Live From New York

Saturday Night

Director: Jason Reitman

Cast: Gabriel LaBelle, Rachel Sennott, Dylan O'Brien, Lamorne Morris, Nichloas Braun, Matthew Rhys, Willem Dafoe, J.K. Simmons

Released: September 27, 2024

This is a movie about the very first episode of Saturday Night Live which aired on October 11, 1975 (nearly 50 years ago!). Correction: This is a movie about the chaotic ninety minutes before the very first episode of SNL went live. 

Like Jeopardy, SNL is one of those shows that has always just been around all my life. And also like Jeopardy (which is a show SNL loves to parody!), while I don't watch it religiously, I've seen my fair share of episodes. It's just so engrained in the culture. I'll talk about my history with SNL later. 

I'm pretty sure they took more than a few liberties with this movie. If everything that happened in this film actually happened in real life, there's no way this movie would exist because SNL wouldn't have existed. I'm not saying that all the problems and obstacles they run into didn't happen in real life, but I just doubt they all happened ninety minutes before the show started! But who knows. 

The movie begins with a title card that has a quote from Lorne Michaels: "The show doesn't go on because it's ready; it goes on because it's 11:30." 

Everything is set in pretty much real time as the audience is following a very young Lorne Michaels (Gabriel LaBelle) around as he's getting ready for the first episode. Of course, we follow other main players around, but for the most part, we are with Lorne. You kind of have to already know the people involved in this world because they just throw them in, expecting you to already know them. For instance, there's this guy named Dick who is usually with Lorne, giving him advice. It wasn't until someone had called him "Ebersol" did I realize it was Dick Ebersol, who was the Vice President of NBC. He and the President of NBC were the ones who approached Michaels about creating a variety show for Saturday nights on NBC (I read that on Wikipedia). 

Backstage is just chaotic with actors, writers, producers, musicians everywhere; props and sets are being built and/or tested; there are sound checks and light checks. Nothing seems to be organized. During a skit they're rehearsing, the lights from above fall down, causing major commotion. Luckily, nobody was hurt, but it did start a fire on the couch. Can you imagine if that happened live? (Though I'm guessing the screen would go to static very quickly!) 

The original cast members are Chevy Chase, Dan Aykroyd, John Belushi, Garrett Morris, Jane Curtain, Laraine Newman, and Gilda Radner. I think they did a good job of casting people who looked similar to them (someone tall and lanky for Chase) and could do the voices. I was only familiar with two of the actors they cast for these roles: Dylan O'Brien as Dan Aykroyd (I've never seen any of his stuff, but I had heard of him) and Lamorne Morris as Garrett Morris who I knew from New Girl. 

Garrett Morris (who is still alive at 88 and presented a clip at SNL's 50th anniversary show) has a bit of an identity crisis as he is the oldest cast member and the only black cast member (the only non-white cast member, really). He's wondering why he was cast and is worried he'll only be regelated to stereotypical roles like "the butler, the shoeshine guy, or the pimp." 

Chevy Chase just comes off as an ass****, and yeah, that tracks. There's a huge altercation between him and John Belushi. It's obvious he's already looking for ways to become the next big star and it makes sense that he was the first to leave the show and gain success (and Clark Griswold will always have a special place in my heart). Gildra Radner just comes off as super loopy and I was like, wait, I thought John Belushi was the one who did drugs. Speaking of him, he's babied by Rosie Shuster (Rachel Sennott) who was Lorne's wife at the time and a writer for SNL. Belushi is not happy that he has to shave his beard or that he has to wear a bee costume for a skit. She keeps placating him and telling him that he's the star of the show and all the girls are going to love him and it was so weird. Granted, she could be doing all that because they go live in thirty minutes and he still has't signed his contract yet.

There's a few scenes of men smacking women on the butt, but it's okay because the women will smack the men right back. Yeah, different times back then! Another sign you can tell it's the '70s is that everybody is smoking.

On the wall there is a huge bulletin board covered with index cards that have all the different segments that will be on the first episode and what time they'll go on. We find out that there will be four host monologues, two stand-ups, two musical performances by two musical guests, a solo piece by Andy Kaufman, five commercial parodies, Weekend Update, a film by Albert Brooks, a muppet skit featuring Jim Henson's muppets, and seven additional sketches! I'm sorry, but what the f**k? There's NO WAY they can fit all of that in an hour and a half show (probably more like a little over an hour with the (non-parodying) commercials)! As a page points out to Lorne, the dress rehearsal was three hours. Honestly, I'm surprised it wasn't longer! Lorne seems positive that everything will fit and says there's something for everybody. That may be true, but he must be on something if he thinks all of that is going to fit in one episode (it was the '70s, after all)! 

Let's take a moment to unpack all the segments they have planned for the first episode because I have a few questions:

-Four host monologues: George Carlin was the first ever host of SNL (he's played by Matthew Rhys). I read that he wasn't in any skits, but instead did a monologue and appeared three mores times to do a stand up routine. I guess they originally wanted him to do four monologues, but why? I admit I've never watched any of the early days of SNL (maybe a few sketches, but that's it) so I don't know when it started to feel more like the SNL I grew up with and the one we're all familiar with today. But four monologues just seems insane and redundant! 

-Two stand ups: At first I thought these were for George Carlin and I was so confused why he would need four monologues and two stands up and was wondering what the difference was, but I think these were for Billy Crystal and Valri Bromfield. We see the up and coming talents backstage and both are worried that their routines are going to be cut (because they see the board!) and Billy tells Lorne that they both want four minutes each. In the end, Lorne tells them he can only give them two minutes and Billy says he can't set up in that amount of time and when Lorne asks Valerie if she can do hers in two minutes, she tells him she can. I've never heard of Valri Bromfield and I looked up her Wikipedia page and she's done stuff, but certainly doesn't have the career like Billy Crystal. So what I guess I'm trying to say, it seemed to work out in the end for him.

