Wednesday, November 26, 2025

Travel Companions

Planes, Trains and Automobiles
Director: John Hughes
Cast: Steve Martin, John Candy, Laila Robbins, Dylan Baker, Larry Hagen, Michael McKean, Kevin Bacon
Released: November 25, 1987


This is a movie I've always wanted to review around Thanksgiving. It seems like there aren't that many Thanksgiving movies out there. I know there's Home for the Holidays with Jodie Foster and Claire Danes and I'm pretty sure I remember one that starred Patricia Clarkson and Katie Holmes. It's called Pieces of April. I had to look that up; I would have never remembered that. Oh, and I double checked Home for the Holidays and Holly Hunter starred in it; Jodie Foster directed it. Wikipedia has a whole list of Thanksgiving movies, but most of them are movies that contain a Thanksgiving scene. Like, I remember the Thanksgiving scene in Brokeback Mountain, but I certainly wouldn't call it a Thanksgiving movie. Now there is actually no Thanksgiving feast scene in Planes, Trains and Automobiles, but the plot revolves around Neal Page (Steve Martin) trying to get home in time for Thanksgiving, so I would say that this is a Thanksgiving movie. 

It's two days before Thanksgiving and Neal, who works in advertising, is in New York for a meeting. His client is very indecisive and can't decide which print ad he likes best for his cosmetic company and just keeps mulling over the ads. Neal keeps looking at his watch impatiently. He discreetly takes out a plane ticket and we see why he's so antsy. He's scheduled to take a six o'clock flight to Chicago. I swear the ticket says he's supposed to land at 6:45, but there's no way that can be right. It probably says 8:45 as he told his wife that he would be home by 9. (Though there's no way you would get home in fifteen minutes after landing!) Now they linger on the ticket for a good while so the viewer can read it, but yet they felt the need to highlight the part about what time the flight left. 

When he and his colleague finally get out of the meeting, his colleague tells him he's going to take the eight o'clock flight home because there's no way he'd make the six o'clock flight. Neal is going to look back at this moment and just wished he had taken this flight. All he has to do is call his wife and tell her he's going to be a little later than expected. Now that flight was probably cancelled because of the weather, but he wouldn't have been in the predicament he will soon find himself in! 

In the bustling streets of Manhattan, Neal is in a long line of people waiting for a cab, but he gets out of line and tries to find one on his own. We see a man on the opposite side of the street who is also trying to hail a taxi and they both spot one at the same time. It's a little down the street and they both start running, on opposite sides of the street. It looks like Neal is going to get there first, but just as he's about to reach it, he trips over this huge clunky trunk and the other man gets there first and salutes Neal as he gets in. The man is played by Kevin Bacon and I thought for sure he was going to appear again in some capacity, but he never does. I watched this on Paramount Plus and he's the third name listed. True, it's probably because after Steve Martin and John Candy, he's the next biggest name (with all due respect to Dylan Baker and Michael McKean), but it's just so weird to see him in this role without any lines. I wouldn't even call it a cameo. The only thing that would have made it work for me is if he was playing himself (because that would have been hilarious), but I didn't get that sense. 

Neal runs up to a businessman who's just hailed a cab and pleads if he could have it because he's "desperately" late for his flight and was "wondering if I could appeal to your good nature to ask you to let me have it." The man replies, "I don't have a good nature." Neal offers him ten dollars and even that made me scoff. Like, seriously? That seems low even for 1987. And we know he can afford more because he lives in a house that looks a lot like the Home Alone house (but with no circular driveway). They bargain and eventually the price is raised to $75 (due to the other guy conning him; Neal had settled on $50 and the guy told him anyone who would pay $50, would pay $75 which makes no sense to me except for the fact that he knew he could take advantage of a desperate man). While they're barraging, we see the same trunk Neal tripped over earlier being lifted up and put into the trunk of the cab with the help of the taxi driver. We don't see the person but we all know it's John Candy's character. (Who else would it be?) This is happening right next to Neal and I don't know how he doesn't notice this. Does he not see this in his peripheral vision? The taxi screeches off right after he has given the other man the money. He picks up his briefcase and luggage and starts running after the cab and I'm impressed he's actually able to catch up to it when it stops at a red light. He tells the passenger (who is indeed the character played by John Candy) that this is his cab and to get out. The passenger looks startled, but the light turns green and the taxi speeds off. 

Neal ends up taking the bus and at 5:58, he is rushing towards the gate. I know this was before 9/11, but even that is cutting it close! There's no way they would let a person on a plane with only two minutes! Right? Right?! Well, it turns out the flight is delayed so he's not getting on the six o'clock anyway. He looks really disappointed and I'm thinking, he should be glad because there's no way they would have let him on the original flight anyway! He calls his wife to tell her about the delay. He has three young kids; the middle one is played by a pre-Mrs. Doubtfire and Boy Meets World Matthew Lawrence. His oldest child (she's probably nine or ten) is super annoying. When Neal calls, she keeps demanding her mom to tell her who's on the phone and keeps repeating, "Who IS IT?" STFU, little girl. 

While waiting for the flight, Neal looks across and sees a guy reading a book called "The Canadian Mounted" and instantly recognizes him as the man who took his cab. He calls him out on it and the man apologizes and wants to make it up to him. He offers to get Neal a hot dog and beer, but Neal tells him no thanks. Then he start spouting a bunch of other food and drinks (mostly drinks as he mentions coffee, tea, milk, and a slurpee) he could offer, but Neal says no. 

When boarding the plane, Neal is told he will be seating in coach. He's pretty angry because he bought his first class ticket a month ago. The flight attendant is pretty short with him; she's not very professional at all which seems to be a running theme in this movie. I can't blame him; I'd be pretty ticked off too if I didn't get the seat I paid for. She does tell him he'll be refunded. I think he just needs to cut his losses and accept his fate. He'll get his money back and the flight will only be less two hours (well that's what the intended flight should be!). To make matters worse for Neal, he's sitting next to the man he just met. The man introduces himself as Del Griffith and tells him he sells shower curtain rings. That's an object you use, but something you never think about. Don't most shower rings come with the shower curtain? Unless he's selling them to shower curtain companies...I dunno, but it's just amusing that's what he sells. 

Instantly, you know that Del is one of those people who constantly runs his mouth. Neal tells him politely that he's not much of a conversationalist and would like to read his magazine. Del tells him he understand. But I don't think he does: "The last thing I want to be remembered as is an annoying blabbermouth....you know, nothing grinds my gear worse than some chowder-head who doesn't know when to keep his big trap shut...You catch me running off at the mouth, just give me a poke in the chops." Neal is clearly becoming annoyed. Del takes off his shoes and makes a big scene of how relieved he feels. Then, even worse, he takes off his socks and is making loud groaning sounds about how it feels good to let his feet breathe and he starts waving is socks around near Neal's face. Del is what you would call self-unaware. 

