Showing posts with label alec baldwin. Show all posts
Showing posts with label alec baldwin. Show all posts

Monday, May 24, 2021

Is It Love, Actually?

Notting Hill
Director: Roger Michell
Cast: Julia Roberts, Hugh Grant, Hugh Bonneville, Rhys Ifans, Alec Baldwin
Released: May 28, 1999


This is a movie I liked when I watched it when it first came out, but now that I'm a little older and wiser, I can see that this movie is really not that good. These two people getting together makes no sense at all and there are so many things that don't really make any sense.

I should warn there will be spoilers though it's probably a moot point since this movie is very predictable and even if you've never seen it, you probably know that that two leads get together. Uh, spoiler alert! I WISH there was a reason for me to put a spoiler warning; I wish there was a bit of a twist in this movie, but, alas, there is not.

This is the movie where Julia Roberts basically plays herself. It reminds me of when Whitney Houston played a mega pop star in The Bodyguard. Julia Roberts, the most famous actress in the whole entire universe at the time, plays Anna Scott, the most famous actress in the whole entire universe. Hugh Grant plays William Thacker, a charming and self-deprecating English lad with floppy hair who owns a travel bookstore in Notting Hill, a charming and affluent area of London. He used to be married to a woman who left him for a man "who looked exactly like Harrison Ford." He says his shop doesn't sell many travel books and that basically business hasn't been booming. If that's the case, how doe he afford his house (which seems pretty nice). Well, good thing he ends up with a movie star who makes $15 million a movie (spoiler alert!)! I can't help but wonder if that's the real reason he was so enamored with her. I bet it was a pretty big big reason.

Our two leads meet fairly early in the movie when Anna comes into the bookstore and you can tell he recognizes her because he looks at her, then does a double take. Like with any other customer, he asks if he can help her and she politely says no. He will continue to try to engage in conversation with her by telling her she shouldn't get the book she's looking at and recommends another book on the same country (Turkey) and continues to give the author's credentials. He's just babbling and you just want to to him to SHUT UP! (and this won't even be the worst example of this!) and Anna is just nodding and trying to be polite, but you can tell she doesn't want to really have any conversation with him. She will end up buying the book she was looking at, but he throws in the recommended book for free. Celebrities; they have so much money, but yet they still get everything for free! Such BS! Also, why is he just giving her a FREE book when he could sell it to someone who may actually want it when his shop isn't doing so well. Oh, right, because he's so starstruck. 

She leaves, but they will have their real meet cute five minutes later, or an hour later (not really sure how much time passes once she leaves the store) when Will has gone out to buy orange juice and a pastry and he's headed back to his store. He's rounding a corner and who should be coming from the opposite side, also at a face pace. Why, it's Anna Scott, of course (with seemingly no bodyguards...don't really big time celebs have bodyguards with them? Unless they were watching from a distance. But then why would they let her...oh, never mind!) They collide into each other and Will (I honestly don't even remember if he's referred to as "Will" or "William" in this movie, but "Will" is shorter to type, so we're going with that!) spills his OJ all over her blouse. Thank God it wasn't coffee; I can only image how much she would sue him for that! She's sopping wet and he offers to let her clean up at his place which is just down the street and she can see it with the blue door from where she's standing. She says she needs to get her car back (was it in the shop or something?) and he says she can use his phone. This is how you can tell this movie takes place pre-Smart Phone! This is also the time where, if indeed she did have a bodyguard, they would intercept her and stop her from going to a strange man's house...which she does! This is SHOCKING that a woman, especially someone who is a public figure like Anna Scott, would just go into this man's house without a second thought. What if he was some crazy stalker and had planned this to lure her back to his house? But she's just like, Okay, I'll change at your house and use your phone. Seriously, would Julia Roberts ever go into some random person's house after they spilled OJ on her? No, she would not! I wouldn't do it and I'm not even famous! 

I should mention that Will has a flatmate named Spike (Rhys Ifans) who is a complete slob and the house is always just a mess. He also has no filter and no common sense. A lot of his scenes are just there for comedic purposes and I'll talk more about him later. Will apologizes for the messy kitchen and I noticed a chalkboard on the wall with the message, "Spike, clean up" which I thought was a nice touch. 

Anna changes her shirt (she had been shopping, so she had a top to change into) and when she comes downstairs, Will is gazing in awe at her. He seems to be enamored with her fame and beauty more than anything else. There is an extremely awkward and cringe-worthy scene where she's clearly ready to leave once she's gotten everything situated and he asks her if she wants something to drink. He just offer her twenty different beverages and she says "no" to all of them. Dude, get a clue, she doesn't want anything to drink! She also doesn't want anything "to nibble". He offers her apricots soaked in honey and rambles on about how they taste like honey and if you wanted honey, then you should just get honey. First of all, it's like, UGH, SHUT UP! Second of all, it's pronounced AP-ra-cot, not APE-ra-cot. (I know, I know, that's how British people pronounce it). Will asks her, "Do you always say no to everything?" to which Anna predictably replies, "No."

Before she leaves, Will tells her, "It was nice to meet you. Surreal, but nice." After she leaves, he berates himself for saying something so stupid. But seconds later, his doorbell will ring and he will find Anna there! She has forgotten her bag with the books which she had left at the bottom of the stairs before she went up to change. To be honest, I had also forgotten about that bag. The question is did she really forget her bag or did she leave it on purpose? He gives her the bag, she thanks him, looks at him, then kisses him. And I'm not talking a peck on the cheek, but a full on make out session. HUH? Where did this come from? Why is she kissing him? It had been awhile since I last saw this movie and I thought they had eventually warmed up to a romance, but it seems to start, like, ten minutes after they meet. I can understand why he's so enamored with her since she's a big time movie star, but I'm not sure why she's so into him? I mean, he seems like a perfectly nice guy and he isn't bad-looking, but there is absolutely no reason she should be kissing him like that. If he had saved her life or defended her honor, then maybe I could see a reason. Will apologizes for his "surreal, but nice" comment and Anna tells him she thought the low point was when he started babbling on about the honey-drenched apricots. Hey, she's not wrong! And at least she pronounced "apricots" the right way! Before she leaves (again), Anna tells him, "It's probably best not to tell anyone about this." Obviously, she's only looking out for herself. If a gorgeous famous celebrity kissed you, of course you're going to tell everybody! Duh! That's the only natural human response. Of course, nobody is going to believe you anyway! 