-Two musical guests each with two musical performances: this one surprised me a lot. I'm used to one musical act with two performances. The first musical guests on SNL were Billy Preston and Janis Ian. I admit, when someone mentions "Janis" rehearsing, I thought they were talking about Janis Joplin. I've never heard of Janis Ian. Though I guess if I knew anything about music history, I would know that Janis Joplin died in 1970 (yes, I just looked that up on Wikipedia). Like, I knew she died at a young age, just didn't know when. According to nbc.com where I'm getting all my information about the first episode, they both performed two songs each. I'm honestly surprised they didn't cut them down to one song each. I looked at the musical guests for the rest of the first season to see if they learned their lesson and it seems to be all over the place. The second episode had four (4!!!!) musical acts, the third episode didn't have any, then for the rest of the season, sometimes it's only one and sometimes it's two. Season two still has a few episodes with two musical guests, but mostly it's just one. 

-A solo piece by Andy Kaufman/a skit featuring Jim Henson's muppets - I put these two together because Nicholas Braun (who I recognized because I'm watching Succession (along with a million other shows) at the moment) plays both Andy Kaufman and Jim Henson (luckily they're never in a scene together!) and according to the article I referenced before, both of these made the show. The only thing I know about Andy Kaufman is that the R.E.M. song "Man on the Moon" is about him and Jim Carrey played him in Man on the Moon, a movie I've never seen. Either the movie ripped off the title of the R.E.M. song (it was released seven years after the song) or there's some reason why he's called "the man on the moon", but I really don't care that much to research it. 

-"Weekend Update" (I have no idea if that should be italicized or in quotes or just left alone) - even after fifty years, some things never change. "Weekend Update": has always been a part of SNL (although it did try new formats and changed its name to "Saturday Night Newbreak" and "SNL Newbreak" which just don't sound as good) but that makes sense because the news provides a great source for comedy. When they're rehearsing for the first ever "Weekend Update", we see Lorne Michaels sit in as the anchor and I was like, Whaaat? because I had no idea he was ever supposed to have a part in the show. Whenever we see him, he's always just playing himself, for a few minutes, usually in the monologue. When he's rehearsing, he's reading the cue cards but nobody laughs. John Belushi plays the meteorologist for the weather report and is talking about how March sometimes goes in like a lion and out like a lamb or vice versa and starts commenting about how other countries use different animals. This doesn't really make sense because the first episode ever of SNL aired in October (October 11, 1975, to be exact). Also, he ends up just screaming and everyone is laughing like it's funny, but it's not. 

-Five commercial parodies - usually SNL only has one parody commercial, so I was shocked when they had five. I read that they played one during a break between Weekend Update and I assume they played another one at the beginning of the show, so I'm not sure where the rest were sprinkled throughout or if they ended up playing all five during the first show. Surely, three of them got axed! Why not save them for other shows so they're spread out a little? 

-A film by Albert Brooks - I don't really have anything to say about this. I don't even know if they played this during the show or it got moved to another episode. 

-Seven additional skits - I still can't believe they wanted to show all that, PLUS seven additional skits! Did they not know the concept of time back in the '70s?!

Lorne has to meet with about fifty NBC executives in the green room. They are with affiliates from all across the country and will decide if the show is good enough to continue to air. Chevy is there to do some stand up, and, yikes, lots of racist and sexist jokes. Again, a very different time in our history. Lorne tells them about some of the stuff they'll be seeing tonight and adds, "There's never been a television show made for or by the generation that grew up watching television." That is pretty cool when you think about it that way. Lorne has admired to Dick Ebersol that he doesn't know what the show is, but once he sees it, he'll know. That seems like something you should know before the show goes on national television! 

At one point we see Don Pardo practicing announcing all the cast members' names. When he gets to Dan Akroyd's last name, he struggles with it and says, "How the f*** do you pronounce it?" You think he would have known that much earlier than thirty minutes before they go to air! Whoever played him, did a great job of emulating his voice. As soon as I heard him, I was like, Oh, yeah, that's the announcer guy from SNL. 

Lorne gets a phone call from Johnny Carson (we only hear his voice and whoever did his voice did a very good job) who basically tells him that his (Lorne's) show (meaning SNL) isn't going to last and that it's his (Carson's) f***ing network" and his (Carson's again) night. So I was confused when he said that because I thought hisbshow aired Monday through Friday, you know like most late night talk shows. I tried to look this up and from what I could gather, they showed reruns of The Tonight Show on the weekends. (Seems like overkill to me.) Or at least on Saturdays. Sounds to me like every night was Johnny's night! I knew The Tonight Show with Johnny Carson was on for a long time, but I had no idea it was on for forty years, running from 1962-1992! I also had no idea it was filmed in New York the first decade before moving to Burbank. Anyway, not sure why Carson was so angry. He still had his show. 

Willem Dafoe plays Dave Tebet, who is head of talent (I'm not sure exactly what his job was, but I looked him up and he's the guy who found Johnny Carson to fill in for the host before him (the hell? I thought Johnny Carson WAS the first ever host! TIL something new!). For some reason Milton Berle (played by J.K Simmons) is there and Tebet introduces Lorne to him. We find out that 97% of the American viewing audience was watching his show which is insane, but then again, back then they only had a limited amount of channels they could watch. The only thing I've ever seen Milton Berle was when he was in an episode of Beverly Hills, 90210, lol. I think he played some guy at an old folks' home that Brandon was volunteering at. Berle is depicted as having a huge ego (and a huge appendage which he flashes at Chases's girlfriend (fiancee?) who he's blatantly hitting on in front of Chevy. He comes off as a creepy old man, hitting on all the pretty younger women. We get a little foreshadowing when Milton tells Lorne that he's looking forward to hosting the show and Tebet tells him they'd be honored to have him. I say foreshadowing because he did host in season four but was banned from ever hosting again and it was 30 years before the show was aired again as a rerun. I guess he was very arrogant, thinking he was better than everybody (I mean, when you have 97% of the American television viewing audience watching you in your prime, you'd probably have an ego the size of Alaska too) and his jokes weren't funny and nobody liked him. Anyway, I read that there's no proof that Berle was at the studio on the first night of SNL's airing, but they probably just wanted that in there because of his reputation with SNL...but that's just speculation on my part. 