Because of the bad weather, they end up landing in Wichita, Kansas. He calls his wife to let her know. She is so dumb: "I don't understand what Wichita has to do with a snowstorm in Chicago." Duh, they had to be rerouted because they couldn't land. Neal has to explain this to his idiotic wife.

There's no flights out of Wichita and Neal tries to call hotels looking for a room, but nothing is available. When Del tells him he booked a rom at the Braidwood Inn and tells him he'll make sure Neal gets a room because he (Del) knows the manager if Neal will pick up the cab fare. Neal is hesitant at first, but then agrees when he sees a guy sleeping by a trash receptacle. 

The motel is clearly in a seedy part of town. During the time they're checking in, they both give the manager, Gus, their Diners Club cards. There's a mix up and somehow they end up with each other's cards which nobody notice because Del is chatting with Gus. There are no names on the cards (which is odd) which is why they don't realize they have the wrong cards. This will come back later.

They are told there is only one room left, which means they'll be sharing a room with one (small!) bed. It's a little awkward when they enter the small room and see the single bed, but they don't mention anything about it.

While Neal is in the bathroom taking a shower, Del starts taking stuff out of his trunk including a framed photo of a woman who is his wife which he places on the bedside table next to him. Carrying around framed photos is just odd to me...even in 1987. I know people didn't have smart phones with pictures back then, but they could put a small photo in their wallet. 

In the shower, the water shuts off while Neal is shampooing his his hair and he gets shampoo in his eyes. (As you can probably imagine, this is a crappy motel.) It does turn back on and when he's done with his shower, he opens the sliding door to see a huge mess. There are wet towels strewn across the floor (along with a wet newspaper) and the countertop has toiletries scattered about everywhere. There's only one single small washcloth on the rack that Neal uses to dry off with. This scene confused me so much because it couldn't have happened before Neal took a shower or otherwise he would have for sure said something. Did Del come in while Neal was in the shower? I don't think Neal would have liked that very much! But if Del came in, why didn't they show that? There's no way Neal wouldn't have heard him. But if he's using all the towels, that would have implied that he showered first and Neal should have seen this mess BEFORE he took a shower. I am so confused! I guess there was a deleted scene of Del messing up the bathroom while Neal was in the shower. Still doesn't make any sense to me. Anyway, I would have been livid if somebody just made a big mess like that and used ALL the towels. Not cool, dude.

As they're getting settled in (the very small!) bed, we find out the Neal's side of the bed is damp with beer because the cans had exploded when Del opened them because they had been sitting on the bed which had been vibrating. (What is the deal with vibrating beds anyway? I feel like they're alway in '80s movie, more specifially John Hughes movies because there was one in National Lampoon's Family Vacation.) 

As Neal tries to sleep, Del is doing his (what I assume) sleeping ritual. This includes cracking his knuckles, itching some part of his body (I can only imagine what), then most annoyingly, starts doing some weird snorting noises with his throat. Neal can't take it anymore and jumps out of bed in a heap of rage and Del explains to him that if he doesn't clear his sinuses, he'll snore all night. He couldn't do that in that bathroom? Neal just explodes and tells Del he's been "under [his] skin since New York, starting with ripping off [his]  cab." He goes on a tirade about how Del talks too much and has nothing interesting to stay. He goes a little beneath the belt, but I can understand why he's annoyed with him.

Then sad, inspirational music comes on as Del agrees that he talks too much, but says he's not changing because, as he says, "I like me. My wife likes me. My customers like me 'cause I'm the real article. What you see is what you get."

I think Neal should have focused more on Del's inconsiderate habits (like taking and using all the clean towels in a hotel room or smoking in the room) rather than make it super personal. Here he's just downright cruel to Del and the audience is meant to feel bad for him, but I would find him annoying as well. If somebody just left me with a washcloth to dry off with, that person is dead to me. Getting out of a shower and not having a towel to dry off would make me very cranky. 

Neal doesn't say anything, but he looks a little guilty. They both get in bed and during the night we see someone breaking in and stealing their money from their wallets. Apparently, there was a deleted scene where they order pizza and they gave the pizza guy a terrible tip and he broke in and robbed them. They need to keep this scene in because they will soon discover their money is gone.

In the morning, we see a bunch of crap on Del's side of the bed, including beer cans and an empty Cracker Jacks box. It looks like most of the caramel popcorn got on the bed and spread on his pillow and pajamas...gross! 

The camera pans to show that a sleeping Del is spooning against a sleeping Neal and kisses his ear as Neal smiles. Seriously, he can't tell that's not his wife? Something tells me Del's breath doesn't smell like his wife's breath! His arm is draped over Neal who is holding his hand. Neal wakes up, realizing what just happened and we get this hilarious exchange:

"Del, why did you kiss my ear?" 

"Why are you holding my hand?" 

"Where's your other hand?"

"Between two pillows." 

"Those aren't pillows!"

They both quickly jump out of bed and start talking about the Bears so they seem manly.

Neal goes into the bathroom only to see Dels dirty socks in the sinks. Even worse, he reaches for something to dry his face with after washing it, but we all know there are no towels left and he grabs Del's underwear. He doesn't realize until after he's used it what it is...ewww! I can only hope it was clean underwear, but who are we kidding. Blergh!    

They have breakfast at a diner where Neal tells Del he called the airport who said everything is booked solid, but he has "a good chance of getting on stand by." Del says there's no way either of them will be getting on a flight, but he has a friend who works for the railroad and suggests taking a train. They get the check which Neal says he'll pay for. He says he doesn't mind as long as Del can get him on that train. He opens his wallet to see his money is gone. He thinks Del took his money and when he glares at Del and Del says, "What?", I love how Neal replies, "You know goddamn well what." He had $700 cash in there! Who carries around that much cash? Del gives him his wallet and tells him the exact amount he has and to go ahead and count it, but when Neal opens it, it's also empty. 

Del looks at the positive side (he did have $200 that was stolen, but at least it wasn't $700!) and says since the thief didn't take their credit cards, they can just charge their way home. That honestly seemed like the no duh answer to me that I looked up to see what people used their credit cards for in the '80s and discovered that people really used them for big purchases or emergencies. I guess I would count this as an emergency! Neal asks what cards Del has and he has a Visa and a gasoline card. Del has a card for "Chalmer's Big and Tall Men's Shop" which is a chain in the Pacific Northwest. I love how he adds, "Unfortunately, it does us no good here." Like, even if that store was in the Midwest, it's not going to help with their travels!    