That night, Will and Spike watch a movie starring Anna Scott and Matthew Modine and it looks like the most pretentious, God-awful film. Its called Gramercy Park and it's in black and white. The scene we see Will and Spike watching has them at an art gallery and Matthew Modine's character keeps telling Anna Scott's character to smile and she's all, "I've got nothing to smile about." Also, nothing more obnoxious than somebody telling you to smile. Moments later, he asks her to marry him and she breaks out into her wide Julia Roberts grin. Oh, barf. Spike says, "Imagine, somewhere in the world there's a man who's allowed to kiss her." And he says that to the very guy who had just kissed her that very day! What are the odds of that?    

A day or two passes and Spike tells Will he has a couple messages, but he didn't write them down. Because that's the kind of person he is. He does remember that "an American girl named Anna called a few days ago" and told him she wanted Will to call her at the Ritz under a different name that Spike can't remember since he didn't write the message down. It's really too bad for Will that Smart Phones don't exist in the world yet. How did Anne get his phone number? Did he ever give her his last name so she could look him up in the phone book? While Will is talking to the Ritz and trying to convince them to let them talk to world famous movie star Anna Scott, Spike suddenly remembers the name she used was "Flintstone" and Will is able to get through.

He goes to her hotel suite, but it turns out it's set up for a press junket where journalists are interviewing Anna and other actors for her new film called Helix. When he's asked which magazine he's from, Will sees a copy of Horse and Hound lying on a coffee table nearby and tells the woman he's with that publication. He also uses his real name. Wouldn't they have him on the roster? They must not even have one because they let him in without checking his identification or credentials. This movie definitely lets thing slide so they can tell the story they want to to tell. 

Will is able to go in the private room where Anna is giving her interviews, but her publicist keeps popping in and out, so every time he's in the room, Will has to pretend to be a journalist and ask dumb questions about a movie he hasn't seen and knows nothing about. Keeping with the magazine's theme, he asks if she wanted more horses in it and she replies it would be too difficult since the movie is set in space. She says it in kind of a bitchy tone which I thought was a bit rude since she was the one who got Will in this mess. It's not his fault he hasn't seen this crappy movie (we see a very little clip of it and we hear snippets of what its about and it sounds terrible) and that he has to pretend to be interviewing her. When the publicist is out of the room, Anna does sound apologetic and tells him she thought this would be over by now. Still, she could have arranged a rendez-vous with him without putting him in this awkward position. She also apologizes for "the kissing thing." This prompts Will to ask her if she's busy that night and she says she is. When the publicist brings in the next journalist, Anna tells Will it was nice to meet him and throws in "surreal, but nice", making it full circle, though it absolutely makes no sense why a movie star would say that to a journalist. Will tells her she is Horse and Hounds favorite actress, other than Black Beauty. 

This scene will continue when Will is getting ready to leave, but he ends up having to interview the other actors who are also in the movie. This includes a pre-The O.C. AND a pre-The Sixth Sense (though only by a few months) Mischa Barton. When she tells Will she's been in 22 movies (and this girl can't be older than 12!), he asks her which one was her favorite and she replies the one she did with Leo. Will has no idea who Leonardo DiCaprio is cuz he asks if she means DaVinci (HUH?) and she clarifies who she means. Will still has no idea who this DiCaprio fellow is because he asks her if he's her favorite Italian director. HUH??? How does he know Anna Scott, but has never heard of Leonardo freakin' DiCaprio, who's on the same level of fame (and probably higher!) than Anna Scott?? I know it was played for laughs, but it did not make any sense. This happens a lot in this movie: a scene played for laughs that absolutely makes no sense. 

Anna catches Will before he leaves and tells him she can cancel her plans so she's free that night. Will is happy, but then suddenly realizes it's his sister's birthday and they're supposed to be having dinner with friends. (Dude, I'm sure your sister wouldn't mind if you were missing her birthday dinner to go on a date with a famous movie actress). Anna gets the great idea to invite herself along which I don't fine believable at all. I'm beginning to think she's one of those celebrities who became famous to be famous and does not care about acting at all (she often even jokes she's not that great of an actress!) She invites herself because she knows everybody will be fawning over her. Will has time to call his friends who are hosting the birthday dinner to tell them he's brining a date, but he doesn't have time to give them a heads up that his date just so happens to be the world's most famous actress. 

When they arrive at Max and Bella's house (the couple hosting the party), Bella is about to tell Anna she's the spitting image of Anna Scott, but Will introduces her and she realizes she IS Anna Scott. When Will's sister, Honey (please tell me that is just a nickname), arrives, she is fawning over Anna and it's so awkward. I think Anna herself is even pretty uncomfortable. Honey babbles on, very similar to her brother, so that must have been a hereditary trait passed down to them. She tells Anna, "This is one of those key moments in life when it's possible you can be really genuinely cool and I'm going to fail just 100%. I absolutely, totally, and utterly adore you. I think you are the most beautiful woman in the world." While that's a little cringey, it's not as bad as when she continues on to tell her she believes they could be best friends. WTF? At least form a friendship with her before you tell her you want to be best friends. That's about bordering on obsession stalker territory. She asks Anna what does she think about this and Anna, who is pretty diplomatic in this scenario replies, "Lucky me." Honey then continues to be creepy and quite forward when she tells Anna to marry Will because he's "a really nice guy" and then they can "become sisters." Oh. My. God. Girl, this is their FIRST date. Calm the eff down. I would feel a little bit sorry for Anna, but she is the one who invited herself along. She had to know what she was getting herself into, although I'm sure she didn't think she would be propositioned to be someone's new best friend or ask to get married to the guy she's on a first date with. 

