get there. All these old people may be getting scammed! They're too naive! And even if where they were going did provide immortality, who would want to live forever? I feel like that would be more of a curse than a blessing.

Well, luckily they never got scammed, although we never do see a second of Antarea (although it will be described (barely, though!) for us.) At first, I was disappointed, but then I was kinda of relieved, because, let's be honest, it probably would have looked terrible. They didn't really have the technology in the late '80s to create a utopian planet. Anyway, besides David (the grandson of one of the couples) and a few other select people, everyone else thinks they were lost at sea and have been dead all this time. Including David's mom. 

It always irked me that Ben and Mary (Wilford Brimley and Maureen Stapleton) boarded the spaceship because in the first movie it was established they were close with their grandson, David (especially Ben). Now I'm sure the others had family they were leaving behind, but we never really heard about them, so it didn't really both me as much that they left Earth. I just never bought it that Ben and Mary would leave their grandson (or the daughter...I assume David's mom was their kid and not his dad because we don't really see/hear from his dad). 

So like I mentioned earlier, the movie just wants to jump right into the plot. And it does exactly that when we see David (probably 14/15, hell I don't know how old he's supposed to be!) in his room doing his homework while watching TV at the same time. His mom is downstairs and hears the TV and tells him to turn it off. He does, but it keeps coming on even after he keeps clicking it off. He gets up to inspect it and suddenly it turns to static before we see his grandpa telling him they're coming to visit because their friends have "some unfinished business to do there" so he and Grandma are hitching a ride. 

Dear Lord, I have so many questions:

-Is this the first time Ben has communicated with his grandson this way? I honestly couldn't tell. David seemed a little surprised by seeing his grandpa, but not that surprised. I would think if this wasn't the first time, David would realize why the TV was acting up and wouldn't be banging on it and acting so confused. So his grandparents have been gone for five years and they just realized they could communicate with their grandson this way? What the hell have they been doing all this time? You think they would try some way to communicate with him after all this time. Hmm, I guess I only had one question. But you have to admit it was a pretty valid one! 

Ben also tells David that he's going to have to tell his mom the truth which is pretty hilarious. "Uh, Mom, Grandpa and Grandma weren't 'lost at sea'. They actually boarded a spaceship with the other old people you thought were lost at sea and a couple of new aliens friends and flew to a planet called Antarea where they will spend the rest of eternity." I mean, I would be very concerned if I were this boy's mother! Sadly, we never get this scene where he tells her what actually happened, we just get a scene of her telling him that she doesn't believe him and that maybe he should talk to someone (i.e. she thinks he's crazy), but at least we get the rebuttal where David insists that they "really did go to another planet." He sounds so insane that I really don't blame his mom for not believing him. As they're talking, the doorbell rings and you know its gonna be the grandparents. I don't know how long it's been since David received the message from his grandpa, but in movie time, it's only been a few minutes. His mother answers the door and faints when she sees her parents. After this scene, we will never see her again. I didn't even bother to remember her name. I honestly don't even remember how much screen time she had in the first movie, but it had to be more than this! We never see her wake up after fainting and asking her parents question or anything. Is she just unconscious throughout the rest of the movie? 

Well, I assume she must have woken up from fainting and we just never see her again because Ben and Mary don't seem at all concerned about her as the next morning they're making breakfast and dancing while the radio plays, "You Make Me Feel So Young". Also, there's some shameless promoting going on while the camera lingers on the radio which is next to a box of Quaker instant oatmeal. If you're old enough, you might remember Wilford Brimley as the spokesperson for Quaker Oats. Speaking of Wilford Brimley, I learned something that I never knew before. He was only 49 years old when he filmed the first movie. This blew my mind. To put it in perspective, here are the ages of the other actors when the first movie came out:

Don Ameche: 77
Hume Cronyn: 74
Jessica Tandy: 76
Gwen Verdon: 60 (To be fair, that's pretty young for a person to live in an assisted living residence, especially a vivacious one, such as her character, but it's still not 49!)
Maureen Stapleton: 60
Jack Gilford: 77

I assume all the characters are suppose to be around the same age, probably mid-70s. I don't know, if I were 49, I would be a little insulted that I got cast to play a senior citizen in their 70s, ha! I guess this explains why Wilford Brimley was the last of the cast to die in 2020 when all the others passed away in the 90s or early '00s. 

The natural born humans aren't the only ones to return to Earth, they have also come with Kitty (Tahnee Welch) and those two random guys who don't have any lines. Walter (the main alien guy from the first movie played by Brian Dennehy) isn't there, but he'll show up for a few minutes at the end. Remember, Kitty and the two guys are aliens, but they're disguised as humans. It's all very Third Rock From the Sun. Kitty is a very attractive human woman and Jack (Steve Guttenberg) is happy (and a little surprised) to see her at the marina where he works, giving tours on his glass bottom boat. At one point, we see him wear a shirt that says "My grandma saw the Lost Treasure of the Florida Keys and all I got was this stupid t-shirt" that he sells at his gift kiosk. This is about the only scene we see Jack wear a shirt too. It is blatantly hilarious how often we see Steve Guttenberg shirtless in this movie. Or at the very least, he's wearing a shirt, but it's unbuttoned. Yeah, they're in Florida and I could forgive them if he was swimming or something, but he's usually not! 

Kitty tells Jack that they have come back because the cocoons are in danger and "The sensors that [they] left on the bottom of the ocean floor indicate seismic activity" so they have come to take their friends away. To tell you the truth, I don't even know why they have cocoons on another planet. I probably should have rewatched the first movie. I did read my review of the first movie, but didn't find any answers. So apparently this is the "unfinished business" Ben told his grandson about. Why did they even bring the old folks? They have four days to rescue their pod friends. So you're telling me they took a trip from outer space to Earth for only four days? I wouldn't go to Europe for only four days and that only takes, like, eight hours to fly there....not eight months (I'm just speculating how long it takes to fly from Antarea to Earth, but it wouldn't surprise me if that's how long this fictional journey took!). This has to be the worst travel plans ever. 

Now you may remember Bernie (Jack Gilford) as the only person of this old people friend group who did NOT get on the spaceship (smart man, in my opinion!). His wife died in the first movie and he still misses her terribly. Bernie is still at Sunny Shores even though I thought that place had closed down since all the other residents left to go to Antarea. But then again, they're in Florida and there is no shortage of senior citizens in Florida! After we see a scene of Bernie talking to his wife at her gravesite, he's in his room, attempting to hang himself, but it's not working. He hears a knock on his door right before he's going to step off the table and tells whoever is on the side to wait a minute, but once he realizes it's not his day to die, he just gives up with the suicide attempt and answers the door. And it's a good thing his suicide attempt didn't work because he finds his friends who he hasn't seen for the past five years and is thrilled to see them. This includes Art (Don Ameche), Joe (Hume Cronyn), Alma (Jessica Tandy), and Bess (Gwen Verdon). Joe and Alma are married (as were Hume Cronyn and Jessica Tandy were in real life....so cute!) and Art and Bess were a thing in the first movie and must have gotten married while in Antarea....or maybe they got married in the first movie and I don't remember. Who knows. All I know is that they're married now. 

Bernie thinks his friends have come back to Earth for good, but they're not. They don't want to tell him until he's ready to handle the news. I honestly still don't know why they're there. They have nothing to do with helping Kitty and the two other guys retrieve the pods. And I can't blame Bernie for thinking they returned for good.

Joe and Art meet Ruby (Elaine Stritch), a woman who runs the motel they're staying at until they leave. At first I thought Art was gonna have thing for her and cheat on his wife, but then I quickly realize she's gonna be used to be set up with Bernie.

Joe, Art, and Ben stop at Sunny Shores to retrieve Bernie to take him to the beach and as they're leaving, a male nurse tells them to stop and that Bernie's supposed to be in his "rug hooking class." Seriously. Like, why is that mandatory and how would he know where he's supposed to be? Art tells him to take his hands off Bernie and the nurse asks, "Or what?" in a challenging voice and calls him "an old coot". What he doesn't know is that he's messed with the wrong senior citizen! He may be in his 70s, but living in Antarea has rejuvenated him and he is easily able to bodyslam the bigger and younger nurse to the floor. It is hilarious because he literally just assaulted this guy and all the residents around them are applauding. Obviously, nobody likes this bully nurse. 

While at the beach, they see some college girls in bikinis frolicking on the beach and Joe tells the other guys that those girls "need some mature male company." Eww. There's a scene of three of the four old men (guess which one isn't participating?) playing keep away with a beachball while the girls are giggling and acting like airheads. I'm sorry, but there's no way a bunch of college girls would be frolicking and giggling with three senior citizen men...unless they were billionaires or something! 

Meanwhile, Jack has taken Kitty and the two guys on his boat where they are getting ready to scuba dive to retrieve the cocoons. We get a stupid joke where Jack tells Kitty, "You're my favorite martian." If this joke was used today (which it wouldn't be), it would go over everybody's head. At least people of a certain age. I've heard of My Favorite Martian (a TV sitcom from the mid-60s; I had to look that part up), but I've never seen it.