They are picked up by Gus's (the manger of the motel) son who has arrived in a huge pickup truck. Both Neal and Del are a little weary when they meet Owen (Dylan Baker) who keeps snorting and spitting. Right after introducing himself and before shaking Neal's hand, he spits in his mouth and Neal is just grimacing as he touches his hand. Ewwww. I think in this instance, you can refuse to shake a hand, right? The face Steve Martin makes everytime Owen snorts is so funny. 

Del and Neal grab Del's trunk, but Owen tells them his wife will get it and that she's stronger than she looks. She's sitting in the car with a toddler and a baby, but the two guys quickly say they'll get the trunk. They ride in the back with a dog. It's vey cold and the ride to the train station is "no more than forty-five miles". By the time they arrive, they are covered in frost. 

Their seat tickets for the train aren't together. Del is a little upset, but you can can tell Neal is trying to hide his glee that he won't have to sit next to his traveling mate and that he's finally gotten to get rid of him. He explains the train being full because of the holidays, which is true. Del asks if he wants to meet later and get a drink at the bar car, but Neal says he plans to sleep and tells him, "It's been interesting." As Neal walks away, Del calls after him saying he needs his address so he can send him money for the ticket, but Neal says it's a gift. I assume he's feeling quite generous since he will never have to see this man again (so he thinks!). 

Of course, we know it can't be that easy and the train breaks down somewhere near Jefferson City. Everyone is told if they walk a mile to the highway, the trucks will take them to the bus station. Neal sees Del struggling with his trunk and helps him carry it.

Now they (and everybody else) are on a bus traveling from Missouri's capital to St. Louis. This has to be their worst form of transportation. It's so terrible it's not even mentioned in the title! (Though I'm assuming a bus counts as an automobile.) The bus is full and cramped, there's a kid running up and down the aisle, a couple sitting across from them is getting hot and heavy, then they start smoking. I know it was used as a joke, but I would be LIVID if someone on a bus started smoking! This is something I noticed about this movie: that people are always smoking. Del, especially. We already saw him smoking in the motel room and in diners. 

At the bus stop in St. Louis, Del starts conning people by selling them shower rings and telling them they're earrings or rings (that's a big ass ring!) autographed by people like Diane Sawyer or Darryl Strawberry or Walter Cronkite. At one point he says the earring were "handcrafted by the grand wizard of China in the fourth century." He admits these aren't the originals, "but they are very good replicas." 

The two travel companions are eating at a diner when Neal starts to say, "You know, I've been thinking that when we put our heads together, you know, we really..." As he's saying this, Del starts to smile, thinking Neal is going to say how good they are together, but Neal finishes the sentence with, "we've really gotten nowhere and I think I'm holding you up." Del's smile falls but reluctantly agrees to part ways. 

Neal is dropped off by the bus in a parking lot of rental cars. He goes to the marked spot where his car is supposed to be but it is empty. Rightly, he is upset. He is very upset. He calls after the bus that dropped him off, but it's too far away and he's not going to make it. He has to make the long trek back to the building where the rental car agency is. This includes walking along a busy highway and across a busy airport and sliding down a steep embankment where he nearly gets hit by a bus. This probably has to be the worst thing that happens to him during the entire jaunt. 

When an irate Neal gets to the counter, the car rental agent (Edie McClurg) is talking on the phone, but it's obviously a personal call because she's talking about Thanksgiving plans with a family member. I feel like they have this in here for the audience to be annoyed at her so that maybe Neal's rant at her will be justified. I think it would have been just as effective if she was professional, but had the super chirpy annoying personlity which is part of the reason Neal lashes out at her. This woman has a LONG LINE of customers. Why is she taking a personal call?  

This is probably the most famous scene of the movie and the scene you remember the most if you've only seen it a couple times. When she asks Neal if she can help him, he tells her, "You can give me a f'ing automobile." After she tells him, "I really don't care for the way you're talking to me", he starts in on his tirade: "And I really don't care how your f'ing company left me in the middle of f'ing nowhere with f'ing keys to a f'ing car that isn't f'ing there. And I really didn't care to walk down a f'ing highway and across a f'ing runway to get back here to have you smile in my f'ing face. I want a f'ing car right f'ing now." All these f***s pay off because after the agent asks to see his rental agreement and he says he threw them away, she tells him, "You're f***ed." But seriously, I want to know what happened to his rental car. Why wasn't it there? 

He tries to get a taxi to take him all the way to Chicago (how much would THAT cost, I wonder?), but ends up meeting up with Del where he will share a ride with him. Del tells him, "You know, I had a feeling that when we parted ways, somehow, someday our paths would cross again." (Yeah, they would cross again literally the same day!)

When Neal takes his turn at the wheel, it's dark outside. Del is trying to get adjusted to his seat, but can't seem to get comfortable and keeps messing around with it. When they switch, there's a funny payoff when the passenger seat launches Neal forward so his nose is pressed up agains the windshield. While Neal is sleeping, Del is driving and lip syncing along to "Mess Around" by Ray Charles. He's mimicking all the instruments in the song like the piano and saxophone. At one point when he's playing the "piano", both his hands are off the steering wheel and he's closing his eyes to emulate Ray Charles. Probably not the best thing to do when you're driving! This causes the car to start to veer off the road a couple times. I don't know how this or the loud music doesn't wake up Neal, but he only stirs a couple of times. Once again Del is smoking in the car, which seems very inconsiderate, but I know they are only doing this for plot purposes because he throws the cigarette out the window, but it flies back into the back window and lands on the back seat. 

Del is wearing his heavy blue parka and decides to take it off. I understand it's late November, but he's also wearing a sweater under his coat, so I don't know how he wasn't roasting well before now! If I'm driving a long ways in cold weather, I always take my coat off. I just let my car's heater do its thing. I would rather be cold at first and eventually warm up rather than be uncomfortable and roasting in my winter coat. He starts to take off one sleeve of the coat, but it gets caught in the seatbelt mechanism so now his arm is caught in the sleeve. While he's trying to get free, the car starts careening all over the highway. He's lucky this isn't a busy highway. Somehow Neal doesn't wake during this...he must be a heavy sleeper. Del tries to take his coat off at the other arm but it also gets tangled in some other mechanism and now both his arms are caught up in his coat and he has no hands to drive with so he uses his knees. Guess what? Driving with your knees? Not very effective! At this point I'm wondering he's not waking up Neal to help him out. He's not even calling his name. It would be one thing if he shouted his name and Neal was so out of it he didn't hear him, but it's not like he's even trying to ask for help. 

He ends up driving across the road and onto the opposite one. The car spins around and this wakes up Neal who asks, "What's happening?" and Del tells him they almost hit a deer. 