When their unlucky in love stockbroker friend, Bernie (Hugh Bonneville), shows up, he doesn't even recognize Anna at first. He asks her what she does and when she says she acts, he says he used to do some amateur acting and tells her it must be a tough job because "the wages are a scandal." Even though it is extremely rude that he asks how much she made on her last film, I don't think she would reply with 15 million dollars like she does. Realistically, she would probably just tell him she gets by. I would imagine rich people don't like talking about how rich they are, but then, I'm not rich, so what do I know? He does realize who he had been talking to when Anna uses the restroom that Honey eagerly shows her where it is even though she could have found it just fine.

Dinner seems to go by fine and after they've all had a brownie for dessert, there's one left and it is offered as a prize to whoever has "the saddest act here." (Why the hell didn't they just make sure there was two for everyone in the first place!) This is clearly an exposition scene for the audience to learn more about the characters. We learn that Bernie works at a job he doesn't understand and everyone keeps getting promoted above him; Honey doesn't make much money and she attracts "cruel men"; Bella is in a wheelchair and can't have kids. We know that she was in an accident 18 months ago; I think they mention she fell down the stairs? Will is divorced with an unsuccessful profession. (Still, how does have such a nice home?) They are about to let Will take it (really? The woman who is in a wheelchair and can't have children doesn't have the saddest story of them all?), when rich-ass, beautiful, world-beloved and famous Anna Scott whines that she should get a chance to claim the last brownie. Bitch, please. She'd probably just throw it up anyway. I say this because she tells them she's been on a diet since she was 19 as well as she's had a bunch of "not-nice boyfriends", and every time she gets her heart broken, it's all over the newspaper. Oh, and it took two painful operation to look like she does. Um, you were the one who went into a line of work who has high standards for the way you look and of course the tabloids are going to paste your business all over their papers. I don't think the woman in the wheelchair who can't have children asked for those things. The other guests sort of humor her and cluck their tongues in sympathy, but then they're like, Nice try, you're rich and beautiful, so GTFO. (They didn't say it that way exactly, but you know that's what they were thinking). 

Honey continues to be intrusive when Will and Anna are leaving and saying good-bye to everyone and Honey tells her to call her if she ever wants to go shopping because she knows "lots of nice cheap places." Yeah, because the woman who makes $15 million a movie is worried about finding cheap places to shop! Anna, bless her, is super nice and tells Honey she's her "style guru", but it's an obvious lie because those two could not have fashion senses more different. When Anna and Will are outside the house, they hear his friends screaming in excitement and Will tells her they do that every time he leaves. I thought that was one of the funnier scenes in the movie. 

One of the scenes I remember the most is the next one where they're walking and come across a private garden with a locked gate. To impress Anna, Will tries to climb over, but fails and this is where we get him saying "Whoopsie daisies" not only once, but twice, and Anna makes fun of him for that. They both manage to make it over and kiss while they're in front of a beautiful garden and a sappy song starts playing, so you know they're in love. 

We get a montage of them going on dates and doing mushy romantic stuff. After eating dinner together one night, they walk back to Anna's hotel and she invites him up, but tells him to give her five minutes before he arrives. It doesn't make sense why she makes him wait five minutes before he's allowed to enter her suite because she can just primp herself in the bathroom, but they only do this because Anna's movie star boyfriend, Jeff (played by Alec Baldwin), has shown up to surprise her! Ruh-oh! She only has seconds to warn him before Jeff shows his face. I guess we're supposed to think Jeff is some kind of a-hole and while he does make comments about Anna not ordering too much food so she doesn't get fat, he actually comes off better than Anna does in this scene. For one thing, he's not lying to anybody. Anna tells Jeff that Will works at the hotel and is there to take orders for room service. Jeff asks for some water and asks Will if he can clear the dirty dishes and take out the trash. Again, I think the audience is meant to think Jeff is being a jerk for asking Will to do this, but I can't blame him! He thinks the guy works there and he's just asking him if he can clear the dirty dishes and take out the trash. He's not being rude or anything. That seems like a perfectly normal request to ask somebody who works at the hotel. 

I realize this movie takes place before Google was a mainstream thing and even before the Internet was huge, though they did have the Internet back in 1999, so why didn't Will do any research on Anna on the web? Was her relationship with Jeff hidden from the press, so nobody knew about it? Somehow, I doubt that. Also, surely Will's friends and especially his sister, who is Anna Scott-obsessed must have know that Anna had a boyfriend! Why didn't they take Will aside and mention this to him? We will get a scene later with his friends when one of them asks him, "You didn't know she had a boyfriend?" and he replies, "No, did you?" and his friends all look knowingly at each other. SO WHY DIDN'T THEY TELL HIM? For the convenience of the movie's plot, that's why. 

Anyway, Will is obviously hurt that Anna was lying to him that whole time and they break up. His friends start to set him up with different women. We meet Tessa who has frizzy hair and while social, is also very blunt. When she first sees Bella (her first date with Will is a double date with Bella and Max), she exclaims, "Hello! You're in a wheelchair!" She knows Max from somewhere (work, maybe?) and tells Will that Max has told her a lot about him and that he (Will) "is a naughty boy." Now, was this before or after Hugh Grant got busted being caught with prostitute? (I can't take credit for this joke; I heard it on a podcast. And for the record, it was after). But what is she talking about? Nothing about Will screams "naughty". I don't know what kind of stories Max has been telling her! 

The second woman they set him up with refuses to eat a meal because she's a "fruitarian" which means she "believes fruits and vegetables have feelings, so cooking is cruel" and she only eats those that have fallen on the ground since they're "dead" already. The dish she was offered had carrots that were murdered. So I thought this whole fruitarian thing was made up for the movie, but it seems to be a real thing. I understand why people are vegetarians and I respect that, but I don't quite get the point of being a fruitarian. 

