Honey, I Shrunk Myself

Downsizing

Director: Alexander Payne

Cast: Matt Damon, Christoph Waltz, Kristen Wiig, Hong Chau

Released: December 22, 2017

As someone who lives in Omaha, the people of Omaha/Nebraska should be thankful for Alexander Payne. Why? Because if it weren't for him, the state of Nebraska would probably be best known for Teen Wolf, and trust me, we need all the help we can get. Yes, we have Warren Buffett and that one Lady Gaga song, but as far as films, it would be totally embarrassing and shameful if Teen Wolf (which takes place in some fictional Nebraska town, but wasn't filmed there) was the movie everyone thought about if (for whatever reason) movies that take place in Nebraska was brought up. Payne, who is from Omaha, has set many of his movies in Nebraska, usually Omaha. I remember when I saw About Schmidt with my mom and she goes, "Oh! There's [name of friend]'s house!" 

So this movie is interesting, to say the least. I knew that it was about Matt Damon becoming small (very small!) and when I first started watching it, I was like, Oh, this movie is like Honey I Shrunk the Kids! Except it's not. In that movie, Rick Moranis invents his contraption to shrink items; it's not meant for shrinking people. In this movie, shrinking people is very intentional and the whole point. Also, once you become small, you can never go back to your normal size, but, luckily, in Honey, the four shrunken kids are restored to their normal size. 

The movie starts in Bergen, Norway, where we see a scientist inject a mouse with something and put it into some machine, and, later, when he opens it, he looks surprised. We don't see the mini mouse (heh), but we know what he's seeing because we know what this movie's about. He excitedly tells his news to another colleague. 

Five years later and we're in Istanbul at a conference with a company called Global Solutions where the topic that day will be "Human Scale and Sustainability" with Dr. Andreas Jacobsen and Dr. Jorgen Asbjornsen from the Edvardsen Institute. In case you couldn't tell from their names, they're the two men from Norway we met in the first scene. 

Dr. Jacobsen tells the audience that the Institute "identified overpopulation as mankind's single greatest long-term threat" in the 1950s. One of their ideas they came up with many year ago seemed "too ambitious" and "out of their grasp", but they have finally made it a reality. While he's talking, he's standing next to a podium with a wooden box, maybe a little bigger than a shoebox, on it. He announces they are about to unveil what they "believe to be the only practical, humane and inclusive remedy to humanity's gravest problem" (He sure is laying it on thick here!) and that his colleague, Dr. Jorgen Ashborgsen, will tell them what it is. The audience clearly sees what is it when he lifts the box to reveal the tiny man who is Jorgen. He is standing behind his own tiny podium. 

Everyone is gasping and I can't blame them. That would freak me the f*** out. People are standing to get a better look and most of them are taking pictures/videos with their phones. Honestly, I'm surprised they were allowed to bring their phones. Somebody could just post a picture/video to social media and it would be out before they were ready to share their finding with the rest of the world. Even though Jorgen is small, his voice is still the same when he was his normal size. He says he and his colleagues "discovered a process by which all organic material can be reduced at the cellular level by a ratio of approximately 2,744 to one." This converts a man of 1.8 meters (5'11"; I had to ask Alexa to convert!) to 12.9 centimeter (5 inches)! That's a lot of science and math in one sentence. They also tested flora and fauna and "with the exception of some fish and shellfish, no side effects were detected." (I wonder what they were.) 

He presents a slideshow on the screen with the "experimental group" which consisted of 36 volunteers who joined him and his wife, Anne-Helene. Once they knew the procedure was safe, these 36 people became the "very first humans to undergo cellular reduction." I'm sorry, but who the f*** would volunteer for this? Jorgen says the volunteers are brave, but I would call them stupid idiots. We see a slide of the group sitting on some rocks outside. I guess the rocks are supposed to be pebbles, but they look like normal sized people sitting on/standing around boulders, which it probably is in reality! He claims the process is "short and painless" (heh, I wonder if he realized he was making a pun), the only discomfort being the "removal and replacement of dental and other prosthetics". We see a before and after picture of a man who downsized and the latter has a ruler and a measuring cup next to the tiny man to make it clear and obvious he's tiny! 

This must be going viral by now (thanks to all those audience members publishing their pics and videos to social media!) because other people who are in the building (at other conferences or meetings, I guess) come rushing into the auditorium to see the tiny man. He is now talking about their "little village" which is 7 meters (23 feet) by 11 meters (36 feet). It was "placed inside a gas-permeable enclosure designed to protect [them] from the hazards of weather, animals, and insects." Obviously, these people have never seen Honey, I Shrunk the Kids or they would know they could become friends with ants! Remember Anty? While he tells them they are living together in "the world's very first self-sustaining community of the small" (well, duh), Dr. Jacobsen, who had left while Tiny Jorgen was talking, walks in with a trash bag that's probably a third full, and announces to the audience that he's holding "all of the un-compostable waste produced by 36 people over four years." Wait, shouldn't it be 38 people since it was 36 people who joined Jorgen and Anne-Helene? Well, 36/38, either way, they don't use that much trash. Can you imagine how much waste 36 (or 38!) people produce in four years? Much more than that! I guess the tiny people have to feel smug about something! They have a "proposal for a two to three hundred-year transition for the world to transform from big into small." 

This seems like a lot of work to transform every person in the world (not to mention all the flora and fauna!) into miniature versions of themselves. Not to mention you'll have to completely change the infrastructure and don't get me started on transportation. Are there going to be tiny planes and boats now? I'm not exactly sure how far they got into their plan. There's a lot of holes in their plan that don't always get addressed. 

The very first village of tiny people are brought out on stage on a cart and the audience thinks this is the greatest thing ever. Nobody seems to have any objection to this at all. You think there would be one person who might find this a little unethical? No? Anyway, as you may have guessed, trick photography is used in scenes like this. 

They don't specify but I'm guessing all the small people are Norwegian. Jorgen points out a family with a toddler and baby and tells them that Ronni Nestrud is the "first small baby ever born." I'm guessing his baby sister is the second small baby ever born! 

I have to wonder....they said these 36 people volunteered to become small, but do you think there was a much larger pool of volunteers and they specifically picked these 36 people because they would help society? Like, maybe there was a doctor, someone in engineering, computer software, construction, just different experts in different subjects so they would have the knowledge to create what they needed? They don't really address that, but it must be the case! 

To no one's surprise, this thing goes viral and is shown all over the world. This is when we meet Paul Safranek (Matt Damon) who lives in Omaha and works at Omaha Steaks. This is just a quick introduction and the next thing we know, ten years have passed. He's now married to a woman named Audrey (Kristen Wiig) and still works at Omaha Steaks, but he's an in-house physical therapist who helps people with their wrists and joints. 

By this time, it's been fifteen years since the reveal of the new technology that can make people become small and several people have undergone the treatment. Paul and two of his friends are at a bar watching a news program that is debating the effects of people becoming small. We see a regular sized man and a small woman debating. The man says it's having a "devastating effect on our world economy" as billions of dollars are lost in consumer spending.  

So in this part of the movie, it's set in Omaha and I did get a chuckle out of a few things that only I (or anyone from here) would get. Paul and Audrey are wanting to move and are looking at a very nice house (that's probably in west Omaha!) and Audrey really likes it, but Paul thinks they should look "at that place in Benson". Haha, I know where that is! We see them attend a reunion at Creighton Prep. I've heard of it! Matt Damon wears a "Nebraska" shirt in a couple scenes. Ha, do you think he felt like a traitor? 

At the reunion, Paul runs into a former classmate randomly played by James Van der Beek (we'll see some other cameos pop up later) who is in the medical field. We find out that Paul was pre-med and wanted to be a surgeon, but had to take care of his sick mom (who has since passed away). Basically, he could have had this great life and make good money, but that's not the way things worked out for him.

During the reunion, a guy walks in with a diorama box and it contains a former class mate, Dave Johnson, and his wife, Carol who have both become small. In the box there are two small couches and they both have miniature megaphones (hmmm, is that an oxymoron?) they use to communicate. Quick question: do they have to make the small furniture, or can they shrink that too? I'm guessing it's the former. Now if they had Wayne Szalinkski's contraption, they could have easily just shrunk furniture and other objects. 

After the party, a few people have gone back to Paul and Audrey's house, including the small couple. While Carol is talking to a large group in the living room (she's on the coffee table they're sitting around), Paul is talking to Dave in the kitchen. Dave tells Paul that he and Carol had been living in Vegas where he had gotten "into some real bad habits" and "hit rock bottom." He and his wife decided they needed to change and "start all over" and that's why they became small. (That's a pretty intense and permanent change!) Paul tells him he must feel good about helping to save the planet, but Dave tells him "downsizing is about saving yourself." He says it takes money pressure off and that he's not "driven and ambitious", but he and Carol have a pretty cushy life. He tells Paul that if he and Audrey ever decide to go to small, they should live in Leisureland which is located in New Mexico. The name makes me laugh because it sounds like something you would find at the Magic Kingdom at Disney World, you know, like Adventureland or Tomorrowland, etc. Leisureland has the best houses, doctors, and restaurants...it even has three Cheesecake Factories! (Why the f*** do you need THREE of those?) 

Much later, Paul will have another conversation with his (small) neighbor who tells him that people don't become small to help the environment, but do it to become rich and have the things they couldn't have if they weren't small. 