Already, them driving in the car is the most memorable of the transportations they take and it's about to get even crazier. I mentioned earlier there are few cars on the road and this is probably a good thing as they are now going the wrong way. Neither of them seem to realize this, not even when a couple in a car going parallel with them across the median screams at them, "You're going the wrong way!" Del just honks back, thinking the guy wants to race, but he's making motions at Del to turn around. You would think Del or Neal would wonder why the car on the opposite side of the road was going in the same direction as them. When Neal tells Del the guy is telling them they're going the wrong way, Del asks, "How would he know where we're going?" He assumes the guy is drunk (which is probably what the guy is thinking about them!) and mimes drinking from a bottle. I just don't understand how neither of them could figure this out! The guy tries to clear is up by shouting, "You're going in the wrong direction!" Finally, Neal seems to figure it out, but now two semis have appeared, side by side. There's no time to do anything and they end up driving between the trucks with the outer parts of the car being scraped off. I'm sorry, but there's no way that a car could fit (even snugly) between two semi trucks. That car would have been totaled. 

After the trucks have passed by them, Del slams on the brake and their luggage goes flying over the car onto the street. The trunk had been propped open to fit Del's large piece of luggage which is how everything went flying out. I'm honestly surprised the trunk (Del's luggage, not the back of the car) didn't pop open when it was catupulted onto the asphalt. 

After turning the car around so they're facing the correct way, they both get out and Del inspects the damage and claims "it doesn't look too bad" which I agree with since in real life it would have been much, much worse. They get their luggage off the road and pull it to the side. They sit down on Del's trunk with the car behind them. It isn't long before the unmistakable sound of a fire starting is heard and they both look behind them to see the car is on fire and they just start laughing because that's all they can do. 

Remember the scene at the motel when their Diners Club cards were switched by accident? It turns out Del rented the car with Neal's card, but he put it back in Neal's wallet. There was a scene earlier where Neal had put his wallet in the pocket of the side door and asked Del to remind him not to forget about it. Right away I knew he was gong to forget it or something was going to happen. And it did: it caught on fire. 

They drive to a motel in the burned car. There's no way that thing would be cool enough to touch, let alone sit in even when all the flames have gone out! A joke will be made about the car being so hot to sit in that Del is sure there are grill marks on his behind. There's a funny moment when Neal is trying to get a room at the motel and gives the manager his credit cards which have all been burnt to a crisp. He ends up getting a room by giving the guy $17 in cash plus his watch. Del has nothing to offer but two dollars and a Cassio watch (it's funny when he tries to model it over his wrist) and ends up outside in the car bundled in his parka.  Neal feels bad when he sees him sitting in the cold so he invites him in. Luckily, this room has two separate beds. 

Oh, yeah, before Neal invites Del into his room, he tries to call his wife with the room's rotary phone, but the phone is locked so you can't dial the numbers all the way. WTF? Why would they have that locked? I guess it's to serve the tension of the movie for the wife to wonder why her husband has barely been able to keep in touch with her. 

Also, before Del is invited inside, he starts speaking aloud to his wife as he's sitting in his car: "Well, Marie, once again, my dear you were right as rain. I am, without a doubt, the biggest pain in the butt that ever came down the pike." Right away I knew his wife was dead. It also explained the framed photo of his wife being carried with him everywhere. That had a very posthumous feel. 

In the hotel room, Neal is laying in his bed and Del is sitting in a chair. Both are talking and joking and eating snacks with little bottles of liquor. Neal likes his combination of Doritos and tequila. Before he goes to bed, he tells Del, "as much trouble as I've had on this little journey, I'm sure one day I'm gonna look back and laugh." At least he's able to laugh about it now. 

Their car had been backed into a parking space in front of the room they were staying in. When they leave, Del accidentally reverses the car and it backs into the front of their room, just demolishing the wall. That was a laugh out loud moment for me. They hightail it out of there before anyone sees (more likely catches) them. I love that Del uses his arm when he's signaling.  

On their (nearly) last leg of the trip, they are stopped by a police officer (played by Michael McKean) for going too fast, but let's be honest, they'd be stopped just for driving that death trap. The officer asks Del if he knows how fast he was going and Del replies, "Our speedometer's melted, and as a result, it's very hard to say with any degree of accuracy exactly how fast we were going." The officer asks, "Do you feel this vehicle is safe for highway travel?" I love Del's genuine reply: "Yes, I do. Yes, I really do." 

The officer stars to tick off all the problems: No outside mirror, no functioning gauges (including the speedometer!), but Del informs him the radio still works, somehow. The officer tells them the vehicle is not safe to drive and it will be impounded. It's honestly a miracle it wasn't impounded earlier.

Del has found a semi truck driver to take them the rest of the way to Chicago (maybe not all the way home but at least to the L train station), however they need to sit in the trailer which is refrigerated since it's carrying boxes of cheese. They aren't allowed to sit in the cab with the driver because he doesn't like people sitting next to him. Del tells Neal he's going to be in Chicago "in less than three hours." 

Before they part at the train station, Neal tells Del he appreciates him helping him get home. They have a nice, sincere exchange and even hug before Neal gets on the train. He's now only a few miles away from his house and seeing his wife and kids and enjoying a Thanksgiving dinner with his family. He starts thinking about what's waiting for him at home until he starts thinking about all the crazy things that happened to him in the last forty-eight hours and starts smiling and shaking his head, as if he's thinking, What a crazy story I'll have to tell my children and my eventual grandchildren! You know he's pulling this story out at family gatherings for decades to come! 

Then the music starts to turn somber as he thinks about the times Del mentioned his wife and when he told Neal he hadn't been home in years and comes to the realization that maybe Del doesn't have anywhere or  anyone to go home to for Thanksgiving. He returns back the station where Del is sitting on a bench. He tells Neal he doesn't have a home and that Marie's "been dead for eight years." 

The next scene is of them walking up the street to Neal's house with each of them carrying a handle of Del's trunk while an instrumental version of Everytime You Go Away plays. Neal is reunited with his family and Del meets Neal's wife and kids and parents and parents-in-law and everyone is happy. 

I am a little confused as how they got to Neal's house from the train station because if they had taken a cab, it would have stopped right in front of the house and let them out, but we don't see that, plus they wouldn't have any money to take one. Did they walk from the train station to Neal's house in the suburbs? There's no way they would have walked all that way lugging that heavy trunk, plus Neal's own luggage. I feel like we missed an important part of the puzzle on the very last leg of the trip. 

The movie ends on a freeze frame of Del's face looking happy and thankful to be celebrating Thanksgiving with a family who has invited him in. Makes you wonder how long Neal let him stay at his house.