The last woman they set him up with, played by Emily Mortimer, seems perfectly normal and she is lovely and beautiful and doesn't have any weird quirks and even Will admits that she is "perfect, absolutely perfect" after she has left the date and his friends ask him what he thought. We then get some interesting backstory on him where we learn that besides Anna, he's only loved two girls, "both total disasters." One was his ex-wife and the other was Bella, who ended up marrying his best friend. Wow, that's got to be awkward that he used to be in love with the woman who married his best friend and now he remains friends with today. He must have gotten over her. I don't know why they had to make that part of his history. Also, he only dated Anna, for what, a month, and he claims he was in love with her? Give me a break! Here he has beautiful and lovely Emily Mortimer (she doesn't have a name in the movie, so I'll just call her by her real name) who clearly likes him and she's not even going to hear back from him because he's too busy swooning over a movie star who will probably dump his ass in six months if they ever got back together. What a chump. I wish they at least had Will date Emily Mortimer so when Anna will shows up at his door months later, there's a bit of a love triangle. But, alas, we will not hear from or see Emily Mortimer anymore in the film. 

Anna shows up because she is upset that nude photos of her taken "years ago" are now in the tabloids. She had them taken before she made it big to make a few bucks. Apparently, someone was filming her as well, "so what was a stupid photo shoot now looks like a porn film." I don't quite understand why these photos and videos are being released now since it appears that Anna has been famous for at least a decade. It doesn't make any sense, but they just need to find a reason for Anna to be upset while she just so happens to be in London for two days and she goes to Will to ask if she can stay with him for awhile so she can hide from the press. Of course Will says she can stay with him because he is in love with her, but we all know that "love" is purely infatuation. We also find out that Anna has broken up with Jeff. 

Two things of note that happen during this time that will come back later in the movie:
1) Will is helping Anna with her lines for her next movie where she saves the world from a nuclear threat. He calls the script "gripping", but it isn't Henry James.
2) They bond over a Chagall painting called La Mariee (pretend there's an accent mark over the first e) that features a violin-playing goat. 

They end up sleeping together and everything is great until it isn't. The next morning while Anna is in the kitchen getting breakfast ready, the doorbell rings and Will answers it wearing his boxers and a t-shirt. He opens the door to find a crapton of paparazzi snapping pics of him and quickly shuts the door. When Anna sees Will's shocked face, she asks him what's going on. He says "nothing" and she says, "You're up to something" and proceeds to open the door only wearing his dress shirt. Why didn't he stop her? And why is she opening the door only wearing his shirt? You would think being a public figure, she would know better. Of course photos get snapped of her dressed like that and she is livid. She accuses Spike of calling the papers and telling them where she was to make "a buck or two." Spike did tell a couple of his friends (it's not like Will told him to keep quiet about it and what do you expect from somebody like Spike? Anna had met him before and knew what he was like) and that's how it got leaked. I can't blame her for being pissed because Will had every opportunity to tell her NOT to open the door, but he didn't until it was too late. She probably still would have been angry that the press was there, but at least they wouldn't get her photo. Will tells her it will be forgotten by the next day and nobody will care anymore because it will be yesterdays' news. But Anna doesn't agree with him and leaves in a huff and once again they are no more. 

I do love the next scene where we see the passing of time as we see an establishing shot of Will walking through the market and they show the seasons changing. At the beginning, we see him pass a pregnant woman, then by the end she has a baby. We also see his sister with a new beau, but by the end, they are arguing. It's a nice way to show the passage of time:


During this time, Bernie has lost his job and at a dinner with friends, Honey announces she's engaged. Turns out it's to Spike. Wha-? How did Will not know his sister was dating his flatmate? How did we not know about this? This must have been a storyline they cut out of the movie...but then why leave in their engagement? Also, I hate that they get engaged because they're the kooky characters. But, whatever, it's not even important and won't be part of the movie anymore and I'm not really sure why it's even in the movie. I am vexed; it vexes me. 

Will finds out that Anna is back in London, filming. (Does she even film in any other city??) Apparently she won a Best Actress Oscar...for Helix, that craptacular sci-fi movie. Um, excuse me, but nobody ever wins acting Oscars for sci-fi movies. Well, thank goodness for Julia Roberts, the movie she actually did win an Oscar for, Erin Brockovich, is better than that movie (and this movie too, let's be honest!) So, I guess in this universe, Anna Scott wins the Oscar instead of Hilary Swank for Boys Don't Cry. I mean, there is clearly some shady stuff going on! 

Anyway, remember I told you to remember a couple of things because they would come back later? Well, turns out Anna is filming an adaptation of a Henry James novel and Will goes to visit her on the set. She sees him and invites him to stay and watch, then they can chat later. He does, but I guess she doesn't know that someone gave him headphones so he can hear the dialogue, and he ends up hearing Anna's co-star ask Anna about him (Will) and Anna just dismisses him (Will, again), saying he's "just some guy from the past" and she doesn't know "what he's doing here." Good Lord, what a bitch! Will must think so too because he just leaves and goes back to work.

Later, Anna comes to the bookstore to bring him a wrapped gift because it make her think of him. (It's the original Chagall painting. Apparently, when they were bonding over it, she forgot to mention that she OWNED the original!) Anna asks if they can spend some together and he replies, "No, bitch, get your hoity-toity ass outta my shop." No, he did not say that. He actually said, "Can I just say "no" to your kind request and leave it at that?" He goes on to tell her they are two different peoples; he's from Notting Hill, she's from Beverly Hills, yada, yada, yada. This is when we get the famous line, "I'm just a girl... standing in front of a boy.... asking him to love her." Will STILL says no, but when he tells his friends later that day what happened, he realizes he made the wrong decision (no, he didn't!) and needs to find her (no, he doesn't!), so he and all his friends drive to the Savoy where she's at a press conference and they get in using their shenanigans. Someone asks her how long she will be in the UK and she replies she will be leaving that night. Will better make his move soon! Lucky for him, another journalists asks about the "graphic photos" taken of her with "some young English guy." First of all, WTF, "graphic photos"? They weren't even nude! Second of all, they weren't even photographed together! Anna replies that he was just friend, then Will, posed as a journalist asks her, "Are there any circumstances in which the two of you might be more than just good friends." Anna realizes it's him and tells him if he would be willing to give her a second chance and Will basically admits he was wrong and Anna announces she will be staying in Britain "indefinitely." Yay. Whoo-wee. We end the movie with them getting married and seeing her pregnant when they're at a park. 