Both Dave and Carol have romanticized the idea of being small and Paul and Audrey basically think what do they have to lose? They drive to Sante Fe where people go to get small just so they can check it out and see "if it's for [them] or not." On the drive there, they pass a billboard for Leisureland Estate claiming to be "America's #1 micro communinity." Pictured is a bunch of people and a dog...and a hot air balloon, so I guess they've created hot air balloons for the miniature people! They enter a huge building that has models of the homes that small people live in. Actually, models would imply that they're smaller scale, but these are probably the same size of the actual homes you would see in Leisureland. They look like huge doll houses, so they're basically mansions for the miniature people. 

A huge home for the small is set up in a theater and Senior Product Specialist Jeff Lonowoksi (played by Neil Patrick Harris) comes out the front door, being filmed by a camera guy and it's being shown on the screen for the normal sized people to watch. How did they create a camera that small? I guess it's very possible to create anything in small scale! 

He shows the audience the inside of his house (which, let's be real, probably isn't really his house, but probably a version of it) and it opens up like a dollhouse. I'm guessing since this is a show house for normal sized people, they created it that way so they could see the inside. Laura Dern is taking a bubble bath in the upstairs bathroom and her name is Laura and I thought she was playing herself, but she's the wife to Jeff, so she's just playing a character named Laura. I know Alexander Payne worked with Bruce Dern in Nebraska, so it was probably easy for him to get her to have a quick cameo in this movie. She's pretty much there to schmooze about what an amazing life they have. She's taking a bubble bath "to relax after such a busy day." She took a tennis lesson, had a massage, and after "a gourmet lunch with the girls" (heh, guess they didn't go to one of the three Cheesecake Factories in their town!), they went downtown to the new jewelry store where she bought "another diamond necklace" with a matching necklace and earrings. Of course she had to add that they were "all conflict free and set in platinum." All of it cost only $83 which is also equal to their food budget for two months. I have to say, they are doing a great job of selling becoming small because the normal sized people are looking very impressed and Paul and Audrey both have an excited look on their face as if to say that they're ready for this lavish lifestyle. I don't know...I don't know if I could become a miniature version of myself just to have all this nice stuff. It might seem great at first, but I feel like I would regret it very soon! 

Paul and Audrey talk to a (normal-sized) representative about going small and how much it would cost. She tells them that if they "liquidate [their] current home, cars, and other assets, they can purchase the Regency-level estate (which is the 12,000 square foot equivalent home on the 1.5 acre equivalent lot) at a base price of $63,000." Added to that will be the health and fitness package ($4,500) that includes gym, pool sauna, stream, hot tub, and a tennis court. The medical procedure for the two of them will cost $15,000 and insurance doesn't cover any of it, but "at the Recency level [they] qualify for a substantial discount." Now I wasn't quite clear if it was $15,000 for the both of them or each of them, but either way, it seemed kind of cheap for the procedure they might undergo. She takes a look at their current debt and retirement and other savings to see they are at a $152,000 in equity and tells them that's a "comfortable number" and in Leisureland that translates to 12.5 million. Both Paul and Audrey are very impressed by this and it makes them happy. Audrey asks the woman why she hasn't become small since it's such a good thing and she replies that she would except that her husband had a hip replacement so he's ineligible. A part of me (the cynical part) was wondering if the woman was just making that up, that she was just trying to sell them on becoming small and makes up some reason why she isn't a small person because she does a great job of selling it! 

Back home, Paul and Audrey decide that they're going to go through with becoming small and they sell a bunch of their stuff at a garage sale. In one of the last scenes set in Omaha, they have a farewell dinner with their friends at a restaurant called Jams downtown in the Old Market. This was the most exciting part of the movie for me because I've been to that very restaurant a couple times! The last time I was there I ordered the Texas Chopped Salad. 

Audrey tells her friends that she'll miss them, but they'll be back at least once a year to visit. Her dad shows up without her mom. He tells her that she "couldn't bring herself to come, but she sends her love." He admits that he was a little skeptical about the idea at first, but then he talked to an old friend who became small and he and his wife retired in Leisureland and they're "getting along just fine" and that now he "sees the appeal." I appreciate that they gave at least one character (even though they're off screen) some reservation about this whole procedure. 

Before they head out to Santa Fe, Paul and Audrey have put their wedding rings and a few sentimental photo and letters in a box marked "Keepsakes" and these will be the only things they will keep. When they're small, they can hang the pictures on their walls as huge portraits! 

Once they get to New Mexico, they take a bus from the airport to the facility. There's a closed off section (kind of like a display case) where a bunch of small people are sitting in their small seats. One of the small women (played by Margo Martindale) strikes up a conversation with Paul (who was sort of staring at the small people). When he tells her he's nervous about becoming small, she tells him he shouldn't be, because "it's the best thing you'll ever do." Seriously, does not one person regret becoming small? I find that hard to believe.  

Okay, better put a spoiler warning here, just in case.

Slight spoilers coming up ahead! You have been warned! 

Before they go through with the procedure, they have to answer some legal questions such as, "Do you understand of your own free will, you will undergo the permanent and irreversible medical procedure commonly known as 'downsizing', and that following the procedure your bodies will be approximately .0364 percent of their current mass and volume?" They have to give their consent to have this medical procedure and they are also told "that there exists an approximately one in 225,000 chance that the procedure could result in injury, permanent disability, or death." 

They're sitting in the waiting room and Paul's name is called. They both get up, but the nurse tells Audrey that she'll have to wait until her name is called because they separate the men and women. The whole procedure will take about five hours and they'll be reunited in the recovery room. Paul and Audrey hug goodbye and tell each other "I love you" and Audrey watches as Paul walks down the very long hallway with the nurse. It's gotta be a scary thought that the next time you'll see your spouse, they will be complete different. 

The majority of the five hours is spent getting ready for the actual procedure and we are shown a montage as Paul and other men are being prepped. Everyone's head and face is shaven clean, including eyebrows, then they are put under sedation and the rest of the body hair is shaved off. Next, dentists work on teeth to remove any cavities or fillings. When that is done, all the patients are wheeled into a huge machine (there's probably 30 men on gurneys in there) and they are all injected with "downsizing solution" which you must "shake well before use." Now don't get that mixed up with any other kind of solution! The door is shut and secured and the machine is turned on and it only seems like the actual shrinking only takes about a minute! The hell? A few nurses, who have been waiting (cuz they know this doesn't take much time at all!), go in and lift the tiny men off the beds with a spatula-like tool (hell, they probably WERE spatulas) and place them on a cart and they are delivered through a slot where small doctors and nurses are on the other side to finish up the rest which is just pretty much putting in new fillings for their teeth. 

Paul wakes up in the recovery room and the nurse checks up on him and everything seems to be okay. She asks if he's hungry and comes back holding an individually wrapped saltine cracker and of course it's almost as big as she is. (I'm sure they had a lot of fun with the props!) This is just a cute joke she plays on everyone and tells him she'll bring him some real food. Paul asks about his wife and she checks the records where she sees Audrey's name, but she hasn't been transferred over yet. She assumes she's probably still in dental. Now, at this point, it did cross my mind that something happened like maybe Audrey had died during the procedure. But what actually happens makes way more sense to the plot: she didn't die; she never went through with the procedure. Paul finds this out when he receives a phone call from her. We see her at the airport wearing a hat and one of her eyebrows has been shaved off, so it looks like she made it that far, and, as she tells him, she freaked out after they shaved her hair. She came to the realization that she didn't want to leave her friends and family and while she feels awful, she realized she was only doing this because she was trying to make him happy. Look, I don't blame her at all; that is a very big change to undergo, but it's too bad she didn't talk to him about this sooner. It's pretty funny when she tells him she's upset and he replies, "You're upset? I'm the one who's five f***ing inches tall!" 

Paul now has his nice, cushy big small home all to himself. When the keepsake box (which transforms into a storage truck) arrives at his house, a delivery man carries the rings up to his house and it looks like he's carrying two heavy gold hula hoops. 

One evening, Paul is watching BBC World News where the anchor is talking about how the U.S. Department of Homeland Security and the Immigration and Naturalization Services "have been warning about the ease with which downsized people, from illegal immigrants to potential terrorists, could penetrate U.S. borders." They report a story about how last week at a Target store in Eugene, Oregon, workers "opened a suspicious TV box (there were small holes in one corner) and discovered 17 downsized stowaways from Vietnam, 14 of them already dead, two more dying hours later at a local hospital." The only survivor was a woman named Ngoc Lan Tran (Hong Chau) who was transferred to the best hospital in Leisureland and doctors had to "amputate a portion of an infected leg". Her condition is "described as fair but stable." Ngoc Lan claims to have been jailed for her "political and environmental activism and was miniaturized against her will in a Vietnamese prison facility." This will all come back later. 

One year has passed and Paul and Audrey are officially divorced and Paul has moved into a nice apartment. He works at call center for Land's End and we see he's not really into the job and snaps at a caller who can't decide what color sweater she wants. The woman tells him, "Don't be short with me!" and he gets offended. 

I think this movie is more interesting when you see small people interacting with normal sized people because then you can see the obvious difference, but when Paul is interacting with other small people, you kind of forget they're all five inches tall...probably because they're just normal sized people in real life! 

Paul starts dating a woman, but it doesn't really go anywhere, so he decides to check out one of the wild parties that are often hosted by his upstairs eccentric European neighbor, Dusan (Christoph Waltz). He introduces his friend, Konrad, who is a sea captain, to Paul. Dusan had been in Paul's apartment earlier and noticed he had a life-size rose that he got from the shop that sells life-size flowers, so Paul brought it to him as a gift. I do enjoy when they bring in props to show us (and remind us!) that these are tiny people. 