Wednesday, November 5, 2025

Strength and Honor

Gladiator
Director: Ridley Scott
Cast: Russell Crowe, Joaquin Phoenix, Connie Nielsen, Oliver Reed, Dijimon Hounsou, Richard Harris, Derek Jacobi, Spencer Treat Clark
Released: May 5, 2000

Oscar nominations

Best Picture (won)
Best Director - Ridley Scott (lost to Steven Soderbergh for Traffic)
Best Actor - Russell Crowe (won)
Best Supporting Actor - Joaquin Phoenix (lost to Benicio Del Toro for Traffic)
Best Original Screenplay - David Franzoni, Josh Logan, and William Nicholson (lost to Cameron Crowe for Almost Famous)
Best Art Direction -Set Decoration (lost to Crouching Tiger, Hidden Dragon)
Best Cinematography (lost to Crouching Tiger, Hidden Dragon)
Best Costume Design (won)
Best Visual Effects (won)
Best Editing (lost to Traffic)
Best Original Score - Hans Zimmer (lost to Dun Tan for Crouching Tiger, Hidden Dragon)
Best Sound (won)


Oh, man, this movie has so many great quotes:

"Are you not entertained? Are. You. Not. Entertained?"

---------------------------------- 

"My name is Maximus Decimus Meridius, commander of the armies of the North. General of the Felix Legions. Loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next." 

---------------------------------------------- 

"What would you have me do, Ceasar?"

"I want you to become the Protector of Rome after I die. I will empower you to one end alone. To give power BACK to the people of Rome and end the corruption that has crippled it. Will you accept this great honor that I have offered?"

"With all my heart, no."

"Maximus! That is why it MUST be YOU!"

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"You won your freedom?"

"A long time ago, the Emperor presented me with a rudius. It's just a wooden sword. The symbol of your freedom. He touched me on the shoulder, and I was free."

"Ha, ha, ha. You knew Marcus Aurelius?"

"I did not say I knew him! I said he touched me on the shoulder once!"  

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"I knew a man once who said, 'Death smiles at us all. All a man can do is smile back.'"

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"Today I saw a slave become more powerful than the Emperor of Rome." 

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 "The General who became a slave. The slave who became a gladiator. The gladiator who defied an emperor. Striking Story! But now, the people want to know how the story ends. Only a famous death will do. And what could be more glorious than to challenge the Emperor himself in the great arena?

"You would fight me?"

 "Why not? Do you think I am afraid?"

"I think you've been afraid all your life." 

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"Now we are free. I will see you again...but not yet...not yet!"

This was only the third time I've seen this movie and it had been quite a long time since I last saw it, but I could still quote many lines from the movie. This is because I owned Gladiator: More Music from the Motion Picture (as well as the original soundtrack!) and there are lines of dialogue over some of the score. I have listened to the soundtrack so many times that I could hum every note of pretty much each scored scene. 

The film opens with a quick history lesson, telling the audience that the Roman Empire "was vast, stretching from the deserts of Africa to the borders of Northern England" and that "over one quarter of the world's population lived and died under the rule of the Caesars." It is 180 AD (so a looooong time ago) and Marcus Aurelius (Richard Harris) is the Emperor. 

Maximus (Russell Crowe) is a general who has just lead the Roman army to victory in a battle. When Marcus Aurelius asks how he can award him, Maximus just wants to go home to see his wife and young son who he hasn't seen in almost three years. But Marcus Aurelius has other plans for him and tells him, "There is one more duty I ask of you before you go home...I want you to become the protector of Rome after I die." He wants him to "give power back to the people of Rome" and "end the corruption that has crippled it." Maximus thinks this should go to somebody who understands Rome's politics and Marcus Aurelius wants it to be Maximus because he "has not been corrupted by politics." When he asks about Marcus Aurelius's own son, Commodus (Joaquin Phoenix), he is told, "Commodus is not a moral man." Marcus Aurelius is adamant that he "must not rule." (Ruh-roh, we all know that this is not going to end well!) He tells Maximus, "You are the son I should have had." Ouch! Good thing Commodus didn't hear that! He also adds that Commodus will accept his decision because "he knows that [Maximus] commands the loyalty of the army." 

Well, guess who isn't too happy when he is told he will not be the emperor? I'll give you zero guesses because you should know this. Maximus is "to hold in trust until the Senate is ready to rule" and that "Rome is to be a Republic again." Because Commodus doesn't take too kindly to this news, he ends up killing his father by suffocating him. Surprise! Guess who's now the new Emperor? Again, I'll give you zero guesses. When Commodus informs Maximus that his father is dead, Maximus asks how he died and Commodus tells him he died in his sleep. Uh-huh. I guess back then, they didn't really have the means to conduct autopsies. Plus, nobody was listening to true crime podcasts so nobody was quick to question this "sudden death" or be suspicious about it. Though, to be fair to Commodus, his father was a frail, old man, so him dying in his sleep probably wouldn't be that far-fetched. However, to also be fair to Maximus, he was way ahead of his time because he wants to talk to the council because he believes Marcus Aurelius was slain! Maximus knows what's up! Quintus, a Roman military officer and commander of the Praetorian guard, tells him, "The Emperor died of natural causes." It's clear who's side he's on (and, yes, I had to look up his info on the Gladiator movie Wikipedia page)!  

Because Maximus won't allege his loyalty to the new Emperor, the guards have been ordered to take him and "ride until dawn, then execute him." Why they need to ride until dawn, I'm not sure, but I suppose if they had just killed him on the spot, the movie would have been only forty minutes instead of two hours and thirty-five minutes.

When he asks for his family to be taken care of, he is told that they will meet him in the afterlife. Maximus is able to thwart his executioners and kill most of the guards before grabbing a horse and galloping off to make the long journey to his home. Maximus is referred as "the Spaniard" throughout the movie, so I'm guessing his home is in Spain? (Did Spain exist way back then? I mean, was it called that? I dunno.) Unfortunately, he is too late and his wife and son have already been brutally killed. He is so overcome by exhaustion and grief that he collapses and the next thing he knows, he is being carried on a stretcher-like thing (I'm sure that's not what they called it in 180 AD!) through the desert along with many men and animals. He has been found by slave traders and he is taken and sold in Zuccabar to a a gladiator trainer named Proximo (Oliver Reed). He needs "good stock" for his next fight and likes the looks of Maximus and a slave named Juba (Dijmon Hounsou) who will become Maximus's closest confidant. Proximo tells his gladiators in training, "I did not pay good money for you for your company. I paid it so that I could profit from your death." I would have thought they make money if their gladiator wins? 

Before their first fight, Coach Proximo gives them a "pep" talk: "Some of you are thinking, you won't fight. Some that you can't fight. They'll say that, until they're out there." He tells them to listen to the crowd chanting, "Kill, kill, kill." We'll soon learn this is the crowd's favorite word to chant during these fights. 

The whole concept of pitting men (and sometimes women as we'll see later) to fight against each other to the death is all kinds of messed up. I know we sometimes use the phrase, "That was a different time", but in this case, it really was a different time. It was a totally different era! 