While the others are scuba-diving, Jack sees a boat from the St. Petersburg Oceanographic Institute and they have captured a cocoon. Ruh-row! Now we are introduced to these characters, but the only one you really need to know is Sara (played by a pre-Friends Courteney Cox). Trust me, I wouldn't have remembered her name if it wasn't the same as mine and probably would have just called her Monica! 

At the lab at the Oceanographic Institute, they are taking X-rays of the cocoon and one guy think it's a meteorite, but Sara doesn't think it came from the sky because it doesn't have the markings that would be characteristic of one. In the X-ray, they see a human form. Think a fetus, but an adult version of one. They are literally seeing a human shape in this cocoon and nobody is freaking out. They all seem pretty chill that there's a life form inside this giant rock. Okay, sure. 

Oh, and while all this is happening, Jack, Kitty, and the two random dudes have followed them so they know where their friend has been taken so they'll be able to rescue him later. And if you're wondering how the scientist from the Oceanographic Institute were able to find the cocoon so easily, it was because it was knocked out of its hiding space from an earthquake. It's not like they just left them laying around for people to easily find them. Cuz that would just be stupid. Jack is surprised when the aliens decide they're going to rescue their friend in three days. That will be right before their spaceship is set to arrive and take them back home. He tells them by then that they will have cut the cocoon open and start performing experiments on their friend. Hey, he's not totally wrong. 

They do eventually cut the pod open and Sara is all smiles at the weird and creepy alien being. It's obviously a human dressed up in some weird prosthetic with a glowing aura, so that just adds to the uncanniness. It is the most terrifying thing and I wouldn't be acting like it's some cute puppy that I discovered. Sara finds out she can communicate with the alien they have named "Phil" (no clue why....was that an alien on My Favorite Martian?) when he makes her watch beep. It beeps constantly and it's the most irritating sound. She finds it charming and cute, but I would find it super annoying and grating. She plays a game with him where they give him cards with shapes on it and she has the same cards and he has to guess what she has and he gets them right, so I guess he's clairvoyant? It honestly goes nowhere so it doesn't matter. 

Sara finds out they want to give the alien to the government because they believe "there's a genuine national security issue." Not sure what Phil has done to make them believe that. It's not like he's trying to take over the world and destroying mankind like the aliens in Independence Day! These aliens seem pretty peaceful and just want to lay low. 

Kitty and the other aliens know the the cocoon has been opened (I guess they can sense it? IDK! I don't question it!). They think their friend will be okay for a little while (yeah, as long as he doesn't get dissected!), but if he doesn't get an "infusion of life force soon, he'll weaken quickly." 

Ben bonds with his grandson when he sees that David is not very good at baseball (he plays on a a team and his other teammates make fun of him for how much he sucks) and helps him with his batting skills. It's a good thing David has his grandparents to look after him since his mom is God knows where. Ben and Mary discuss how they're getting older on Earth (what the eff? They're only there for four days, so it's not like they're getting that much older! I'm sure four days isn't going to put a dent in the aging process, good Lord!), but they're happy to be back to spend some quality time with their grandson (but apparently not their daughter!). 

Since the senior citizens are only on the planet for a few days, they are keen on getting down to boogie! Maybe they don't have social events like this on Antarea. Who knows. We barely hear anything about this mysterious planet except that you never get sick or age. The three couples are out dancing while Bernie is sitting at a table by himself. Ha, out of all these old people, I'm totally the Bernie of the group. His friends join him and Art tells him, "I see something that will get his juices flowing" and we see that he's looking at Ruby who's sitting at the bar. They must have invited her over because the next thing we see is all the old people sitting around the (extremely tiny!) table talking and joking. Ruby tells them, "You are my kind of group. Most people our age are a pain in the ass." Heh, as somebody who works with senior citizens, no comment! (But many of them are lovely!) I love when Bernie deadpans, "Most people our age are dead" and at first they're shocked, but then they start laughing. Bernie proceeds to do a bunch of impressions including Laurel and Hardy, then does a very specific impression which is of "an eagle who just found out his teenage daughter's pregnant." I have to admit, I didn't really get that one, but, weirdly, he did kind of look like an eagle. I was a bit confused why he was doing a comedy routine because it seemed so out of character for Bernie, but after looking up Jack Gilford's Wikipedia page, it made sense because he started his career doing impressions and I'm sure Laurel and Hardy and an eagle were just some that he did! 

Ruby tells Bernie that he's adorable and gives him a kiss on the lips. Wow, she's certainly forward! Bernie doesn't like that and I can't blame him. He tells her he's a married man and she's confused because his friend had told her that he was single. Let's just say the evening does not end well for either one of them.

While writing this review, it's only now I'm realizing just how much stuff is crammed in this movie and these old people are sure doing a lot in the few days they're visiting Earth! I mean, I get it, they want to try to get as much done as they can before they go back to their home on an entirely different planet and who knows what you can do on Earth that you can't do on Antarea. 

Alma is walking through a park near the beach when she sees a little girl bump her head on the playground equipment. The girl starts crying so Alma goes over to the woman who's trying to comfort the girl (at first I assumed she was the girl's mother, but I think she just ran the playgroup the girl was a part of) and asks if she can help. She then proceeds to cover the girl's head with her hands and a glowing light appears and the girl stops crying. The woman asks Alma to watch the rest of the children while she takes the girl to the first aid station. I love how this woman just leaves the rest of the children with this elderly woman she just met. Yes, Jessica Tandy has the friendliest and kindest face in the world, but she's a 75-year-old woman who probably won't be able to chase after a child if one decides to run away. 

The only time we learn anything remotely about Antarea is when Alma has gathered the children around the swing set and is telling them a "story" about the planet. We learn that they can float there and there are three pale pink moons. Also, apparently there's no ice cream? What kind of hellhole is this? 

Later that day, Alma tells her husband that she's been offered a job by the woman who runs a preschool for foster children. First of all, why is this woman offering a 75-year old a job? And I know the woman doesn't know it, but Alma and Joe are leaving in two days anyway. Joe points this out and Alma replies she wanted the fantasy of getting a job offer to last a little longer. I don't know, but when I'm 75, I doubt I would call getting a job offer a "fantasy". 

So what had Joe been doing earlier that day? Glad you asked cuz now we're about to get to my favorite scene of the movie and it's my favorite scene because it's so hilarious and ridiculous. Actually, now that I think of it, there might be a scene even more hilarious and ridiculous than this one if you can believe it. Joe, Ben, Art, and Bernie are about to eat lunch at a picnic table near a basketball court and a ball bounces over the fence and splatters Bernie with ketchup when it lands on the table. The four young guys (probably in their twenties) who were playing basketball, come over to retrieve their ball and they get in an altercation with the older men when Bernie starts complaining about what happened. Ben bets the younger guys $10 they (the older crew) can make eleven baskets before the young crew can. Why eleven and not ten, don't ask me. Also, ten dollars seems cheap even in 1990 money. 

The game starts and Bernie is just standing there. After one of the older men make their second basket, one of the young guys says, "No more charity, now we're gonna play." Okay, I can see him saying that if the older guys had made five or six baskets, but you're getting scared because they made two baskets? And you're seven baskets ahead of them? Really? In hindsight, I guess they should have been worried, but it seems a little premature to get worried about it now. 

Ben calls a time out after the older guys are beating them nine to two and Joe and Art huddle with him. I love that Bernie is not even involved because he could care less. Ben tells his friends it's time they show them "what they learned" and this is when all play basketball like they're Michael Jordan....why they didn't do this from the beginning, you got me. There's even one ridiculous moment where Joe makes a basket and he's literally floating in the air (due to awful special effects) and none of the younger guys even question this at all. They must have seen it! Somebody other than the Antarean residents must have seen that because a few people have gathered around the court, outside the fence and are cheering the old geezers on. There is this hilarious moment where they two twelve year old on bike give each other a high five and it's so dorky. It was so hilariously bad that I had to share it with you:


Obviously, the older men win and collect their winnings. During the game, Joe writhes in pain, but nobody seems to notice. Unfortunately, we will later learn that this is due to his leukemia coming back, which he was diagnosed with in the first movie, but it disappeared once he started soaking in the pool with the pods. The doctor he sees tells him he doesn't know if he has six months or six years left. I'm confused. He's going back to Antarea in two or three day, right? (At this point, I have no clue how many days are left in their short visit to Earth). So as long as he doesn't drop dead before then, he should be okay....unless I'm not factoring in the four month (presumably) journey back to Antarea. That could pose a problem....unless they have their life forces on the spaceship. Ugh, the problem with this movie is that we don't have enough information about how these life forces work and where they're kept. I mean, it's not the only problem with this movie! 

There's a cute scene of the ladies trying on fancy old-lady clothes at a store, like they're in Pretty Woman. This scene pretty much confirms that Jessica Tandy was the most adorable old lady who ever lived. Bess ends up fainting and we later find out that she is pregnant. WTF? This woman is no younger than sixty, how the hell can she be pregnant? We see a montage of her and Art getting ready for their baby and this includes them shopping for baby clothes. It I were in that store and saw them, I would just think it's an old couple shopping for an upcoming grandchild. We also see them in a lamaze class where the much younger couples are just staring at them. Why are they even bothering with this when, again, they are only on the effing planet for three days and also, how are they not getting on the news for being the oldest couple ever to have a baby? Honestly, I think they just threw this lame plot twist in because they had nothing for Bess to do. 