The next morning after the wild party, Paul wakes up in Dusan's living room and sees three Vietnamese cleaning ladies come in to tidy up the place. He recognizes one of them as the one found in the box from the news because she's limping. He catches her stealing pills and thinks she's taking them for her leg. She informs him that they're old pills and Dusan allows her to take them; she's taking them for her roommate who is very sick. He offers to help with her prosthetic leg and after looking at her leg, he tells her she has arthritis and if she doesn't do something about it soon she's going to need a new knee. He advises her she need to go to a specialist as soon as she can to get a new foot. In the meantime, he can make adjustments to her existing prosthetic and give her tips on how to walk better. She tells him when she's done with her cleaning, he can come with her. He says they can do it here, but she wants him to go with her to help her sick friend. He tells her he's not a doctor, but she says she's tried to take her to a clinic, but her friend has to wait too long and she can't find any doctors to help.

So they take a bus that goes through a tunnel and Ngoc Lan takes him to her very crowded and shambled apartment building where she shows Paul her bed-ridden and sick roommate. Paul gives her some pills that might ease her comfort, but the next day, we find out she died. This whole plot point was to get a working relationship/friendship started with Paul and Ngoc Lan. He tells her he will help her clean until she has a better prosthetic to walk on. 

Ngoc Lan gathers leftover food from the wealthy people she cleans for (with permission) and takes it back to some of the people who reside at her apartment. 

Two weeks pass and Dusan invites Paul to join him and Konrad to visit the original small colony in Norway. After the party, Paul told Dusan that he had met Little Ronni (remember, he's the first small baby ever to be born and now he's a teenager) who still lives in Norway and how he's always wanted to visit the original small colony. Dusan tells him it's "all right" and he usually goes once or twice a year with Konrad for business. 

Now Paul has his chance to go and when the three men tell Ngoc Lan this, she invites herself along (not what they were expecting!) because she's been invited before because of her story. She had received a letter from Dr. Jorgen Asbjornsen who told her he feels guilty that her becoming small was a bad thing and that he never meant for it to be that way. He had invited her to Norway and she never had the means to get there, but now she has the chance to go there and meet him. 

The next thing we know, they're on a boat in the waters of Norway and Jorgen and Anne-Helene have joined them. They're talking about how methane in Antartica has been released and "it's the end of everything" and that "homo sapiens will soon vanish from the Earth." Paul asks if downsizing is an option for humankind, but Jorgen informs him that only 3% of the population has downsized and there isn't enough time. That's a shockingly low number considering that downsizing has been around for about 16 years. I guess the majority of the population wasn't into it. 

When they get to the first small colony (I can't remember the name of it...Smallville, perhaps? Heh.), Paul and Ngoc Lan are shown a huge tunnel (well huge for small people) that leads to the vault the colony have been workin on "almost since the beginning." They are told "the tunnel leads to a vault 1.6 kilometers (almost one mile) inside the Earth's lithosphere (which is the solid outermost rock shell of the planet...I had to look it up) and is encased in a double layer of Inconel 625" (I have no idea what the f*** that is). There's way too much math and scidene in this movie! Anyway, back to this vault. In it, they will be containing a "broad spectrum of biodiversity, the vault is equipped with fields for growing foods, forest for lumber, livestock for animal husbandry, the residential areas are spacious and easily expandable to provide for future generations." While they are being told about this, there's a monitor with many screens so they can see all this. Everything is lit because of artificial light. The power is 100% geothermal. They have thought of everything and it's only possible for them to do this because of their small size. They all will be heading down in the earth's core soon and they will stay down there for 8,000 years (!!!) or "until the surface environment stabilizes." Ugh, no thank you! Paul, however, thinks this is the best idea ever and he wants to join them. 

He tells Ngoc Lan and he wants her to go with him. By this point, they've developed a somewhat romantic relationship. She refuses and tells him she needs to go back home and take care of the people there.

When it's finally time to go into the tunnel (just a few days later), Paul says his goodbyes to Ngoc Lan, Dusan, and Konrad who will all be heading home soon. There's a long line of people going into the tunnel and he's the very last to enter. The only thing he has with him is his suitcase...something tells me he's not going to have enough clothes for this expedition. He runs up to somebody and asks him if they're walking uphill. The guy replies that they are because it prevents flooding. Then he adds a bombshell that Paul wasn't ready for (and thank God he found out about it now!): It's just a few hours climb before they descend to the vault and that entire walk will take eleven hours. Ugh, no thank you! 

Paul looks ahead at the people who are walking towards the vault, then back at the door which is still open, about half a mile away. Two guys are about to shut the door (and once the door shuts, it will be shut for good!) and he starts booking it, yelling at them not to shut it. He barely makes it out (and has to leave his suitcase because it gets stuck) and his three friends are still waiting for him outside. 

Can you imagine if he hadn't gotten that information about the eleven hour walk until one minute later? He might have not made it out in time! Also, how could he not have already known this information before he went? It seemed like this was just a spur-of-the-moment decision he made with no thought behind it whatsoever. Yeah, I'm sure the eleven hour walk didn't seem like a fun time to him, but I feel like if he really wanted to do this, he would have endured it.

They go back home and back to their lives.

This movie was interesting, but not my favorite. It gets pretty preachy at times. Honestly, if you want to watch a movie about people who become small, go see Honey, I Shrunk the Kids. It's much more entertaining, not to mention much shorter (I swear, that was not meant to be a pun!). Also, in Honey, I Shrunk the Kids, you are constantly reminded that the kids are small (Anty, Rick Moranis almost eating his son who fell in his Cheerios, the entire backyard, the Lego, etc. etc.), while in Downsizing, I would literally forget that they're supposed to be tiny. 

Unbreakable//Split//Glass

Disclaimer: I will be spoiling the following three movies. These are M. Night Shyamalan films, so obviously they have twists, cuz, you know, that's his thing! Perhaps it's a spoiler that I'm reviewing these movies together if you didn't already know they were connected, but it has been over a year since the last movie came out so I figured everybody already knew about that. 

Unbreakable

Director: M. Night Shyamalan

Cast: Bruce Willis, Samuel L. Jackson, Robin Wright, Spencer Treat Clark, Charlayne Woodard

Released: November 22, 2000

Viewed in theaters: November 23, 2000

Split
Director: M. Night Shyamalan
Cast: James McAvoy, Anya Taylor-Joy, Betty Buckley,  Brad William Henke
Released: January 20, 2017

Glass
Director: M. Night Shyamalan
Cast: James McAvoy, Bruce Willis, Samuel L. Jackson, Sarah Paulson, Anya Taylor-Joy, Spencer Treat Clark, Charlayne Woodard

Released: January 18, 2019

So who knew M. Night Shyamalan directed a trilogy? I didn't until Glass came out and I heard it was Bruce Willis and Sam Jackson reuniting as their characters from Unbreakable (nineteen years later!) I also knew that James McAvoy's character(s!) from Split was in it, but I didn't realize there was an Unbreakable connection in Split; rather I just assumed Shyamalan thought that character would work well with the Glass storyline; but as we find out, there is a connection between all three movies.

In Unbreakable, we are introduced to a seemingly average man named David Dunn (Bruce Willis) who lives with his wife, Audrey (Robin Wright) and tween son, Joseph (Spencer Treat Clark) in Philadelphia where he works as a security guard at a stadium. However, we soon learn that David is not that average as he is the only survivor of a train derailment. Not only did he survive it, but he didn't even break his bones or get a scratch on him. The way the scene is shot where the doctor (played by Michael Kelly) is telling David all of this is very Shyamlanian. It reminded me of the famous "I see dead people" scene in The Sixth Sense (just no iconic lines!)

Not surprisingly, his story makes the news and one man in particular is intrigued by David. He is Elijah Price (Samuel L. Jackson) who has a genetic disorder called osteogenesis imperfecta which means his bones are very low in density and are easily broken. He mentions he's broken fifty-four bones in his life, but during a scene in Glass, he will mention he's had ninety-four breaks in his life, so that means he's broken bones forty more times in the nineteen years (or seventeen years....I'm a little confused by the timeline, but I'll explain why later) since the year 2000. Despite all the breaks, he has Type 1, which is the "tamest" version. There are four types and Type 4 is the most severe and, therefore, most deadly.

Elijah owns a comic book art gallery called Limited Edition and writes a note to David on his business card asking him, "How many days of your life have you been sick?" David finds the note under his windshield wiper and he and Joseph visit Elijah at his store. David can't remember the last time he was sick, but figures there must have been a point sometime in his life he's been ill. Maybe the guy gets flu shots. I get flu shots every year and I've been really lucky that I never get really sick where I just want to stay in bed and sleep all day because I'm so miserable. Sure, I have days I may feel sluggish, but nothing severe or anything. The last time I was really sick, like had to call in to work because I was legitimately contagious and go to a doctor was in 2014.


Elijah, being a comic book nerd, proposes the theory that if there's somebody like him in the world who can easily have his bones broken, then maybe there's an opposite of him in the world, somebody who never gets sick and whose bones never break. David tells him that as a child he did almost drown so he did have a near death experience, but Elijah believes that means that water is his kryptonite (just like with the aliens in Signs...oops, hope I didn't spoil that for anyone!) I have to say this movie is ahead of its time as you see Sam Jackson in a comic book store where there are a lot of Marvel comics and posters and cutouts of Avengers characters (I remember seeing one of Spider-Man).