It absolutely makes no sense that he ends up with Anna! I would have loved it if the movie had a twist and he ended up with Emily Mortimer's character. Also, you know those two are no longer together. They should make a sequel about their kid (who would be 22 now). I'm sure we would find out their parents divorced when they were a little kid! 

Many of the scenes that featured the zany roommate, Spike, didn't come off realistic to me. Nobody can be that stupid, can they? Pretty much every scene with Spike infuriated me because he comes off....so unnecessarily stupid and socially inept and his scenes are clearly played for laughs and I just hated this character so, so much:
-There's a scene early on in the movie where he's getting ready for a date (how did get get someone to go out with him in the first place?) and he asks Will which shirt he should wear. The first one he models features a plastic T-rex head and is splattered in red and it reads "I love blood." What the actual f**k? Why would anyone think this would be appropriate to wear on a date or anywhere, for that matter? The second one has an arrow pointing at his genitals and it says "Get it here." Will, of course, is appalled by these shirts. The third shirt Spike wears has a heart and says "You're the most beautiful woman in the world." Will tells him, "That's perfect." WTF, Will? No, it's not. You say, "Don't you own any solid colored shirts?" Encourage him to wear a black or blue or red polo shirt. If I went on a date with a guy who wore a shirt that said that, I would be terrified and totally weirded out. That is CREEPY AF. There is nothing romantic or cutesy about that. When Spike turns around, Will sees it reads "Fancy a f**k?" (Klassy!) and still Will doesn't tell him NOT to wear it. 

Then we get a scene of Spike eating something and he tells Will there's something wrong with the yogurt, who replies, "It's not yogurt; it's mayonnaise" and Spike continues to eat it! Ugh, why? It would have been more believable if the yogurt was just expired and he continued to eat it because he didn't mind the taste of it. 

At one point, we see him wearing Will's wet suit (from a vacation he took once) because he doesn't have any clean clothes because he never does laundry. This is only in the movie because Will says the goggles are prescriptions and we see him wearing them at the movies when he's dating Anna because he can't find his glasses. I'm sorry, but if you're trying to impress a girl, especially one who is a MOVIE STAR, you're not going to wear your stupid scuba diving goggles because you look like a COMPLETE moron! Well, lucky for him, Anna seems to think it's charming. 

During the time Anna is staying with Will, she takes a bubble bath in the bathroom. Spike, who had been reading the tabloids that features Anna's nude photos, walks into the bathroom, sees Anna in the tub with the bubbles surrounding her, then walks out and thanks God. And she acts like it's no big deal; like she was suspecting Will's flatmate to walk in on her while she was in the tub. You would think she would LOCK the door! 

If you're looking for another  Richard Curtis romance, I would recommend About Time which also has an interesting premise. I should mention that Richard Curtis did not direct Notting Hill, but he did write it. I've never see Four Weddings and a Funeral, so I can't say if that's better or not than this one. That's one I should put on my list of movies to review. 

Wednesday, June 27, 2018

Boston Rats

The Departed
Director: Martin Scorsese
Cast: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Martin Sheen, Mark Wahlberg, Vera Farmiga, Alec Baldwin
Released: October 6, 2006

Oscar nominations:

Best Picture (won)
Best Director - Martin Scorsese (won)
Best Supporting Actor - Mark Wahlberg (lost to Alan Arkin for Little Miss Sunshine)
Best Editing (won)
Best Adapted Screenplay - William Monahan (won)


If you've never seen it, I would highly suggest watching The Departed before reading this review. I will give warnings when I get to spoilers...I have slight spoilers and I have major spoilers. It probably won't be a big deal if you're spoiled slightly, but, trust me, you don't want to know the major spoilers if you haven't seen this movie yet! 

So this film is actually a remake of a 2002 Hong Kong film called Infernal Affairs. I've never seen it, but from what I do know about it, it's an hour shorter than The Departed (which is two and a half hours long). The inspiration for that movie was a more realistic version of Face/Off and while I was watching this, I did kind of get that vibe (just not as absurd!)

Even though this is a remake of a foreign film, I did get a slight Goodfellas vibe from it. Even though I enjoy The Departed, I like Goodfellas better. Let's be honest: that's the movie Scorsese should have won for! I will say this is my favorite collaboration between Marty and Leo. Well, it's a toss up between this and The Wolf of Wall Street. I'm not too high on Gangs of New York or The Aviator or Shutter Island

Slight spoiler warning alert! I feel like this information is probably known to everyone because it starts pretty early in the movie, but you never can be too careful! 

The movie takes place in Boston where Colin Sullivan (Matt Damon) has become a detective for the Massachusetts State Police. However, he is actually a mole to gather information who has been trained and groomed by Frank Costello (Jack Nicholson), an Irish mob boss who has been like a father figure to Sullivan ever since he was a young boy. In fact, when I saw the young boy they cast as him, I knew instantly it was Matt Damon's character! They did a really job casting him. In fact, he even calls Costello "Dad" whenever he calls him on the phone right in front of the police captain, Queenan (Martin Sheen). "Hi, Dad, I can't make it to dinner, but my friends are still coming!" Seriously, how did they not figure out what that's code for when he was saying that right in front of them?

Meanwhile, while there's a rat in the police unit, Captain Queenan and Sergeant Dignam (Mark Wahlberg) have placed undercover cop William Costigan (Leonardo DiCaprio) to infiltrate Costello's mob group. He has just graduated from the police academy and nobody knows who he is except for one person (and I'll get to that later). Their plan for Costigan is to have him get arrested for assault, spend some time in jail, then get in with Costello's group. That way at least it will look authentic he's a hood rat. Queenan and Dignam are the only two people who know that Costigan is working undercover.