The music right before they go into the arena is EPIC! Too bad they didn't have speakers in the Colosseum, or they could pump it through the arena and get the audience all pumped. Right before they run out, we see a big beefy guy clad in armor and waving around a chain with a spiked ball attached to it. Two seconds later a guy is bludgeoned with it. I was like, oh, okay, that's how we're gonna start things. Let's just say, this movie earned it's R rating!

This fight seems highly unfair as the big beefy guys are protected by armor and the slaves are only wearing rags. The slaves are partnered with someone and chained together, with maybe about two feet of leeway (I dunno, I could be totally wrong there). Maximus and Juba are partners and they work very well together; if these two were born in our time, they would have been great on The Amazing Race together! They run towards a big beefy guy, attaching him with the chain which they trip him with. We get the epic 360 camera shot of them as they look up and around the arena of the cheering audience. 

Between the first battle and the next one, we see the Emperor arriving in a very CGI Ancient Rome (complete with a fully built Colosseum!). Commodus tells his sister, Lucilla (Connie Nielsen), "I'll give the people a vision of Rome and they'll love me for it." 

Here are a few things you should know about, Lucilla: She has an eight-year-old son named Lucius Veras ("after his father"), she has been recently widowed, and Maximus if a former lover of hers. Oh, and Commodus has some icky incestuous feelings towards her which she definitely does not reciprocate. At one point, he wants her to "stay the night" with him, but she tells him she won't. He asks her to kiss him and she kisses him on the forehead, probably not what he had in mind! 

Now it's time for the second battle in the arena! Maximus is already a big hit with the crowd. As they're waiting for the fight, the crowd is yelling, "Spaniard! Spaniard!", which is what they call Maximus (before they learn his name). Maximus enters the arena and starts slicing and dicing some big beefy boys' metal shields and metal hats. He slices one guy at the waist and another guy in the chest, then sticks two swords in one guy's chest, then takes both of them out and decapitates him (keep in mind he's at least two feet taller than Maximus). If I were in that crowd, I definitely would be covering my eyes! Eugghghg! 

He throws one sword at the VIP tent (well, the equivalent of what it would be called today) and this is when we get the famous scene where he yells to his captivated audience, "Are you not entertained? Are. You. Not. Entertained? Is this not why you're here?" He throws down the other sword in disgust and the crowd just cheers and chants, "Spaniard! Spaniard!" They are very much entertained! 

Proximo sends for Maximum and tells him while he's good, he could "be magnificent." Maximus replies," I am required to kill, so I kill. That is good enough." Proximo tells him that is not enough for Rome (where they will be taking the show next) and that "the young emperor has arranged a series of spectacles to commemorate his father, Marcus Aurelius." He finds that amusing since it was Marcus Aurelius who closed them down. With a glint in his eye, he says they are "going back to the place where we belong", of course referring to the Colosseum. "Fifty thousand Romans watching every movement of your sword, willing you to make that killer blow." From the way he is talking, Maximus surmises that he was a gladiator and Proximo confirms it. Maximus asks if he won his freedom and Proximo tells him, "A long time ago, the Emperor presented me with a radius. It's just a wooden sword. The symbol of your freedom. He touched me on the shoulder and I was free." He gets haughty when Maximus starts laughing and asks him, "You knew Marcus Aurelius", to which he responds, "I did not say I knew him. I said he touched me on the shoulder once." 

Maximus says he also wants to stand in front of the Emperor as Proximo did and his mentor advises him, "Then listen to me. Learn from me." He says he wasn't the best because he "killed quickly", but because "the crowd loved me...win the crowd and you'll win your freedom." Maximus says, "I will win the crowd. I will give them something they've never seen before." 

Now it's time to take a roadtrip to Rome! Roam if you want to, indeed! Actually a journey from what I assume is probably modern day Morocco to Rome would SUCK. I can't ride a horse for more than two horses without my butt and legs getting sore. I can't imagine the horrendous trek that would be! I looked up the distance and it takes 32 hours to DRIVE that distance! With a modern car! Can you imagine if you had to walk it or go on horseback? I would be dead after the third hour! Luckily, we just get a ten second clip of them on their journey. 

When they reach the Colosseum, Maximus, Juba, and the others are looking at it in awe. Even though I know this particular Colosseum is CGI, it is pretty spectacular. The actual, real Colosseum in Rome today is quite impressive. How about some Colosseum fun facts? 

*It was built during 69-79 AD and completed in 80 AD. I have no idea how this is known, but there must be some record.

*It could hold 50,000 - 80,000 spectators, thus making it the largest standing amphitheater in the world.

*It was used for public events including executions, re-enactments of famous battles, dramas based on Roman mythology, and, of course, gladiatorial contests.

*It was ruined by earthquakes and stone robbers. The latter made me chuckle. 

*There were 80 entrances on ground level.

Okay, I think that's enough fun facts for now. There's a whole Wikipedia article you can read about it. Actually, I'm also sure there are more reputable sources about it! 

Before his first battle in the Colosseum, Lucilla's young son, Lucius (Spencer Treat Clark), is outside the gate where Maximus and the others are waiting and beckons him to come closer and asks if he's the one they call the Spaniard and Maximus confirms this. Lucius tells him he will be cheering for him and Maximus is surprised that this young boy is allowed to watch the games (so am I, Max, so am I!). Lucius tells him he's allowed to watched because "my uncle says it makes me strong." When asked about what his father thinks, Lucius tells him his father is dead. Are we sure about that? (Wink, wink.)

Before they enter the arena, they are given instructions to raise their weapons and salute the Emperor when he enters. They are NOT to turn their backs on him as it is a huge sign of disrespect. He tells them, "Go, and die with honor." 

A man named Cassius is the one who announces who will be fighting that day. He wears a wig with red curls and has these crazy eyebrows that slope up. He introduces Proximo's gladiator slaves as "the barbarian horde". In the arena, they are all facing forward as they were instructed, and Maximus, in the front, asks the group if anybody has ever served in the army and someone next to him says he served with him and Maximus tells him he can help: "Whatever comes out of these gates, we've got a better chance of survival if we work together...if we stay together we survive." Earlier when they were still in the...whatever the equivalent of locker rooms were called back then....., you could hear growling noises and was sure some wild cat would be coming through the gates. But no, that will be for another show! 

Several gates open around the Colosseum and a bunch of chariots being pulled by horses come rushing out. In each chariot are two people: one in front holding the reins and the other in back, wielding a weapon. In this case, there were many bows and arrows. I was quite shocked to see a woman (who gets a pretty nasty death when she's cut in half at the waist) in the arena, but I guess it happened. One particular guy in the crowd is getting a little into it and chanting, "Kill, kill, kill!" Like, settle down, dude! If he were living in this day and age he'd be the obnoxious guy at sporting events, standing up and yelling every three seconds. The woman is shooting arrows at her opponents and Maximus instructs everyone to stay close and they use their shield to protect themselves. 