We see Elijah's love for comic books started when he was a child when his mother (Charlayne Woodard) gives him a comic book titled The Battle with Jugaro and tells him, "They say this one has a surprise ending" (haha, Shyamalan, I see what you did there). It is a little messed up how she makes him get the comic book, though. She has it wrapped in a box that's sitting on a bench in the park that's across the street from their apartment where they can see it from their window. She wants to make him work for it to prove he can do anything despite having brittle bone disease. There are a lot of kids playing on the playground and one kid literally runs right in front of the bench with the present that has a big shiny bow on it. I am really surprised no one took it. If this happened in the real world, no way that gift is staying there longer than five minutes! Perhaps he also took a penchant to comic books because kids called him "Mr. Glass" because he breaks like glass and if that doesn't sound like a :::coughcough::: villain from a comic book, I don't know what does.

Joseph tries to test a few theories that his dad may be a superhero. When David is lifting weights in their basement, he asks Joseph to remove a few of them and after he lifts them again, he asks his son how much weight he removed and Joseph tells him he added more. They both want to see how much more he can lift and after using 350 pounds of weights, they add two (full) paint cans to each side. Now that he has proven his dad has super strength, he also wants to prove that he's invincible so in a very tense scene, Joseph, who has found his dad's gun, has it pointed at David and plans to shoot him to prove to him that nothing will happen to him. Both of his parents are rightfully freaking out and telling him to put down the gun. I had to laugh a little when he said "I'll only shoot once." David threatens to leave if Joseph shoots him. So either Joseph shoots and kills him and loses him forever or Joseph shoots and injures him and David leaves. Joseph is hurt by this and says he thought they were friends to which David replies, "Friends don't shoot each other." True dat! To Joseph's parents' relief, he puts the gun down.

Elijah pays David a visit at the university stadium where he works. As they're both standing next to a line of people waiting to get into the stadium, David points out a man to Elijah who thinks may have a weapon because he's wearing a large coat. He says it's just an intuition, but in a scene earlier we saw David brush up against the man and this is how he knows the man is dangerous. Well, he doesn't know he has this ability yet. Of course, the dude just looks straight up shady so I don't think you need to have any premonitions that he has a weapon. As David correctly predicts, the man turns and leaves the line once he sees David start patting down random people. Elijah follows the man down the subway stairs to see if David was right about him. The guy is walking too fast for him and as Elijah is trying to keep up with him, he slips and takes a nasty fall down the stairs and I'm just like, OUCH. For some reason, his cane is made of glass (terrible idea) and just shatters everywhere. Yeah, it looks cool in the movie, but don't use a cane made out of glass. Just not a good idea.

When David realizes he has a gift of being able to see the past crimes of people who he comes in physical contact with, he decides to hang out at the train station where he comes in contact with a whole bunch of folks who have done some terrible, terrible things. It seems every time he comes in contact with someone, the crimes they've committed just get worse and worse. We see a woman who has stolen expensive jewelry, then we see a man who has raped a passed out woman, then we see a janitor who broke into a home and killed the father. Writes note to self: never go to the Philly train station. In this scenario, the wife and two daughters are bound and gagged in their own home and David goes to rescue them. I didn't really understand why this janitor/home intruder/evil man was doing what he was doing: did he have a history with this family? Was he there to steal something and wanted the people out of his way? Obviously for the movie they needed David to be a hero because after he rescues the two girls (the wife does not make it) a sketch of him in his now trademark green poncho is in the paper and when he shows it to Joseph, he immediately knows it's his father and now knows what he knew all along: that his father is a superhero.

So as with any M. Night Shyamalan movie, you know there is a twist coming up. It had been nearly two decades since I last saw the movie and while I remembered the comic book aspect of the movie, I couldn't remember what exactly the twist was. When I re-watched it again, I was like, Wait, that's the twist? That's not a twist. That's so obvious! Maybe back in 2000 it would have been considered a big reveal. David shakes Elijah's hand and we see that Elijah has been involved in some terroristic events including starting a fire at an apartment building, a plane crash, and the very train crash that David survived. We see a security video of him leaving the unattended and unlocked front car of the train. Um, no way this would be plausible post 9/11! Good thing this movie came out a year before when security was a lot more lax! Elijah tells David, "We are connected, you and I" and that he had to make "so many sacrifices" just to find him. He did all these horrific acts because he needed to find the one person out there who was his antithesis and to do this he had to kill a lot of people along the way to find the one person who he wasn't able to kill. Yikes! 

You know when you're watching a movie based on a true event and there's usually text on the screen giving you an update on where these people are now? Well, that happens in this movie which makes it super cheesy, especially since this is not based on true events (duh). Why don't we see a scene of Elijah at an institution for the criminally insane instead of being told it with text on the screen? Just feels super unnecessary to me.

So now we jump sixteen years ahead to the next movie. The way Split begins is a little contrived. We need three girls -two of who are very close friends and one an outsider - to be in the same place at the same time. Claire is having a birthday party at a restaurant and invites everyone from her class, including Casey (Anya Taylor-Joy), the weird loner girl who has no friends. At the end of the party, Casey's ride is late and she tells Claire's father she can take the bus home, but he insists on driving her home along with Marcia, Claire's best friend.


The movie starts immediately once Claire's father is incapacitated offscreen by a man (James McAvoy) who gets in the car. Claire and Marcia are in the back, talking and don't realize the man in the driver's seat is not Claire's dad until a full minute in. Casey, is too scared to say anything and is wondering if she should bolt. When Claire confronts the man, telling him he's in the wrong car, he sprays them with something to make them unconscious and the three of them wake up in some cellar-type room. They can peep through a keyhole where they see another room with a locked door, so they know escaping isn't going to be easy. When they hear a woman's voice talking to the man and see someone wearing a skirt and high heels through the keyhole, they start yelling to be rescued. They are all shocked when it is revealed it is their captor talking in that voice and wearing the skirt and high heels. They just stare at him (her) in disbelief when he (she) tells them: "Don't worry, I'll talk to him. He listens to me. He's not well."

It doesn't take long before they realize they are being held captive by someone with DID - dissociative identity disorder, probably more well known as having multiple personalities. I imagine this has to be a dream come true for an actor to play. James McAvoy plays a character with 23 - soon to be 24 - identities. I believe he only plays eight of them in this movie, but we will see even more of these personalities in the next movie. Aside from the big one we will see at the end, there are really only four personalties that get to come "out into the light". These include a nine-year-old boy named Hedwig who loves rap music and dancing and saying "etcetera" at the end of his sentences; a religious woman named Patricia who has a slight Scottish accent (might as well since McAvoy is Scottish); Dennis, who is the one who kidnapped the girls and always wants to make sure everything is clean and makes the girls take off their clothes if they get dirty (plus he's kind of a perv...); and Barry who is into fashion and is usually the one who contacts and talks to their therapist, Dr. Fletcher (Betty Buckley) who is an expert in DID.  Not only do they each have their own wardrobe, McAvoy gives them each their own distinct personality in the way he talks, his mannerisms, and the way he carries himself. It is very impressive acting.

I don't know much about DID - in fact, I didn't even know it was referred to as DID; I just always called it multiple personalities - but there is something fascinating and creepy about it. It's just unfathomable that someone can have a completely different personality from their own, or several, as is the case here. I assume doctors have ways of diagnosing it and being able to tell a person really has DID instead of just pretending to. We see a scene of Dr. Fletcher giving a seminar where she says there are moments when two identities can take "the light", or the conscience at the same time and talks about a time when it happened with somebody she was working with who was taking notes at the same time with both hands and each hand was writing something different with a different handwriting. The different identities in Split are able to communicate with each other, as when the girls heard Dennis and Patricia talking to each other. There's also a scene towards the end of the film when McAvoy is looking into a mirror and all the personalties are communicating with each other and the camera pans from McAvoy to his reflection. It's very reminiscent of the Gollum/Smeagol scene in The Two Towers.

I'm sure Hollywood movies and shows about DID over exaggerates it greatly and I'm sure Split is no different. I read that people with DID were most likely abused as children or suffered some great trauma as a child which is what we see happen to Kevin Crumb, who is the person played by McAvoy with all the personalties. While we don't get too much of his backstory, we see flashbacks of his mother getting furious with him for not cleaning his room and coming after him with a hot iron in her hand. He most likely created all these personalities as a coping mechanism. Dennis, the personality who is a neat freak, was one of the first to appear and he protected Kevin by making sure everything was clean because if anything was dirty, it would set his mom off. We'll explore more about his parents in the next movie, but I still have a lot of questions.

The two non-entity girls (don't get too attached to them) think if all three of them take him on at once, they can fight him and escape, but Casey doesn't agree to the idea because she knows it won't work. The girls really want to escape because they were told by Dennis that they are "sacred food" and one of the girls think he has a dog he wants to feed them to. She's not totally off-base. When they get a clue from Hedwig that there may be a way out, Claire finds a way through the ceiling and ends up running through a long hallway and in a locker room. I was very confused where they were until it's revealed at the end (I guess what was a bit of a twist too). Dennis fixes the ceiling and keeps all the girls separated, especially after Marcia also tries to escape when Patricia is making a sandwich for her and Casey and she hits Patricia with a chair, but since the door is locked, she doesn't get too far.