Tebet tells Lorne he's heard that there's been some issues, but Lorne assures him that everything is under control. Tebet says "If, for some reason you can't lock your script or commit your cast to legally binding contacts, rest assured, the country will be happy to watch Johnny Carson." Sounds like a threat to me! Lorne replies that could just play the tape of the dress rehearsal. We see that the tape for The Tonight Show is cued up and ready to go just in case. 

It's getting closer to going live and everything is still in chaos. Dick Ebersol tells Lorne that they should forgo the show this week and "come back stronger next week, debut with Paul Simon." Paul Simon was the second ever host of SNL (though not the musical guest for some reason, I guess the days of having someone host and be the musical guest wasn't invented quite yet) and having him be the first ever host would make more sense in hindsight because of his relationship with the show. He's hosted four times and been a musical guest 13 times and was at the 50th anniversary show. George Carlin only hosted twice. Now, to be fair, they couldn't see the future, but yeah, Paul Simon would have been a pretty epic first ever host. Lorne refuses and still wants to go on with the show and Dick tells him that NBC wants him to fail because they "make more money playing reruns of The Tonight Show." (I guess because more people will be watching it?) The reason they don't just do that is because "it's a contract dispute - they're trying to prove to Johnny Carson that the reruns are inevitable so they built a show that was guaranteed to fail." They don't think a ninety minute live show with a bunch of unknowns will last. Dick predicts that they'll play the Carson tape. 

He finally gets John Belushi to sign his contact (I think? We never actually see him sign anything, but he was a cast member, so he must have) and now there's fifteen minutes to the show. Finn Wolfhard (who I am shocked has never hosted; I feel like he or Millie Bobby Brown should have hosted by now!) plays an NBC page whose job is to get people off the street to come in for a free show and he manages to get a pretty good crowd. 

Now there's ten minutes to go and Tebet tells Lorne the show's not ready and they're going to play the Carson tape. Lorne rebuffs this and Tebet  wants him to show him something to prove that show is good enough to go on air. Andy Kaufman is on stage ready to perform and Lorne puts on the Mighty Mouse theme song (with a record player, no less) and Kaufman lip-synchs to the "Here I come to save the day" part. Everyone (except Tebet) is laughing, but personally, I didn't get it. They next perform Weekend Update and as a last minute change Lorne tells Chevy to be the anchor. While all this is going on, all I can think is, I can't believe they're doing all of this with ten minutes before the show is supposed to start. Shouldn't Tebet have watched the dress rehearsal? 

There is some tension right before they're to go live. Are they gonna air the show live or will they play the Carson tape? There are literally five seconds left when a guy in the control room asks if they're going live or to the tape. But, of course, as we all know, the show airs. (This movie wouldn't exist if it hadn't!) Tebet is the one who tells him to go live. 

The movie ends with the very first skit of SNL (with John Belushi and Michael O'Donoghue, a head writer) called where Belushi plays a foreigner (from Eastern Europe, I'm guessing from its accent) who is learning English from O'Donoghue's character. The skit really isn't that funny (but that's SNL for you, sometimes the skits can be hilarious and other times, they can fall flat and sometimes they're just meh) and the most iconic part is when Chevy Chase comes onto the set when the skit has ended wearing a headset and utters the iconic phrase for the very first time, "Live from New York, it's Saturday Night!" 

I first started watching SNL in the early '90s when I was probably too young and I'm sure many of the jokes and all the political stuff flew over my head. I do remember getting a kick out of Toonces the driving cat. I started watching in the Phil Hartman era and he was my favorite cast member (and he'll always be my favorite Bill Clinton) during this time. One of my absolutely favorite sketches from this era was when Chris Farley played a motivational speaker who "lives in a van down by the river!" LOL, I'll still quote that every now and then. There's so many great skits, that I'd really have to think about my favorite. Maybe one day I'll post my top twenty SNL sketches after I've had time to review them. 

I have't watched the show live in many years; now, thanks to YouTube I just watch the clips at my own leisure. I'll find some from, like eleven years ago that I had never seen before. 

How about a couple of SNL fun facts? The show has had many young hosts, many in their earlier 20s and a handful of 17, 18, and 19 year olds, but do you know how old the five youngest hosts were? I knew the three youngest already, but didn't know who rounded out the top five.

5. Malcolm Jamal Warner (Theo from The Cosby Show) was 16 when he hosted in 1986. 

4. Jodie Foster was 14 when she hosted in 1976. Sometimes I forget that she was a child actor.

3. Fred Savage was 13 when he hosted in 1990. 

2. Macaulay Culkin was 11 when he hosted in 1991.

1. Drew Barrymore was 7 (yes, SEVEN!) when she hosted in 1982, obviously promoting E.T. I watched her monologue and while she is very adorable, it's a little cringe. No fault of her, though. She comes out with one of the cast members (I don't know who, I'm not familiar with that era except for Eddie Murphy and Julia Louis-Dryfus and it wasn't either of them). They talk about E.T. for a few minutes, which is fine, but then he asks her which cast member she would marry. Like, why are we asking a seven-year-old which adult she would marry? It's so weird. 

I recently learned that a total rand-o once hosted this show. And when I say rand-o, I mean a civilian. Someone who isn't an actor or musician or athlete or politician or isn't in the pubic eye at all. In 1977, there was a contest called "Anyone Can Host" where anyone off the street could write an essay (of 25 words or less, IDK why that made me laugh so much when I read that) of why they would be a great host for the show. An 80-year-old German immigrant from New Orleans named Miskel Spillman won. And the crazy thing is, they knew how old she was when she was selected. According to the Wiki article on this, her essay was "I'm 80 years old. I need one more cheap thrill, since my doctor told me I only have another 25 years left." Yes, it was funny, and I'm not trying to be ageist or anything, but why are we asking an 80 year old nobody to host this show? To be fair, I think this was a terrible idea no matter how old the civilian host would have been. Nobody wants to tune in to watch SNL when it's hosted by a mere mortal. Oh, well, I'm sure her friends and family enjoyed the show! She would be the oldest person to host the show (not a shock!) until Betty White hosted 32 years later (!!) in 2010 when she was 88. At least Betty White was and will alway remain a National Treasure. I watched the episode (usually skipping ahead quite a few times) and it wasn't that great. She was only in a few skits (probably for good reason) and didn't have good comedic timing and was blatantly staring at the cue cards. Not that I blame her because she's not a trained actor, but they obviously learned their lesson because that never happened again! 