Also, I have a question that probably is never going to be answered, so I don't know why I'm even bothering to ask it, but how does this age thing work on Antarea? Like, are you always the age you are when you go there or do you stop aging at a certain point? Cuz if it's the former, their baby is going to remain a newborn forever! And that sounds terrible....for everyone! 

Ruby and Jack go on a second date and everything seems to be going pretty well (he tells her he thinks she's pretty and they kiss) until they're dancing and he thinks he see his wife. Ruby tells him his wife is dead and he's alive and that he's using his wife as "an excuse so [he doesn't] have to go on living." It is a little amusing because Ruby and Jack's first wife, Rose, are just so different. Let me give you a side by side comparison:

Okay, it's not really side by side, but one above the other, but whatever. Rose gives off a grandmotherly vibe who likes to bake cookies and sew while Ruby is more of a Blanche Devereaux type. They just give off totally different vibes. By the way, I was pretty proud of myself because I had no idea Elaine Stritch was in this movie, but when I first saw her in a scene I thought it was Elaine Stritch and I looked it up and I was right! 

It probably won't surprise you that in the end, Jack and Ruby reconcile and things between them at the end are good. 

We get some foreshadowing when Ben and Mary are talking about how much they miss being around their grandson and how they missed his 14th birthday (uh....didn't they miss his previous last five birthdays and won't they miss seeing him grow up?). Mary indeed does point out they they've missed the last five years of David's life and tells her husband that she wants to stay so they can all be together. Yes, Mary! That's what you should have said in the first movie! Ben tells her everyone around them is sick and dying and doesn't want that to happen to her. Okay, is this really true? He doesn't even know that Joe's cancer has returned and besides Bernie's wife, who else do they know that has died in the last few years? I feel like Ben is being a tad hyperbolic here. Mary tells him that people shouldn't outlive their children. She forgot to mention people also shouldn't outlive their grandchildren! 

Now we get the most ridiculous and stupidest scene of the movie when Kitty "shows" Jack his future when he's bemoaning he'll never find anyone to share his life with. And the worst part is that this scene is supposed to be taken seriously! In any other movie, this would have been seen as satirical. Kitty tells Jack to close his eyes and places her hand on his forehead and this allows her to show him his future. Um, okay, this is a new development with these Antarean aliens, but never mind that! Jack's "current self" is walking by a lake and he's either wearing pajamas or leisure wear....I don't know what he's wearing, but his shirt is unbuttoned. He comes across a large house that's painted white (I can't just type "White House" because it literally just capitalizes it....yeah, like that) with black shutters and pillars. He sees two young girls with a maid/nanny in the front yard (where an old fancy car is parked....I don't know my cars, but I'm sure it's expensive). The girls looks like extras from Mary Poppins, dressed in sailor dresses and large brimmed hats with ribbons that tie around their chins. Like, what century are we in? We see a woman dressed in a matching dress and hat come out the front door. You can't see her face because it's hidden by the hat, but it's so obvious it's Courteney Cox. After all, she's the only other woman in the movie that's Jack's age aside from Kitty, but we know Jack can't have a future with Kitty because a) she's an alien, b) she lives on an entirely different planet, and c), she's an alien! The "mystery" woman brushes her hair back and we see she has a birthmark in the shape of a heart on her neck, behind her ear.

I though the outfit Jack is wearing just strolling about is ridiculous, but then the front door opens and he sees his future self (and keep in mind the is probably only a few years in the future) walk out looking absolutely ridiculous in a navy blue suit jacket and yellow tie and white pants and he's smoking a pipe (wonder what's in that pipe?). He hugs the girls, then the woman. It's so obvious that this is his family in the near future. Either Sara makes a good living as a scientist or he got a better job because I don't know how he's affording all these things.

It's the last day of the senior citizen's field trip to Earth and they have found out about Phil, so they tell Kitty that they'll help her get her friend back since the Antareans have given them so much and they want to help. She tells them that the spaceship will meet them at the rendezvous point at midnight and if they have any "unfinished business" today is the day to do it. Duh, Kitty, they only have one last day on Earth. Also, why are they only visiting for four days? This is so stupid. And....I STILL DON'T KNOW WHY THEY CAME BACK IN THE FIRST PLACE! It sure damn well wasn't to rescue their friend because at that point they didn't even know there would be any rescuing to do! This movie literally makes zero sense. They still haven't told Bernie that they're not staying and Art tells the others they need to tell him, but he conveniently overheard everything and now he's mad. 

Apparently Alma took the job at the day care because we see her playing kickball with the kids and the ball goes into the street. (Why are they letting young children play by a busy street?) A stupid young boy chases the ball and Alma runs after him. Of course, she saves the boy from getting hit by a car and she gets hit instead. She's taken to the hospital where the doctor tells Joe that she won't make it through the night. Remember when Alma healed that young girl's bruised head with her glowing powers? Well, Joe uses his powers to heal his wife. I wonder why he couldn't do the same for himself. Maybe it only works on exterior body ailments or he ran out of power. She wakes up and tells him she dreamed something was pulling her further and further away but he wouldn't let her go. Joe is the one that ends up dying because of his cancer. I figured one of our older characters was going to die when they retuned to Earth. 

After Joe has died, Ben and Art are walking on the beach. Art says, "We never should have come back. If we stayed put, this never would have happened." Duh, you think? Also, his line should have been, "We never should have made this movie."! 

Before his grandparents leave, David gifts his grandfather with a baseball that he has written "I love you, Grandpa" on it. Even if I didn't already know that his grandparents would end up staying, I feel pretty confident that I would have correctly predicted it. We get this scene, plus the other scenes where Mary keeps telling her husband how much stuff they're missing by not being on the same planet as their daughter and grandson. I also love that we still haven't seen David's mother since she fainted. I just picture her still being unconscious by the front door. 

So Ben and Art go to the science facility to help Kitty and Jack rescue Phil while the other women are....doing something. I honestly don't remember. I won't bore you with the details, but it consists of Kitty changing into her alien form. Actually, I don't really remember, but the rescue operation is successful and Sara sees them running away with the alien and she yells at them to stop, but Ben tells her that this is their friend and they're taking him home so she just lets them go. This place has the worst security ever. Oh, and David was there to help them because apparently he was able to sneak in the trunk of his grandparents' car without them noticing and this isn't revealed to the audience until we see him get out of the trunk. I love how his grandfather isn't even that surprised when he sees David at the facility, he just tells him to hold the door open for him. 

So now everyone is at the boat which is where the spaceship will pick them up (just like in the first movie). Ben thanks David for his help and tells him after all that, hitting a baseball should be easy? Huh? He literally just held a door open....how is that like hitting a baseball? David tells him he wishes he could be there to see his games and without any fanfare, his grandfather replies, "We will be" and his wife starts crying (from happiness, I hope). Seriously, if I were Mary, I would be a little peeved. She has been telling him all this time that they should stay and he's like no, no, no, but then when he decides they should stay, they stay. What the hell? Actually, I thought Bernie and Ruby might take their place, but it wouldn't be in Bernie's character to go so I'm glad that prediction didn't come true. Alma is also staying so she can continue to work at the day care, but I think she's staying only because her husband died and it would be too painful to live an eternity without him. But that's just my analyzation. 

So this means that Art and Bess are the only humans going back. What is the point of that if all their friends are staying on Earth? (And they'll all be in the same area on Earth!) Yeah, I know they're also friends with the aliens, but it's not the same. Oh, wait, I forgot other residents from Sunny Shores also went on the spaceship in the first movie, so I guess there are other humans there as well. I wonder if this is why they made Bess pregnant so they could have them raise their child on a different planet even though we will never see a second of this. 

This is when we see Walter, the main alien from the first movie, make a quick appearance to say a quick goodbye to everyone who's not coming back. 

It's at this point I'm wondering when are we going to see any interaction between Jack and Sara. After all, they're supposed to end up with each other and so far they haven't had any screen time together. The movie ends with Jack on his boat at night and Sara comes up and asks for some gas. She asks him because his boat was the only light she saw. Jack tells her he can give her a lift to the gas station which is down the way and she agrees. Uh....this is a great way to get murdered! A pretty, young woman accepts a ride from a random stranger in the dark of night. Yep, that's going to end well. (I listen to too many true crime podcasts.) Well, actually it does end well because if Kitty's promotions are right, they end up happily married and rich with two daughters. Or maybe she'll end up in New York, live in an extremely large apartment, change her name to Monica and become a chef and get married to another guy. Haha, a little Friends humor there. Oh, and this is when it's "revealed" to Jack and audience that Sara is the "mystery" woman with the heart-shaped birth mark. What a shock! It sure would have been nice to see those two meet in a previous scene and then we could have seen their relationship form instead of this random scene that felt more like an afterthought.

While the credits roll, we see clips of the first movie. It feels like they're trying to tell us that we just watched this movie because we loved the first movie so much, which is true, but it also reminds me of how much better the first movie is. Do yourself a favor and skip this movie and watch the first one! 