Casey has formed somewhat of a bond with Hedwig, the personality who is stuck at the age of nine. After Hedwig mentions he likes to dance to music in his room and has a CD player next to his window, she gets him to trust her by telling him that she gets in trouble at school on purpose so she can get away from everyone and be alone. We see flashbacks of her as a young girl who would often go on hunting trips with her dad and uncle (Brad William Henke). Through each of these flashbacks we learn something about her backstory each time, like the fact that her uncle started sexually abusing her at a very young age and that he is currently her guardian because her father had a heart attack when she was still quite young. Casey doesn't share all of that with Hedwig, but with what she does tell him, he sneaks her into his room and starts dancing to Kanye West. Watching a man in his late 30s dancing to rap music while pretending to be a nine-year-old is both super weird and oddly endearing at the same time. However, Casey can't appreciate his dancing because all she sees is the CD player by a drawing of a window on the wall. There are no actual windows to be found. When she asks Hedwig about this, he gets mad and accuses her of trying to escape. He shows her a Walkie-Talkie that one of the other personalties stole from someone and she takes it and when she finds out she can get in communication with someone on another line she tells them who she is and that she's been abducted. The person thinks she is joking and pretending to be someone else. Hedwig becomes Dennis and is strong enough to overpower her and take the Walkie-Talkie. I thought there was going to be a payoff with this scene later on, but there never was.

Dr. Fletcher knows that Kevin has twenty-three personalties and knows all of them quite well. She usually talks to Barry, who used to be the dominant personality until Dennis and Patricia started taking over and limiting Barry's time in the light. (Not really quite sure how it all works). Barry told Dr. Fletcher about the other personalties and when Dennis is talking to her, pretending to be Barry, she knows it is not him and correctly guesses that she's really talking to Dennis. She also knows the only way to talk to Kevin is to say his full name, but she doesn't want to do that because it would be chaos for the other identities and she doesn't want to hurt them. She is dismissive that Dennis insists that there is a twenty-fourth personality getting ready to emerge. When she receives many urgent e-mails from Barry she visits his place and this is when she discovers the three girls. He turns into the Beast, which is this animalistic being who becomes very large in stature and has thick skin (literally) and can crawl up walls and all these unnatural traits that no human should have. Before he crushes the doctor to death, she has written a note with his name on it, with the instructions, "Say his name." The two non-entity girls are trying to escape by trying to hook a wire hanger and catching a slide bolt and the movie almost makes you think they're going to escape, but no. They are chow for the beast. Dennis had kidnapped the girls as an offering to the Beast who apparently will only eat the "impure young". But, hey, if anyone was wondering, at least Claire's dad turned out to be okay.

Now Casey is the only one left alive and running for her life from the Beast. She finds the paper from Dr. Fletcher and screams, "Kevin Wendell Crumb" and the man that is the host body for all these personalties appears and is very confused. He asks Casey if it is September 18, 2014, as that is the last day he remembers. When he realizes he's done terrible things, he tells her where his gun and bullets are and instructs her to kill him. That would be utterly terrifying to realize you haven't been yourself in over two years; it would be like be in a walking coma. The other personalties start to come out and once again the Beast emerges. By that time, Casey has found the gun and bullets and has barricaded herself into a cage, but the Beast easily bends the bars after Casey has shot him, but the bullets just ricochet off him. When the Beast sees cut marks on Casey's body, he realizes that she has been hurt just like he has in the past and runs off, sparing her life.

She is rescued by someone who finds her and helps her. This is when it is revealed that she was at an old building at the zoo the whole time where Kevin worked. I thought maybe this was the big twist and while it was a surprise, it wasn't THE twist. We see her in a cop car and when the (female) cop tells her that her uncle is there to pick her up, Casey just looks at her and you know she's going to tell her about her uncle. She does because in the next movie she's living with a foster family and mentions her uncle is in jail.

Okay, now for the big twist. Hot take: Split has the best Shyamalan twist. If only because you didn't see it coming at all (as long as you weren't spoiled!) I've already put my spoiler disclaimer at the top. So obviously I knew about the Unbreakable connection so the big reveal at the end wasn't a big shock to me, but it was something I wasn't expecting to see, because, as I mentioned earlier, I assumed Shyamalan made Unbreakable, then sixteen years later makes Split as a totally different entity, then makes Glass as a sequel to Unbreakable and decided he could incorporate the Split characters into that one. It would have been super fun to watch the movie in the theater and see that reveal without being spoiled. I have to wonder if I would have even gotten it. I think I would have, but not right away. First we hear the music the was prominent in Unbreakable, which I definitely wouldn't have remembered. As I literally saw Unbreakable a few days before I watched Split, I instantly recognized it. Then we see Bruce Willis sitting at the end of the diner wearing a uniform with his character's name on it. I know I wouldn't have recognized his character's name, but being that he's only been in two (at the time) Shyamalan films, it pretty much narrows it down to Unbreakable, well, because, you know. And the woman next to him acknowledges him so she can see/hear him, ha! On the news, they are talking about Kevin and mention he is being referred to as "The Horde" because of his multiple personalties. When the woman mentions how he reminds her of "that crazy guy in the wheel chair that they put away 15 years ago" and is trying to remember his name, Bruce Willis is revealed as he says "Mr. Glass." I bet audiences (the ones old enough to remember Unbreakable!) were freaking out when they realized this movie had a connection to Unbreakable and there would undoubtedly be a sequel. Pretty cool.

This takes us to Glass. I'm a little confused by the timeline because it is mentioned that Casey's classmates were killed only three weeks ago, but it is also mentioned that the events of Unbreakable happened nineteen years ago, which would be "real" time. (Although, technically, it really should have been eighteen years since Unbreakable came out in very late 2000 and Glass opened the first month of 2019...but who's paying attention to minute details like that?) So does that mean that Split took place in 2019 as well? Then why does the woman at the end of the movie mention Mr. Glass being put away 15 years ago? Ahh, who really cares that much, right? I guess Shyamalan just didn't catch that. He did catch something else that made me laugh just because it really wasn't that important. So you know how he always has a cameo in all his films, like he was the doctor in The Sixth Sense? In Unbreakable he plays one of the people who David comes into contact with at the stadium and it is revealed he is a drug dealer and/or user. In Split he plays a security guard who works at the building where Dr. Fletcher lived and she uses his help to track Kevin. In Glass, David owns a home security store (his cover when he's not fighting crime) and Shyamalan as the security guard is seen purchasing some extra cameras for the building. He is obviously the same character he was in Split, but then he asks David if he used to work at the football stadium and when David confirmed he did, Shyamalan's character is like, "Oh, I thought I recognized you. I used to hang out there with a bunch of shady people when I was younger, then I turned my life around." Okay, first of all, you KNOW someone tweeted @MNightShyamalan right after they saw Split and asked him if that was supposed to be the same character from Unbreakable and Shyamalan figured he better make that clear in Glass, so he threw that throwaway line in. Second of all, how the hell would he remember a security guard at a crowded stadium from nineteen (or fifteen depending on what timeline you're going on) years ago?? I call B.S.! Nonetheless, it was a super amusing scene.

Since Elijah goes by Mr. Glass and Kevin now goes by The Horde, David also has his own superhero name and he is referred to as The Overseer. His son, now grown, is the only one who still knows his father's true identity and helps him track the Horde where he now has four cheerleaders held hostage in an abandoned factory.

I heard an interview Spencer Treat Clark gave on a movie review podcast and he said after some of his friends saw Split, they were telling him he had to see it and he just assumed it was because he worked with Shyamalan in his youth; he had no idea about the Unbreakable connection until he saw it. Luckily for Shyamalan he was still acting as a young adult, but I wonder if he still would have taken the role if he retired as a child actor? Obviously Bruce Willis and Sam Jackson are back, too (well, duh, the movie IS called Glass) and so is Charlayne Woodward in old age make-up as Elijah's mother. The only person from the original movie who isn't back is Robin Wright as Audrey David's wife. She is mentioned as having died from leukemia five years ago. It's possible that they tried to get her, but she had other projects that didn't allow her, but honestly, they didn't really need her.

David is able to find The Horde and rescue the four girls before the Beast is about to maim them. While doing this, he was tracked by Dr. Ellie Staple (Sarah Paulson) who apprehends both of them (with the help of some armed men) and takes them to Raven Hill Memorial Mental Institution for psychiatric treatment. She tells the two men, who are kept in separate rooms that she specializes in a "particular type of delusions of grandeur: those who believe they are superheroes." David is kept in a room where the walls are equipped with 46 high pressured nozzles which are all connected to a 15,000 gallon water tank right outside which will only be triggered if he tries to escape and Kevin is kept in a room that has strobe lights that go off and change his personalties if he gets too close to the door and ends up confusing him. If Dr. Staple is telling them they're not really who they think they are, then why do they need all these safety precautions to make sure they don't escape?

 The same main alter egos that we saw in Split - Dennis, Patricia, Hedwig, the Beast - are mainly used in this one, but we do see even more of Kevin's other personalties in this movie, especially with the use of the strobe lights. These include a Spanish-speaking woman and probably my favorite, a man who specializes in Japanese cinema from the 1950s-80s. Can you get any more specific than that?

The big scene in the movie is when David, Elijah, and Kevin are all together in the same room, but it was a bit of a disappointment because the characters don't interact with each other, rather they are speaking with Dr. Staple. Well, not Elijah as he doesn't speak until an hour into the movie. David had an MRI taken and Dr. Staple tells him that his front lobe has a "questionable cloud" and that it could mean it's damage from the train accident. She seems to have an explanation for everything that could prove these men are akin to comic book characters. She tells Kevin (well, he wasn't technically Kevin, but I forget which personality he was in this scene...) that he probably learned how to rock climb through videos. When he challenges her and asks how the Beast was able to pull apart the iron bars on the cage she tells him due to the cage's old age, she was able to pull them apart by putting a wrench between them and leaning back and said it was, "difficult, but possible" (yeah, but the Beast didn't use a wrench!) and when he challenges her even further and asks how the Beast survived being hit by bullets, she tells him the gun and bullets were old and the cartridges were compromised from the moisture in the room.