At one point, I'm not sure exactly how it happened (because everything is moving so fast), they're able to tip one of the chariots over. This causes the other chariots to start crashing into each other and soon there's lots of carnage and many of the chariot riders are getting killed. Maximus gets on a horse that has escaped from one of the crashed chariots and uses a spear (which I believe he retrieved from one of the dead opposition) to throw at one of his enemies. There's a cool shot where he's coming around the arena and Juba shouts his name and throws a sword at Maximus which he catches and uses to cut any b*tch who gets in his way. 

Throughout this battle, we get some shots of Commodus who has some choice reactions. At one point he's sticking his tongue out and another time he's going "ooooh" in a sarcastic manner. 

There's lots of cheering from the crowd when everyone from the other side has died. I get the impression the crowd doesn't really care who wins/looses. They just want people to die and they'll cheer for the people who live (or, really, the people who killed off the other side). Commodus asks Cassius shouldn't have the barbarians lost this battle since that was the plan for them to die. He asks about the Spaniard and says he wants to meet him. Because Maximus is wearing an armored helmet that covers most of his face, Commodus has no idea who he is. 

The gladiators are told to drop their weapons, then Commodus comes out, flanked by a bunch of bodyguards. Maximus sees an arrow laying on the ground and discreetly picks it up, but then he sees that Lucius has ran up alongside Commodus and knows he can't do anything if a kid is there. (Though even if the kid wasn't there, would he really try anything with all those men with swords surrounding them, their duty being to protect Commodus?)

When Commodus asks him if he has a name, Maximus simply replies, "My name is Gladiator." The turns around and walks back toward the other men. This does not make Commodus happy: "How dare you show your back to me." He orders him to remove his helmet and tell him his name. With his back still turned toward him, Maximus removes his helmet, the turns to face him. This is when we get the "My name is Maximus Decimus Meridius" quote. When he finishes with "I will have my vengeance, in this life or the next", Commodus is speechless and his main guard quickly orders the other men to surround him. He shouts, "Arms!" and they pull out their weapons. People in the crowd chant "Live! Live Live!" This is literally the only time when they're not shouting "Kill! Kill! Kill!" I'm honestly shocked, usually the crowd is blood thirsty. Commodus puts his arm out with his hand in a fist and everyone is waiting to see if he's going to give the thumbs up (that means you get to live) or the thumbs down (that means you die). Lucky for Maximus, he's given the thumbs up. Hmmm, that makes me think of something. Gimme a sec....haha, okay, it's a good thing Roger Ebert wasn't around during the Roman Empire or else Maximus would have died! Because he gave it thumbs down! I mean the movie, you know what I mean. 

Everyone in the crowd is cheering and Maximus puts his arm up in triumph and he knows he has the crowd's adulation as he looks around the arena at all his cheering fans. Now that people know his name, it's being shouted as he leaves the arena. 

I need to do a quick fashion corner before I resume. There's a couple times where Lucilla wears a dress with a ribbon (for a lack of a better word) that is wrapped around her stomach, goes under her breasts, and is weaved around low on her hips and around her arms. It's just so odd. It also looks like an annoyance to put on/wear. I tried Googling this look, but couldn't find anything. Who knows how accurate it is. 

Commodus asks his sister why Maximus is still alive and she tells him she doesn't know. He says one of my favorite lines in the movie (but not as iconic as many other lines) which is, "It vexes me. I am terribly vexed." This is a quote I may have used once or twice in my real life. Commodus is also not very happy as he was told that Maximus had died when he was taken to Germania to be executed and this means he was lied to!

Lucilla goes to visit Maximus in the prison where he's being held when he's not entertaining crowds and tells him that Commodus controls everything. He has enemies, most of them are in the Senate. While people follow him, "no one would dare stand up to him until [Maximus came along]." She asks him if he will meet a man who has dedicated his life to Rome if she can arrange a meeting with him. Maximus reminds her he is only a slave and may die in their prison or in the arena tomorrow and what difference can he make. He basically tells her to get the hell out and forget about him. 

Now it's the second time in the Colosseum. That Cassius sure likes to blow a lot of smoke before the show starts because he's just keeps talking and talking and talking. He tells the audience that they are celebrating the 64th day of the games on this particular day. He adds, "The Emperor has deigned this day to favor the people of Rome with an historical final match." There is a special guest today! Returning to the Colosseum after fives years in retirement, "the only undefeated champion in Roman history, the legendary Tigris of Gual!" Some guy in a chariot led by four horses with red plumes comes charging out. Everyone cheers wildly so I guess they're familiar with him. This is just proof that the audience will cheer for anyone. They were going gaga over Maximus the last time they saw him and now they're cheering for this dude. 

Now you may have noticed that Cassius says "historical final match." In their equivalent of a VIP box, Commodus admits to his sister that Maximus will be gone soon because "it's been arranged." Ha! Joke's on you, Commie! 

This battle will be a one-on-one fight between Maximus and the undefeated guy who came out of retirement. Oh, did I mention he looks like he's built like The Mountain from Game of Thrones? He looks like he could squash Maximus like a bug. 

This may be a one-on-one battle between the two men, but they aren't the only ones out in the arena. After Tigris kicks sand in Maximus's face (someone likes to play dirty!), Maximus falls back and a wall right behind him opens to reveal a tiger, attached to a chain, run out and swipe at Maximus before he is able to roll away. There are men controlling the tigers with the chains and decide how much leeway they get. Another tiger comes from under the floor, then another jumps on Maximus's back, but the men controlling the wild animal are able to pull him back. Hmm, I wonder if they put tigers in the arena because Tigris was fighting that day. Like, that can't be a coincidence! 

A tiger leaps up on Maximus, but he's able to spear it in the belly with his sword. The tiger falls on top of him and while he's under the tiger's corpse, he's trying to shield himself from Tigris who's stabbing at him. From his position on the ground, Maximus is able to take Tigris's axe and stab him in the foot with it. This causes Tigris to fall on the ground and now that he does't have anyone trying to stab him anymore, Maximus is able to get up. The audience is (of course) chanting, "Kill, kill, kill!" Maximus takes his sword and removes the mask from Tigris's face with it. One guy in the crowd is particularly enthusiastic and shouts,"Yeah!" Commodus turns his thumb down, signifying for Maximus to kill his opponent. 