Thursday, December 23, 2021

Worrell Peace

Ernest Saves Christmas
Director: John Cherry
Cast: Jim Varney, Douglas Seale, Noelle Parker, Oliver Clark
Released: November 11, 1988


Oh my God, how does Vern allow Ernest to come into his home and just destroy it? I would have been screaming at him to "Get out, get out, GET OUT!" Ahem, anyway...

So I have a somewhat vague memory of seeing some of the Ernest movies when I was a child. I'm pretty sure I saw this one, Ernest Goes to Camp, and maybe Ernest Scared Stupid, but I'm not sure about that. What's funny is that when I saw these, there was no adults with us. I was usually with my brother or friend or both, but never an adult in sight except to drop us off at the movie theater. And good God, I don't blame them at all. Considering I outgrew these movies once I turned 12, it had been a very long time since I've seen a movie from the Ernest P. Worrell universe (the EPWU?) and I totally understand why no adult would want to watch these! 

In this movie, we follow three characters: there's Ernest (of course), Santa (of course), and a runaway teen girl (er, of course!) Our story begins on the afternoon of December 23 as a plane lands in Orlando, Florida (because when you think of great Christmas locations, Orlando is the first to come to mind). We see two elderly men get off the plane, talking to each other. (I guess they were seat mates? Why didn't they have this conversation while they were on the plane? I'm pretty sure they flew in from Toronto, so they had plenty of time to talk while they were on the plane). One of the men is Santa Claus (played by Douglas Seale). Now he's not wearing his usual red suit with white fur trim and black boots and he's not even portly like your typical image of Santa, but we know he's Santa through the verbal exposition he gives the other man. Plus, he has a white beard! The man asks if this is his first time in Orlando and he replies he flies in every year, though he "usually comes in a different way." When asked where he's from, he replies, "Up north." When asked what line of work he's in, he says, "Toys, mostly." The man asks him if he's here on business, and he tells him he's here "to appoint a replacement; someone to take over my duties." He says there was once a time when he could remember every name on his list and the businessman takes it as he has lots of contacts. 

As he's walking through the airport, he attracts the attention of kids who seem to know who he is even though he's not wearing his usual uniform. As he's waiting for his luggage, a big velvet red bag comes out with a white rope tied around it. All he needs to do now is hail a taxi to take him to the Orlando's Children Museum where he will find his replacement.  

Lucky for him, Ernest P. Worrell (Jim Varney) is a taxi driver for the city of Orlando and he's headed to the airport right now with a passenger. When we are first introduced to Ernest, he's being his usual annoying self as he sings "O Christmas Tree". He knows the medley, but he doesn't know the words, so he just keeps singing the words "O Christmas Tree" over and over to the medley. To be fair, does anyone know the words to that song anyway? Once Ernest has picked up Santa, he tells the man that he looks like Santa Claud and he probably gets that a lot, but Santa tells him that's to be expected since he is indeed him. Ernest just laughs him off, so he doesn't believe him right away. 

A truck full of Christmas trees is driving in front of them and one tree falls off into the road. Ernest decides he needs to stop in the middle of a busy road, back up, and get out to retrieve the tree. This causes other cars trying to avoid hitting him and they all end up crashing into each other or driving off the road. Once he has the tree, he opens the back door and tells his passenger to hold it as he throws it into the backseat, breaking the window on the side where Santa is sitting. I can only imagine the reviews this guy would get if he was an Uber driver! 

We next meet the runaway teen girl (Noelle Parker) who has just dined and dashed with a waiter chasing after her. (C'mon, would a waiter really chase after someone like that?) As she's crossing a street, Ernest just happens to be there and he slams on his breaks to avoid hitting her. She gets into the front and tells him to "go, go, go, go", then proceeds to make up a story about how the guy chasing her is her mean uncle who "makes [her] work in that restaurant like a slave" and "keeps [her] locked up in the basement...and [she] just escaped." Now, if you heard this story, your first incliantion would be to call the cops (or maybe your first inclination is that she's telling you a bs story), but Ernest is all like, "You can hang out with us now for the rest of the movie." The girl, who is probably 15 or 16, introduces herself as Harmony Starr and tells them to "remember that name, because I'll be famous someday." Yeah, sure you will. Also, very orginal with the name there, honey. 

We need to pause here for a minute to talk about Harmony's outfit. If you were watching this movie and didn't know when it came out, just looking at Harmony, you would know it came out in the '80s as it looks like the '80s threw up all over her. She's wearing shorts with a turquoise sleeveless top over a pink tank top. But to me, the best part of her outfit is the accesories. She's wearing a ton of black and yellow plastic bracelets, clock earrings, and half of her hair is tied up in a red scrunchie and she has tiny braids, each with one of those plastic, colorful barrettes holding the braids in place. It is so ridiculously '80s and I absolutely love it.

When Santa introduces Ernest, then himself to Harmony, she pretty much has the same reaction as Ernest and clearly doesn't believe him. When they reach the Children's Museum, Santa doesn't have any money to pay for his fare (all he has is pretend children's money), so Ernest lets him have a free ride. 

Santa is looking for a man named Joe Carruthers who was on a local children's show called Uncle Joey's Tree House. It was cancelled three weeks ago so now he has a gig at the Children's Museum where he puts on puppet shows about dinosaurs. I guess this guy is destined to be the next Santa because he likes to entertain children and he has a beard. If you want someone who has a children's show, why not go for someone who's a little more nationally (or internationally!) known, like Mister Rogers? Having a beard really isn't that much of a necessity since Santa can magically make a beard appear on his successor. I don't understand why this random fifty-year-old dude from Orlando is destined to be the next Santa Claus; it makes absolutely no sense to me. Also, why is Santa waiting for the last minute to tell Joe about this new job opportunity? He needs a new Santa by seven on Christmas Eve; shouldn't he have been giving his replacement a little bit more notice? When Santa approaches Joe to try to tell him about his new job opening, he says something about a bunch of names were on a list, but many were crossed off until he was the only one left. Maybe I've been listening to one too many true crime podcasts, but my mind went to a completely dark place as to why these men were disqualified from being the next Santa. 

Santa never has the chance to tell Joe about his exciting new offer because Joe's agent, Marty, interrupts him and tells him he's "got a shot for the lead in a movie". It's a Christmas movie, which I assume will be aired on cable in the middle of the night. This thing ain't getting a theatrical release! When Santa tries to tell the men his name, Marty hears it as Santos and refers to Santa as Mr. Santos. 

Santa realizes he's forgotten his bag and that it's still in Ernest's taxi. Meanwhile, we learn that Ernest has been fired for giving Santa a free ride. (Technically, he also gave Harmony a free ride, but that's never really addressed). Personally, I would have fired him for that near pile up he caused with all those cars! Harmony is still with him and they're talking like they've known each other for years. Ernest decides he's going to give the Christmas tree he picked up off the road to his buddy, Vern, who, of course, we never see (or hear, for that matter). He and Harmony go to Vern's house which is set up for a Christmas party. Ernest comes into the house, carrying the tree and knocks vases and porcelain figures off shelves. After struggling with the tree, which is clearly too tall for the room, he sees some "party punch" and proceeds to pick up the large bowl and drink from it! Ugggghhhh! And if that's not bad enough, he's trying to pull a cord out of a socket, but instead of pulling at the base, he's pulling on the cord a few feet away from the socket. There's a cord inside the wall (which is connected to a wall lamp) and he ends up ripping that cord and one side of Vern's wall just gets completely obliterated and he blows a fuse. This is what I was referring to at the beginning of my review. If I were Vern, I would not let Ernest into my house! Though to be fair, Vern did slam the door in Ernest's face the first time he opened it after Ernest knocked. 

When Ernest goes out to his truck to get some bolt cutters, he sees Santa's red bag in the back of his truck (which got transferred from the trunk of his taxi), and hears jingling sounds coming from it. When he opens the bag, he hears giggling and a glow emits from it. This is the moment when Ernest realizes his elderly passenger from earlier was actually THE Santa. He reveals his theory to Harmony, but she doesn't believe one guy could fly around the entire world in one night and tells him, "It just doesn't quite correspond with the laws of time and travel." Ernest tells her it is possible: "Take the international dateline, multiply it by the time zones, divide it by the accelerated rotation of the earth...carry the one. Allowing for the vernal equinox of the tropic of cancer, he might just pull it off!" OMG, what IS he talking about? Harmony asks if he really is Santa, why is he riding around in planes and cabs? Where's his sleigh and reindeer? 

Ernest and Harmony may know not the answer to that, but the viewing audience does. We know that Santa has shipped the reindeer (in huge wooden, enclosed boxes! You'd think Santa would have them shipped in a more humane way!) and they are still at the airport in animal control waiting to be picked up. They are being watched by two morons who think they're Latvian goats. 

Ernest and Harmony go to the Children's Museum to see if Santa is still there, but it's closed by now and nobody is there. Ernest shows Harmony Santa's bag. Her exclamation is, "Ooh, groovy Tuesday!" (The hell?) When he opens it, you hear children giggling, plus a train engine, and animals sounds (almost like the jungle). Ernest reaches into the bag and pulls out a glowing orb. It changes into a plastic flamingo with a wreath around its neck. He pulls out more orbs and they turn into cheap and gaudy items. I guess Santa is the only one who can change them into what they need to be. It's too bad none of the orbs turns into a slinky (say, a slinky dog) but this movie does pre-date Toy Story, after all. 