So, yada, yada, yada, we learn that Elijah has been pretending to be catatonic this whole time and his first line of dialogue comes about an hour into the movie when he sneaks out of his room and into Kevin's room where he talks to a few of his personalties and wants to meet the Beast as he has big plans. Earlier in the film we had seen him looking at a local magazine with a picture of a gaudy building called the Osaka Tower, claiming to be the tallest building in Philadelphia. The headline read "The Osaka Tower - A True Marvel" which is obviously a nod to the comic book franchise, though there is obviously a nod to Die Hard and the Nakatomi Plaza, and you know, Bruce Willis.

He tells David that they are going to Osaka Tower where the Horde will be revealed. There are three floors that house a chemical company and Glass is planning to blow up the building with those chemicals. Well, he certainly is telling the right person about this because if there's anyone who can stop a terrorist at a skyscraper, it's John McClane! The movie takes a bit of a detour when the characters never actually go to Osaka Tower, which turned out to be a red herring, and instead have their big showdown in the parking lot of the hospital.

During this time, the Beast has been somewhat of a sidekick for Glass, killing anyone who might get in their way and treating him like a God. However, when Joseph lets it drop that Kevin's father was on Eastrail #177, the exact same train that was derailed because of Mr. Glass and everyone died except for David Dunn, the Beast quickly turns on him. Yes, that's right. It all ties together. So apparently there's a scene in Split where one of Kevin's personalties (again, I can't remember who) is at the train station where he buys flowers and places them on the track in remembrance of his dad. While I remember this scene, I just never made the connection. Now it's like, duh.

So we get a few more details about Kevin's upbringing, but I'm still confused. When we see Kevin's dad on the train, he is reading a book about DID therapy and treatment and it is mentioned he was on his way to see a doctor. A couple questions: first of all, why is he leaving his son with his wife (I assume they were still married, but I don't know for sure because why would he want to be married to such a horrible, horrible woman)?  He knew she was abusing him, right? I mean, I don't know how you miss a mark from a hot iron and God knows what other signs of abuse he had. Why in the hell is he leaving his son alone with this woman?? Also, why didn't he just take Kevin with him? If he's seeing a doctor about his son, then why isn't Kevin going with him so he can be diagnosed? Yes, I realize that if Kevin went with him, he would have died in the train crash and therefore there would have been no movie so it defeats the whole purpose, but, c'mon. Glass tells a seething Beast that if the crash hadn't happened, Kevin would never have been left alone with his mother and if she never continued to abuse him, then the Beast would never have been born. Before the Beast dropkicks Glass, he tells him that his main priority is to protect Kevin and he cannot trust him to keep him safe.

So more yada, yada, yada, to my surprise, all three of the main characters end up being killed by Dr. Staple and her group of armed men. It turns out all along she was part of a secret society who do believe that super heroes and villains exist, but don't want them being known to the public because "there just can't be gods amongst us". But, unfortunately for her, she is unable to keep it secret because she finds out that Glass had streamed the live security feed (it was alluded to several times that the entire hospital inside and out was covered in cameras so their whereabouts would be known at all times) to a private site and the videos showing the three of them doing extraordinary things like lifting a car over or bending steel or crawling across a wall are sent to his mother, David's son, and Casey. The three of them upload the videos that this society didn't want anybody to see and soon everyone in the world is able to see that super heroes and villains do and can exist.

So while I loved that all these movies tied together and he made a sequel to Unbreakable so many years after its release, I felt Glass was a bit of a disappointment. I guess it just didn't live up to my expectations. I was expecting David and Elijah to have more screen time together since they have so much history from the first movie. This is more like a psychological thriller than an actual comic book movie which fine with me because I wasn't expecting a Marvel movie or anything. I think my favorite part of the movie is when the credits rolled and there is a list of 24 names next to James McAvoy's name. I laughed when I saw that.

Video Review: The Mountain Between Us

I watched The Mountain Between Us and here is my video review of it (with spoilers):

Candidate for Best Worst Movie

The Disaster Artist
Director: James Franco
Cast: James Franco, Dave Franco, Seth Rogen, Alison Brie, Ari Graynor, Jacki Weaver, Josh Hutcherson, Zac Efron
Released: December 8, 2017

Oscar nominations:

Best Adapted Screenplay - Scott Neustadter and Michael H. Weber (lost to James Ivory for Call Me By Your Name)

I have never seen The Room (not to be confused with Room!), but I am well aware of it from the many reviews (mainly the video one from the Nostalgia Critic) I've read about it. When it came out in 2003, I was not aware of it because it was a very small movie, but over the years it has gained a cult following and this is how I became aware of it. I've never seen it because it's more interesting to watch other people's interpretation of it (like the NC review and this movie). I've also never had any interest in watching Troll 2, but the documentary Best Worst Movie is absolutely fascinating. (And while The Room has terrible acting and a lot of things don't make sense, I think Troll 2 may have it beat as worst movie ever).

The Disaster Artist tells the story of the making of The Room. It begins in 1998 where aspiring actor Tommy Wiseau (played by James Franco) meets a fellow actor in his acting class, Greg Sestero (played by Dave Franco) and they become fast friends and move from San Francisco to L.A. to make their acting dreams come true. Tommy says he has an apartment they can both stay in. There are a few shady things about Tommy: he says he's from New Orleans, and while he has an accent, it's not a Southern one. Throughout the movie it's discovered he has a lot of money (hence the reason he's able to afford an apartment in San Francisco and Los Angeles, he drives a Mercedes, and he's able to finance the movie they will eventually produce which will cost about $5 million). He also tells Greg's mother (played by Megan Mulally) that he's nineteen, the same age as Greg and he is definitely way older than Greg!

It is a little weird that real-life brothers are playing friends because even though James Franco is made up to look like Wiseau, he still looks like himself and Dave Franco looks a lot like his brother.

When Tommy and Greg have a hard time succeeding in Los Angeles (did they think it would be easy?), Tommy decides that they should make their own movie. He writes a script which will become The Room (terrible name for a movie; but since I haven't seen the movie, I don't know why it's called that). The movie is about a guy named Johnny (who Tommy will play) who has a girlfriend named Lisa who he's madly in love with, but she sleeps with his best friend, Mark (to be played by Greg). Tommy makes the comment that Mark is named after "Mark Damon" from The Talented Mr. Ripley, ha! Johnny is so overcome with grief, that he kills himself. Oh, and Tommy's not sure if he's going to make Johnny a vampire or not. (What?) I'm assuming he didn't go down the vampire path.

Production begins in June 2002 and while Johnny and Greg cast the other parts for the movie (and let's just say the actors they got to play those actors in this movie are much more well known than the actors in The Room!), they also buy the filming equipment they need. Since they are buying instead of renting, they are allowed to use the studio. Tommy wants to shoot the movie on both digital and film which is unheard of as both are lit differently and there are other variables that don't make sense to shoot both. I didn't know if he wanted to shoot the movie twice; once on film, and once on digital; or if he wanted to shoot some scenes in film and others in digital. But from day one the movie is set up to be an odd one and it will only get stranger from there.

I noticed that Jason Mantzoukas plays one of the guys who sells them their equipment, Paul Scheer plays the first DP on the movie, and June Diane Raphael plays an actress within the movie. If you know all these names, you are probably familiar with the podcast, How Did This Get Made? where they take a terrible movie (like The Room; I'm sure they've done an episode of it, but I haven't listened to it, but now I really should!) and make fun of it. It's a very funny podcast; I highly recommend it. It can't be a coincidence that all three have parts in a movie based on one of the worst movies ever made when they have their own podcasts about terrible movies.

On the first day of filming, Tommy, the director (he wrote, directed, produced, and starred in The Room), insists on them shooting a scene that takes place in an alleyway on a set made up to look like an alleyway when there is an actual alleyway right outside they could use. He insists on shooting on the set because it's "a real Hollywood film". This is the kind of eccentric person Tommy is. Josh Hutcherson and Zac Efron play the two actors playing the characters (it's kind of weird that they're playing the actors who are playing the characters! It's almost like a double layer of acting - they have to be good as the actors, but terrible as the characters those actors are playing) and I did not recognize them at all until I saw that they were in the movie, then had to go back and re-watch this scene. I have no idea what is up with the character of Denny that Hutcherson is playing (within the movie's movie; God, this is so confusing!) As the actor, he is also confused and asks Tommy how old his character is supposed to be (since he acts very young and juvenile) and Tommy replies, "Fifteen, sixteen, your age" and he replies, "I'm twenty-six." Ha! Oh, please, tell me this is a true story and Tommy Wiseau thought a 26-year-old was a 15-year-old! Of course, most of the cast of Beverly Hills, 90210 were almost in their thirties when they played high school students so it's not the craziest thing! Other humorous elements adding to the scene is that Denny has the worst haircut ever so Josh Hutcherson has to wear this hideous wig (I'm assuming it was a wig!) so that's probably why I didn't recognize him. Also, Efron's character's (character's!) name is Chris R. and Hutcherson is asking Tommy why he has to call him Chris R., why not just Chris?