After a major transaction of microprocessors (whatever the heck this is) goes wrong, Sullivan and Costigan are well aware there are rats on the other side and warn their respective leaders of them. While Sullivan is on police duty watching this transaction go down through surveillance with the other officers, he reaches into his coat pocket and we see him text a message to Costello, with one hand, mind you, and keeping his phone in his pocket, "No phones". Okay, this is 2006, so he's doing this with a flip phone and he's obviously memorized which buttons to push and how many times to push the up/down arrow to get to his contacts, then how many down to click on Costello's name and which buttons to push to write "No phones", but....if I did that, I would probably end up sending it to the wrong person....if I even got to contacts and the message would probably read "77 74843" or whatever numbers correlate with those letters! Obviously, he probably practiced doing that until he got it right, but I was pretty impressed he could do that. So he warns Costello to shut off the phones and everyone is like, "They turned their phones off!" However, there's one person who has kept his phone on and Costigan has texted Queenan a simple "$" to let him know the buyers are there. So that's how the two infiltrators are aware of each other. They just don't know who they are. 

For a movie without any adolescent girls or hardly any female characters for that matter, there's a lot of period talk. It's really gross. Well, it's really gross and skeevy in one scene, and in the other scene, it's still gross, but it's also funny. In the opening scene, when we're introduced to Costello and see him talking to a young Colin, he asks the girl who's working behind the counter, "Have you gotten your period yet?" First of all, ewwwwwww. Second of all, the girls is clearly at least sixteen. Of course she's gotten her period. Don't be an idiot, Frank. During this whole monologue we're getting from Costello, they keep him hidden in the shadows and I thought they were doing this because it takes place in the past and they didn't want us to see Nicholson's face cuz he needs to be young, but at the very end of his speech, we see him step out of the shadows and see his face.  In the other scene where periods come up, Costigan is at a bar where Costello's guys hang out and he orders a cranberry juice. One of the guys tells him that's what his girlfriend drinks when she's on her period and asks Costigan if he's on his period and in response gets a shot glass smashed on his head.

Speaking of women, police psychologist, Madalyn (Vera Farmiga) is the only one of note, and thank God, we don't have to hear about her menstruation cycle. She strikes up a relationship with Sullivan and they start dating. Their meet cute is super annoying. They're both on an elevator with several other people and Sullivan strikes up a conversation with her. When the elevator opens, it's her floor, and she gets off, but Sullivan, who tells her he's up one more floor, stays on the elevator, but keeps his body against the door to keep the elevator from closing and is still talking to her for several minutes, eventually getting her card. And there are other people still on the elevator waiting while these two are shamelessly flirting with each other! I'm surprised nobody got pissed at them! They're all just standing there, nonplussed. I would be so annoyed! It's like, why don't you get off the damn elevator and get her information and then just take the damn stairs up one flight when you're done! UGH! I did laugh when she gives him his card and he says, "I don't need it...I'm a detective, I'll find you" and she starts to take it back, but he snatches it and tells her, "I do need it." That was pretty cute. 

So they start dating, but guess who Madalyn has an affair with? Costigan, of all people! What a small world! Later in the movie, Sullivan will get a whiff of this information and Madalyn will tell Sullivan they're having a baby, but I have to wonder, as I did, if he suspects that it's not his as he has some, ahem, problems in the bedroom. 

When Queenan tells Sullivan to follow Costello because he believes that will lead them to the rat inside the police unit, a lightbulb goes off over Sullivan's head and he tells two officers to put a tail on Queenan, telling them he suspects Queenan might be the mole. It's actually a brilliant idea, it's just too bad the bad guys thought of it first! The two officers track Queenan to an abandoned warehouse where, indeed, Queenan is meeting with the infiltrator. Sullivan calls his guys and gives them the address and tells him they found the rat. When Queenan and Costigan found out they've been exposed, the former tells the latter to use the fire escape and that he'll be okay.

And now is a good time to go into MAJOR SPOILERS! DO NOT READ ANY FURTHER IF YOU HAVE NEVER SEEN THIS MOVIE AND DO NOT WANT TO BE SPOILED BECAUSE NOW I WILL BE GIVING AWAY HUGE PLOT POINTS!!!!!!!!!!!!! YOU HAVE BEEN WARNED!!!!!!!!

Well, Queenan wasn't exactly telling the truth when he tells Costigan that he'll "be okay" because when Costigan walks outside and around a corner, Queenan's body literally goes splat on the pavement in front of him from being thrown out the window. Oh my God! They killed President Bartlett! This is the first of many, many characters to become departed, hence the title. Costigan starts crying and freaking out and I'm thinking, Run, Leo, get the hell outta there! But when someone comes out of the building and asks him what took him long, I remembered that he was supposed to meet there in the first place. HOWEVER....in the next scene, the guy who texted Costigan tells him he gave him the wrong address and finds it curious that he showed up. Lucky for Costigan, this guy got into a shootout with the other policemen who followed Queenan and literally dies a few second later, so his secret is taken to the grave. I mean, how convenient is that?

There's a great scene where Sullivan dials the last number Queenan dialed on his phone and Costigan is smart enough not to say anything when he answers it. Both of them are just holding their phones to their ears, waiting to see if anyone will talk first, but no one does. When they hang up, Costigan starts packing, but then calls the number back and says, "You called this number on a dead man's phone. Who are you?" Sullivan tells him who he is and that he's taking over Queenan's division. Costigan wants to confer this piece of information with Dignam, but he took a leave of absence (or rather quit because he was furious that Sullivan got Queenan killed by putting a tail on him). I don't know why he just didn't call Dignam to ask him unless he didn't have his home phone number? :::shrug:::

In another turn of events, Sullivan finds out, from going through Queenan's notes, that Frank Costello is an FBI informant. What the huh? I wasn't exactly clear who all knew that information. Queenan for sure and probably Dignam. But did Costello know that Costigan was working for the FBI too? This whole reveal really confused me. Maybe I'm just stupid, who knows! Sullivan is worried that Costello is going to rat him out, so he kills him when the police bust him and his gang for some drug thing. Costello has one of those movie deaths where he's shot in the chest and spits up blood, but psych! He's not dead yet! It takes another shot to kill him and Sullivan is hailed as a hero, so I'm guessing nobody there knew about Frank's secret. 