Meanwhile, since Santa keeps insisting that he's Santa Claus, everyone thinks he's a kooky old man and he is taken by the police where he's put in a jail cell. His fingerprints are taken and the patterns show up as different snowflake designs. Now they would never put an elderly gentleman who seems to have memory problems in a cell with dangerous inmates. One of his fellow inmates is wearing a shirt that says "I eat 'm raw" that's cut up to his nipples and his hairy belly is showing. I can only image how great he smells! Lucky for Santa, though, he's able to tame these dangerous and hardened criminals and has them singing "The 12 Days of Christmas" in no time (with a guy in solitary confinement singing the "And a partridge in a pear tree!" part). 

It's the next morning and Harmony has spent the night on Ernest's couch. Cuz a fifteen-year-old girl spending the night at the home of a forty-year-old man she just met isn't weird at all! They plan to go back to the Children's Museum again to see if they can find Santa. I don't know why they would think he's still there. The stupidity of this movie confuses me at times. Ernest is making pancakes for breakfast and he tells Harmony he's gong to ask Santa how he got into his house as a kid because they didn't have a chimney. His theory is that Santa "got in through the forced-air heating system." After Ernest gives Harmony a stack of pancakes, he places both hands right on the hot skillet (cuz he's a moron and I guess he forgot there was a hot skillet right in front of him). He doesn't even scream, just gasps and tells Harmony, "I like lots of butter with mine, don't you?" as he places his hands in a huge bowl full of butter and lathers them up. My question is, why does he have that much butter in a bowl, anyway? In case he puts both of his hands on a hot skillet?

Harmony waits in the truck while Ernest goes into the Children's Museum to ask the old woman who works there if she knows where Santa is. She realizes who he is talking about and tells him the police took him yesterday and Ernest's response is, "Santa Claus got busted?", which, I admit, made me laugh. We see Harmony trying to see if she can wish for something from Santa's bag. She says, "What I really want for Christmas is one million dollars in small, unmarked bills." Before she can untie the bag, Ernest comes back and tells her, "Santa's in the slammer!" (Another line that made me chuckle). Harmony quickly tells Ernest that she was just guarding the bag, but he doesn't seem to notice she was messing with it. 

To retrieve Santa from jail, Ernest poses as a man named Oscar Clementh who tells the chief he's with the "governor's state correctional institutional prisoner fair treatment task force." and that "this is a surprise inspection." He's dressed in a suit and tie, wearing glasses, and his hair is slicked back. This won't be the first time Ernest will disguise himself in this movie. He introduces Harmony as the governor's niece, Mindy, and says that she's writing a school paper on "how government really works." Harmony is wearing a white blouse with a plaid jumper, sort of a school uniform look going on, and her hair is in pigtails. For some reason, she speaks in a baby voice which is odd...I guess she's trying to pretend to be younger than fifteen? 

The chief takes them to the cell with the most recent offenders and lets both of them in. WTF? They're letting a teen girl into the same prisoner with a bunch of adult men who are in jail for god knows what? I mean, they shouldn't be allowing anyone to go into the cell, but it baffles me they would even let a minor back there. What kind of prison were they running in 1988 Orlando? "Oscar" tells "Mindy", "Be sure to take copious notes! And watch that penmanship!" They see Santa Claus who tells them who he is and Ernest takes this to tell the chief he needs to be isolated and just takes him out and leads him out to their truck. Not sure exactly how they really get away with that, but whatever. They have Santa in their possession now, so it's all good. 

Harmony goes back to wearing the outfit she had on before and it makes me laugh that she would take the time to braid her hair in those tiny braids again. 

Ernest is going on about how Santa is the most famous person he's ever met, but Harmony still doesn't believe it's him and tells him, "Nobody believes in Santa Claus." Santa tells Ernest, "She's been this way since that Christmas when I brought her a doll instead of a baseball mitt. Haven't you, Pamela?" So now we know Harmony's real name is Pamela. Also, I have a question: if Santa knew she wanted a baseball mitt for Christmas, why didn't he give her that? It's not like she was asking for something outrageous. No wonder she has issues with Santa! 

Santa tells them he took over the position of Santa Claus in 1889 "from a German chap", so he's been Santa for the last 100 years. We know he's 150 years old, so he became Santa when he was 50. I guess the starting age to be Santa must be 50 since we'll find out that Joe Carruthers is 50. Santa tells them someone new needs to be Santa because "with the passing of time, the magic fades", but "it's recharged through the passing from one person to the next." He needs to make Joe the next Santa Claus before 7 tonight or else "the magic of Christmas will be gone forever." DUN DUN DUN! Again, why didn't he see to this task sooner? 

To try to find out where Joe is, they go to Superior Talent Inc. where his agent, Marty works. Ernest dresses up as an old woman with a walker in a green dress, white shawl, gray wig, pearl earrings, and neck brace. It is quite the getup. He pretends to be Marty's mother and this is how he finds out where both Marty and Joe are. 

While Ernest is doing his thing, Pamela and Santa are waiting outside. We find out that Pamela has run away and that she's been gone for a month which seems like quite a long time. You'd think her parents would have called the police and they would have found her by now. She's been out in public in broad daylight, for God's sake. Santa tells her, "Your mother must  be worried about you." Pamela denies that she's not who he's thinking of and tells him everyone thinks she's really young, but she's 22. Santa tells her he must have "mixed [her] up with someone whose parents had some problems last year and they got so wrapped up in themselves that they forgot that she needed a little attention, too." Pamela replies, "Sounds to me like she ought to wise up to the way things are, and just start looking out for herself."

Ernest and Santa drop Pamela and the bag back at Ernest's place (for plot's purpose as we will soon find out), then head on to Diamond World Pictures where Joe is working on the basic cable movie which he landed the part for. We see him on a set of a living room with a Christmas tree with two young kids, who are supposed to his character's children. He tells the children to go to bed and they go off screen. He hears a knocking on the front door and when he opens it, a guy in a swamp thing costume with tinsel wrapped around him pops into the set and Joe is supposed to grab a gun (that's just lying conveniently nearby) and say, "Die, you son of a b*tch," but he can't say "b*tch" because the child actors are in ear shot. The director tells him, "It's nothing they haven't heard before," but Joe says they're never heard him curse before. 

So the big reveal is that the movie is called Christmas Slay and Marty even reveals the name of the movie earlier when he's talking to Joe with Santa around them. Santa and the audience (well, excluding the audience who actually have a brain) are supposed to think it's Christmas Sleigh, but of course I knew it was gonna be  S-L-A-Y. What's funny is that if you watched it with closed captioning, they have it as S-L-E-I-G-H until this moment when the director tells him it's S-L-A-Y and that "it's about an alien from outer space and he comes and terrorizes a bunch of kids over Christmas vacation." Yeah, they're totally playing this movie at 3 am on some obscure channel. Okay, so surely Joe knew the premise of this movie and knew it was called Christmas Slay, and NOT Christmas Sleigh, so why did he agree to take the part of this role? It seems to be very out of character for him. Was he that hard up for money? Was he just volunteering at the Children's Museum? It just seemed like he had some moral scruples about taking this part, and he even tells the director and producers that he has some problems with the script such as the violence and bad language. Then why are you even in this movie? Honestly, I don't see what Santa sees in this guy that makes him such a great contender to be the next Santa. It's too bad The Christmas Chronicles wasn't out yet, cuz then Santa could have given the job to Kurt Russell. He makes a way better Santa than this random local children's show show host from Orlando. Of course, Kurt Russell was 37 in 1988 so he may have been too young at that time. Also, who the hell in their right mind would want to be Santa? That just seems like the worst job ever. Yes, go ahead and call me a Scrooge.

Santa is finally able to talk to Joe about being the next Santa. He tells him he needs to leave by seven to deliver presents to make sure all the over a billion children in the world receive their gifts before it turns daylight. Joe asks him why he just can't continue being Santa Claus and Santa Tells him he needs to pass the torch on to another: "If it is not passed on, the flame flickers and dies." 

We get to see why Pamela stayed at Ernest's home while Ernest and Santa were at the studio. She keeps taking orbs out of the bag, wishing for them to be something good, (i.e. something valuable such as a stereo or some jewelry) but instead they just turn into crappy toys. There was one popular '80s toy with My Pet Monster so she probably could have made some money with that. She hides all the toys around the house which is quite the feat considering that some of them are quite good-sized. She decides she needs more time and takes a red blanket from the couch and turns into a bag, putting feathers in it. When Ernest and Santa return and tell her it's time to help save Christmas, she tells them, "I think I've got something else to do." Oh, like that's not suspicious at all! 

So she leaves with the real bag, leaving the fake one in the truck. Ernest drives Santa to Joe's house and when Santa lifts the bag onto his shoulder, you can tell right away he knows something is wrong and that Pamela has the real bag. When Joe asks why he's the Chosen One, Santa tells him, "Because you have the qualities; the understanding of children. You have the magic inside you." Uh-huh, sure. He tells Joe the real bag was taken, but he has "absolute faith that it will be returned." Joe tells him, "Thanks, but no thanks" and Santa dejectedly leaves, but not before he tells Joe to "search your heart; there must be something that can convince you of the truth." 