Other problems with the filmmaking include Tommy making everyone wait for hours when he is late one day and it is so hot that an elderly actress playing Lisa's mother (played by Jacki Weaver) faints from heat stroke; Tommy makes everyone uncomfortable during a sex scene when he walks around the set wearing only a sock to cover himself, then starts berating the girl playing his girlfriend (played by Ari Graynor) because she has blemishes on her skin; and Tommy being such a terrible actor that it took him 68 takes to get his lines right the first day of shooting. Seth Rogen plays the script supervisor who has to keep feeding him his lines. In a funny scene we see the entire crew reciting the lines for him. This is the (completely terrible) line: "I did not hit her. It's not true. It's bulls***.  I did not hit her! Oh, hi, Mark." The "Oh, hi, Mark" cracked me up every time. Like I said, I've never seen The Room, so I have no idea what the context of this line is, but WHY does he say, "Oh, hi, Mark" at the end of this rant? Was he ranting and just then saw his friend? Oh, and I should also add that Tommy Wiseau is a terrible actor and has this weird, flat delivery. To be fair, everyone seems to deliver their lines flatly. He also keeps laughing during a scene when Mark is telling him about a girl he knew who got beat up. They try getting takes where he ISN'T laughing (since that's what they want to use), but he just laughs every time. When they film the scene where Johnny kills himself, he shoots himself in the head, falls back, but then keeps on moving and moaning even though that gunshot to the head should have killed him!

When they eventually premiere the movie and are watching the scene when Johnny goes into a flower shop and the woman who works there says (in a flat tone), "Oh, hi, Johnny. I didn't know it was you", Seth Rogen's character says out loud, "Who doesn't recognize that guy?" since Johnny has long black hair and is wearing sunglasses inside.

During a lunch break, after she's had her heat stroke, Jacki Weaver's character tells Greg and the other young actors, "Even the worse day on a movie set is better than the best day anywhere else." I don't know if I agree with this logic, but let me try my own examples using this template:

The worst Taylor Swift song is better than the best Ariana Grande song. (Yeah, not a fan of the Grande.) The worst Jurassic Park movie is better than the best Transformers movie. (At least JPIII is one hour shorter than the first Transformers movie!) That was fun. Try your own!

Soon after Greg moves to L.A., he starts dating another inspiring actress (played by Alison Brie) and they run into Bryan Cranston at a coffee shop. Now since this is 2002, Greg is awestruck because he recognizes him from Malcolm in the Middle. His girlfriend introduces them since she knows Cranston from her pilates class and he tells Mark he's directing an upcoming episode of MitM and they're still looking for someone to fill a guest role and that Greg would be perfect for it. However, when he tells Tommy this news, he tells Greg he can either do "the little TV show" or their movie and guilts Greg into forfeiting the guest spot. I was thinking, if Greg did MitM and did a really good job, Bryan Cranston might have remembered him when Breaking Bad was about to start and maybe, just maybe he would have recommended him to Vince Gilligan for the role of Jesse Pinkman (Greg Sestero and Aaron Paul are about the same age), and the rest, as they say, could have been history. But alas, this never happened; Greg was never offered a guest role on Malcolm in the Middle and never met Bryan Cranston. I read it on the IMDb.com trivia page for this movie.

Throughout the shooting of the movie within this movie, we see what day they are on out of the forty days they have for shooting and I laughed when they were on day 52 of 40! It was released in one theater in June 2003. Tommy paid to keep it there for two weeks to qualify for the Academy Awards. Is he really that delusional? Did he really think this piece of dreck could qualify for the freaking Oscars? It grossed $1800 on its opening weekend (and I'm surprised it even made that) and has since made seven million dollars due to its cult following. This movie doesn't really go into HOW it became to have a following which I felt was a missed opportunity.

I'm Dreaming of a Netflix Christmas

It's time for another review of original Netflix Christmas movies!

Our first review will be The Holiday Calendar which stars Kat Graham aka Bonnie (aka the witch) from The Vampire Diaries as Abby, a photographer who dreams of one day owning her own studio where she can work on selling her own photos instead of just taking photos for people's passports and Christmas cards which she only does "to pay the bills." Well, that job not only helps her pay those bills, but it helps her afford a super nice apartment! Seriously, for a girl who's moaning about not having enough money to pay the rent for an open space she wants for her own studio, she sure has a beautiful and spacious apartment with some super nice furniture. Though her dad is a lawyer, so I'm sure he's helping her with some funds. Her parents don't approve of her photography passion and want her to find a "real" job. Her dad wants her to work at the law firm like her older sister does. 

In the first minute of the movie we are introduced to Josh. At first I thought he was her brother, but he is introduced as her "oldest friend." They have a very sister/brother relationship, you know, goofing off with each other, but there will be a romantic relationship between them later on which I just don't see because he is always so goofy around her and they act more like siblings than a romantic pair. In fact, I didn't have any reason to suspect that they liked each other that way until Abby starts dating someone and we see Josh get jealous. I guess that's our cue we're supposed to be rooting for those two to end up together at the end. (Spoiler alert: they do.) Josh is a successful travel writer and has been all over the world living this wonderful and fabulous life, making some major bank as we will find out later. 

Abby's gramps (played by Ron Cephas Jones aka Randall's biological father on This Is Us) gives her an antique advent calendar (in the shape of a house) that belonged to her (now deceased) grandmother and Gramps tells her Grandma wanted her to have it. I remember having advent calendars when I was little. It was fun to see the little surprise behind the door when you opened it; I remember one year there were little pieces of chocolates behind each door. (I'm pretty sure my mom got my brother and me each our own that year so we wouldn't fight over who got the chocolate piece that day!) When Abby takes it back to her (beautiful and spacious) apartment, she tries to open a few of the doors, but they won't budge, so she just assumes her gramps gave her a piece of junk. That night (which is the first of December), the clock strikes midnight and the calendar glows and the first door pops open to show a small wooden pair of black boots. The rest of the figurines will be more related to Christmas/winter such as a Christmas tree, candy cane, nutcracker, ice skate, snow flake, etc. Though I guess you could argue that black boots are what Santa wears. 

So the point of this calendar is that it is possibly a magic calendar. Each item of the day correlates with something that happened to Abby that day. For instance, the first day with the boots, Abby also receives black leather boots Josh bought for her in Italy. Even though this is before she starts dating the other guy, this is probably the first clue that Josh is into her. A guy does not buy a girl Italian leather boots (which you know cost a couple hundred bucks!) if he is not into her. This is the only instance of the calendar where there seems to be an eerie connection, but honestly, everything else just seems to be pure coincidence. I mean, everything is generic Christmas stuff, so of course you are going to encounter a Christmas tree or candy cane or a snow flake. There is nothing magical or supernatural about this calendar at all as Abby seems to think. (Hmm, I think she spent a little too much time in Mystic Falls!)

The second day the calendar reveals a Christmas tree and that's how she meets Ty (played by Ethan Peck aka Gregory Peck's grandson) who she will eventually start dating. They have a meet cute when she knocks the tree off of his car, then the next day when her advent calendar reveals a nutcracker, she finds out that his second grade daughter is a nutcracker in the school Christmas pageant. This has to be the smallest town ever because when Abby and Ty (Tabby!) go on their first date, who should walk up and see them when they share their first kiss? That's right, Josh. What are the odds of that? We see a montage of Tabby going on all these wonderful and magical dates and of course each one correlates with what little trinket the calendar reveals. When it reveals carolers, they are serenaded by carolers at a restaurant; when it reveals a wreath, Ty gifts Abby with one; and when it reveals a reindeer they go on a horse-drawn carriage ride. Eh, close enough.

Everything seems to be going great until Abby has a date with Ty on the same day that she promised Josh and another friend that she would go see A Christmas Story with them. Now what she should have done is canceled the date with Ty since she made the plans with her friends way in advance. But she assures her friends she'll be able to make the movie since it starts at 3 and the date is in the early afternoon. Ty doesn't tell Abby where they're going and he takes her to a soup kitchen, which seems a little weird for a date, especially a surprise one. While Abby is talking to some of the regulars, she learns from two guys that Ty often brings the women he's dating to show them what an altruistic person he is. Abby is late getting to the movie theater and it's sold out and Ty reassures her that her friends will understand because she was doing something much more important. Abby tells Ty about the calendar and when he mocks her about it, she breaks up with him.

There's a few more mishaps and misunderstandings between Abby and Josh (because they can't get together just yet since we still have half an hour left), but eventually they get together AND Josh pays for the studio she's always wanted since he's done so well as a travel-blogger or whatever he does. Abby also displays her photos and they get lots of attention and her parents tell her they were wrong about not backing her dream. We see Abby and Josh in their new studio one year later hosting a Christmas party (with some terrible hip hop "Christmas" music) and when they tell their guests they have an announcement to make, I'm thinking they're going to announce they're engaged, but nope, all they say is, "Merry Christmas!" Seriously, you're hosting a Christmas party and your big announcement is "Merry Christmas!"? Lame.

Before they end up together, there is some Inception-style flashback Abby has of the calendar and all the little trinkets and everything that had corresponded with it and realizes the fate of the calendar was pointing her in the direction of Josh this entire time. Remember when she thought the Christmas tree she knocked off Ty's car? It was actually her own Christmas tree she was hanging out by with Josh that same day! Or something like that.

So here's a fun little Easter egg (Christmas cookie?): there's one scene where Abby is about to watch something on Netflix (again, shameless promotion) and these are the movies/shows that are on her list: Christmas Inheritance (what a coincidence as you will soon see!); The Kissing Booth (SO terrible!); Set it Up (haven't seen); Glow (still need to see the second season); and Stranger Things (always a good choice). What, no A Christmas Prince of The Princess Switch?

Speaking of Christmas Inheritance, that is exactly what my next review is. It came out last year and it's about a spoiled party girl named Ellen Langford who's the heiress to her dad's gift business. Yes, that's right, a gift business called Home & Hearth. What does a gift company sell? Little trinkets? Kitchen gadgets and appliances? Jewelry? Bath and body supplies? Clothes? All of the above? I mean, literally anything you buy and give to anyone is a gift.