There's a scene where Costigan gives Madalyn an envelope and instructs her to open it if something happens to him or he tells her to and that she's the only person he trusts. Remember this piece of information. Speaking of envelopes, there's another one that's an integral part of the story. When Costello finds out there's a rat among his crew, he makes everyone fill out a form with their name, address, social security number, etc. so he can check out everyone. All of these papers will be in an envelope with CITIZENS (actually it will be written twice because the first guy who wrote it spelled it wrong) scrawled across it. Everyone is supposed to stay in the bar where they're filling out until they've all been checked, but Costigan says he's not staying, so that's a huge sign that he's the rat! Though I don't blame him that he wants to leave...if he stays, he's dead.



So this envelope with "Citizens" will come up later when Costigan sees it sitting on Sullivan's desk when he goes to get his pay and that's when he knows that Sullivan is a mole within the Force. He also knows that Sullivan knows he was the rat within the mob. He leaves without telling Sullivan, but he doesn't tell Dignam, who is, remember, the only living person who knows the truth about him. Instead he gets Sullivan to meet him at the building where Queenan was killed, baiting him by saying Costello told him he has recorded all his conversations for insurance and if they are released, Sullivan will be revealed. Costigan also called Anthony Anderson, the one person who was also in the same academy as Costigan and knows who he is. Costigan thinks he can get him to trust him, but it doesn't quite work out that way. I still don't understand why he didn't call Dignam! 

Costigan takes the elevator down with his gun pointed at Sullivan's head, but when the door opens, we see someone shoot Costigan in the head, and then when Anthony Anderson comes down the other elevator and sees Costigan dead on the floor and two of his fellow officers, he doesn't quite know what's going on. The guys shoots him too. This is someone we've seen in the background, but not a major character. He tells Sullivan that he wasn't the only one working for Costello and they have to look out for each other. When Sullivan gets the chance, he kills him. 

Not long after, Sullivan will come home to his apartment to see Dignam there with a gun and he kills him. You may have never noticed this if you've only seen the movie once, or maybe you didn't even notice on a second time, but next time you watch this movie, be on the lookout for X's when a character dies or is about to die. When Sullivan is walking down the hall to his door, the carpet in the hallway has large X's (super tacky if you ask me), when Costigan and Sullivan are in the elevator, you see an X created with duct tape about Costigan's head, and when poor Queenan falls out of the building, he pasts several windows with tape making an X. 

Remember that envelope Costigan gave Madalyn to open if anything happened to him? We never see it again. The last we see of Madalyn is her at his funeral, crying. I guess they thought it was unnecessary since we already knew what would be in that envelope, but it just seemed weird to bring up if they're not going back to it.

The movie ends with a shot of a rat on the balcony railing which made me groan for two reasons. One, this is an extremely nice apartment complex in Boston and now there are rats balconies? No, I don't buy it. (And I literally wouldn't buy the apartment if it had rats!) Two, it was a little too on the nose.  

Monday, January 28, 2013

Beware of bears!

The Edge
Director: Lee Tamahori
Cast: Anthony Hopkins, Alec Baldwin, Elle Macpherson, Harold Perrineau, Bart the Bear
Released: September 26, 1997



I've recently realized how much I love survival stories. I don't care if they're based on a true story or fictional (though being based on a true story makes them more interesting). I recently finished reading "Lost in Shangri-La" by Mitchell Zuckoff, a true story about three people who survived a plane crash in the jungles of Papua New Guinea in 1945. One of my favorite books is "Into Thin Air" by Jon Krakauer about an expedition to Mount Everest gone wrong. I both saw the movie and listened to the audio book of 127 Hours. The Grey was one of my favorite movies of this past year. I also am obsessed with the reality show Survivor! Okay, it's not exactly the same thing as those people are never in any real peril, but I still love it. Survival stories, I do love!

Charles Morse (Hopkins) is a billionaire bibliophile who's married to a model half his age (Macpherson). She has invited him to join her on location in Alaska for a photo shoot. Charles suspects there is something going on between her and the photographer, Bob (Baldwin) because he is always flirting with her and she doesn't seem to mind it. Bob is determined to photograph some real natives and when the owner of the lodge they're staying at tells him about a friend and where to find him, he takes the opportunity to go there. Along with his assistant and the pilot, Charles also joins them after Bob invites him. While in the tiny plane (and those things are never good - whenever you hear about a crash, it's always a tiny plane!), a flock of birds fly right into them and into the windshield causing the plane to go down and crash in a large lake in the middle of the wilderness. The pilot is dead, but the other three manage to get out. There's a shot of a rifle laying on the seat as they are escaping from the plane and I thought this was important, but no, we never see it again. I guess they were just showing us that they would not have a rifle with them.

Bob's assistant is played by Harold Perrineau who is best known for playing Michael (father of Walt, owner of Vincent) on Lost. So Lost is not the first time he played a character who crashed in the middle of nowhere and had to survive in the wilderness! Unlike Michael (he survived in Lost, right?), Perrineau's character in The Edge is not so lucky. First, he stabs himself in the leg and hits an artery when he's making a spear for them to catch fish. Then he gets mauled by a bear! (Because some idiot left his bloody pants hanging out and the bear could smell the scent of the blood.) The shot of the bear ripping him apart is a bit humorous because it's pretty obvious the bear is throwing a dummy around. They probably had fried chicken pieces on the dummy!