There will be something that will convince him of the truth and that will be the moment he knows he's destined to be the next Santa. It's when he's at a meeting with the movie people and looks out the window and sees Santa riding his sleigh being pulled by the reindeer. Only what he doesn't know is that it's actually Ernest driving that sleigh, not Santa. When Ernest goes to the airport to pick up the reindeer, two Helper Elves fly in from Toronto (I guess there's a direct flight from the North Pole to Toronto? Totally makes sense to me), but as they're transferring the sleigh and reindeer in a big truck, it gets a flat tire so they have fly the sleigh and reindeer. As Ernest puts it, "It's time to slip the surly bonds of earth and dance the skies on laughter's silvered wings." I did love the "Oh, brother!" reply of one of the elves. It's a whole big thing where Ernest can't control the sleigh and they're doing loop-de-loops and fighter jets are trying to chase them and Ernest even pulls a level that takes him into outer space. Why is that even an option? Does Santa also deliver gifts to the alien children? There must be some kind of magic that keeps Ernest, the elves, and the reindeer alive without any protection from the elements as they're orbiting around the Earth. 



Meanwhile, Pamela goes to the Am Track station and dumps a bunch of change and dollar bills on the counter and asks the guy how far that will take her. She tells him she wants to go "anywhere from here." Like that doesn't look suspicious. He tells her she can get to Miami and the next train leaves at 6:40. She wants to know if there's anything sooner, but there isn't. She sits near a mother waiting with her two children. The older boy keeps telling his younger sister there's no such thing as Santa Claus. Pamela starts to feel guilty when she overhears the girl ask her mom how Santa fits all his presents in one bag and glances down at the real Santa bag she has in her possession, knowing that over a billion children will not be waking up Christas morning to their gifts because she's such a selfish cotton-headed ninny muggins and that she sits on a throne of lies. When the mother leaves the children to use the bathroom or get something, the brother tells his sister (again), "There's no such thing as Santa Claus" and Pamela comes up to them and says, "Where do you get off? Don't say that to her. There is a Santa and this is his magic sack." Good Lord, I can only imagine what the mothers' reaction would have been if she had been there. Instead of thanking Pamela for coming to her defense, the little girl is all, "If that' Santa's sack, then why do you have it?" Yeah, good question. So we see Pamela run to the Children's Museum to give the bag back. I guess the Children's Museum was the unofficial place where everyone would meet. She tells Santa she's been doing a lot of thinking and she "really got things figured out" and called her mom (which we don't see). She plans to go home. I still don't know why exactly she left in the first place. 

Joe pulls up at 6:57 to take on his duties as Santa. When he asks Santa, "Is the job still open?" Santa tells him, "For the right man it is" and holds out his hand for a handshake. When Joe shakes its, he has a beard and is wearing the Santa suit which makes me realize we never see original Santa in his Santa suit.

All they need is the sled. Ernest comes hurtling down from outer space and hooray, Christmas is saved! The new Santa lets Ernest fly in the sleigh with him since he's already had some experience flying it and Ernest asks if there's any any room for "an honorary elf" and they let Pamela climb abroad. The old Santa, now going by his old name, Seth Applegate, gets to have a hot date with the old lady who runs the museum. And the one billion plus children around the world will get to open their gifts the next morning! Everyone is happy and Christmas has been saved! 

Wednesday, February 10, 2021

A Slice of Heaven

Mystic Pizza
Director: Donald Petrie
Cast: Julia Roberts, Annabeth Gish, Lili Taylor, Vincent D'Onofrio, Conchata Ferrell
Released: October 21, 1988


This is a movie that follows three Portuguese-American teen girls in the town of Mystic, Connecticut. Julia Roberts, Annabeth Gish, and Lili Taylor play Daisy, Kat, and Jojo, respectively. I'm pretty sure none of them are of Portuguese descent and only Annabeth Gish was a teenager when they filmed this. She was 17, Julia Roberts was 20, Lily Taylor was 21; so at least they were close to being teens. They don't really say how old the girls are supposed to be; it's just that the Netflix description said they were teens. Daisy and Kat are sisters and Jojo is their friend. 

The movie follows the love lives of these three young women as well as their job at the Mystic Pizza where they all work as waitresses and wear different colored shirts that have a picture of a slice of pizza and the restaurant's motto which is "A slice of heaven." So I know there is an actual Mystic Pizza in the Connecticut town, but what I didn't know is that it existed before the movie and that's where the director got the idea for the film. I have a feeling the inside doesn't even look the same as the restaurant in the movie or if it's even in the same location, but I can assume it's a tourist trap! 

Kat is planning to attend Yale next semester after she's saved up money to pay for tuition. She plan to major in astronomy. She was offered a part scholarship and will be starting in February. This movie appears to start in late summer/early fall. She already has two jobs, including working at Mystic Pizza and at the planetarium, and is planning on getting another job. She has an interview to be a baby-sitter/nanny for a four-year-old girl named Phoebe while her dad, Tim, renovates a house from the 1880s. His wife is in England for something, I don't know, the point is they need her out of the country. When Kat meets Tim, she tells him how she's planning on studying astronomy when she attends Yale and he tells her he also went to Yale and graduated in '79 and he met his wife there. While there, the shy Phoebe seems to open up to Kat who reads her a story while Tim is on the phone. Tim is impressed by her (in more ways that one, we'll soon later find out!) and she tells him she's been baby-sitting for another family since she was nine. Um, does that seem young to anyone else to be baby-sitting? I would never hire a nine-year-old to baby-sit my kids. You're still an effin' kid when you're nine! So Tim hires Kat to be Phoebe's baby-sitter and here is our most icky relationship of the movie. Keep in mind that Kat is about to attend college soon, so she's probably 17 or 18. Tim has to be in his early 30s. For a 30-year-old guy (and one that's married with a kid, mind you) to be falling for his kid's teen nanny, ewww, it just makes me feel gross all over. I mean, they don't make it as Tim is some predatory creep who is coming on to Kat; she is very much having the same feelings for him as well even though she knows he's married with a kid and has a good decade on her. I guess she's attracted to him because he's an intellect. I guess this is shown by the huge, unattractive glasses he wears. We see Tim and Phoebe go to the planetarium where Kat is giving a lecture. When Kat sees them come in, she locks eyes with Tim and starts to stutter during her speech. Smooth, Kat. 

There's a super awkward scene where Kat is helping Phoebe get ready for bed and the girl mentions her mom lives in England. Kat assures her that her mom is only working there and she'll be home in a few weeks. Phoebe says, "I know. We're not getting a divorce." It's so weird and it's almost like the girl is telling Kat to back off, but of course she wouldn't know anything about her dad's and Kat's budding relationship; it's not like they haven't done anything except talk in front of the girl. And at this point, they haven't even kissed; there's just been some very mild flirting.Tim has come home at that point and starts to read Phoebe a bedtime story as Kat is getting ready to go home. He's only been reading to his daughter for five seconds when he comes down the stairs before Kat has left and gives her the sweater (the one he was wearing) because he doesn't want her to get cold (she's wearing a polo shirt). A couple of things:

1) Why didn't Kat bring a sweater or jacket with her? I think by this time, it's around September so the days are still warm enough you don't need long sleeves, but I'm sure by the time the sun goes down, it gets a little chilly. She knew she would be leaving when it was dark outside, so surely she knew it would be cold by then! 

2) But really, my main issue is why did Tim have to take off the sweater off his back to give to her? Why not just give her a sweater/jacket from his closet or dresser? It's like, oh, here, let me take off this ugly brown fair isle sweater so you can smell my manly odor since I've been wearing it all day. Ugh... but she takes it and puts it on and they share a moment looking into each other's eyes until Phoebe calls for him and he has to go back upstairs. Kat wears the sweater home and Daisy asks about it. 

Kat starts to get a bit more bold around Tim; I guess since he gave her his sweater, she knows that he likes her. When he comes home one evening, she's out on the front porch looking through the telescope while Phoebe is upstairs, sleeping. He asks her if she wants any soda or juice (hehe, something you would so offer a child or a teen), and she replies that she'll have wine. Girl, stop pretending like you're older than 21. She will also call in to the pizza place, claiming she has to "baby-sit", but of course she's just spending time with Tim.