I already mentioned the skit where Chris Farley plays a motivational speaker is one of my faves, so here's a clip of that if you've never seen it:

Into Thin Air

Everest
Director: Balastar Kormakur
Cast: Jason Clarke, Jake Gyllenhaal, Josh Brolin, John Hawkes, Emily Watson, Robin Wright, Keira Knightley, Michael Kelly, Sam Worthington
Released: September 18, 2015
Viewed in theaters: September 18, 2015

If you have read Jon Krakauer's book, "Into Thin Air", then you are familiar with the story of an expedition to the top of Mount Everest in which bad weather and faulty planning killed 8 climbers in May 1996, many of them quite experienced among them. (Although, if you are not familiar, be aware of the spoilers!)  This movie is based on Krakuer's book as well as other books that were written by the survivors of this tragedy, but being as he is a writer, Krakauer's is probably the most well-known. I'm a little surprised it took so long to make a movie about this event (almost 20 years!), although there was a made for TV movie about it that was aired in 1997 (probably a little too soon!)

I had read Krakauer's book five years ago so I didn't remember exactly who died and who survived that fateful day, but if I had read the dedication page, it would have refreshed my memory as he dedicated the book to those who perished. Although while watching the movie, I began to remember certain people and what had happened to them. Oh yeah, that poor Japanese woman freezes to death or I remember that Texan man wrote a book about this so he survives. And Rob Hall and Doug Hansen are the guide and client, respectively, who made it to the top way too late and didn't get down in time. All of which I had read five years ago just came back to me in a flood of memories.

Rob Hall (portrayed by Jason Clarke) was a 35 year old New Zealander who was the leader and head guide of Adventure Consultants which took clients up to the summit of Everest. His was probably the most known because he had many successful expeditions. His was almost the most expensive because it cost $65,000 to be part of his group (and that doesn't always guarantee reaching the top!) That was definitely something I remembered from the book and was waiting for it to be brought up in the movie and sure enough it was. It boggles my mind that anyone would pay that much money to go through hell!  The question is brought up by Krakauer the journalist (portrayed by Michael Kelly who plays Doug Stamper on House of Cards). Not so much the question, "Why would you pay all this money to do this?" but rather "Why are you climbing this mountain?" Doug Hansen (portrayed by John Hawkes) says he wants to let his children see that if an ordinary man like him can achieve an impossible dream, then they can do the same. While most of Hall's clients were fairly wealthy (you kind of have to be!), Doug was a mailman and had paid for the trip by working extra overnight shifts at the post office. He had gone to Everest with Hall the previous year but hadn't reached the top and this time he was determined. Yasuko Namba (portrayed by Naoko Mori) says she has been to six of the seven highest summits and Everest was the last one. She became the oldest woman to summit Everest (although she never made it down alive), but her record was surpassed in 2001.

With conditions of 100 degrees below zero and very thin air that causes extreme altitude sickness, that would be enough to give anyone second thoughts about climbing Everest. It would certainly give me second thoughts. I've had altitude sickness and it makes you feel weak and miserable. But Everest isn't just a mountain that you climb up. There are crevices you have to cross with ladders; there are steep ledges you have to walk along; there are places you have to climb with ropes. It's a very extraneous, very exhausting feat. I told my mom that I would be out as soon as I saw the long rope bridges they have to cross over a huge gap in the earth even before they begin climbing! I'd be like, "No thanks, rather not fall to my death if those ropes break!"

The movie begins at the airport in New Zealand where Rob Hall is with his base camp manager, Helen (portrayed by Emily Watson) and they're getting ready to leave for Nepal. Hall is saying goodbye to his wife, Jan (portrayed by Keira Knightley) who is also a climber (they summited Everest together in 1993), but can't go with him this time because she is seven months pregnant. I knew for sure he wasn't coming back when she is giving him a tearful goodbye.

There were a lot of people climbing Everest during the same time and it got to be a bit of an issue. Rob decides to team up with another guide, Scott Fisher (portrayed by Jake Gyllenhaal) and his clients. They started on March 30 and didn't reach the top until May 10. Something I learned when I read Krakauer's book is that you start at base camp, then go to the camp one, then go to base camp again and repeat this a few times. It's so you acclimatize. It has to be so frustrating to be at camp one, then have to go to base camp and start the climb over again. The (very long) day they reach the top, they start just after midnight with a goal to reach the summit by 2 pm. Anything after that starts to become too dangerous because you have to remember reaching the top is only the halfway mark, you still have to turn around and head back.

Sadly, things do not go as planned. Things are slowed down because there were suppose to be ropes already ready at one point but they are not, so they have to do them themselves and that takes time. Several people are getting sick and weak. But they do reach the top and there is celebration. One of the people who is not there when they reach the top is Doug Hansen and Rob finds him on his way back still trudging up. He tells Doug they need to turn back, but Doug is determined to make it. From where they are, it looks like they are not even a mile from the top, but you know it's going to take a couple hours to reach it. Doug pleads for him to take him to the top and Rob agrees. When they do reach it, Doug is exhausted and Rob is doing everything he can to pull him down the mountain, but Doug won't budge. There is an ominous storm approaching. Rob radios base camp to tell them they need help and where they are. Helen mistakenly thinks he said "the bottom of South Summit" and when he corrects her and tells her they're at the top of the South Summit, you can see her face fall and become extremely concerned at that moment. At that point, Rob is still okay and they urge him to come down and they will send someone back up for Doug, but he refuses to leave Doug. As his guide, he felt extremely responsible for Doug and I'm sure he knew he should have refused to let Doug to the top seeing as his condition was very weak. Rob tells Doug to stay where he is and that he's going to go for help. At this point, Doug has become very disoriented. I don't know if he didn't hear Rob or just panicked, but he starts to follow Rob and ends up falling off the mountain. I don't know if this is how he really died because Wikipedia lists his death as being from exposure (same as Rob's), but the only other person up there with him was Hall who also died. When asked about Doug from Base Camp, he replies with, "Doug's gone" which is what was spoken in real life by Hall.