To teach her a lesson about where she came from, her father sends her to the small town of Snow Falls where he's from (she lives and works in NYC) to deliver a box of letters for Santa to his former business partner. She only has $100 with her for a 24 hour trip and can't tell anyone who she is, so she uses the alias Ellie London. Apparently the folks in the small town would know her name, but they wouldn't recognize her. Which is kinda weird if you think about it because you think they would know what the daughter (who appears on social media all the time) of one of the citizens who went on to have great success would look like. As soon as she gets there she doesn't have any cell phone reception, yet there is an Apple store in this really tiny town.

Ellen thought she would only spend a night at the Inn and give the letter to Zeke, her dad's former business partner, but he isn't there and there's a huge snowstorm that keeps her trapped there for a few days so she has to work as a housekeeper to pay for her room. Ellen already has a rich and handsome fiance back home who's a douche, but you know that's not going to last because she meets Jake, the owner of the inn and when they don't get along at first, you know they're going to end up together at the end. (Spoiler alert: they do.) Jake has this (unintentionally) hilarious backstory where whenever he hears "Silent Night" it makes him angry. This is because his ex (who's from NYC so when he finds out Ellie is also from there, he immediately  dislikes her) broke up with him at a restaurant while that song was playing. He must really hate the holidays because you can't escape that song. Can you imagine if Mariah Carey's "All I Want For Christmas" was playing? Now that's a Christmas song you can't escape around the holidays!

So Jake thinks Ellie is just a spoiled rich city girl and blah, blah, blah, but he has a change of heart when she shows her compassionate side: letting the homeless man in during a bad winter storm, making Christmas cookies with Andie McDowell who runs the local bakery, and gathering nice items for the silent auction. This is how I know the small town has an Apple store because she persuades the guy to donate a computer. In the end she proves to herself she can handle the business (which she will inherent) and find the true meaning of Christmas. She breaks up with her douchy finance and ends up with Jake. There's even a cheesy line where he says, "Is this the part where we're supposed to kiss?"

Oh, and Andie MacDowell sings "Silent Night" at the end and it doesn't send Jake into a rage because he's in love now! Thank God for that! 

Bubble Girl

Everything, Everything

Director: Stella Maghie

Cast: Amandla Stenberg, Nick Robinson, Anika Noni Rose

Released: May 19, 2017

This is a subpar movie based on a mediocre book. The only reason I was aware of the movie is because I read the book. The only reason I read the book is because I read the author's other book called The Sun is Also a Star which I really liked and that's why I decided to check out her first book. I wouldn't say Everything, Everything blatantly rips off from The Fault in Our Stars, but there are a lot of similarities. They're not just both young adult novels about two teens meeting and falling in love, but in both books the teens have medical issues, it's just one of them who has a health problem in this story while they both had cancer in Fault. 

Maddie (Amandla Stenberg) is an eighteen-year-old girl who has SCID - severe combined immunodeficiency. If you've ever seen the Bubble Boy episode of Seinfeld then you know what it is, although while Maddie isn't confined to a bubble, she is confined to her house in Southern California (which is really nice since her mother is a doctor). Everything in the house is always kept clean, the door is air-locked, her nurse is the only person from the outside who is allowed in and she has to wash her hands thorougly before coming into the main part of the house. Despite her mother (Anika Noni Rose) being a doctor, she sure does have a lot of free time to spend with her daughter. True, technically her daughter is her patient, but something tells me she doesn't get paid for taking care of her. They spend a lot of times playing games and watching movies. In her free time, Maddie reads a lot and posts book reviews online. She takes online classes for school. She's into architecture so she builds a lot of intricate models of different buildings. I guess when you're confined to staying indoors, there's only so much you can do. 

Things get more interesting when a new family moves in next door from New York and a romance soon blossoms between Maddie and the boy, Ollie (Nick Robinson). Of courser their bedroom windows face each other and Ollie writes his phone number on the window so they can start texting each other....although they use IM in the book, which is a little surprising since the book came out in 2015. Does anyone remember IM? I used to use it all the time and now I wouldn't even know how to get it on my computer. I will say the movie was clever in how they filmed the text conversations. There are a lot of these sprinkled throughout and instead of just having the literal text come up on the screen so we can read what they're talking about, they have Maddie and Ollie having a dialogue in one of Maddie's models. 

I feel like if most teen guys found out that the girl they had a crush on was confined to living indoors forever and wasn't allowed to touch other people, they would find someone else, but not noble Ollie. He likes Maddie and thinks she's beautiful and he is going to pursue her. There is absolutely no chemistry between the two actors so I never bought they had this great romance. While her mother is at work (finally!), Maddie convinces Carla, her nurse, to let Ollie come over. She tells him as long as they keep a distance between them. Now does Carla stay in the room to supervise the two teens madly in love with each other (and she knows how Maddie feels about him)? No, she gives them their privacy and of course they end up standing only inches apart from each other. They end up kissing the next night when it's Carla's day off of work and Maddie's mom is at work. 

In the book, there is a whole thing about Ollie's father being a drunk and angry all the time because he was fired from his previous job (the reason they moved) and taking it out on Ollie's mother. This is barely glossed over in the movie. When Maddie sees Ollie's dad pushing around Ollie, she runs outside to help him. (Really? What does she think she is going to do?) She's only outside for less than a minute and it's her first time being outside since she was diagnosed with SCID as a toddler. Between that incident and Maddie's mom finding something that Ollie left at the house, she soon finds out that her daughter has had company over and fires Carla and hires a new nurse who is super strict. Not only is Ollie forbidden to step foot in the house again, but Maddie must cut all ties with him and can't even text or speak to him on the phone anymore. 

She decides that she would rather live her life despite all the consequences than not live her life at all and buys two airplane tickets to Hawaii (she applied for a credit card online). She chooses Hawaii because she wants to see the ocean. Uh....she even mentions earlier in the movie that she only lives three hours away from the ocean and has never seen it. Exactly! Why are you wasting your money on plane tickets to Hawaii when you can literally take a day trip to see the ocean? She talks Ollie into going with her and he agrees. Of course he is concerned about the health risks, but she sells him a lie that she's been taking these trial pills and they've been helping her. 

We get the obligatory montage of them in Hawaii doing all the cliche Hawaiian things: going to the beach, cliff diving, dancing at a luau, roasting a pig, eating a pineapple, walking through a volcano - well, maybe not all of those were shown, but we see Maddie having a great time as she experiences being outside for the first time. The next morning after a cringe-worthy sex scene (they didn't even show anything, but it was still super uncomfortable - probably from the lack of passion since it was like platonic friends having sex...ewww), Maddie feels faint and is rushed to the hospital. Her mother is called and rushes to her side.

When we see Maddie wake up, she is back in her bed at home. Not sure how long she was in the hospital, but it was probably for a few days. Maddie knows she must break up with Ollie for good because it's not fair for him to be in a relationship with her. Her mother supports her decision and tells her she's doing the right thing. 

I think now is a good time to go into spoilers, so if you haven't read the book or seen the movie and really care that much, then be warned! SPOILERS AHOY!

Perhaps you've already figured out the little plot twist. To me it was clear that there was nothing wrong with Maddie and she never had SCID. This is the most obvious when she rides on a plane from L.A. to Hawaii and is perfectly fine. Planes are just metal tubes filled with germs...they have to be a literal death trap for someone who really does have SCID. There's also the fact that she spent all that time outside on the beach and she's touching Ollie a lot. True, she does get sick, but her doctor in Hawaii tells her it's because her immune system is underdeveloped from not being exposed to outside elements her entire life. She never had a life-threatening illness. So while I did correctly predict that much, I never in my life suspected that her mother was purposely lying to her daughter for her whole life and keeping her from leaving the house. Maddie realizes this when she ransacks her mom's office looking for any documentation about her illness, but can't find any at all. Maddie's mom confesses that she had a scare with her when she was a baby and while everything was okay, she was convinced that something was wrong with Maddie and she had to protect her from everything, especially after her husband and son were killed in a car accident. (Again, something that is featured more prominently in the book and glossed over in the movie). I don't know if we were suppose to feel any sympathy for the mother (probably not since Maddie didn't seem to), but she is cray-cray! She treated her own daughter as a prisoner, never ever letting her leaver her own home! They never mention the M word, but her mother totally had Munchausen's right? I'm surprised Maddie didn't realize it being a movie buff and all. Surely she's seen The Sixth Sense, right? 

One thing that doesn't make sense is that Carla tells Maddie that she always suspected that something may be up and that she thought that Maddie may have never been sick. (Though to be fair, that might just have happened in the book and not the movie; I really can't remember if we get this scene in the movie). So if that's the case, why didn't she alert the authorities? I suppose she didn't want to step on any toes, but she's a nurse and probably never saw anything really truly wrong with Maddie, so you would think she would want what's best for her and that would probably mean not being cooped up in her house all day, no matter how amazing her house is. 

In the book, we see Maddie's mom going to a therapist and trying to get help, but that doesn't happen in the movie. Instead Maddie flies to New York (where Ollie has moved back with his sister and mother) and they are reunited. I guess Maddie is going to live with him and his family now? Or are they going to get their own apartment together? Yeah, they don't really tell us what's going to happen to them, just that they're back together and we're supposed to be happy for them. So...good for Maddie, I guess? She isn't sick and she no longer has a relationship with her crazy psychotic mother.