Kat asks Jojo to baby-sit for Phoebe so she and Tim can have a romantic pizza dinner date in the attic of the house he's refurnishing. Kind of ironic that she's the baby-sitter, but the dad is taking the baby-sitter on a date, so the baby-sitter needs to find a replacement baby-sitter! They end up kissing, and I'm assuming they do more than that though we're just shown them making out. Later, they're in the car driving back to Tim's house and they're both just so in love, kissing and holding hands. It's pouring when they get to the house and Kat is huddled close to Tim while he has his arm around her with his coat over both of them and they're both laughing and smiling as they come barreling through the front door. And guess who is there to greet them? It's Nikki, Tim's wife, who has returned from whatever she was doing in England. Ruh-roh! Luckily, Jojo has a cover story ready, asking Kat how her mother is and if she got her medicine. I don't know how much Nikki is buying this story. Kat's mom being sick explains why Kat wasn't baby-sitting Phoebe that night, but why would Tim be with her? Sure, you could say he was trying to be supportive and there for her and Jojo even explains it away that he was just being nice because what if her mother had died? But then why would they both be laughing and smiling when they enter the house? I think Nikki knows there's nothing wrong with Kat's mother! She has to know something is up. They never really say, but I think she has a hunch. Kat is shell-shocked as Jojo drives her home, but what did she expect? Did she really think this thirty-year-old married man with a daughter was going to leave his wife for a seventeen-year-old? Honestly, this guy should be in jail; he's pretty despicable. Kat is still in shock the next day at work because she takes an uncooked pizza to a table instead of grabbing the cooked one. Tim does try to make things "right" by stopping at the Mystic Pizza with Phoebe in tow telling her that Phoebe wanted to say good-bye to her. He offers her a check to help her with Yale, but it does seem more like he's paying her off. After he leaves, Kat rips up the check much to Jojo's dismay, but Daisy approves of her sister's action, saying that Kat will find another way to pay for Yale. 

Not to spoil anything, but Kat is the only one of the three girls who doesn't have a happy ending with her love interest. You don't think Daisy or Jojo will get happy endings either, but their guys come around in the end, or in Jojo's case, she comes around to her guy.

The opening of the movie begins with Jojo about to be married to her boyfriend, Bill (Vincent D'Onofrio) in a church ceremony. She looks like she's about to be sick and before they can get to their vows, she faints. We don't see any of the aftermath; the next scene shows Jojo is at work at the Mystic Pizza telling her co-workers that she basically got cold feet and couldn't go through with it. She tells them, "I saw myself ten years from now, fat and ugly and all these kids swarming around me and I was picking fish scales out of Bill's boots." (Bill is a fisherman). She mentions that her dad is angry that she didn't get married since he paid $5,000 for the wedding. (Is it me or does that seem like a bargain? Of course, maybe in 1988 that was extreme and it's not like these girls come from families with a lot of money). 

Jojo tells them Bill still isn't talking to her which makes me wonder how many days has it been since the wedding that never took place? Of course, just as soon as she says that, here comes Bill walking into the restaurant! This is the kind of thing that only ever happens in movies! She takes him outside where she apologizes to him and he still wants to get married, but she is hesitant about it. We kind of have a gender role reversal where the guy is the one who wants to get married while the woman doesn't want to commit to her partner, but instead just wants to use him for sex. I'm not sure where Bill lives, but he must have roommates or something because Jojo still lives with her parents and they're (well mostly she is) always trying to find places for them to have sex, including the bathroom at the Mystic Pizza....eww. She also tries to get him to use her sister's apartment when it's revealed that she and her husband will be out of town for three days. He's not interested, though. 

One night, they're going at it on the floor of her living room, but when Bill looks up he sees a bust of a creepy and disapproving Jesus staring right back at him. He tells Jojo he can't continue and she suggests they go to her room and tells him it will be okay because her parents are asleep. He declines, telling her he has to leave. She's still trying to make him stay. He tells her that he loves her and wants them to make a commitment, but she seems more interested in having sex with him. He wants them to get married and she tells him if she hears that word one more time, she's going to scream. Of course "married" is the next word to come out of his mouth and true to her word, she lets out a scream, waking both her parents who come down to find their daughter with her boyfriend who has his pants around his ankles. Jojo's father starts to attack Bill who manages to pull up his pants and run out the door. This scene is played for laughs, even Jojo is laughing about it the next day when she's recounting the story to her friends, but it felt more awkward than anything else. 

Oh, I want to point out something I noticed when they were in her living room that I see in movies and TV shows, but never in real life: the couch has a plastic cover over it. I have never understood the plastic cover over the couch. I guess it's supposed to keep the couch from getting dirty/dusty, but it just looks so tacky! And are you supposed to keep the cover on all the time or take it off when you sit on the couch? But then, if you're sitting on the couch (probably with some sort of snack or drink if you're watching TV), then it's bound to get crumbs on it, so I would assume you just leave the ugly plastic cover on it all the time, right? I'm so confused. I've just never understood it. Like I said, I've never seen this in real life, so is this a movie/TV show thing? I just don't understand why you would buy a couch/chair, then make it super ugly by covering it with plastic. Plus, it can't be comfortable to sit on it! Luckily, this seems like a trend that has seemed to die out! 

Like I mentioned before, Bill is a fisherman and he has a boat he named after Jojo, which she finds very romantic. However, the day after their little tryst at her house, he has covered the word "Jojo" with a sign that says "nympho" and she doesn't find that funny at all. He will later apologize about the sign. They will break up because they're not on the same page about marriage, but in the end, they are not only back together, but it is revealed that they have just gotten married after Jojo tells him that nothing has changed except for her name and the last scene of the movie is the wedding reception held at the Mystic Pizza. (Seems like kind of a small place to hold a wedding reception, but whatever). Jojo makes a joke to her two friends how her mother-in-law asked her when she (Bill's mother) is going to have grandkids and how she (Jojo) has been only married for two hours. Um, Jojo, I'm pretty sure your mother-in-law knows you guys have been doing it for awhile, so it's not out of the realm for you to be pregnant! 

Then we have Daisy and it is easy to see why Julia Roberts became such a big star. This was her first big movie, then she did Steel Magnolias the year after that, then Pretty Women the year after that, then she won her Oscar ten years after that, and the rest, as they say, is history. I can see why she was cast in Pretty Woman because she is very, very pretty. In fact, she pretty much tells her sister that she (Kat) has the brains and she (Daisy) at least has her looks, which her mother will sink her ship by telling her that she won't always look that way.

When Daisy, Kat, and Jojo go to a bar with Bill and a couple of his friends one night, Daisy catches the eye of a young, rich guy who is on a double date with one of his friends. He goes over to a guy shooting darts and makes a bet with him that if he gets three bullseyes in a row, he gets $50, plus he will take a shot between each throw as the guy has instructed. He manages to get the first two in the center and by this time a crowd has gathered around him, including Daisy. As he's taking his shot of tequila before his final throw, he locks eyes with Daisy and then he biffs the last throw. So she literally catches his eye. I guess he was so distracted by her that he missed the last one. 

We will later find out his name is Charlie. His date, Lorna, is dressed as a flight attendant; there's no better way to explain it. His friend's date is dressed like she's from the 1800s: she's wearing a white blouse, a cable knit sweater vest, and a long skirt. Very odd choice of wardrobe for going to the bar. But maybe they wanted to put these girls in frumpy clothes to make Daisy stand out even more, but I don't think you have to do that. Charlie wants to play pool, but Lorna isn't interested, so he asks Daisy if she'll play with him (and his friend and his date). The girlfriend of Charlie's friend takes her turn and misses and her boyfriend tells her, "That's why we play boy-girl. To even things out." Oh my God, what a douche. STFU, dude. But Daisy shows everyone up by being ridiculously good at pool. While all this is going on she's giving sultry looks to Charlie and there's a sexy song with lots of saxophone in it and the lyrics go something like, "It's getting hot in here; I know you feel it and I feel it too." They're laying it on pretty, pretty thick there. [/Larry David voice). 

After the game is finished, Lorna, who is clearly threatened by Daisy, wants to leave and Charlie obliges. I'm still not sure if Lorna was his girlfriend or just a girl he was on a date with. Either way, he's kind of a tool for doing that to her. We'll never see her again after this, anyway. 

We will later find out that Charlie found out where Daisy lives as she comes home one day to find him sitting in the living room with her mother. I'm super confused how he found her. All we know is that Charlie tells her, "You are a very difficult woman to find." I'll say! They didn't even have social media back then and he didn't know her name or address. They never tell us how he found her; I guess it will always remain a mystery. If some guy I just met the other day found where I lived and was sitting in my living room with my mom when I came home, I would be mortified! I assume Charlie told Daisy's mother he was taking her out for dinner because she tells Daisy she didn't know she was going out for dinner.

They go out and Daisy is wearing a new dress we saw her modeling for Kat in an earlier scene. It's a short black strapless dress with a big white bow on the bust. It seems a little cold for this dress considering it's nearing autumn in New England. She tells Kat she plans to return it after she's worn it and she's modeling it on the stairs when her mom is in the kitchen and could come through the door anytime and see her daughter wearing the $160 dress. I guess it's not that cold since she's wearing that dress and they're riding in Charlie's red Porsche convertible. The car ends up getting a flat tire and they have to flag someone down. It doesn't work when he does it, so Daisy tries to be all sexy in her short dress and high heels, but that still doesn't stop traffic. So finally when Charlie drops his pants in front of a car with a bunch of young women, they stop for them. Charming. 

I guess their new friends dropped them off at the restaurant where they have dinner, but I'm not sure how they returned home! During dinner, Charlie tells Daisy he's not at Yale or Harvard or whatever Ivy League school he attends because he "needed a vacation from law school." A few days later, after they've slept together in his parents' bedroom of their summer home, Charlie reveals to Daisy that he actually got kicked out of school because he cheated on his final because he was flunking the course. Daisy tells him he shouldn't have lied. She's glad he told her and tells him, "Don't do it again." This dumbbutt has the gall to ask her if she means cheat or lie. Um, what do you think? I think the two go hand-in-hand. Of course, she replies, "Neither." 