Rob is getting weaker and his oxygen tanks have frozen over. He's not really in a position to slide down because it looks like you need a rope to get down. They tell him a team will climb up the next morning to help him, but they have to abort the mission due to another bad storm. They patch him through to his wife in New Zealand and by this time his voice has started to become slurred. This is the part where I start to lose it and cry. The last words Rob says to his wife are, "I love you. Sleep well, my sweetheart. Please don't worry too much." And that is taken from real life, nobody wrote that in the script.

Meanwhile, in other depressing news, Scott Fischer, who has been having some trouble, but passing it off like he is fine, ends up dying from hypoxia. He basically sits down and never gets up again. Then, closer to the camp, but not quite there, a group of climbers have to leave the Japanese woman, Namba and the Texan, Beck Weathers (portrayed by Josh Brolin) behind because they are both too weak to move and the others don't have the means to carry them back. They show them contacting the families and you see Beck's wife, Peach (portrayed by Robin Wright...who I did not recognize at all!) back in Dallas looking devastated and having to tell her kids. I was so confused by this scene because I was sure I remembered Beck surviving this! But then in a later scene, we see Beck with a bloodied face and hands wake up and start to get up and walk back to camp. He is frostbitten beyond belief and Peach organizes a rescue by helicopter which has never been done because it is way to dangerous, but they manage to get him and take him down. I believe they said he lost his hands and nose due to frostbite.

At the end, they have a little tribute to those who died showing photos of the actual people. I was surprised when I read that Rob Hall's body was still on the mountain. I suppose it's in a place that's not easy to get to. But I guess that's not unusual when people die on Everest. Throughout the movie, Rob and Jan had been debating about what they should name their daughter. Rob wanted Sarah, but Jan wasn't keen on the name, but while talking to him on the mountain, promises him she'll call her Sarah and we see a photo of Sarah Arnold-Hall who was 18 when this movie was filmed. She was born two months after her father died.

Good Morning, Angels

Charlie's Angels
Director: McG
Cast: Cameron Diaz, Drew Barrymore, Lucy Liu, Bill Murray, Sam Rockwell, Luke Wilson, Kelly Lynch, Crispin Glover, Matt LeBlanc
Released: November 3, 2000

Charlie's Angels: Full Throttle
Director: McG
Cast: Cameron Diaz, Drew Barrymore, Lucy Liu, Demi Moore, Bernie Mac, Luke Wilson, Crispin Glover, Justin Theroux, Robert Patrick
Released: June 27, 2003
Viewed in theaters: June 30, 2003

This is one of those (not-so-rare) instances where I loved the first movie and loathed the sequel. The first movie was a lot of fun and effortless and the second movie just felt like it was trying too hard. The first movie even pokes fun at itself in the first minutes of the film when one of our angels is on a plane (disguised as L.L. Cool J - don't ask...I mean she's not actually disguised as rapper/actor L.L. Cool J, (though that would be kind of awesome) but rather an African dignitary who  is played by L.L. Cool J in a small cameo) and the movie playing on the flight is T.J. Hooker: The Movie and he (she?) makes a comment about another retro TV series being turned into a movie. Moments later, the disguised Angel has apprehended the bad guy on the plane with the bomb, blown a hole through in the plane to escape with the bad guy and bomb (though most likely everyone else still on the plane probably died since, um, hello, DECOMPRESSION!!! That plane probably crashed into the ocean moments later!) and landed in a speedboat where the other Angels met up with her. We see "L.L. Cool J" take off "his" mask and it's Dylan (Drew Barrymore). Now I can believe the (ridiculously believable) mask and she had a voice box to change her voice, but how do you explain how she suddenly grew at least a foot? This was the only time in the movie any of the Angels have Mystique-levels of transforming into other people.

The Angels of 2000 are Natalie (Cameron Diaz), who is the happy-go-lucky one. She comes across as ditzy sometimes, even though she's actually quite smart and a bit of a nerd. And she loves to dance. Dylan is the rebel and Alex (Lucy Liu) is the studious, serious one. They get their assignments from their boss, Charlie, who we never see. He is voiced by John Forsythe who also voiced Charlie in the TV series (which I've never seen, but of course am aware of). His assistant, Bosley helps the angels out with missions, though let's be honest, they do all the work.  He is played by Bill Murray who wasn't in the sequel (smart choice) and was replaced by Bernie Mac who is his adopted brother. Or something like that.

What I like about their missions is that they're not trying to save the world from destruction like so many superhero movies are about. I understand that world destruction is the worst thing that can happen, but it can get a little tiring and redundant sometimes. Instead they are tasked to find a kidnapped computer programmer, Knox (Sam Rockwell), who has created a voice recognition program that is widely coveted. They come across a strange man who calls himself the Thin Man (Crispin Glover - George McFly himself!). He has a strange fetish with women's hair as he'll yank out quite a bit from the girls' heads and then creepily runs it under his nose. The Angels find Knox who is suspected to be kidnapped by the Thin Man and reunite him with his business partner, Victoria (Kelly Lynch).

But it turns out Knox and Victoria were behind the whole thing and were working with the Thin Man to fake the kidnapping! They are planning on killing Charlie at his beach house with a missile and the Angels must stop him. But before they do that, they must rescue Bosley who has been kidnapped. Dylan has been taken and tied up to a chair and in a scene ripped off from the one in True Lines where Arnold tells the bad guys exactly what he is going to do to them and proceeds to do exactly what he said, Dylan tells her captors what she's going to do to them and ends with the movie's most memorable line, "And that's called kicking your ass!"