That wasn't the first time they had contact with the bear. While hiking in one big circle to see if they could find a way out, the three of them heard the bear and it started chasing them. In a scene similar to The Grey, they're trying to get across a gorge and lift a heavy tree that had already fallen to act as a bridge. Charles is the last to cross the shaky bridge (there's rocks and a rushing waterfall below them) and while on the middle of the "bridge" (and they were walking really slowly to get across - I would have gotten on my butt and scooted across!), the bear starts shaking the tree and Charles falls off, but the strap of his knapsack catches a branch and he's holding on to his bag. Um, I'm sorry, but there's no way that bag could have held his weight...that would have snapped in a second! But he manages to hold on for quite awhile. The other two are trying to help him, but he does fall into the water. From one angle, he looks pretty high up, but when we see him falling into the water, it only looks like he's fallen two feet!

I don't know if this was in the script or if it was something Alec Baldwin did to ad-lib, but everytime he talks to Anthony Hopkin's character, he always says his name in the sentence. Like: "What do you think we should do, Charles?" "What are you doing, Charles?" "Charles, are you okay?" "Charles! Where are you going?" It was so annoying! But at least I didn't forget his name!

After the bear shows up for the third time, Charles realizes it's a man-eater and is stalking them. He and Bob create a ring of fire around them to keep the bear out and are discussing how they can kill it. This is where I thought the gun was going to come in...I thought one of them would remember there was a gun in the plane and have to dive down to get it, but nope. They set up a trap to lure the bear and Charles has created a spear out of a long branch which he kills the bear with. The bear has a ferocious roar, but when Charles has the stick in front of him, the bear is just sorta lazily following him around, like he's supposed to do. I'm guessing a non-actor bear would charge at him and rip him to shreds.

The bear is played by Bart the Bear and I love how in the end credits and on the movie's IMDb page, he is listed fourth or fifth. I've never seen an animal credited among the actors (and given his own title card to boot). Bart the Bear must have had one heck of a manager! (He died in 2000 at the age of 23). Of course, he was a big Hollywood (animal) star. He was also in The Bear (I'm assuming he played the titular character!), Legends of the Fall, and The Great Outdoors. The Edge was one of his last starring roles. I guess even bears have to retire! On his IMDb page (yes, he even has his own IMDb page), there are some hilarious message board posts like how he was always typecast. (A bear being typecast?!?! I laughed so hard when I saw that!)

Once the bear is dead, that doesn't mean Charles and Bob are "out of the woods yet", no pun intended (okay, maybe a little!). While in the plane, right before the crash, Charles asks Bob how he plans to kill him. The conversation is brought up again while hiking in the woods and Charles confesses he thinks Bob is having an affair with his wife. Bob laughs it off, but later, after they've killed the bear, they find an abandoned house and Charles, who recently received an engraved watch from his wife, finds out that Bob also received an engraved watch with a message alluding to an affair from his wife. Bob knows that Charles is on to him and with a rifle found in the house, he is about to shoot Charles, but ends up falling in a bear trap. Charles could have easily killed him at this point, but instead helps him out and takes care of his wounds. With a canoe outside the house they row down the river for awhile until Charles sees a helicopter and successfully gets its attention. By this time Bob has died from his injuries. Back at the lodge there are many reporters wanting to know what happened while he was out there and what happened to the other two men which Charles replies with, "They died saving my life." Fade to black.

Even though I had a few minor complaints about how fake things sometimes looked, it was a good movie and I would recommend it. (But then again, I do love my survival stories!) What shocked me the most was that David Mamet wrote the script. It just seems so different from somebody who wrote State and Main and Wag the Dog. It's like when I found out that Ian McEwan, author of "Atonement" wrote the script for The Good Son. 

Bart the Bear should be proud of his final performance!

Sunday, December 6, 2009

Alternate Endings

Warning: major spoilers for the film and book!

My Sister's Keeper
Director: Nick Cassavettes
Cast: Abigail Breslin, Cameron Diaz, Alec Baldwin, Joan Cusack
Released: 6/26/09

I had pretty low expectations while watching this, knowing that the book is always better than the movie, at least 90% of the time. The film wasn't horrible, but it definitely had flaws. A lot of them. It seemed more like a made-for-TV (perhaps Lifetime? Of course, many of Picoult's books seem like they would fit in perfectly with Lifetime's lineup).

As you probably already know, this movie is based on Jodi Picoult's best-selling novel of the same name about a young girl named Anna (played by Breslin) who sues her parents for the rights to her own body because she was genetically conceived to have the same blood type as her older sister, Kate, who is ridden with cancer. I read it three and a half years ago and it was one of those can't-put-down books. The problem with the movie is the way they translated it to the big screen didn't quite work. If you've read the book, you may remember that different characters alternate telling the story in their POV with each chapter. There's random voiceovers from the different characters that just seem out of place. One second, two characters are talking to each other, then the next you hear a voiceover from one of the characters. Very distracting. The film is very manipulative and the director tries way to hard beating the audience over the head with his "okay, you're supposed to cry now because this is sad, damnit!" scenes. And every other scene involves a sappy, melancholy song set to the characters in slo-mo whether they're playing at a beach or blowing bubbles while jumping on a trampoline. After a while, you start to roll your eyes.

Baldwin plays the lawyer Breslin hires and he plays his character exactly the same way he plays Jack Donaghy that I kept preparing for a punch line. Diaz plays the mother and she is a shrill little harpy in this movie, but I suppose her character has good reason to be so upset.

But those little flaws aside, the film does follow the novel pretty faithfully...until the end. And here's where the major spoiler comes in place, so stop reading if you've never read the book and don't want to be spoiled, don't read the next paragraph...

In the book, there is a huge twist and Anna dies in a car accident and her kidney is given to her sister who goes on to live a relatively normal and healthy life. There's a scene in the movie where Anna and Kate are talking about heaven and I was thinking, "Aha! Foreshadowing! Everybody thinks it's going to be Kate, but it's really Anna!" Turns out I was the wrong one. In the film, that never happens and Kate dies, as one would expect someone that sick with cancer to do. I'm not sure why they changed the ending (perhaps too lazy?), but it is a little funny that the more preposterous ending is from the book. Hollywood loves those kinds of crazy twist endings, so you think it would eat that up.

If you've never read the book, you might enjoy the movie (if you can stand really cheesy scenes), but I would recommend the book before the film.