After the episode where Jojo sees the "Nympho" sign on Bill's boat, we see the three girls outside the parking lot of a bar where Bill's truck is parked and Jojo finds a spare key he keeps under his vehicle and they steal his car and drive to the country club while singing "Respect" on full blast. It really makes no sense why they'd want to go to the country club where they sneak around the back and sit on a golf cart and watch the people dancing and eating and mingling through the windows. Not until Daisy and Jojo start dancing the jitterbug on the lawn and Kat is looking through the windows and sees Charlie with a beautiful young blonde woman (who I thought was Lorna at first because they looked very similar) and a few scenes earlier Daisy had told the other girls that Charlie had told her was going to Greenwich to visit his 90-year-old grandmother. Hmmmm......

Kat is trying to get them to leave before Daisy sees him, but of course she spots him. They return to Bill's truck and Daisy starts screaming so loudly that I'm surprised nobody heard her and they didn't send security out! She's literally screaming at the top of her lungs, "I'm gonna kill him! I'm so stupid!" She notices his convertible and asks for the keys. At first I thought she was going to key his car. Then, when she gets into the truck, I thought she was going to ram into his car. But she pulls the truck right in front of the convertible and ends up dumping two huge barrels full of gallons of fish into his car. These things are huge and full of fish and water; there's no way she would have been able to topple them over by herself. Nuh-uh. Not buying it. Charlie and the blonde girl are coming out at this moment and he sees what's just happened to his car. Man, this guy cannot get a break with his car. First, the flat tire and now this. Daisy screams at him that he's supposed to be at his grandmother's and we get a simple explanation that his grandma has a migraine and that he called to tell her, but she was out. (See, this wouldn't have happened if texting existed!) He also introduces the girl he's with as his sister. I thought he was lying and we were going to later find out that the girl isn't his sister, but she is. Despite having two huge barrels of fish and water just dumped into his car, he doesn't seem to be at all mad and gives her a hug after she tells him she messed up and that she's sorry. I guess he is rich so he can just buy another car. I do have to wonder how someone who wasn't so financially well-off would take it? I feel like in most instances the person whose car was ruined would never want anything to do with the person who ruined their car ever again. 

When Kat decides to call in to her job at the pizza parlor because she'd rather hang out with Tim, Daisy is super pissed because she was supposed to meet Charlie's parents that night and now she has to stay and cover Kat's shift. I'm with Daisy on this one. There is nothing more infuriating when you think you're going to be done with your shift by a certain time, but then you have to stay because one of your coworkers decided they don't want to come in and call in. Daisy tries to call Kat (to yell at her, presumably), but the phone is off the hook because Tim and Kat are sitting on the couch talking and eating popcorn and they're not paying any attention to Phoebe who is playing on the floor with her stuffed animals and one of them is "talking" on the phone. We see Charlie stop by the Mystic Pizza (hmm, is the Mystic Pizza close to the Mystic River?) and she apologizes and is worried that his mom is going to think she blew her off. Can't Charlie just tell his parents what happened? I would think his parents would understand if she had to stay and work. 

Daisy does eventually have dinner with Charlie and his family and she gets to meet his parents, his aunt and uncle, his sister (again), and his little brother, Steamer (terrible name!), who is played by a 17-year-old Matt Damon in his first movie. They're having lobster and it is amusing because just before this scene Daisy was looking in her own fridge where there are so many lobsters that her mother had caught and she complains that lobster is the only thing they have to eat. Daisy is dressed up in an off-the-shoulder black dress and these huge sparkly earrings. The family has a Portuguese maid named Theresa who knows Daisy (of course they know each other even though we've never met Theresa until now) and she asks Daisy if she's still working at the pizza place. This prompts Charlie's dad to tell her that Charlie never told them she was in "the pizza business". Soon Charlie and his dad start arguing about him not finishing school and as this is going on, Theresa is scooping sour cream onto the plates of the diners to go with their baked potatoes. This is the weirdest thing; rich people in movies are so weird. I'm sure these people are perfectly capable of scooping their own sour cream onto their plates. But they only have her doing that because she accidentally drops a dallop of sour cream onto the arm of Charlie's uncle. His wife mentions how "These Portuguese girls are hard to train. I had one that barely spoke...." she trails off either because she knows she's being horribly racist or she knows Daisy is Portuguese and better shut up. Charlie and his dad continue to fight until his dad tells him, "That's enough" and Charlie says, "I guess that means dinner is over" and as he says this, he gets up and pulls the tablecloth from under the table and all the dishes crash into each other. A furious Daisy gets up and leaves with Charlie following her outside and she accuses him of using her to get to his dad and that his dad didn't cheat him out of law school; he did that on his own. Before asking for a ride home from Theresa, she tells him, "You're not even good enough for me." 

Daisy will get a happy ending when she and Charlie reconcile. During the reception for Jojo and Bill's wedding, he comes to apologize and tells her she was right about what she said about him and his father. 

So while all the storylines with the girls and their love interests are going on, of course, since this film IS called Mystic Pizza, we do get scenes of them working there and wondering what the secret ingredient their boss and the owner, Leona (Conchata Ferrell) puts in the pizza that makes it taste so good. She promises to tell the girls what it is when she retires, but for now, it's going to remain a secret. She claims that her grandfather taught her father how to make the pizza and her father taught her. I'm guessing it's some sort of Portuguese spice. 

Because it's nearing autumn, business isn't doing so well at the Mystic Pizza and it is mentioned they seem to only get really good business during the summer months with all the tourists. The girls think they should ask Hector Pleshette, a stuffy local food critic who calls himself the Fireside Gourmet to come and critique their restaurant, but Leona is against that idea. However, he does show up, seemingly randomly one day (the day after Kat has slept with Tim only to find out his wife has come home that very night) and orders the Mystic Pizza. I guess when you order "the Mystic Pizza" you get pretty much whatever because there are three pizzas all with different toppings and Leona tells Kat to "take her pick" when Pleshette orders "the Mystic Pizza." You'd think people would be more specific when they order their pizzas. If Kat had asked him what toppings he wanted and he told her to surprise him, then that would make more sense. Also, do they not allow people to buy pizza by the slice at this place? Every time they take pizza to a table, it's a whole pie. They give Pleshette one as well even though he only eats a couple bites of one slice! The initial meeting of the Fireside Gourmet doesn't go well because there's a glass of water with dentures in it. This was established at the beginning of the movie when we learn that Mr. Lopes, a regular customer, left his dentures in a glass of water again. Unfortunately, Mr. Lopes had just been at the Mystic Pizza right before Mr. Pleshette and he (the Fireside Gourmet) has a glass of water with dentures in it and asks Kat to bring him a fresh glass of water. Now I'm not sure if Mr. Lopes had been sitting at that table before the food critic arrived and they just forgot to clear the glass or if Kat had accidentally brought him that glass of water in her daze (this was also the same day she brought the uncooked pizza to that one table). Either way, not a great start! Kat, Daisy, Jojo, and Leona are all watching him eat the couple bites of pizza from the front counter as he writes something in his notebook. When he looks back and notices them all watching him, they all look away, only to return to their obvious staring. After eating a few bites, he beckons Kat over and asks for the check after she asks him if he would like anything else. She tells him she'll get him a box so he can take the rest of the pizza home, but he tells her no. This is why I'm certain this place doesn't let you order by the slice. Surely this guy knew he only needed a couple of bites before he knew what his review of the pizza would be; otherwise why order a whole pizza? It also explains why their sales haven't been up. Of course people are going to be more hesitant to come if they can't order pizza by the slice; who wants to waste all that money on a whole pizza if you're not even going to eat it all? I will say; that pizza does look mighty tasty. 

A few days later, the girls and Lorena (and all the customers in there at the time) are watching their restaurant being critiqued on the small TV that hangs above the front counter. Pleshette begins his review by saying, "The atmosphere was rustic, the service was oversolicitous to say the least." Jojo interrupts to ask, "Is that good?", but is quickly shushed by the others. Pleshette goes on to say, "I am not a pizza person. I am not particularly fond of cheesy cuisine." The Mystic Pizza staff is pretty much resigned to think he's going to give them a terrible review, but he goes on to say that, the pizza, "in a word, is superb" and that it "has a blend of spices I can't quite identify." We get a funny line from Lorena where she says, "You bet your ass you can't!" He gives them four stars, his highest rating. This did not surprise me at all; I knew he was going to love the pizza despite the signs of him not being all that interested in it. As soon as the show is over, they immediately get a phone call from someone asking if they need reservations and it's clear that they will be getting a lot more customers. Hopefully they now decide to sell pizza by the slice. 

Business is booming and so great, in fact, that Lorena gives money to Kat to pay for Yale and tells her she can pay her back later. She also tells her that since she and her husband could never have children, the three of them are like her own daughters and wants to help her. 

So Jojo and Daisy get their guys, Kat gets the money to attend Yale, and Leona gets good publicity The movie ends with the girls laughing and wondering what Leona puts in her pizza as the secret ingredient.