There's a lot of dressing up in sexy costumes (like dominatrixes and race car assistants), although in one scene Natalie and Dylan are dressed as businessmen to break into the software company building. All the angels have love interests. Alex is dating an actor named Jason (played by Matt LeBlanc, although he's an action star and not a soap opera star like Joey Tribbiani) who she keeps what she does from and tells him she's a massage therapist. Natalie meets a bartender, Pete (Luke Wilson) and they date in the first movie and get...a puppy in the second. Not engaged, like everyone thought she would. Dylan is seeing this guy, Chad. He's played by Tom Green and I had completely (and happily) forgotten about his existence until I was reminded of it when I saw him again. I don't know if Dylan was that serious about him because she ended up getting seduced by Knox and sleeping with him when he was trying to get information from him before she found out he was part of the bad guy team. Tom Green is so painfully unfunny in this that it's not even...funny. I forgot that he and Drew Barrymore were married for, like, 3 months around this time. He even ruins one of the songs on the soundtrack, "Brandy (You're a Fine Girl)"  because he sings a verse before the song starts and it hurts your eardrums.

Speaking of the soundtrack (which I own...both movies'), pretty much any song with "angel" in the title is in the movie. "Heaven Must Be Missing an Angel" is in it. "Angel's Eye" by Aerosmith is in it. I'm pretty sure I heard "Angel of the Morning" during it.

Then we have Charlie's Angels: Full Throttle which is so bad. While the fight scenes appeared to be ripped off from The Matrix at times in the first movie, they could be plausible in the context of the film. There's a lot of action scenes in the second movie and there all so ridiculous and ludicrous. There's a scene where the Angels are at a motorbike competition (and Pink has a cameo as the person who starts the race and while this is going on, they're playing a Pink song, which just seems way too on the nose). The Angels are after their bad guy and there's a scene where the bad guy has gone up in the air on his motor bike, flips upside down, takes out two guns and shoots at the angels, does a flip and sits upright on his bike...all before landing on the ground! Of course, this is all done in slow motion, but there is no way in hell anybody could do all that in real time. How stupid do you think we are, movie?

This time, the Angels are trying to locate two rings, that when put together, produce all the names of those in the witness protection program. Yeah, totally ridiculous...but at least they stayed clear from going the saving the world from imminent destruction route! The bad guy, Seamus (Justin Theroux), needs this list because he used to date Dylan who we learn is part of the witness protection program. (Well, at least she didn't have to move to Omaha and work at Cinnabun!) Her name used to be Helen Zaas (and yes, they did every joke under the sun with that name) who dated Seamus back in the day, but when she saw him kill someone, she ratted on him and had to be taken into protective custody. They found out Seamus had been released "that day" and now he wants to get revenge on Dylan.

The other bad guy is Madison (Demi Moore), an ex-Angel who has gone rouge. She tries to kill the Angels (because she uses guns as opposed to just fighting) because...I really don't know because this movie is so stupid and I really didn't care. Oh...and the Thin Man is back! For no reason whatsoever. For some reason, I was sure they had killed him in the first movie, but I was probably confusing him with Knox. And in this movie he's HELPING the angels. Huh? When did this happen? He and Dylan even share a "moment" right before Seamus throws him off the rooftop of the building they're on top of and he falls to his death and Dylan is devastated that this guy she's been in love with for two seconds (and let's not forget...tried to KILL her in the first movie!) is dead. Just go away, movie. You're exhausting me.

Shia LaBouf is in the movie for about twenty minutes. His parents were killed by Seamus and I guess the Angels are worried that he will be his next target, so he is taken into hiding at Bosley's mother's house. I have no idea why he was even in the movie...maybe someone on this movie worked on that Disney series he did and wanted him to be part of it. Who knows. There was a clever cameo where Jaclyn Smith plays an ex-Angel, Kelly (which was her character's name on retro Charlie's Angels...I checked) who helps guide Dylan. A not so clever cameo is from the Pussycat Dolls. Remember them? God, they are the worst. I think this was back when they were popular. The Angels have to do a sexy dance to...get something from a bad guy. I don't remember and I don't care.

There was one funny moment where they're at a crime scene and spoof CSI: but that's the only nice thing I can say about this movie. It is just so awful! They have the girls dance to "Can't Touch This" for no reason other than it's funny! Every time the girls try to escape from being killed, they jump up in the air and do a backflip...in slow motion. Every damn time! There are stupid sound effects that make it seem like you're watching a Saturday morning cartoon. It is so bad! I can't, I just can't!

So here is my verdict:
Charlie's Angels - Heaven
Charlie's Angels 2: Full Throttle - Hell

Weekly Movie #12

21 Jump Street
Directors: Phil Lord and Chris Miller
Cast: Jonah Hill, Channing Tatum, Ice Cube, Brie Larson
Released: March 16, 2012
Viewed in theaters: March 20, 2012

Only 40 more movies to go! Oh, boy... Luckily this movie was MUCH better than the one I saw last week (Safe House). I wasn't bored once and didn't have to resort to counting the chairs in the front row and the ceiling tiles like I did when I saw last week's movie. (No, really, I did...)

I wasn't very familiar with the TV show this film is based on. All I knew is that it's from the '80s and Johnny Depp was in it. I had no idea what the premise was, though.

Hill and Tatum play rookie cops  Schmidt and Jenko who went to high school together seven years prior, but never really hung out together because they were total opposites in school. Schmidt was the dork obsessed with Eminem ("Not so Slim Shady") who was in all the AP classes and couldn't get a date to prom and Jenko was the cool, athletic guy who didn't apply himself. While training to become cops, they become friends so Schmidt can help Jenko with the academic portions and Jenko can help Schmidt with the athletic portions.

Because of their youthful appearances (Hill is 28 and Tatum is 31 and while Hill looks like he could possibly pass for a high school student, Tatum is a little more hard to believe, and the movie does make fun of that throughout), they are assigned by Ice Cube's hilarious screaming captain to go undercover as high school students to try to find out where this new drug called H.F.S. (you'll laugh when you find out what it stands for) is being supplied from.