Maximus lifts the axe up, but instead of striking the (no longer undefeated) (ex) champion with it, he throws it to the side. Someone shouts, "Maximus the Merciful!" and now the crowd is chanting and cheering, "Maximus! Maximus!" It's like, pick a lane, audience, only a few seconds ago you were cheering for him to kill the other dude. 

Commodus is not too happy since he thought Maximus was supposed to die. He comes down to the arena with all his guards and says some pretty terrible and despicable things about Maximus's son's and wife's last moments before they died. He is just being a prick and egging him on him. Maximus simply tells him, 'The time for honoring yourself will soon come to an end." Later, Commodus will whine about how the crowd now loves Maximus for his mercy: "So I can't just kill him or it will make me look more unmerciful." Commodus is a whiny little bitch. 

Before the battle, we saw a man with a scar on his face in the crowd. This is Cicero who is a loyal servant to Maximus. While Maximus is walking through the crowd after the battle, Cicero is able to walk near him and tell him his legion still remain loyal to him and would be ready to fight tomorrow. Maximus tells him he needs to do something for him. A few moments later, we see Cicero get close to the carriage that Lucilla is in. It's one of those modes of transports without wheels and men are carrying it. When he mentions Maximus's name, she beckons him to come closer and he tells her that Maximus will meet with the politician she wanted him to talk to. 

When Maximus meets with Senator Gracchus (Derek Jacobi), he asks him if he can buy his freedom and smuggle him out of Rome. He wants to get out of the city walls with horses ready for him to take to Ostia where his army is. He will return by nightfall the second day with five thousand men. Lucilla informs him that the legions have new commanders who are loyal to Commodus, but he says when his men see him alive, their loyalties will lie with him. 

When Gracchus asks him why he will give the city of Rome back to the people, he tells him, "Because that was the last wish of a dying man." He says he will kill Commodus and leave the fate of Rome to Gracchus. 

Their plan doesn't quite work out because Commodus gets a whiff of what's going on (thanks to Lucius unknowingly spilling the beans) and has Gracchus arrested. Lucilla tells Maximus that they "must leave tonight" and that Cicero will be at the gate waiting with horses. 

Commodus doesn't like it when little Lucius is cos-playing, not only pretending that he a gladiator, but that he is Maximus, "the savior or Rome!" Commodus tells Lucius a story about "Mark Antony and his adventures in Egypt" that parallels what is going on right now and it's clear to Lucilla (who's nearby, listening) that Commodus knows that she and Maximus are up to something. He informs her that if she does't fess us, he will do something terrible to her son. She has no choice but to tell him everything, which is how they know where Maximus is meeting Cicero and are able to capture him. Both Cicero and Proximo end up dead trying to protect Maximus. 

Senator Falco (or someone...there's so many ancillary characters) tells Commodus that it's been done and Commodus asks him what should happen to his sister and nephew and should he "be merciful"?  He says that Lucius will stay with him now and "if his mother so much as looks at me in a manner that displeases me, he will die."
After he says this, the camera pans to show that Lucilla is sitting nearby. He adds that if she takes her own life, her son will also die. He tells Lucilla that she will love him, as he loved her. Eww. But wait, it gets worse! He says to her, "You will provide me with an heir of pure blood, so that Commodus and his progeny will rule for 1000 years." That fact that he refers to himself in the third person is almsot as bad that he wants his sister to have babies. I know this was back in three digit years so maybe this wasn't seen as taboo (and gross!), but ughghghg! But then it gets even worse when he starts caressing her cheek and runs her fingers over her lips. It would be pretty icky even if she wasn't related to him. She's crying and she can't recoil from his touch for the sake of her son's safety.  

There is one final battle in the Colosseum and this time it's between Commodus and Maximus. Everyone is shouting Maximus's name which I'm sure Commodus loves. Maximus is chained to the wall and Commodus tells him that since Maximus loved his father like he did (are we sure about that, Commie, you know, since you killed your father), he declares they are brothers. He hugs him, but it's only a pretense so he can stab him in the chest with a little dagger. He tells one of the guards to strap on Maximus's armor so it will conceal the wound. They are lifted up by chains from under group up to the arena. Someone in the crowd yells, "Off with his head, Maximus!" This battle is a little bit different as all the guards are in a circle around the two men battling. 

They begin fighting with their swords and everyone cheers when Maximus gives Commodus a huge slash across the back. This causes him to drop his sword and he asks Quintus to give him his sword. I was kind of confused by this because was he able to retrieve his own sword? Did Maximus take it? Also, it seems like cheating asking for a sword from one of your guards (which seems like it's cheating having them there!). However, Quintus, who had earlier betrayed Maximus to ally with Commodus is now betraying Commodus as he not only obliges to give him his swords, but he orders the other guards to "sheathe your swords" after Commodus starts to panic and yells at anyone to give him a sword. 

Maximus turns into Russell Crowe and uses his elbow to knock Commodus in the face, then he just uses his fists to punch him in the face. The funny thing is, I'd probably still use the Russell Crowe joke even if another actor played Maximus. Hey, at least he's being fair not using his sword since Commodus didn't have one. (I still don't understand why he couldn't retrieve it!) But I probably spoke too soon because now Maximus has Commodus in a headlock and has pulled out a dagger that he's pointing towards Commodus's face and the young tyrant is straining to get away from it. Maximus jabs him in the throat and Commodus falls to the ground. Maximus stays on his feet fora few seconds, but also ends up falling on the ground. He starts to have visions of his idyllic home but before it is time to be ruined with his family in the afterlife, he has a few more tasks to take care of. He tells Quintus to free his men and that Senator Gracchus is to be reinstated. He says these are the wishes of Marcus Aurelius. Right away, Quintus orders for the prisoners to be freed. Maximus falls (quite dramatically) backwards onto the dirt and Lucilla runs toward him. He tells her that Lucius is safe and she nods. She tells him, "Go to them", giving him permission to die and return to his family. 

In a fierce voice, she tells Senator Gracchus and the others surrounding her to honor Maximus because he was a soldier of Rome. Gracchus asks who will help him carry him and Maximus's fellow gladiators flock to help the Senator lift the deceased soldier above their heads and carry him out of the arena. In the last scene, Juba tells his friend, "Now were are free. I will see you again. But not yet, not yet."

If you haven't seen Gladiator 2 and don't want to be spoiled, stop reading this now! You have been warned! 

Okay, I saw Gladiator 2 a couple months ago and while I'm not going to review it (at least not right now), I will say the first movie is still better. We find out that Lucius is actually Maximus's son, which makes sense. If they were hinting at it in the first movie, they don't flat out say he's the father, but I'm sure the audience is to think it could be a possibility. If you thought the first movie was a bit gory, wait until you see the sequel. The battles in the arena are just ridiculous, especially one when they put water in the arena and everyone is on ships and there's sharks in the water. Like, how are they even transporting sharks to the arena?