In a weird role reversal (blame it on Glee! Hee!) Schmidt becomes the cool one while Jenko is stuck hanging with the nerds. They accidently switch identities so Schmidt is in Jenko's easy classes while Jenko is taking all these AP classes. They make friends with the kid who is dealing the drugs and try to get in deeper with him to become part of the drug ring.

I love the scene where Schmidt calls Brie Larson's character, Molly, and she's like, "Everyone usually texts me." Schmidt went to high school in 2005 and weren't people texting back then? I'm pretty sure they were...oh, well it still made me laugh. I also like when Eric (the drug dealer) starts to get suspicious of Schmidt and Jenko questioning their taste in music and how Jenko looks like he went through puberty when he was really young.

This movie is very, very funny and trust me, you want to see this before anyone can spoil anything for you because there's a great scene where you do not want to be spoiled...

About a year ago I wrote reviews for ten teen movies that came out when I was a teenager and for each one I had a checklist with the required scenes for a teen movie. I shall do the same one for this one. (And I reviewed Never Been Kissed which is also about someone going undercover as a high school student.)

Is there a party scene? Affirmative

Is there a prom scene? Affirmative 

Is there a football scene? Negative 

Is there a make over scene? Affirmative - obviously Schmidt and Jenko have to dress like high school students. LOL I love the scene where Jenko tells Schmidt to "one strap it", and when they get to school everyone  has both straps over their shoulders. I was a two strapper because my backpack got so heavy with all my books 

Is there a scene where all the different high school cliques are being shown?Affirmative - they make a joke of them spotting the jocks and the nerds, then start to see other cliques and they have NO clue what group they belong to! 

Was this movie spoofed in Not Another Teen Movie? Well, obviously not since that movie came out in 2001 and this one was released, like, a week ago.

Any movie that plays "The Graduation Song" - Ha, love that song is still getting love after 12 years!- is all right with me. The most unbelieveable thing about that this movie is that high school students would know who Fred Savage and The Wonder Years is. You'll have to watch the movie to find out what I'm talking about! 

Empire State of Mind

Sex and the City
Director: Michael Patrick King
Cast: Sarah Jessica Parker, Kim Cattrall, Cynthia Nixon, Kristin Davis
Released: 5/30/08

Sex and the City 2
Released: 5/27/10
Viewed in theaters: 5/28/10

Spoiler in the review!

The first SATC movie is better than its sequel, but I would recommend the HBO series over the movies. The first movie stays true to the TV show and feels like a two and a half hour special. New York serves as a strong background, there's plenty of sex scenes (although our main protagonist seems to be too busy with shopping, writing, redecorating her apartment, and attending fashion shows to get any action), and an abundance of designer clothes, shoes, and handbags. Also, the four characters get their own storylines: Carrie is going to be married to Big in a lavish ceremony at the New York Public Library (perfect place for a writer!) in an intricate Vivienne Westwood gown. Samantha has been flying back and forth between New York and L.A. where she's managing Smith Jerrod, her actor boyfriend of five years (a LONG time for Samantha Jones to be with one person!) and is having second thoughts about their relationship. Miranda and Steve separate after Steve tells her he cheated on her and Charlotte, with the weakest plot line, is pregnant and is afraid to run in fear of she'll hurt the baby. I guess they had to give her something to do.

Of course the main story revolves around Carrie and her dream wedding to Big (aka John Preston). Everything is set: they have the dress, the location, the invitations have been set out, they have a big rehearsal dinner, etc. Of course Big decides to bail on the big day - like right when the wedding is supposed to start! Unsurprisingly, this pisses off Carrie a great deal and she ends up smacking Big with her bouquet of flowers while wearing her princess wedding gown. Now I never saw this movie in the theaters so I have no idea what everyone else's reaction to it was and I'm not sure if it was supposed to be intentionally funny or not, but I laughed. I thought it was really funny, though I guess what had happened to Carrie wasn't. The cast of How I Met Your Mother re-created the scene for EW.

Now obviously we know Carrie and Big reconcile and do get married, but do you know how Big asks for forgiveness? By copying and pasting a bunch of love letters written by famous men from history and e-mailing them to her! Like that's romantic! I mean, he could have at least attempted to write (write, not type) his OWN letter to her and send it to her via post mail. That would at least have shown a little bit of an effort on his part, you know?

There's plenty of throw away scenes that should have stayed in the editing room like when they attend the fashion show or when they're modeling Carrie's clothes when she's cleaning out her closet, but they're part of the fun and fashion that is Sex and the City.

I saw the sequel with my friend Cameron (hi, Cameron, if you are reading this!) and it was a full audience and probably 99.9% of the audience was female. After the movie ended, I joked that they should have renamed the sequel Fashion and the Desert because Samantha is the only character in the movie who has sex (of course - it is Samantha after all) and the majority of the movie takes place in Abu Dhabi (New York is only featured in about the first half hour). The fashion in this one seems to be a hit miss: you either love it or hate it. The fashion was a lot better in the first movie; there were some pretty fugly clothes in the sequel.

Carrie is the only one who is given a story line and it involves her meeting Aidan (who I've always preferred to over Big) when she's in the U.A.E. and they...wait for it...kiss for, like, five seconds. Oh no! Ripped with guilt, she's not sure if she should tell Big, who she's been having marital problems with lately (he bought her a Plasm TV for their anniversary and she got pissed). The other characters are shoved aside for barely-there sides stories. Charlotte is worried that her husband might be eyeing their new younger and bra-less Irish nanny, Miranda is tired of her misogynist boss and quits her job, and Samantha is going through menopause and has to spend her vacation in the scalding heat without her pills and creams.

Thank goodness for Samantha; she is by far the best part of the movie. Without her the film wouldn't have a life. She has the best zingers and the funniest scenes involves her, although I'm sure if she had done and said those things in Abu Dhabi, she (along with her friends) would have been stoned in real life, but since SATC isn't exactly reality-based (and because that's not the tone they're known for), they manage to leave the country with barely a slap on their wrist.

There's still plenty of fun in the sequel ( Liza Minelli singing Single Ladies is an added bonus), but it doesn't measure up to the first movie, which doesn't measure up to the HBO series. However, if they do make a third movie, you can bet I'll be seeing it!

What would Brian Boitano do?

South Park: Bigger, Longer, and Uncut

Director: Trey Parker

Cast: Kyle Broflowski, Stan Marsh, Eric Cartman, Kenny McCormick

Released: 6/30/99

Viewed in theaters: 7/9/99

Oscar nominations:

Best Original Song - "Blame Canada" (lost to "You'll Be in My Heart" from Tarzan)

What do you get when you put four foul-mouthed young boys who are trying to save their Canadian idols, Terrance and Phillip, from being executed; the United States and Canada at war with each other; and Satan and Saddam Hussein (who voices himself according to the credits!) as lovers rising from Hell to take over the world? Just possibly one of the funniest movies and one of the best musicals (yes, it's also a musical!) you will ever see.

You know, South Park has been on so long (they recently had their 200th episode during their 14th season), that it's almost weird to think the movie came out only after two and a half seasons. And what made me really notice how old the movie is was when they announced a special announcement from the POTUS and it was Bill Clinton telling his fellow Americans that the U.S. was now at war with Canada after they had bombed the Baldwins! It's been awhile since I've seen any of the earlier episodes, so I can't remember if the boys were cussing like Russell Crowe on any given day of the week like they do now or if the R-rated Canadian foreign film Asses of Fire was their first introduction to the f-bomb. Or perhaps continuity doesn't really matter in a cartoon.

The best part about the SP movie is that it's a satire of itself. The film starts off with the four main characters (and the adorable Ike - seriously, how can an animated kid with an egg-shaped flapping head and two beady eyes be so gosh darn cute? "Ky-wul! Ice cweem! Choc-wet!" Awww!) going to see T&P's flick, but since it's been rated R by the Motion Picture Association of America, they have to bribe a homeless man to pretend to be their guardian. Of course with lines like, "Terrance, you're a pig %!#*er!" and the oh-so-catchy song, "Shut Your #*%(ing Face, Uncle #*(!a!" ("You're an uncle #*!#er I must say! Well, you #(%*ed your uncle yesterday!") the boys come out of the theater swearing left and right. Now I'm sure when this movie came out, there were probably some dumb parents out there who thought it was all right to take their kids to see it since it was a cartoon and didn't notice it was Rated R. (Hey, there are a lot of stupid people out there!) and I'm sure those people left the theater just as the residents of South Park left during Asses of Fire.

Kyle's mom is outraged when she finds out the movie is the source of the boys' foul language (just as I'm sure many parents were outraged by this movie!) and blames Canada for releasing the movie and has Terrence and Phillip arrested when they appear on Late Night with Conan O'Brien. Oh, and can I just say I love how you can differentiate the Canadians from the Americans with their flapping heads and beady eyes and the way they say "aboot!" Actually, the way the show makes fun of Canada is always hilarious - "You're watching the Canadian channel - the only channel in Canada!" or "There's only one road in Canada!" Or how about when Ike's Canadian birth parents gave him up because they couldn't handle the Cola Wars? LMAO!

Meanwhile, in typical South Park fashion, Kenny dies after a George Clooney-voiced doctor tells him, "Son, we've got some bad news for you. We accidentally replaced your heart with a baked potato and you have three seconds to live." Poor Kenny ends up in Hell where Saddam Hussein has taken residence after he was attacked by a pack of wild dogs. Saddam and Satan are lovers, but while Satan is the sensitive one and wants to have heartfelt chats, all Saddam cares about is sex. It's pretty funny (and surprising!) when you feel sorry for the devil. All he wants to do is visit the world "up there where babies burp and flowers bloom."

Like I've mentioned before, I haven't seen the earlier episodes in a very long time, but I think the movie is the first (and probably only) time we ever see Kenny's face and hear him unmuffled when he says, "Goodbye, you guys." (My friends and I "awwwed" at that scene!) Oh, and I did some research (on Wikipedia) and had no idea Kyle had a curly red 'fro. Hmm, a redhead and a Jew! No wonder Cartman hates Kyle so much! It's always so weird when they show the boys without their hats (well, except Cartman).

I've already mentioned this is a musical and the songs (though dirty) are quite catchy! "Blame Canada" was nominated for an Oscar, but I think it should have been "What Would Brian Boitano Do?" just because it's my favorite. ("What would Brian Boitano do if he were here today? I'm sure he'd kick an ass or two, that's what Brian Boitano do!") My other favorite songs include "Mountain Town" (which is ripped off from the song Belle sings in Beauty and the Beast; I love it!) ("Thank God we live in a quiet, little, redneck, podunk, white-trash, kick-ass USA!"): "Uncle F*#%a"; "It's Easy, Mmmkay" ("You don't have to spend your life addicted to smack; homeless on the street giving handjobs for crack!"); "Up There" (which is ripped off from the song Ariel sings in The Little Mermaid); "Blame Canada" ("It seems that everything's gone wrong since Canada came along - they're not even a real country anyway!"); "I'm Super, Thanks for Asking" ("Bombs are flying, people are dying, babies are crying, politicians are lying too. Cancer is killing, Texaco's spilling, the whole world's gone to hell, but how are you? I'm SUPER! Thanks for asking!"); and "La Resistance" ("You see the distance flames; they bellow in the night. You fight in all your names for what we know is right.")

I share my viewing experience of seeing South Park at the theaters:

This movie came out two years before they started giving out Oscars for animated films and while I doubt it would have won had they started giving them out in 2000, do you think it would have been nominated? Toy Story 2 and Tarzan would have been nominated for sure, but would South Park made the third spot? That would have been sweet - super sweet!

I absolutely love this movie, but you have to have the right kind of sense of humor to like it because they make fun of everybody. I would recommend it to anyone who is a fan of the show, but please, if you're a kid or you have a kid or know a kid, don't let them see this movie because it is definitely not appropriate for kids! Hehe, I read somewhere that it has the most cussing in an animated movie. Well, DUH! LOVE this movie! One of my ten favorites from 1999.